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                    <text>THE WRECK OF THE OLD NINETY SEVEN
They gave him his orders at Monroe, Virginia
Saying: Steve, you are way behind time.
This is not old thirty eight but it 1 s old ninety seven,
You must put her in Center in time.
He looked round and said to his black greasy fireman:
You must shovel in a little more coal,
For when we cross that White Oak 1Vlountain
You can see old Ninety Seven roll.
It•s a might rough road from Lynchburg to Danville,
And a line on a three mile grade.
It was on that grade that he lost his airbrake
And you see what a jump he made.
He ~vas going dovm grade making ninety Bi:ae miles an hour,
When his whistle broke into a scream.
He was found in the wreck with his hand on the throttle,
And was scalded to death by the steam.
Now, ladies, you must take v,rarning,
From this time now and on,
Never speak harsh ·words to your true loving husband;
He may leave you and never return.

�</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                    <text>The wreck or t~e C.N.O.
or
Between Richmond and .for:folk

on the !;eTen Pine Road.

On that colcil and clark cloudy evening,
Just bef'ore the close of clay,
There ca1:1e Harry Lile ancl Dillard,
And. with Anderson tha;y rode a·xay.
y

From c lif'ton Forf_ th./y starteo.,
·7ith their spirits so ru:-ged and high,
They stopped at the iron gate and waite(l
Until old nm:1bcr nine went bJt.
Bacl( on the main line t~ 1 ey stareed
Down James River so dark and drear.
They gave no thought to the e.langer
lor the death that was waiting so near.
They talked and they joked wit! each other,
As they spe'l on their way sise y side •
.And the old engine rocked as she trc..veled
Through the night in this last f'atal ride.
Now the story ends;the old engine
Lies on her side in t'' e coltl river beci.
r:::arry lies in tl'e ca1)in
lfith -~. hat deep :ratal wouncl in his heacl.
l'rmv railroad nen,you should all take W[trning,
You may f'ade like this young handsome · mn.
For you all :cmst remmn1~er that the step is a s ~~ ort one
From this earth to tijat sweet prmmisecl land.

�</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>              (3)&#13;
I wish I were Single&#13;
When I was single O then Oh then When I was single Oh then.&#13;
When I was single my pockets would jingle               &#13;
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                    <text>I WISH I WAS SINGLE AGAIN

When I was
When I was
When I was
And I wish

single, Oh then, Oh then,
single, Oh then.
single my pockets did jingle,
I was single again.

I got
I got
I got
And I

wife, Oh then, Oh then,
wife, Oh then.
wife she was the plague of my life,
I were single again.

My
My
My
To

me a
me a
me a
wish

wife she died, Oh then, Oh then;
wife she died, Oh then:
wife she died and I laughed till I cried
think I was single again.

I married another, Oh then, Oh then,
I married another, Oh then.
I married another, she's the devil's stepmother,
And I wish I were single again.
She beat me and she banged me, Oh then, Oh then,
She beat me and she banged me, Oh then.
She beat me and she banged me, she swore she would
hang me,
And I wish I was single again.
She
She
She
And

got the rope,
got the rope,
got the rope,
I wish I were

The
The
The
And

limb did
limb did
limb did
I wish I

Oh then, Oh then,
Oh then.
my neck it did choke,
single again.

break, Oh then, Oh then;
break, Oh then.
break and my neck did escape,
was single again.

Young man take warning to this, to this,
Young man take warning to this.
Be good to the first for the last is much worse,
And you'll wish you was single again.

�</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                    <text>I

Then I was Single ,Oh,then,O ,t 1len.
lfhen I

then' ·

wa s sin:;;le 0

hen I wc: s sin,le my po o1{ets did jin.,.,le,
nd

I

wis ~l

I was single a-ain.

I rrot me a wif'e,Oh t J• en, Oh then.
I got r.1e a \fife Oh then'
I

ot

e a wife she was the plague of'

.And I wisl I
ry

lf ~

;- lire,

single a£ain.

if'e she elied,Oh then,Oll then;

y wife she died

, oh

t _.en;

y wife she died ancl I laug.1e(l till :i erie
~IJ

think I was single a ain.

