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                    <text>The

~rexk

of

t ~e

Old Nine ty

Deven.

They gave him his orders at '!onroe , Virginia
Saying: ::&gt;teve, }ou are lJay hehind ti.:J.e.
This is not old thirty eight b ut it's old ninety seven,
You nust put her in Center in time.
:. e looked round and said t o his black greasy fireman:
must shovel in a little more ooal,
For when lY'e cros s t hat rlli te Oak ::ounta in
You can see old "inety ~e ven roll.
~~ on

It's a mightj rough road from Lyncl1bur .~ t o Danville,
Ancl a line on a t h ree mile grade.
It rm·; on that grade that he lost his airhrake
And you see wh at a jump h e :n~:cl e.
Ee was going down gratle n aldng nine ty miles an hour,
his whistle broke into a scream.
He was found in t h e wrec!:: with his hand on t ile throttle,
.:md was scalded to death hy t ~1e s team.

~hen

_T our l &lt;:dies,you must take warning,
:'ro..~ this time now and on,
:~ ever speak h arsh words to y our true l ovinrr hu s band ;
ne may ' leave you aml neve r return.

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                    <text>The wreck or t~e C.N.O.
or
Between Richmond and .for:folk

on the !;eTen Pine Road.

On that colcil and clark cloudy evening,
Just bef'ore the close of clay,
There ca1:1e Harry Lile ancl Dillard,
And. with Anderson tha;y rode a·xay.
y

From c lif'ton Forf_ th./y starteo.,
·7ith their spirits so ru:-ged and high,
They stopped at the iron gate and waite(l
Until old nm:1bcr nine went bJt.
Bacl( on the main line t~ 1 ey stareed
Down James River so dark and drear.
They gave no thought to the e.langer
lor the death that was waiting so near.
They talked and they joked wit! each other,
As they spe'l on their way sise y side •
.And the old engine rocked as she trc..veled
Through the night in this last f'atal ride.
Now the story ends;the old engine
Lies on her side in t'' e coltl river beci.
r:::arry lies in tl'e ca1)in
lfith -~. hat deep :ratal wouncl in his heacl.
l'rmv railroad nen,you should all take W[trning,
You may f'ade like this young handsome · mn.
For you all :cmst remmn1~er that the step is a s ~~ ort one
From this earth to tijat sweet prmmisecl land.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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Charlie Grew was a cowboy,
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Lik you,drrssed all in rags;
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?. cnt on sO' ·c great lJig game,
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A g ood one,too, you know,
Although I have'nt seen it
Since many a year a {~ O.
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I'm going t o see t hem all
I'm going to see m~ n other
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Then when t his round up is over,
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' other's heart is a b reak ing;
It's b reak ing f or me,that's all.
By God's h elp I'll see 7other
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That ni gh t t his very cowboy
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The wind was blowing swiftly,
The coast wa s st or ming !m r~ .
The catt l e t hey al l got s cattered,
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A trying his b est to stop t !1er.1,
Dy turning their head s ab out
Pis cattle horse fiid stubb le
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So be' 11 not see his 7Iother
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They picked him up so gently
And laid him on t he ed .
The e owlwys all were looking
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ne opened wide his b lue eyes
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Says," ::! oys, my last step is taken
I'll neTcr walk t he ground.
Jack,You will have my p istol,
And Ted , you take my becl.
Send my saddle to ·..: other
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l

I ' n going to a new ranch ,
I heard t he ::aster's eall.
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                    <text>r::

V
nrmN THE ROSES BLOCM AGAIN

K

In a far and distant city
W
here the roses bloom so fair
There is a soldier who is faithful kind and
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As she stooped and gently kissed him
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v

V
fuen the roses bloom again beside the river
The robins they s ing one glad refrain
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I' 1 .-be with you sweet heart mine
I'll be with you when the roses bloom ~ain .
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I am dying, Captain , dying
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As I wondered down the lane one morning, as I passed by the bar room one&#13;
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                    <text>THE DYING COwBOY
As I \'landered down the lane one morning,
As I passed by the bar-romm morning in May,
It was there I spied a handsome young cowboy
All robed in white linen prepared for his grave.
Chorus:
Go beat the drum slowly
And play the fife lowly,
And sing the death march as they carry me on.
Then take me to the graveyard
And place the sod o'er me,
For I'm a young cowboy
And I know I've done wrong.
It was once in the saddle I used to be dashing.
It was once in the saddle I used to be gay
I first took to drinking and then to card playing
\vas shot through the body; so now I must die.
Go, call around me a crowd of young cowboys,
And tell them the story of their comrade so dear;
Then tell them another before they go farther
To stop their wild roaming before it's too late.
Go write me a letter to my gray headed Mother
And break the ne.1s gently to sister so dear.
Then there is another that's dearer than Mother
Who'll weep bitter tears when she finds I am gone.
Someone go get me a cup of crlid water,
A cup of cold water the poor fellow said.
But when I returned, his soul had departed,
And gone to his I&gt;1aker; the cowboy was dead.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                    <text>· ':'he Dyine; Cowboy .
As I wandered. &lt;iov.rn the 1::-ne one r.wrning,
As I passed by the 1)ar-I•oou one morning in :my,
It was there I spied a hamlso:r:te young eow-boy
All robe(l in whmte linen preparell for his grave.
C!1orus:
Go beat t ;le drum slmrly
Ancl play the :fif'e lowly,
And sing the death march as t? ~ey carry n e on.
Then take me to the grave yard
And place the sod o c~ ' er I:le,
For I'm a young cowboy
Antl I k:~1ow I've done wrong.
It was on ee in t'1e sa:.lale I used to he elashing .
It was onco in e saddle I used to be gay
I :first took to lrinking and then to card playing
lias shot through the l:lOcly ; so now 1,! ~ must die.
Go, call arouncl me a crowd of youna; cowboys,
And tell them the story or their comrade so dear;
Then tell them another b efor t ~1ey go farther
To stop their wild roaming lJefore it's too late.
Go write me a ~otter to my gray headed ~other
And break the news gently to sister so dear.
Then tltere is another tim t' s dea rer than :!ot :1er
'i ho' 11 weep bitter tears when she :finds I am gone .
Some one
A cup of
nut when
And gone

go get e a cup or cold water,
cold water a he poor fellow said.
I return eel, his soul :1ad departed
to his : ral{er ;the eowbo r was dead .

