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Well met, well met, my old true love.  Well met, well met, he cried,&#13;
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The House Carpenter&#13;
&#13;
Andante&#13;
&#13;
Well met, well met, my old true love, Well met, well met he cried,&#13;
For I'm just returning from the salt salt sea, and it's all for the love of Thee.</text>
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                    <text>Fors2ken House

Cnrpenter.

If y u will forsake your house Carpenter.
t.nd o vway with me.
Ill ; vke youn whewr the grass grows green.
Om the benks of the sweet Enoree.
s'J.;;, e .JIAJ.l shoe my bobys feet.
its hcnds.
kiss its sweet little lips.
':Vhen i Pm in a far off land.
1 .
r~ve
Or~will

Its Pa will shoe its feet my dear.
Its fa will glove its bands.
Ita Pa will k~ss its sweet litle lips.
~::hen you vre in a far off l~nd.
She~ent ~way and dressed herself.
!lost becutiful to beho~d.
' nd she rod through the town.
She shirld like reverend gold.

She hadent been gone but about tow d2ys.
Im sure it was not three.
L
Till she begt:m to weep she wept end mo.-n•c
She wept most bitterly.

'J-

Oh ms ~r my gold ~ you weep ~
Or is·~or my store.
Or is it for your your House Carpenter.
~bose fvceyoul see no more?
Its
not for your gold I weep •
Nor ~ either ror your store.
But it is for my sweet little babe.
':~'ho d e fEJceill see no more.
She hadent been gone but about three days.
Im sur\. it was not foure.
Til l she sprang from the ship. into the deep blue sea •
. nd sank for to rise no more.
Arthur K, Moore.

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Forsaken House Carpenter&#13;
&#13;
If you will forsake your house Carpenter.&#13;
And go away with me.&#13;
Ill take youn whewr the grass grows green.&#13;
On the banks of the sweet Enoree.&#13;
&#13;
Or who will shoe my babys feet.&#13;
Who will glove its feet.&#13;
Or who will kiss its sweet little lips&#13;
When you are in a far off land.&#13;
&#13;
She went away and dressed herself.&#13;
Most beautiful to behold.&#13;
And she rode through the town.&#13;
And shined like reverand gold.&#13;
&#13;
She hadent been gone but about tow days.&#13;
Im sure it was not three.&#13;
Till she began to weep she wept and moaned.&#13;
She wept most bitterly.&#13;
&#13;
Oh is it for my gold xforx you weep xerx&#13;
Or is it for my store.&#13;
Or is it for your your House Carpenter.&#13;
Whose face I'll see no more?&#13;
&#13;
Its xisx not for your gold I weep.&#13;
Nor neither for your store.&#13;
But it is for my sweet little babe.&#13;
Whose faceIll see no more.&#13;
&#13;
She hadent been gone but about three days.&#13;
Im surw it was not foure.&#13;
Till she sprang from the ship into the deep blue sea.&#13;
And sank for to rise no more.&#13;
&#13;
Arthur K, Moore.  &#13;
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                  <text>I.G. Greer Folksong Collection</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Daemon Lover, Lyric Variant 02</text>
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                <text>The House Carpenter (Said an Old True Love)</text>
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                <text>&lt;a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"&gt; I. G. Greer Folksong Collection &lt;/a&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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                <text>Adultery--Songs and music</text>
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                <text> Ocean travel--Songs and music</text>
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                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The House Carpenter.&#13;
&#13;
Well met,well met,my old true love .&#13;
Well met,he cried&#13;
For I’m just returning from the salt,salt sea,A&#13;
And it’s all for the love of thee.&#13;
&#13;
Oh, I could have married a King’s daughter ,dear,&#13;
And she would have married me,&#13;
But I refused a crown of gold,&#13;
And it’s all for the love of thee.&#13;
&#13;
If you could have married a king’s Dayghter,dear,&#13;
I think you are to blame,&#13;
For I have lately been married to a House arpenter,&#13;
And I think he’s a fine young man.&#13;
&#13;
Oh,wont you leave your House Carpenter,&#13;
And go along with me?&#13;
I’ll take you where the grass grows green,&#13;
On the banks of Sweet willowrie.&#13;
&#13;
If I should leave my house carpenter and go along with you&#13;
And go along with you,&#13;
Pray what have you to maintain me on,&#13;
And keep me from slavery?&#13;
&#13;
I have seven ships all sailing on the sea,&#13;
All sailing for dry land,&#13;
One hundred and ten bold brave looking men,&#13;
You may have them at your command.&#13;
&#13;
She went and dressed in her finest array,&#13;
And slowly turned away,&#13;
For she outshined the gliyyering gold,&#13;
Most beautiful to behold.&#13;
&#13;
8&#13;
She went and kissed her sweet little babe,&#13;
She kissed it,she gave it three.&#13;
Saying you stay here you dear darling little babe,&#13;
And keep your Papa company.&#13;
&#13;
9&#13;
They hadn’t been on ship two weeks or more,&#13;
I’m sure it was not three,&#13;
Until this lady was known to weep,&#13;
And she wept most bitterly.&#13;
&#13;
10&#13;
Oh,is it for my gold you weep,&#13;
Or is it for my  store,&#13;
Or is it for that house carpenter,&#13;
You never shall see any more?&#13;
&#13;
11&#13;
It is not for your gold I weep,&#13;
Neither is it for your store,&#13;
But it’s for my dear darling little babe,&#13;
I never shall see any more.&#13;
&#13;
12&#13;
A curse, a curse to all seamen,&#13;
A curse to you she cried,&#13;
You have robbed me of my house carpenter,&#13;
An   here I shall lose my life.&#13;
&#13;
13&#13;
They hadn’t been on ship three weeks or more,&#13;
I’m sure it was not four,&#13;
Until that ship did spring a leak,&#13;
And it sank to rise no more.&#13;
&#13;
14&#13;
O don’t you see them dark clouds rise&#13;
As black as any crow?&#13;
They’re the walls of Hell, They’re&#13;
the walls of Hell&#13;
and o’er them we must go!</text>
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