I married another 0 then,Oh

th&lt;&gt;J~
t

I marriea another,Oh t hen.
I r.tarriefl another,s e's the deTil's step mother,
J.n

I wish I wt);l.i sin!l!le a ... ain.

he beat me and she

anr;ecl me oh t hen,Ob. t hen.

he beat me and s he

an r;ed n e oh t !1en
ne , s he swore s_w would han n me'·

he got the rol')e,Oh then,Oh then,
he got the roJe, Oh t hen,
~ he

e;otthe ro e, my ne k it d id choke,

J.nd I wis h I w()ll.si single a ,ain.

The lim

id

The lim.

d id

The lim

l icl.

~

rea!&gt;:, l)h t 1en,Oh t l en;

, Oh t ' _en.

1 real{
~

reak and. ny neck

nd I wish I w~

sin~ le

Yount; man tal{e warnin

~ id

escape,

a ~ain.

to this, to this,

Youn;; man take warnin --; to t his,
Be good. to the first f or the last is mue!l worse,
·nd you'll wis h you

~v -.e

single a[!;ain.

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                    <text>' ' .!.·

The weeping Tfillow Tree.

Go bury me beneath t he W
illow,
Beneath the weeping willmv tree,
And. whan he hears that I am sleeping,
He perhaps will bhink of me.

Tomorrow was our weddintr, day,
nut God only lmows where he is.
He's gone, he's gone to see another;
lie no longer cares for me. _

They often tolc:lrne he tlidl not love me,
nut I did not beli eTe it true,
Until an angel whispered softly:
He no longer cares for you.
Chorus:
Come all young girls take my advioe,
:~eTer
go too -rar wit .1 a man.
They will bring you d.own;they will ruin and :fool you,
Uhenee ynu haTe t ~ cir love to win.

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Down by the Weeping Willow, Under the Weeping Willow Tree, Bury Me Beneath the Willow</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>The Texas Ranger.&#13;
&#13;
Come all ye Texas Rangers who ever you may be, I'll tell you of a story that happened unto me, &#13;
My name is nothing extra to you I will not tell, &#13;
but here's to all good rangers, &#13;
I'm sure I wish you well.    </text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                    <text>sll yo ~e~LS rangers.
he?e ever you m~y be.
Sne truubles I will tell you.
':Jhich hrnpened unto me.
l.ly nt.:'rre ls nothing e:z:tra.
But the truth to you Ill tell.
I £n E jolley rsnger.
I am sure 1 wish you well.
Twrs rt the .rge of sixteen.
I joined this h[~PY brnd.
~e m~rched from c~ttrnoog~.
Unto ... yhe Riogr·nd •
Our Ept~in w:::e E leEder.
To us he did commrnd.
Come ~ll ye Texrs rangers.
"nd round y::mr horses st~nd.
I herd the Indi~ns coming.
I herd thee give ~ yell.
My feelings Et thLt moment.
No hum:::n tongue c::.n tell.
I sr~ tha smoke £Ssending.
~he muskets round did s:::il.
I:y hef= rt it sunk with in r.1e.
I.:y cour:::ge it ~:lmostfell •
.. erh ps yo, hrve ::: Mother.
~ike wise £ sistr to.
Perh£ps you h~ve [' sweethe[rt.
To weep ~nd mourn for you.
If this be your condition.
·.:'here ever you mf::y rome.
I d ~ dvise you bv exnerienee
** :': lt*'*' *"'**"~&lt;***
~; ******t*

*
(**

(

The like of de6d ~nd wounded.
H&amp;s nere b~fore been found.
Five thousLnd jolley rsngers.
Fell lifeless to the ground.
There rre testing sweetly resting.
Bene~th tLe ~od rnd clry.
\.'e never more sh.s 11 meet them.
Until ~he judgement dLy.

Some out }

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>&lt;a title= "Lenoir (N.C.)" href=" https://www.geonames.org/4475640/lenoir.html" target="_blank" rel="noreferrer noopener"&gt; Lenoir (N.C.)&lt;/a&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                    <text>THE TEXAS RANGER
Come all ye Texas Rangers) whoever ye may be;
I'll tell you of a story that happened unto me.
My name is nothing extra) to you I will not tell)
But here's to all good Rangers) I'm sure I vlish you well.
When at the age of fifteen years) I joined the royal band.
We marched from San Antonio unto the Rio Grande)
And there the Captain told us) perhaps he thought it right)
"Before you reach the station) boys) I'm sure you'll have
to fight.
We saw the Indians coming) and heard them give their yells)
My feelings at that moment no tongue can ever tell.
vle saw their glittering lances; their arrows around us
hailed.
My heart \'las sick within me; my courage almost failed.
I thought of my old mother) who in tears to me did say) 11
"To you they all are strangers; with me you better stay.
I thought her weak and childish) and that she did now know)
For I was bent on roving and I was bound to go.
vie fought them full five hours before the fight gave o'er;
Three hundred noble soldiers lay weltering in their graves;
Three hundred noble soldiers as ever trod the \·Jest)
Were buried by their comrades) may sweet peace be their
rest!