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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Onc3 in a sad life I used to look hansom.
Once in a saddle I used to look gay.
Ill first took to drinking then to card pl~ying.
An~ .ahut til rough the .het..rt here dying Il~y.
ChO"!'S.

Ben the dn~ms slowley and play the fife lowly.
An1 sound the death march esi journey along.
Ta~a ~e to the greveyerd ann throw t"e clay over me.
I ~~ a poo• cow boy I know i have don wrong.
7.'ri • e me c letter to my denr mother.
One to my sisterone to my brother.
Ther is Rnother more deer thPn n brother.
On .,ould she not weep if she knew I WPS here.
Bri ~ g rpe e glnss of pure clbld WPtter.
A Rless of nure cold wetter he s~id.
But when they returned the spirit hPd left him.
!nd gone to the llPster the r.ow Boy was nead.

Miss Manila Dula.

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>The Dying Cow Boy, The Cowboy, Cow Boy, The Wounded Cowboy, A Dying Cowboy, The Cowboy's Lament, The Unfortunate Lad, The Wild Cowboy</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                    <text>A SOLDIER I ADORE

A Soldiers the lad I adore,
Though he is far from his friends and his homej
Love grant I may see him once more,
And march to the roll of his drum.
With :plume in his helm and his sword,
By his side, and a_1r..'ii;._ like show,
He marched t0 tLe field at the glorious word,
And beat the retreat of the foe.
Full many a youth have I seen,
Who has whispered affection to me.
But give me the lad with a double of green,
Who can beat Freedoms reveille.
Should he fall but I ho:pe he may not,
His spirit shall dwell with tee brave j
His deeds by his country shall never be forgot,
While Freedom weeps over his grave.
Then ma.rch to the roll of the drum,
It summons the brave to the :plain;
Where heroes contend for the home,
Which :perchance they may never see again.

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>              “Sweet Willie” &#13;
&#13;
Captain, Captain tell me true &#13;
Does my sweet Willie sail with you &#13;
No he does not sail with me &#13;
For he is drowned in the sea. &#13;
&#13;
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&#13;
Go bring me back the one I love &#13;
Go bring go bring him back to me &#13;
They say he loves another girl &#13;
But I hope that he will remember me &#13;
 &#13;
Go father and build me a little &#13;
 boat &#13;
That I may down the river float &#13;
And ever ship that I pass by &#13;
I’ll listen for sweet Willies cry. &#13;
&#13;
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&#13;
I wish I was a little bird &#13;
A darling, darling little bird &#13;
And to sweet Willie I would fly &#13;
And there I would lay down to die &#13;
   &#13;
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                    <text>BRING ME BACK THE ONE I LOVE

Captain~ tell me true,
Does my Sweet \'lillie sail with you?
No, he does not sail with me,
For he is drowned in the sea.

Captain~

Chorus:
bring me back the one I love~
bring him back to me.
They say he loves another girl~
But I hope he'll remember me.
Go~

Go

Go, father, and build me a little boat,
That I may down the river float;
And every ship that I pass by,
I'll listen for Sweet Willie's cry.

I wish I was a little bird,
A darling darling little bird,
And to Sweet Willie I would fly
And there I would lay me down to die.
Go, dig my grave both wide and deep
Place a marble stone at my head and feet.
Plant on my grave a \'lillow tree
That many may weep and mourn for me.

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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r

n

ct.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                    <text>Ss. ilor Boy.
lJn rk i s the e\I!e~.:.-co , or of £ true l oves h s ir.

His cheek s is like m 111'eyfe1r.
~b 1~ he woulu Te·urn lt wou1 J glve me joy .
~ neve+ loved nothi ng but my s wwet 3e ilor Uoy.
~~.r£ :'
F build me s boa t.
n o\A.rn t11e ri v·er .;. will ~.iu ~ 't.
~ ver

~nap

tn ~ ~

~

p~ ~

v~

Ill will listen for S\met Uillie's .cry.
C::..pt~in Cept£in tell me true.
Dose rliy S\1\Jet ·.7illie s.sil with you?
llo he dose not s~ol with me.
He sleeps in the bottom of the deep blue

3e~.

Go dig my greve bo~th deep Lnd wije.
to stones £t my he£d and feet.
On my bre~st pl~ce t mourning dove.
To show to rhe world thLt I aide for love.
~l~ce

:. K.

IJoore.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                    <text>The Sweet Sailor Boy.
Ob a Sailor's lire is a cruel lif e,
Has robbed some lad.y of her hearts d.eli:;ht.
She causecl me to weep and she caused me to mourn
The loss of ~ true love never to return.
Oh Father,Oh Father ,;;o builfl me a "boat
Far oTer the ocean I may float.
J..nslver me quick for it will give me joy.
For I neTer loved any but my Sweet Sailor Boy.
Dark was t he color of my true love's hair.
His cheek was like son e lily f'air.
If he'~ only return 'twould give me joy
For I neTer loTed any but my Swe et Sailor Boy.
Oh Captain,Oh Captain,tell me true,
Did my Sweet lTillie sail with you!
.Answer me quielc f' or it will giTe c.e joy.
I neTer liTed any but my Sweet ailor Boy.
She looked down the shore and looked in Ta in;
Saw two ships return froc it pain.
~ he halted each Captain as t hey pa ssed. by t here.
A.nU. t here she enquired f'or her Sweet Sailor Boy.

'

Oh s he callecl for a chair to s it upon,
A pen and ink to write i t a om. •
A.t the end o:r eTery line she dropped a tear,
A.t the end of' every verse cried, Oh my tlear.
Go d.ig my grave b oth wid e a nd deep.
Put a marble stone at my head a nd feet •
.And on my b reast a sweet turtle doTe
To sho-w to t h e world. I flied :ror loTe.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                    <text>POLLY HOP:KINS AND TOMMY TOMJ?KJNS
Tommy Polly
T
p
T
p
T
p
T
p
T
p
T
p
T

p
T
p
T
p

T
p

T

(-J

Pretty, pretty Polly Hopkins, how do you do?
None the better, Tommy Tompkins, for seeing you.
I am a. man of wealth.
Be q_uiet, pray.
Take all my
Pray get away.
Oh! cruel, cruel Polly Hopkins, to treat me so.
Oh! cruel, cruel Tommy Tompkins, to tease me so.
When we are married, Polly Hopkins, wbich we will be.
I hope the next day, Tommy Tompkins, to bury thee.
I will handsome grow.
That I deny.
Though ugly now.
Worse by and by.
Oh! cruel, cruel Polly Hopkins, to treat me so.
Oh! cruel, cruel Tommy Tompkins, to tease me so.
When I am d.ead., Polly Hopkins, remember me.
With all my heart, Tommy Tompkins, so let i t be.
Then you will fret and cry.
Ah! to be sure.
To think that I.
Died not before.
Oh! cruel, cruel Polly Hopkins, to treat me so.

