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                    <text>S~'IEET

FORGET-ME-NOT

Oh~ fancy~ brings a thought to me,
A flower rich and rare.
Of grace and beauty, these combined,
A fadeless flower rare.
So lilce a maiden that I knew~
It was my happy lot.
She dropped a flower, I picked it up,
A sweet Forget-me-not.

Chorus:
Graceful and as charming as
The lilies of the pond,
For time doth glide so swiftly by,
While with her I'm so fond.
The roses and the violets~ too,
They cluster round the spot.
When he parted and she whispered
Oh, you'll forget me not.
We met, I really don't know where,
But yet it's all the same,
For love walks in the noisy street
The same as in the lane.
I gently pressed her hand in mine;
She glanced at me and smiled.
She dropped a flower, I picked it up.
A sweet-forget-me-not.
At last th ere came a happy time
vfuen something that I said
Just caused her lips to murmur yes
And shortly we were wed.
A little cottage by the sea,
A tiny garden spot~
·fuere grows the little flower called,
The sweet forget-me-not.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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Oh, fancy brings a thought to me,
A flower, rich and rare.
Of grace and beauty, these combined,
A fadeless flower rare.
So like a maiden that I knew,
It was my happy lot.
She dropped a flower, I picked it up,
Sweet Forget-me-not.
Chorus
Graceful and as charming as
The lilies of the pond,
For time doth glide so swiftly by,
While with her I'm so fond.
The roses and the violets, too,
They cluster round the spot.
When we parted and she whispered
Oh, you'll forget me not.
We met, I really don't know where,
But yet it's all the same,
For love walks in the noisy street
The same as in the lane.
I gently pressed her hand in mine;
She glanced at me and smiled.
She dropped a flower, I picked it up,
A sweet Forget-me-not.
At last there came a happy time
When something that I said
Just caused her lips to murmur yes
And shortly we were wed.
A little cottage by the sea,
A tiny garden spot,
Where grows the little flower called,
The sweet forget-me-not.

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'

Sweet

Forget-~c

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Ob , :fancy
b rings a thought to me,
A flower ,rich and rare.
O:f grace and )eauty, t ~1ese conbinecl ,
A f'ad eless flower rare.
3 o liKe a maiden t h a I knew,
It was my happy lot.
She dropped a f lower,Ipicked it up,
'AJfl Sweet Forget-me -not.
Ch orus:
Gracef ul and as c harr.1i ng as
The lilies of t he pond,
.:_i' or ti1,1e d otll glid e s o swi l' tly by,
''hile with he r I' m s o f ond.
'.::''1 e roses and t ~1e vio l etjltoo,
They clus t er rountl. t he s p ot.
W
hen wh,!
pe1rted and sne whispered
Cb, you' l l fort:~e t me n ot.
re met,I reallt clon't kn ow whe r e ,
:::? ut yet it's all t · e san e,
~ or love walks in the noisy s treet
The same as in t'_elane.
I g ently pressed her hanc1 in mine;
Ghe g lancet: a t me and s miled .
She dropped a f'l mver,I picked it 1-u p ,
A swe et For get-me-not.

f
\

At last t here c a m ~ a happy time
When somethi ng t :1a t I s aid
Jus t caused her lip s to m ur yes
urm
And shortly we were 'tfetl.
A little c otta ge by ~he sea ,
A timy gard en s p ot,
W
here grows t ' e little f lower called,
The sweet :f orget-me-not.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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&#13;
I'll twine with these locks of raven black hair the roses so red &amp; the lilies so fair, &#13;
the myrtle so bright with its emerald hue and the pale arameta with eyes of dark blue.   </text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                    <text>RAVEN BLACK HAIR

I 1 ll twine with these locks of raven black hair
The roses so red and the lilies so fair,
The myrtle so bright with its emerald hue,
And the pale Armeta with eyes of dark blue.
He taught me to love and he promised to love,
To cherish me always all others above;
I woke from my dreaming my idol was clay,
The passion of living had faded away.
He taught me to love and he called me his flower
That blossomed to cheer him through life•s loniy hour,
But another has won him I 1 m sorry to tell;
He left me no warning, no words of farewell~
I 1 11 dance and I 1 ll sing and my life shall be gay,
I 1 11 charm every heart in each crowd I array,
Though my heart now is breaking he never shall know
That his name makes me tremble, my pale cheeks to glow.
I 1 11
I 1 11
I 1 ll
That

dance and I 1 11 sing and my life shall be gay,
stop this wild weeping, drive sorrow away,
live yet to see him regret the dark hour
he won and neglected this frail wild-wood flower.

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Raven Black Hair&#13;
&#13;
I'll twine with these locks of raven black hair &#13;
The roses so red and the lilies so fair, &#13;
The myrtle so bright with its emerald hue, &#13;
And the pale Armeta with eyes of dark blue. &#13;
 &#13;
He taught me to love and he promised to love, &#13;
To cherish me always all others above, &#13;
I woke from my dreaming my idol was clay, &#13;
The passion of living had faded away. &#13;
 &#13;
He taught me to love and he called me his flower &#13;
That blossomed to cheer him through life's lonely hour, &#13;
But another has won him I'm sorry to tell, &#13;
He left me no warning, no words of farewell! &#13;
 &#13;
I'll dance and I'll sing and my life shall be gay, &#13;
I'll charm every heart in each crowd I array, &#13;
Though my heart now is breaking he never shall know &#13;
That his name makes me tremble, my pale cheeks to glow. &#13;
 &#13;
I'll dance and I'll sing and my life shall be gay, &#13;
I'll stop this wild weeping, drive sorrow away, &#13;
I'll live yet to see him regret the dark hour &#13;
That he won and neglected this frail wild-wood flower. </text>
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                    <text>the••· locka ot raYeD ~lack hair
and t~ l~liea eo tair,
· ~Ue eo brisht with 1 te ...rald hue •
An4 the pale ~ta wi~ eyea of 4ark blue.
I'll tw1a«·w1t