Perhaps you have a Mother; likewise a sister) too.
Perhaps you have a sweetheart who will weep and mourn for you.
If this should be your portion) and you are bound to roam)
I'd advise you from experience) you'd better stay at home.

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                    <text>p_,1 L..l. t1J-LC

-

The Tezas Ranger.
Come all ye Texas Rangers ,whoeTer ye may e;
I'll tell you or a story that happened unto me.
·y name is nothin~ extra,to you I will not tell,
But here's to all gooa Jtangers ,I'm sure I \fish you well.
Wen at the age or f'irteen yetrs,I joine the royal an •
e m ~ rched :fro:[} Dan .Antonio unto the Rio Grande,
And there the Captain tol us,perhaps he thou ht it right,
"Before you reach the tation ,boys,I'm sure you'll haveto fi~ht.
Te saw the Indians womin ,ana bear_ t 1em giTe their yells.

My feelings at t __ at moment no tongue ean ever tell~

e saw their glitterin:; L nces;their arrows a round us hailed.
ry heart vas sielc 1ithin me; my coura .e almost f'ailotl.
I thour.;llt of my old mothcr,who in tears~o meJ id say,
"To you they all are stran~crs ;wit h rne you etter stay."
I thou ht her veak aml childish, ancl t 1at she did not lmow,
For I was cnt on roTin, and I was ound to o.
e fou ·ht t:1em f'ull rive hours be:fore the f'i ht gaTe o 'or;
Three hundred noble soldiers lay weltering in their
n-ee;
Three hundred noble sol icrs as ever tro t .e est
.ere uried y their co~rades,
~y sweet peace be their rest!
Perhaps you have a !ot' er;like•vise a sister ,too.
Perhaps you haTe a s •eet heart who will weep and mourn for you.
If this s 1ould be your portion,an you are oun ~ to roam,
I'd advise you .1.ron expe rience,yru 'cl etter stay at home.

�</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                    <text>BEAUTIFUL LIGHT ON THE OCEAN
I wish I had someone to love meSomeone to call me their own,
Someone to live with me always;
I'm tired of living alone.
Chorus:
Beautiful light
Beautiful light
Beautiful light
True love, I am

on the ocean,
on the sea,
on the ocean;
waiting for thee.

Seven long years I've been married.
I wish I had died an old maid.
For I've never seen nothing but trouble,
My husband won't work at his trade.
He promised before we were married,
That we would be gallant and gay;
And every night of the winter
We'd go to some ball or some play.
I wish you'd go down to the bar room,
And get him away if you can,
For you never know what's going to happen
To a foolish old drinking man.
For I have to get up in the morningLabor and toil all the day;
And then in the evening get supper
And put the dear children away.
What is the use of repenting;
Where there's a will there's a way.
Any old thing for a husband
Is better than to be an old maid.