;f-o

~ ~ ~ ...f--·

.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>Polly Hopkins and Tommy Tompkins&#13;
&#13;
Tommy - Pretty, pretty Polly Hopkins, how do you do?&#13;
&#13;
Polly - None the better, Tommy Tompkins, for seeing you.&#13;
&#13;
T      I am a man of wealth.&#13;
&#13;
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                    <text>THE LIGHTNING EXPRESS
The lightning express~ from a depot so grand,
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Except a little boy on a seat by himself
Reading a letter he had
Was ashamed to be seen with the tears in his eyes
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Please, Mr. Conductor, don't put me off your train,
For the very best friend I have in this world
Is waiting for me now in vain.
Expecting to die any moment, she may last through the
day.
I want to bid Mother goodbye~ Sir,
Before God takes her away.
The stern old conductor who came through the train,
Taking tickets from everyone there,
Finally reaching the side of the little boy
Roughly demanded his fare.
I haven't the money, the little boy said,
But I'll pay you back someday.
I'll have to put you off at the station, he said,
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Mother was sick when I left home,
And needed a doctor's care.
I came to your city employment to find~
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A letter from sister this morning arrived.
Mother is dying, it said.
So that is why I am boarding your train,
~fuen I haven't the money to pay.
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Taking his hat a collection she made
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I'm obliged to you, Miss, for your kindness.
You're welcome, I am sure, never fear.
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>The Lightning Express&#13;
&#13;
The lightning express, from a depot so grand,&#13;
Had started out on its way.&#13;
Most of the passengers who were on board&#13;
Seemed to be happy and gay.&#13;
Except a little boy on a seat by himself&#13;
Reading a letter he had&#13;
Was ashamed to be seen with the tears in his eyes&#13;
The knowledge of it made him sad.&#13;
&#13;
Chorus:&#13;
&#13;
Please, Mr. Conductor, don’t put me off your train,&#13;
For the very best friend I have in this world&#13;
Is waiting for me now in vain.&#13;
Expecting to die any moment, she may not last through the &#13;
  day&#13;
I want to bid Mother goodbye, Sir,&#13;
Before God takes her away.&#13;
&#13;
The stern old conductor who came through the train,&#13;
Taking tickets from everyone there,&#13;
Finally reaching the side of the little boy&#13;
Roughly demanded his fare.&#13;
I haven’t the money, the little boy said,&#13;
But I’ll pay you back someday.&#13;
I’ll have to put you off at the station, he said,&#13;
But he stopped when he heard the boy say:&#13;
&#13;
Mother was sick when I left  home,&#13;
And needed a doctor’s care.&#13;
I came to your city employment to find,&#13;
But I could not find any work there.&#13;
A letter from sister this morning arrived.&#13;
Mother is dying, it said.&#13;
So that is why I am boarding your train,&#13;
When I haven’t  the money to pay.&#13;
&#13;
A little girl in a seat close by,&#13;
Said: Don’t put him off, ‘tis a shame.&#13;
Taking his hat a collection she made&#13;
And soon paid his way on the train.&#13;
I’m obliged to you, Miss, for your kindness.&#13;
You’re welcome, I am sure, never fear.&#13;
And each time the conductor would come through the train&#13;
These words would ring in his ear.  </text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>(1) Come blooming youths in the midst of day&#13;
and see how soon some pass away there&#13;
were two men worked with us here what &#13;
became of them you soon shall hear.&#13;
&#13;
(2) They worked all day till evening tide&#13;
before the ground it made aslide and fifty &#13;
minutes after five they were healthy me and &#13;
yet alive.&#13;
&#13;
(3) Before the whistle blew for six their eyes &#13;
were cast their doom was fixed the rocks and&#13;
dirt came tumbling down and under them these &#13;
men were found.&#13;
&#13;
(4) Poor Sherley had a wife and children&#13;
dear poor Smith! had a mother sad news&#13;
to hear but we hope he did their hearts&#13;
renew and receive them into the heavenly&#13;
crew.&#13;
    &#13;
&#13;
(5) for let us take heed what the scripture’s&#13;
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&#13;
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                    <text>ORE KNOB
Gome blooming youth in the midst of day~
And see how soon some pass away.
There were two men worked with us there,
vfuat became of them you soon shall hear.
They worked all day till evening tide~
Before the ground~ it made its slide.
At fifty minutes after five
They were healthy men~ and yet alive.
Before the whistle blew for six~
Their die was cast; their doom was fixed.
The rocks and dirt came tumbling down~
And under it these men were found.
Poor Shirley and Smith! how much we miss
Around the Ore Knob today!
We hope they have gone to a world of bliss
But none of us we dare to say.
But with the Lord there's nothing strange~
He could their hearts in a moment change.
We hope he did their hearts renew~
And receive them into that heavenly crew.
Poor Shirley had a wife and children~ dear~
And Smith~ a Mother~ this news to hear.
We hope they will for consolation
Read and believe in John's Revelation~
That says the&amp;ad will one day rise~
And saints shall mount the upper skies~
To rise and sing~ the Lord adore~
When Saints that meet shall part no more.
Let us take heed what the scriptures say
That we must watbh as well as pray;
For any hour when least 'tis thought~
The summons of death~it may be brought.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Ore Knob&#13;
&#13;
Come blooming youth in the midst of day,&#13;
And see how soon some pass away.&#13;
There were two men worked with us there,&#13;
What became of them you soon shall hear.&#13;
&#13;
They worked all day till evening tide,&#13;
Before the ground, it made its slide.&#13;
At fifty minutes after five&#13;
They were healthy men, and yet alive.&#13;
&#13;
Before the whistle blew for six,&#13;
Their die was cast, their doom was fixed.&#13;
The rocks and dirt came tumbling down,&#13;
And under it these men were found.&#13;
&#13;
Poor Shirley and Smith!  how much we miss&#13;
Around the Ore Knob today!&#13;
We hope they have gone to a world of bliss&#13;
But none of us we dare to say.&#13;
&#13;
But with the Lord there’s nothing strange,&#13;
He could their hearts in a moment change.&#13;
We hope he did their hearts renew,&#13;
And receive them into that heavenly crew.&#13;
&#13;
Poor Shirley had a wife and children, dear,&#13;
And Smith, a Mother, this news to hear.&#13;
We hope they will for consolation &#13;
Read and believe in John’s Revelation,&#13;
&#13;
That says the dead will one day rise,&#13;
And saints shall mount the upper skies,&#13;
To rise and sing, the Lord adore,&#13;
When Saints that meet shall part no more.&#13;
&#13;
Let us take heed what the scriptures say&#13;
That we must watch as well as pray,&#13;
For any hour when least ‘tis thought,&#13;
The summons of death, it may be brought.</text>
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                    <text>ore Knob.
Cone blooming youth in the mid.st of day,
And see how soon so::1e pass away.
There were two men worked with us there.
What became of them you sooi1 shall hear.
They worked all day till evening tide,
Be:fore the ground ,it made its slide.
At fifty min utes after :five
They were healthy men,and yet alive.
Before the whistle blew ~or six,
Their die was cast; their doom was fixed.
The rocl{S and dirt cane tumbling dowh,
And under it these men were found.
Both cold anddead, aml could not live,
For God had took the spark he give.
They were brought to t~1e top, a dreatlf'ul sight,
How lonesmne was that Tuesdal)l night.
Poor ShirleJ"t'"l:nithl ~ow much we miss
Around t:,e Ore Knob today!
We hope they have gone to a world of bliss
But none of us we dare to say.
But with the Lord there's nothi1l.g strange.
He could their hearts in a monent change.
we ho11e he lil:i!d their hearts renew,
And receive them into t :,at heavenly crew.
Poor Shirley had a wife aml children ,dear.,
And Smith , a · :other, this news to hear.
We hope they will f'or consolation
Read and believe in Joru1's Revelation,
That says the dead will one day rise,
And saints shall mount the upper slr.:ies
To rise and sing,the Lord ~aore,
;;hen Saints t:1at meet shall part no more.
Let ustake heed what the scriptures say
That we must watch as well as pray;
!"or any hour when least 'tis thought.
The sunmons of death, it may l)e brought ·.