!be roaea •• r

,.

e
t ae to lew
he ••ieecl to ~OTe,
!0 oJMriah . . alwaya all Othera &amp;boTe'
I won t r • ay dre. .ins my iclol waa ciay,
!he paaaion of i "Tins ha4 taded away.
.
Be taught • to lo.e and he called me hia flower
!bat bloaeomed to cheer hi throu1h life '• lonely hour ,
But another baa won him I'm aorry to tell •
He left ae no waraina, no word a of farewei11
I '11 clance ancl I •JJ. ains and ay lite ehall be say,
I'll chara eTery heart in each crowd I array,
!hoUgh my heart now ie breaking he never eball know
!hat hia ~ aakea me tremble, my pale oheeke to al
I'll
I'll
I'll
!hat

danae and I •11 eing and my lite ehall be gay,
atop thie wild weeping, driT eorrow away,
liTe yet to eee hi• regret the dark hour
he won an4 neglected thia frail wild-wood flower.

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Raven Black Hair&#13;
&#13;
I’ll twine with these locks of raven black hair&#13;
The roses so red and the lilies so fair,&#13;
The myrtle so bright with its emerald hue,&#13;
And the pale Armeta with eyes of dark blue.&#13;
&#13;
He taught me to love and he promised to love,&#13;
To cherish me always all others above,&#13;
I woke from my dreaming my idol was clay,&#13;
The passion of loving had faded away.&#13;
&#13;
He taught me to love and he called me his flower&#13;
That blossomed to cheer him through life’s lonely hour,&#13;
But another has won him I’m sorry to tell,&#13;
He left me no warning, no words of farewell!&#13;
&#13;
I’ll dance and I’ll sing and my life shall be gay,&#13;
I’ll charm every heart in each crowd I array,&#13;
Though my heart now is breaking he never shall know&#13;
That his name makes me tremble, my pale cheeks to glow.&#13;
&#13;
I’ll dance and I’ll sing and my life shall be gay,&#13;
I’ll stop this wild weeping, drive sorrow away,&#13;
I’ll live yet to see him regret the dark hour&#13;
That he won and neglected this frail wild-wood flower.  </text>
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                    <text>BLUE -EYED MARY
Come tell me, blue-eyed stranger,
Say whither doe'st thy roam?
Over this wide world a ranger,
Hast thou no friend or home?
They call'd me blue-eyed Mary,
When friends and fortunes smiled,
But oh, how fortunes vary,
I now am sorrows child.
Come here, I '11 buy thy flowers,
And ease thy hapless lot;
Still wet with warming showers,
I'll buy for get-me-not.
Kind sir, then take these posies,
They ere fading like my youth;
But never like these roses,
Shall wither Mary's truth.
Look up thou poor forsaken,
I'll give thee house and home;
And if I am not mistaken,
Thou will never wish to roam.
Born thus to weep my fortune,
Though poor I'll virtuous prove;
I early learnt this caution,
That pity is not love.
No, no sweet blue-eyed stranger,
I'll give thee hand and hee.rt;
Be not a friendless ranger,
We never more will part.
Once more I am happy Mary,
Once more has fortuned smiled;
Who never from virtue vary;
May yet be fortunes child.

�</text>
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                  <text>I.G. Greer Folksong Collection</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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              <text>113_BlueEyedMary_ocr</text>
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                <text>English</text>
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                <text>&lt;a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"&gt; I. G. Greer Folksong Collection &lt;/a&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>&lt;a title="In Copyright - Rights-holder(s) Unlocatable or Unidentifiable" href="http://rightsstatements.org/vocab/InC-RUU/1.0//" target="_blank"&gt; In Copyright - Rights-holder(s) Unlocatable or Unidentifiable&lt;/a&gt;</text>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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                <text>Folk songs--United States</text>
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                <text> Love--Songs and music </text>
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                <text>Flowers--Songs and music</text>
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                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Blue-Eyed Mary&#13;
&#13;
Come tell me, blue-eyed stranger,&#13;
Say whither doe’st thy roam?&#13;
Over this wide world a ranger,&#13;
Hast thou no friend or home?&#13;
&#13;
They call’d me blue-eyed Mary,&#13;
When friends and fortunes smiled,&#13;
But oh, how fortunes vary,&#13;
I now am sorrows child.&#13;
&#13;
Come here, I’ll buy thy flowers,&#13;
And east thy hapless lot,&#13;
Still wet with warming showers,&#13;
I’ll buy for get-me-not.&#13;
&#13;
Kind sir, then take these posies,&#13;
They are fading like my youth,&#13;
But never like these roses,&#13;
Shall wither Mary’s truth.&#13;
&#13;
Look up thou poor forsaken,&#13;
I’ll give thee house and home,&#13;
And if I am not mistaken,&#13;
Thou will never wish to roam.&#13;
&#13;
Born thus to weep my fortune,&#13;
Though poor I’ll virtuous prove,&#13;
I early learnt this caution,&#13;
That pity is not love.&#13;
&#13;
No, no sweet blue-eyed stranger,&#13;
I’ll not give thee hand and heart,&#13;
Be not a friendless ranger,&#13;
We never more will part.&#13;
&#13;
Once more I am happy Mary,&#13;
Once more has fortuned smiled,&#13;
Who never from virtue vary,&#13;
May yet be fortunes child.</text>
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        <name>songs and music flowers</name>
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