�</text>
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Come blooming youth in the midst of day, and see how soon some pass a-way.  There were two men worked with us there, what became of them you soon shall hear.    </text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>(1) Come blooming youths in the midst of day&#13;
and see how soon some pass away there&#13;
were two men worked with us here what &#13;
became of them you soon shall hear.&#13;
&#13;
(2) They worked all day till evening tide&#13;
before the ground it made aslide and fifty &#13;
minutes after five they were healthy me and &#13;
yet alive.&#13;
&#13;
(3) Before the whistle blew for six their eyes &#13;
were cast their doom was fixed the rocks and&#13;
dirt came tumbling down and under them these &#13;
men were found.&#13;
&#13;
(4) Poor Sherley had a wife and children&#13;
dear poor Smith! had a mother sad news&#13;
to hear but we hope he did their hearts&#13;
renew and receive them into the heavenly&#13;
crew.&#13;
    &#13;
&#13;
(5) for let us take heed what the scripture’s&#13;
say that we must watch as well as pray&#13;
for in an hour when you think its not&#13;
near the summons of death it may appear.&#13;
&#13;
(6)We hope they went for consolation read&#13;
and believe gods revelation.  </text>
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                    <text>ORE KNOB
Gome blooming youth in the midst of day~
And see how soon some pass away.
There were two men worked with us there,
vfuat became of them you soon shall hear.
They worked all day till evening tide~
Before the ground~ it made its slide.
At fifty minutes after five
They were healthy men~ and yet alive.
Before the whistle blew for six~
Their die was cast; their doom was fixed.
The rocks and dirt came tumbling down~
And under it these men were found.
Poor Shirley and Smith! how much we miss
Around the Ore Knob today!
We hope they have gone to a world of bliss
But none of us we dare to say.
But with the Lord there's nothing strange~
He could their hearts in a moment change.
We hope he did their hearts renew~
And receive them into that heavenly crew.
Poor Shirley had a wife and children~ dear~
And Smith~ a Mother~ this news to hear.
We hope they will for consolation
Read and believe in John's Revelation~
That says the&amp;ad will one day rise~
And saints shall mount the upper skies~
To rise and sing~ the Lord adore~
When Saints that meet shall part no more.
Let us take heed what the scriptures say
That we must watbh as well as pray;
For any hour when least 'tis thought~
The summons of death~it may be brought.

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Ore Knob&#13;
&#13;
Come blooming youth in the midst of day,&#13;
And see how soon some pass away.&#13;
There were two men worked with us there,&#13;
What became of them you soon shall hear.&#13;
&#13;
They worked all day till evening tide,&#13;
Before the ground, it made its slide.&#13;
At fifty minutes after five&#13;
They were healthy men, and yet alive.&#13;
&#13;
Before the whistle blew for six,&#13;
Their die was cast, their doom was fixed.&#13;
The rocks and dirt came tumbling down,&#13;
And under it these men were found.&#13;
&#13;
Poor Shirley and Smith!  how much we miss&#13;
Around the Ore Knob today!&#13;
We hope they have gone to a world of bliss&#13;
But none of us we dare to say.&#13;
&#13;
But with the Lord there’s nothing strange,&#13;
He could their hearts in a moment change.&#13;
We hope he did their hearts renew,&#13;
And receive them into that heavenly crew.&#13;
&#13;
Poor Shirley had a wife and children, dear,&#13;
And Smith, a Mother, this news to hear.&#13;
We hope they will for consolation &#13;
Read and believe in John’s Revelation,&#13;
&#13;
That says the dead will one day rise,&#13;
And saints shall mount the upper skies,&#13;
To rise and sing, the Lord adore,&#13;
When Saints that meet shall part no more.&#13;
&#13;
Let us take heed what the scriptures say&#13;
That we must watch as well as pray,&#13;
For any hour when least ‘tis thought,&#13;
The summons of death, it may be brought.</text>
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                    <text>ore Knob.
Cone blooming youth in the mid.st of day,
And see how soon so::1e pass away.
There were two men worked with us there.
What became of them you sooi1 shall hear.
They worked all day till evening tide,
Be:fore the ground ,it made its slide.
At fifty min utes after :five
They were healthy men,and yet alive.
Before the whistle blew ~or six,
Their die was cast; their doom was fixed.
The rocl{S and dirt cane tumbling dowh,
And under it these men were found.
Both cold anddead, aml could not live,
For God had took the spark he give.
They were brought to t~1e top, a dreatlf'ul sight,
How lonesmne was that Tuesdal)l night.
Poor ShirleJ"t'"l:nithl ~ow much we miss
Around t:,e Ore Knob today!
We hope they have gone to a world of bliss
But none of us we dare to say.
But with the Lord there's nothi1l.g strange.
He could their hearts in a monent change.
we ho11e he lil:i!d their hearts renew,
And receive them into t :,at heavenly crew.
Poor Shirley had a wife aml children ,dear.,
And Smith , a · :other, this news to hear.
We hope they will f'or consolation
Read and believe in Joru1's Revelation,
That says the dead will one day rise,
And saints shall mount the upper slr.:ies
To rise and sing,the Lord ~aore,
;;hen Saints t:1at meet shall part no more.
Let ustake heed what the scriptures say
That we must watch as well as pray;
!"or any hour when least 'tis thought.
The sunmons of death, it may l)e brought ·.