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Ore Knob&#13;
&#13;
Come blooming youth in the midst of day,&#13;
And see how soon some pass away.&#13;
There were two men worked with us there.&#13;
What became of them you soon shall hear.&#13;
&#13;
They worked all day till evening tide,&#13;
Before the ground ,it made its slide.&#13;
At fifty minutes after five&#13;
They were healthy men, and yet alive.&#13;
&#13;
Before the whistle blew for six,&#13;
Their die was cast, their doom was fixed.&#13;
The rocks and dirt came tumbling down,&#13;
And under it these men were found.&#13;
&#13;
Both cold and dead,and could not live,&#13;
For God had took they spark he give.&#13;
They were brought to the top, a dreadful sight,&#13;
How lonesome was that Tuesday night.&#13;
&#13;
Poor Shirley &amp; Smith, how much we miss&#13;
Around the Ore Knob today!&#13;
We hope they have gone to a world of bliss&#13;
But none of us we dare to say.&#13;
&#13;
But with the Lord there’s nothing strange.&#13;
He could their hearts in a moment change.&#13;
We hope he did their hearts renew,&#13;
And receive them into that heavenly crew.&#13;
&#13;
Poor Shirley had a wife and children , dear.,&#13;
And Smith ,a Mother, this news to hear.&#13;
We hope they will for consolation&#13;
Read and believe in John’s Revelation,&#13;
&#13;
That says the dead will one day rise,&#13;
And saints shall mount the upper skies&#13;
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                    <text>ORE KNOB SONG.
Come blooming youth in midst o~ day,
And see how soon some pas s away,
There were two men worked witb us here;
~''hat becrune o~ them you soon shall hear.
They worked all day till e:u:ening tide,
slide,

Be~ore the ground it made its
At ~ifty minutes after ~ive;

They were healthy men and yet alive.
Be~ore the whistle blew for six,
their die was cast, thier doom was fixed,
The rocks and dire came t~mbling down,
And under it these men were ~ound.

Both cold and dead and could not live,
For God had took the spark he give,
They were brought to the top a dreadful sight,
How lonesome was that fU e sday night~
Poor Sherley and Smith how 1ruch we miss,
Them around the old Ore Knob today,
W hope they'er gone to a world of bliss,
e
But none of us we dare not say .
But with the Lord there's nothing strange,
He could their hearts in a moment change,
·we hope He did their hearts renew
And recieve them in that heavenly crew.
Poor Sherley had a wi~e and children dear,
J,nd Smith had a mother this news to hear,
W hope they will ~or Consilation,
e
Read and believe John's revelation,
That says the dead will one day rise,
And saints will mount the upward skies,
To praise and sing and the Lord adore,
W
here saints that meet shall part no more.
Let us take hee d when the scriptures say,
That we must watch as well as pray,
For in an hour when least is thought,
The s~~~ons of death,it may be brought.

a~~ :
--~ ~ cPyr; ~

/0-- bZe-,._7 W-/

J~~ ~;?"'"-~~ ~

s

.z;

.:5 .

~ _;;/- ~ ~&lt; ~

~ a-L- ~
~ ~~ rw?--1 ~

~0~~~

.&lt;0

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Ore Knob Song&#13;
&#13;
Come blooming youth in midst of day,&#13;
And see how soon some pass away,&#13;
There were two men worked with us here,&#13;
What became of them you soon shall hear.&#13;
&#13;
They worked all day till evening tide,&#13;
Before the ground it made its slide,&#13;
At fifty minutes after five,&#13;
They were healthy men and yet alive.&#13;
&#13;
Before the whistle blew for six,&#13;
their die was cast, thier doom was fixed,&#13;
The rocks and dirt came tumbling down,&#13;
And under it these men were found.&#13;
&#13;
Both cold and dead and could not live,&#13;
For God had took the spark he give,&#13;
They were brought to the top a dreadful sight,&#13;
How lonesome was that Tuesday night?&#13;
&#13;
Poor Sherley and Smith how much we miss,&#13;
Them around the old Ore Knob today,&#13;
We hope they’er gone to a world of bliss,&#13;
But none of us we dare not say.&#13;
&#13;
But with the Lord there’s nothing strange,&#13;
He could their hearts in a moment change,&#13;
We hope He did their hearts renew&#13;
And receive them in that heavenly crew.&#13;
&#13;
Poor Sherley had a wife and children dear.&#13;
And Smith had a mother this news to hear.&#13;
We hope they will for Consilation,&#13;
Read and believe John’s revelation,&#13;
&#13;
That says the dead will one day rise,&#13;
And saints will mount the upward skies,&#13;
To praise and sing and the Lord adore.&#13;
Where saints that meet shall part no more.&#13;
&#13;
Let us take heed when the scriptures say,&#13;
That we must watch as well as pray,&#13;
For in an hour when least is thought,&#13;
The summons of death, it may be brought.&#13;
&#13;
&#13;
Dear Bro Greer:&#13;
&#13;
  Some time ago when you sang at&#13;
Jefferson I heard you say you wanted this old&#13;
ballet so I found it and am sending to &#13;
you. I am also printing it in paper and&#13;
will have a copy sent you.&#13;
&#13;
S. C. Blackburn</text>
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                    <text>Sweet V'illie.
Chorus:
Oh,Lily, pretty Lily,
Oh ,Lily,fare you well.
I am sorry to leave you,
I loved you so well.
He begged :oe; he teased me,
Some se~eral wee ks ago
To live with his llother,
nut I would not go.
Vfe was promised to get :married.
Some several weeks ago.
This war it broke out,
And Sweet Willie had. to go.
He wrote me
That he was
IIe wrote r1e
I never got

a letter
Tery low;
another
,I know.

:1e was wounded on t l.e battle fielcl,
And mortally in the siele.
Then I received another,
sweet liillie,he had died.
He was 'burie&lt;l on the battle fielcl,
.Ancl almost in the sea.
Go take up Sweet Willie,
.And bury him by t!1e sitle o:r me.
For I am troubled,! am tr0ubled,
I aL troubled in n y
l
'.lind.
ind if trouble don't kill me,
I will live a long time.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>Sweet Willie.&#13;
&#13;
Chorus:&#13;
Oh, Lily, pretty Lily,&#13;
Oh ,Lily, fare you well.&#13;
I am sorry to leave you,&#13;
I loved you so well.&#13;
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Some several weeks ago&#13;
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&#13;
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Some several weeks ago.&#13;
This war it broke out,&#13;
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&#13;
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And mortally in the side.&#13;
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Sweet Willie, he had died.&#13;
&#13;
He was buried on the battle field,&#13;
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Go take up Sweet Willie,&#13;
And bury him by the side of me.&#13;
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ou

111
11.

P r ?

Co
I'll

r

n

or .
hor .

I

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>My Little Dear&#13;
&#13;
My little dear, so fare-you-well,&#13;
You slight me, but I wish you well.&#13;
You have broken my heart,&#13;
Oh, how can I from you depart?&#13;
&#13;
The pain of love no tongue can tell&#13;
No mind can think, no heart can swell.&#13;
I’ll tell to you in a few short lines,&#13;
It is worse than death ten thousand times.&#13;
&#13;
I go to cry, to mourn, to weep,&#13;
With thoughts of you, I ne’er can sleep.&#13;
When all is done, and all is told,&#13;
My little dear, God bless your soul.&#13;
&#13;
A many an hour I’ve spent with you,&#13;
But I never knew that you were not true.&#13;
It breaks my heart to have to part,&#13;
To think of your deceitful heart.&#13;
&#13;
My little love, my harmless dove,&#13;
You are the only one I love.&#13;
If you on earth I never more see,&#13;
I’ll never serve you like you have me.&#13;
&#13;
And when I’m dead and gone to rest,&#13;
Remember the one that loved you best.&#13;
And when you are passing around my grave,&#13;
Ah, think of the one that loved you brave.&#13;
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Come , all ye run of Adam’s race,&#13;
I’ll tell to you my sad disgrace.&#13;
I’ve loved you long, I’ve loved you bold.&#13;
My little dear, God bless your soul.&#13;
&#13;
When days are dark, and friends are few,&#13;
Remember me and I will you.&#13;
And if on earth we meet no more.&#13;
I hope we’ll meet on Canaan’s shore.  </text>
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                    <text>:i iy.

Little near.

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You slighted r1e,but I wish you well.
You have l,roken n y heart,
Oh, how can I fror1 y ou depart?
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It is worse t han d eath ten t h ousand times.

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!.!:y little dear, God bless y our soul.
A many an h our I've s pent with you,
But I neve r knew hat you wa s not true.
It b reak s my heart to have to part,
To think o~ your d e c eit:ful heart.
;Jy little l ove,my harmless ciovef.
You are t 1 e only one I l ove.
If you on earth I neTer more see,
I' 11 ne'Ter serve you li::e y ou have . ·e.
And when I ' -~. d ead and g one to rest,
n emem1"er t'1e one t ha t loved y ou b est.
And when you a re p assing ar ound my grave,
Ah t h ink of t l:e one t l~ a t lovecl y ou l:: rave.
CorJe , all ye run of Ad ams race,
I'll tell to y ou ny sad disgrace.
I've loved you l ong ,I' v e loved you bold .
~y little dear, 2od ble s s your soul.
T
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Remern.1Jer m~ and I will you .
Ancl if' on ear t h we n e c t n o mqre.
I hope we'll meet on Canaan's s hore.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>Ballads, English </text>
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                <text>Unrequited love--Songs and music </text>
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                <text>Sing with Feeling, Alas! My Darling, Broken-Hearted, My Little Love, So Farewell, Come All Ye Girls from Adam's Race</text>
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                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>My little Dear.&#13;
&#13;
My little Dear, so fare-you-well.&#13;
You slighted me, but I wish you well.&#13;
You have broken my heart,&#13;
Oh, how can I from you depart?&#13;
&#13;
The pain of love no tongue can tell,&#13;
No mind can think, no heart can swell.&#13;
I’ll tell to you in a few short lines,&#13;
It is worse than death ten thousand times.&#13;
&#13;
I go to cry, to mourn, to weep.&#13;
With thoughts of you, I ne’er can sleep.&#13;
When all is done, and all is told,&#13;
My little dear, God bless your soul.&#13;
&#13;
A many an hour I’ve spent with you,&#13;
But I never knew   hat you was not true.&#13;
It breaks my heart to have to part,&#13;
To think of your deceitful heart.&#13;
&#13;
My little love, my harmless dove,&#13;
You are the only one I love.&#13;
If you on earth I never more see,&#13;
I’ll never serve you like you have me.&#13;
&#13;
And when I’m dead and gone to rest,&#13;
Remember the one that loved you best.&#13;
And when you are passing around my grave,&#13;
Ah think of the one that loved you brave.&#13;
&#13;
Come , all ye run of Adam’s race,&#13;
I’ll tell to you my sad disgrace.&#13;
I’ve loved   you long, I’ve loved you bold.&#13;
My little dear, God bless your soul.&#13;
&#13;
When days are dark, and friends are few,&#13;
Remember me and I will you.&#13;
And if on earth we meet no  more.&#13;
I hope we’ll meet on Canaan’s shore.</text>
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                    <text>Grandfatherz C