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Ore Knob&#13;
&#13;
Come blooming youth in the midst of day,&#13;
And see how soon some pass away.&#13;
There were two men worked with us there.&#13;
What became of them you soon shall hear.&#13;
&#13;
They worked all day till evening tide,&#13;
Before the ground ,it made its slide.&#13;
At fifty minutes after five&#13;
They were healthy men, and yet alive.&#13;
&#13;
Before the whistle blew for six,&#13;
Their die was cast, their doom was fixed.&#13;
The rocks and dirt came tumbling down,&#13;
And under it these men were found.&#13;
&#13;
Both cold and dead,and could not live,&#13;
For God had took they spark he give.&#13;
They were brought to the top, a dreadful sight,&#13;
How lonesome was that Tuesday night.&#13;
&#13;
Poor Shirley &amp; Smith, how much we miss&#13;
Around the Ore Knob today!&#13;
We hope they have gone to a world of bliss&#13;
But none of us we dare to say.&#13;
&#13;
But with the Lord there’s nothing strange.&#13;
He could their hearts in a moment change.&#13;
We hope he did their hearts renew,&#13;
And receive them into that heavenly crew.&#13;
&#13;
Poor Shirley had a wife and children , dear.,&#13;
And Smith ,a Mother, this news to hear.&#13;
We hope they will for consolation&#13;
Read and believe in John’s Revelation,&#13;
&#13;
That says the dead will one day rise,&#13;
And saints shall mount the upper skies&#13;
To rise and sing, the Lord adore,&#13;
When Saints that meet shall part no more.&#13;
&#13;
Let us take heed what the scriptures say&#13;
That we must watch as well as pray,&#13;
For any hour when least ‘tis thought.&#13;
The summons of death, it may be brought. </text>
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                    <text>ORE KNOB SONG.
Come blooming youth in midst o~ day,
And see how soon some pas s away,
There were two men worked witb us here;
~''hat becrune o~ them you soon shall hear.
They worked all day till e:u:ening tide,
slide,

Be~ore the ground it made its
At ~ifty minutes after ~ive;

They were healthy men and yet alive.
Be~ore the whistle blew for six,
their die was cast, thier doom was fixed,
The rocks and dire came t~mbling down,
And under it these men were ~ound.

Both cold and dead and could not live,
For God had took the spark he give,
They were brought to the top a dreadful sight,
How lonesome was that fU e sday night~
Poor Sherley and Smith how 1ruch we miss,
Them around the old Ore Knob today,
W hope they'er gone to a world of bliss,
e
But none of us we dare not say .
But with the Lord there's nothing strange,
He could their hearts in a moment change,
·we hope He did their hearts renew
And recieve them in that heavenly crew.
Poor Sherley had a wi~e and children dear,
J,nd Smith had a mother this news to hear,
W hope they will ~or Consilation,
e
Read and believe John's revelation,
That says the dead will one day rise,
And saints will mount the upward skies,
To praise and sing and the Lord adore,
W
here saints that meet shall part no more.
Let us take hee d when the scriptures say,
That we must watch as well as pray,
For in an hour when least is thought,
The s~~~ons of death,it may be brought.

a~~ :
--~ ~ cPyr; ~

/0-- bZe-,._7 W-/

J~~ ~;?"'"-~~ ~

s

.z;

.:5 .

~ _;;/- ~ ~&lt; ~

~ a-L- ~
~ ~~ rw?--1 ~

~0~~~

.&lt;0

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Ore Knob Song&#13;
&#13;
Come blooming youth in midst of day,&#13;
And see how soon some pass away,&#13;
There were two men worked with us here,&#13;
What became of them you soon shall hear.&#13;
&#13;
They worked all day till evening tide,&#13;
Before the ground it made its slide,&#13;
At fifty minutes after five,&#13;
They were healthy men and yet alive.&#13;
&#13;
Before the whistle blew for six,&#13;
their die was cast, thier doom was fixed,&#13;
The rocks and dirt came tumbling down,&#13;
And under it these men were found.&#13;
&#13;
Both cold and dead and could not live,&#13;
For God had took the spark he give,&#13;
They were brought to the top a dreadful sight,&#13;
How lonesome was that Tuesday night?&#13;
&#13;
Poor Sherley and Smith how much we miss,&#13;
Them around the old Ore Knob today,&#13;
We hope they’er gone to a world of bliss,&#13;
But none of us we dare not say.&#13;
&#13;
But with the Lord there’s nothing strange,&#13;
He could their hearts in a moment change,&#13;
We hope He did their hearts renew&#13;
And receive them in that heavenly crew.&#13;
&#13;
Poor Sherley had a wife and children dear.&#13;
And Smith had a mother this news to hear.&#13;
We hope they will for Consilation,&#13;
Read and believe John’s revelation,&#13;
&#13;
That says the dead will one day rise,&#13;
And saints will mount the upward skies,&#13;
To praise and sing and the Lord adore.&#13;
Where saints that meet shall part no more.&#13;
&#13;
Let us take heed when the scriptures say,&#13;
That we must watch as well as pray,&#13;
For in an hour when least is thought,&#13;
The summons of death, it may be brought.&#13;
&#13;
&#13;
Dear Bro Greer:&#13;
&#13;
  Some time ago when you sang at&#13;
Jefferson I heard you say you wanted this old&#13;
ballet so I found it and am sending to &#13;
you. I am also printing it in paper and&#13;
will have a copy sent you.&#13;
&#13;
S. C. Blackburn</text>
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                    <text>CRAZY JANE
Why, fair maid, in every feature,
Are such signs of fear exprest?
Can a wandering, wretcheo creature,
With such terror fill thy breast?
Do my frenzied looks alarm thee?
Trust me sweet, thy fears a.re va.in_
:
Not for kingdoms would I harm thee;
Shun not then poor Crazy Jane.
Dost thou weep to see my anguish?
Mark me, and avoid my woe;
When men flatter, sigh, and languish,
Think them false--r found them so,
For I loved--ah! so sincerely,
None could ever love again;
But the youth I loved so dearly,
Stole the wits of Cra~y Jane.
Fondly my young he
received him,
Which was doomed to love but one:
He sighed--he vowed--and I believed him,
He was false and I am undone.
From that hour has reason never,
Held her empire over my brain:
Henry fled--with him forever,
Fled the wits of Crazy Jane.
Now forlorn and broken-hearted,
And with frenzied thought beset,
On that spot where last we parted,
On that spot where first we met,
Still I s i ng my lovelorn ditty;
Still I slowly pace the plain;
rfuile each passerby, in pity,
Cries, God help thee, Crazy Jane.

�</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Crazy Jane&#13;
&#13;
Why, fair maid, in every feature,&#13;
Are such signs of fear exprest?&#13;
Can a wandering, wretched creature,&#13;
With such terror fill thy breast?&#13;
Do my frenzied looks alarm thee?&#13;
Trust me sweet, thy fears are vain,&#13;
Not for kingdoms would I harm thee,&#13;
Shun not then poor Crazy Jane.&#13;
&#13;
Dost thou weep to see my anguish?&#13;
Mark me, and avoid my woe,&#13;
When men flatter, sigh, and languish,&#13;
Think them false—I found them so,&#13;
For I loved—ah! so sincerely,&#13;
None could ever love again,&#13;
But the youth I loved so dearly,&#13;
Stole the wits of Crazy Jane.&#13;
&#13;
Fondly my young heart received him,&#13;
Which was doomed to love but one:&#13;
He sighed—he vowed—and I believed him,&#13;
He was false and I am undone.&#13;
From that hour has reason never,&#13;
Held her empire over my brain:&#13;
Henry fled—with him forever,&#13;
Fled the wits of Crazy Jane.&#13;
&#13;
Now forlorn and broken-hearted,&#13;
And with frenzied thought beset,&#13;
On that spot where last we parted,&#13;
On that spot where first we met,&#13;
Still I sing my lovelorn ditty,&#13;
Still I slowly pace the plain,&#13;
While each passerby, in pity, &#13;
Cries, God help thee, Crazy Jane. &#13;
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                  <text>I.G. Greer Folksong Collection</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Seven Long Years I've Been Married, Lyric Variant 02</text>
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                <text>&lt;a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"&gt; I. G. Greer Folksong Collection &lt;/a&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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                <text>Beautiful Light Ore the Ocean, Beautiful Light On the Ocean, Don't Never Marry a Drunkard, Seven Long Years</text>
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                <text>Marital conflict--Songs and music</text>
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                <text>Alcoholism--Songs and music</text>
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                <text>Regret--Songs and music</text>
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                <text>Warnings--Songs and music</text>
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                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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