ck

grnndfa.therz t.az too t a ll for the ohelf
So it stood ninet~ yrz on the floor
It waz taller by half than the old man himself
Thou it wiegh cd not a pennyweight more
It wu.z bought on the mor-n of tho day he wnz born
It waz always his joy and his prid
But it stoped short never to go again when the
Old man died .

My

Choru
Ninety yrz without slumbering
Tick Tiel~ •rick
Itz lifez seckond 1 numbering
Tiel{ Tick Tiel&lt;
It stoped short never to go aguir1
then the old man died .
~nd

w ~ tcl1ing

itz pendulum swing two and fro
Many hrz had he passed w.cn a boy
And throuc;h youtb. and through manhood
The clock seem to know
An to share with his rief and his jow
Fo.r it truclr t wen tj~ four
As he entered the door
With his beautiful and blooming brid~
But it _toped short never to t;o again
rhen the old man died
Chorus
My grandfather said of those he
N.ot a servant so fait:b..ful
For it wai ted no time
1~d it had but o e desire
At the clo~e of eacl1 ~eek to be
And it stood at itz place
Not a frown an it ~ face
itz hand s never hung by it
But it stoped short never to go
'hen the •ld man died

would hire
he found
wound
sides
again

Chorus
It rane an al rm at the dead of the night
An alarm that for yrz had been dum
And we knew that his spirit
Waz blooming for f l ig.~
That the hour of departure had come
And the clock kept time
With the lonely chime
AZ we silently stood by his side
But it stcped short never to go acain
~hen the old man died.
Chorus

,it

r

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                  <text>I.G. Greer Folksong Collection</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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              <text>1876</text>
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                <text>My Grandfather's Clock, Copy</text>
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                <text>&lt;a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"&gt; I. G. Greer Folksong Collection &lt;/a&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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                <text>Work, Henry C. (Henry Clay), 1832-1884</text>
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                <text>&lt;a title= "Middletown (Conn.)" href=" https://www.geonames.org/4838633/middletown.html" target="_blank" rel="noreferrer noopener"&gt; Middletown (Conn.)&lt;/a&gt;</text>
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                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Grandfatherz Clock  &#13;
&#13;
My grandfatherz clock waz too tall for the shelf &#13;
So it stood ninety yrz on the floor  &#13;
It waz taller by half than the old man himself &#13;
Thou it wieghed not a pennyweight more &#13;
It was bought on the morn of the day he waz orn &#13;
It waz always his joy and his pride &#13;
But it stoped short never to go again when the  &#13;
Old man died. &#13;
 &#13;
Chorus &#13;
 &#13;
Ninety yrz without slumbering &#13;
Tick Tick Tick &#13;
Itz lifez seckond's numbering &#13;
Tick Tick Tick &#13;
It stoped short never to go again &#13;
When the old man died. &#13;
 &#13;
And watching itz pendulum swing two and fro &#13;
Many hrz had he passed when a boy &#13;
And through youth and through manhood  &#13;
The clock seem to know &#13;
And to share with his grief and his joy &#13;
For it struck twenty four &#13;
As he entered the door &#13;
With his beautiful and blooming bride &#13;
But it stoped short never to go again &#13;
When the old man died &#13;
 &#13;
Chorus &#13;
 &#13;
My grandfather said of those he would hire &#13;
Not a servant so faithful he found &#13;
For it waisted no time &#13;
And it had but one desire &#13;
At the close of each week to be wound &#13;
And it stood at its place &#13;
Not a frown on its face &#13;
And itz handz never hung by its sides &#13;
But it stoped short never to go again &#13;
When the old man died &#13;
 &#13;
Chorus &#13;
 &#13;
It rang an alarm at the dead of the night  &#13;
An alarm that for yrz had been dum &#13;
And we knew that his spirit &#13;
Waz blooming for flight  &#13;
That the hour of departure had come &#13;
And the clock kept time &#13;
With the lonely chime &#13;
Az we silently stood by his side &#13;
But it stoped short, never to go again &#13;
When the old man died. &#13;
 &#13;
Chorus </text>
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                    <text>Gran

f~therz

Cleek

c.L,Vcl.

gra dfa thcr,i, o\':.US too tall for t:1e ::;.wlf
So i t stood ninet~ ~n the floor
It Wi.l a tal ler by half t: .....~.n tue old man h-mncl f /
Tho;r it. wiet,hed n ot .1 p ennyweight mor e •
It wa.s b ought on the morn of tho d~:J' he wu.&amp; born ;
It az al\'4 :JG h i s jo:; ami his pride .
B~t i t stop ed
h rtJn ever t £ 0 ugainJ when the
Old m:.m died.
~y

Ch rus
Ninety ybllfA','Ii t .. 1out s l umb-.,ring :
Tick Tic k Tiel{
It'a life $ seck nd ' o numbering ;
TicK Tic{. Tiel{
It ntope s ort )nevcr t o GO abain
~hen tt.e
lJ !llan icd.
at ching i t.s pendulu n s i ng t . . 0 and fro
Mans h ~ l d !le .P~Gaed '.'.J.lell a bo:; ,
And throug11 y o~th · nd through munh od
The cloc k aee ~o ~mO\'.
And t s.ure ith hio grief nd hi&amp; jo~ .
For it tr~ck t&gt;; enty fo ~r
As he entered taC door
With his cuutiful ar..J bl mi ng brido
But i t st ped nhort_, never to GO a Lr-ain )
\hen the olJ r.aan d i ed .
AnJ

C h o r~s

y grandfuU1er said of

t~0se he
Not a s . . rvu.nt no fu.i t. ful
For i t \,i.l.) stcd nu tir.1e
Arlu it rlu.d b.J.t o . . w d .... :::; ire
At t~e cl c of ei.lch •eek~t be
Anl it 3tood t it~ place
Nt
fro n en it~ f a ce
An itz hand a never huns bj ita
But it t pe sh rt.J neve r to g
When the eld man i e

woulJ hir~
he f~u.1.1d.,
wound ·
~ides .

again 1

Chor.rs
It rang u. ... 'lar rn at the dead of the nit:.Jrit
An larm t: · t fo r yf01'11ad been dum li- .
And e lne that his spirit
a $ bl oming for fli £ .t
That the h~ur of eparture had come •
AnJ the clock k ept time
i th t.1e lonely c h i me
A&amp; e silentl~ stood by his side
But it stoped snort_rev r to t, o ag in
hen the old man , ied.
Ch orus

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>&lt;a title= "Middletown (Conn.)" href=" https://www.geonames.org/4838633/middletown.html" target="_blank" rel="noreferrer noopener"&gt; Middletown (Conn.)&lt;/a&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Grandfatherz Clock &#13;
&#13;
My grandfathers clock was too tall for the shelf&#13;
So it stood ninety years on the floor &#13;
It was taller by half than the old man himself,&#13;
Thou it wieghed not a pennyweight more.&#13;
It was bought on the morn of the day he was orn&#13;
It waz always his joy and his pride.&#13;
But it stoped short, never to go again, when the &#13;
Old man died.&#13;
&#13;
Chorus&#13;
&#13;
Ninety years without slumbering:&#13;
Tick Tick Tick&#13;
It's life's seckond's numbering&#13;
Tick Tick Tick&#13;
It stoped short, never to go again&#13;
When the old man died.&#13;
&#13;
And watching its pendulum swing two and fro&#13;
Many hours had he passed when a boy.&#13;
And through youth and through manhood &#13;
The clock seemed to know&#13;
And to share with his grief and his joy.&#13;
For it struck twenty four&#13;
As he entered the door&#13;
With his beautiful and blooming bride&#13;
But it stoped short, never to go again,&#13;
When the old man died.&#13;
&#13;
Chorus&#13;
&#13;
My grandfather said of those he would hire,&#13;
Not a servant so faithful he found,&#13;
For it wasted no time&#13;
And it had but one desire&#13;
At the close of each week to be wound.,&#13;
And it stood at its place&#13;
Not a frown on its face&#13;
And itz hands never hung by its sides.&#13;
But it stoped short, never to go again,&#13;
When the old man died&#13;
&#13;
Chorus&#13;
&#13;
It rang an alarm at the dead of the night &#13;
An alarm that for years had been dumb.&#13;
And we knew that his spirit&#13;
Was blooming for flight &#13;
That the hour of departure had come.&#13;
And the clock kept time&#13;
With the lonely chime&#13;
As we silently stood by his side&#13;
But it stoped short, never to go again&#13;
When the old man died.&#13;
&#13;
Chorus   </text>
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                    <text>The

:;,r-ourniu .~;

Dove.

One day while in a lonesome grove
Sat 6ter my hea~ a little dove,
For its last nate began to coo
W
hich n ude me think of my n::::.t e ,too •
Ah,little ~ovc,you are not alone ,
'or I, lik e you,~an onle mourn.
F
I,once,like you,did haTe a mate,
nut now like you,I an desolate.
consU1-:1ption seized my love scTere,
.And peeyed on her f'or one long year,
'fill deatl1 came at the break o:f day,
And my poor Uary he did slay.
Her bloo:wi:mg cheeks and. sparkling eye
Like roses they did wilt and d.ie.
The arms that once e:~fl.:&gt;raced. me round
Lie moulderin$ in t he cold ground.
But death,grim tlea.th,did. not stop there.
I had one child. to :~1e no st c.i.e&lt;u ·.
He like a vulture cam3 aga in
And took from me my little Jane.
But bless the Loi!d,his word i s giTen
Dec}.aring l)abes are heirs of' :reaven.
Then ceased my heart to mourn :for Jane
Since my small loss is her great gain.
I have a hope that cheers my be entt,
To think my .love h~s gone to rest.
For while her dyL."'lg tongue could moTe
She praised the Lord f'or His redeeming love.

..

Shout on,ye heavenly powers abo~e,
While I this loneso~e desert roam.
?.Iy .faster's work will soon he done
And then I'll join you . in your song •

�</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Mourning Dove.&#13;
&#13;
One day while in a lonesome grove&#13;
Sat over   my head a little dove,&#13;
For its last mate began to coo&#13;
Which made me think of my mate, too.&#13;
&#13;
Ah, little dove, you are not alone ,&#13;
For I, like you, can onle mourn.&#13;
I, once, like you, did have a mate,&#13;
But now like you, I am desolate.&#13;
&#13;
Consumption seized my love severe,&#13;
And preyed on her for one long year,&#13;
Till death came at the break of day,&#13;
And my poor Mary he did slay.&#13;
&#13;
Her blooming cheeks and sparkling eye&#13;
Like roses  they did wilt and die.&#13;
The arms that once embraced me round&#13;
Lie mouldering in the cold ground.&#13;
&#13;
But death, grim death, did not stop there.&#13;
I had one   child to me most dear.&#13;
He like a vulture came again&#13;
And took from me my little Jane.&#13;
&#13;
But bless the Lord, his word is given&#13;
Declaring babes are heirs of Heaven.&#13;
Then ceased my heart to mourn for Jane&#13;
Since my small loss is her great gain.&#13;
&#13;
I have a hope that cheers my breast,&#13;
To think my love has gone to rest.&#13;
For while her dying tongue could move&#13;
She praised the Lord for His redeeming lobe.&#13;
&#13;
Shout on, ye heavenly powers above,&#13;
While I this lonesome desert roam.&#13;
My Master’s work will soon be done&#13;
And then I’ll join you in your song.   </text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Dying Cowboy&#13;
&#13;
Oh, bury me no on the lone prairie.  &#13;
These words come slow and mournfully from the palid lips of the youth who lay on his dying couch at the close of day.  </text>
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                    <text>19. ~L7
The.

tjtVl!

M

Dyi~g-Cow

tv1

1tv

bov .

Oh , bury me not on the lone urairie .
These words cene slow ancl mournfully
li'ron the pali&amp; lips of' a youth ·who lay
On his dying couch at ti-e iilose of day .
Oh , bury ~e not on the lone prairie
Where tile wmld coyote will howl o'er me,
Where tlle cold wind sweeps and_ the r;rrrsses wave.
~o sun·ew1s rest on t~e prairie grave .
Again he listened to I•is well known worlel,To t:1e wind's soft sigh andt'!e song of llirds .
He thought or his home and his native bowers
\ihere he loved to roam in his childhood hours.
It matters not , I've oft been told
Where the bocly lies when the heart grows cold.
But grant ye , oh grant ye this boon to -~.
Oh bur-- ~'Je n&lt;Jton ti1e lone -lrairie.
But I've ever wished timt when I died
~:y grave might 'Je on the cold hillsi(le.
Let there t-1e "')lace or my last rest re .
Oh bury me not on t 1 1e 1 one prairie .
Let ny death sluml:er be r::10re ny mother's )rayef~
Anc: a sister's tears can ;Je minr;lef... t :!ere;
:1et · ·e lie r,The re :::.w lo&gt;recl ones can weep o'er me
Oh bury me not on the lone prairie .
In my drea::.'lS I saw,- but his voice faile d. t :.ere .
T:1ey r;ave no heed to his clyino~ :wayer;
~n a -u -,rr' e '"" ~ j 1;
, 1:;.;: ~ ~ t'_ree
r:'uey
U!:'ie,1 ';.in t ,re on
G 10:::10 ~n·c~irie.
-.;_ay the lig~::.t win-· h:&lt;:::.te r"'l~r _lm:-c tore~
0 'er li~ w~o sleeps on the prairie crest •
..ay the 'I'exas rose in t Le breezes -:vave
fler him who sleeps in a prairie ;::;rave .
And the ~m-1 1 oys now as t _;.ey roam t·,e plain ,
For t}~ey marl·md the
spot where is bones have 1 :~ill'
Fling a hand f'ull of' rils.es over his graTe
IIith a prayer to Ili:m who his soul shall save .

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>O, Bury Me Not on the Lone Prairie&#13;
&#13;
The Dying Cow boy.&#13;
&#13;
Oh,bury me not on the lone prairie.&#13;
These words came slow and mournfully &#13;
From the pallid lips of a youth who lay&#13;
On his dying couch at the close of day.&#13;
&#13;
Oh, bury me not on the lone prairie&#13;
Where the wild coyote  will howl o’er me, &#13;
Where the cold wind sweeps and the grasses wave.&#13;
No sunbeams rest on the prairie grave.&#13;
&#13;
Again he listened to his well known world,-&#13;
To the wind’s soft sigh and the song of birds.  &#13;
He thought of his home and his native bowers&#13;
Where he loved to roam in his childhood hours.&#13;
&#13;
It matters not, I’ve oft been told&#13;
Where the body lies when the heart grows cold.&#13;
But grant ye, oh gratn ye this boon to me.&#13;
Oh bury me not on the lone prairie.&#13;
&#13;
But I’ve ever wished that when I died &#13;
My grave might be on the cold hillside.&#13;
Let there the place of my last rest be.  &#13;
O, bury me not on the lone prairie.&#13;
&#13;
Let my death slumber be  where my mother’s prayer &#13;
And a sister’s tears can be mingled there&#13;
Let me lie where my loved ones can weep o’er me&#13;
Oh bury me not on the lone prairie.&#13;
&#13;
In my dreams I saw,- but his voice failed there.&#13;
They gave no heed to his dying prayer&#13;
In a narrow grave just six by three &#13;
They  buried him there  on the lone prairie.  &#13;
&#13;
May the light wing butterfly pause to rest &#13;
O’er him who sleeps on the prairie  crest.  &#13;
May the Texas rose in the breezes wave&#13;
Oer  him who sleeps in a prairie grave.&#13;
&#13;
And the cow boys now as they roam the plain , &#13;
For they marked the  spot where his bones have lain,&#13;
Fling a hand full of roses over his grave&#13;
With a prayer to him who his soul shall save.  </text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>Tragic love song&#13;
&#13;
The Two Soldiers.&#13;
&#13;
It was just before the last fierce charge, &#13;
two soldiers drew their reins, &#13;
with a parting word and a touch of the hand. &#13;
They might never meet again.  &#13;
One had blue eyes and curly hair, &#13;
nineteen but a month ago.  &#13;
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                    <text>The Lamlslicle.
!n the nontJ· or July' i 1 ',] c rc &lt;..r ci.·t ccn ,
~~ p.,t, t l '
::_c;~ ,_ lt "&gt;P 1 t mt was eTer seen,
A.s it ado its \'ay :fro m L1e ocean -..;r ide,
Struck :rit full force on t l e mountain si e.

r
_:

At the Jead of Jaek

ranch

there were chil ron fiTe,

.A father and mother and all alive;
As tl ey . stood in t~1e door and the rain came dorm,
They saw hmv quiel.::: it

coTerc~l

t'1e ground.

tl.e pleading voiee or ~ erry was .1ear :
t h e pines let's go torrether,"he said,
But the words or the oy had just een s"'"lolce · ljl
'hen the wind.ows or eaTen were thro vn wi&lt;le open.

~\nd

~o

The down our cane wit'1 a terrifi
roar;
It struclc t 1e .1ouse; they 'ere thrown to the floor;
The new orn 1 abe in the ratlle at rest
T 1e mother snatched up aml nressed to her 1 reast.
As the house went down they struck a tree~
They were all thrown out
~--Pt the three;
.A.s t 10 house went down aml the :wrscs , too,
The nei,hlors said there's rork to o.
Julius an' atson in t Hiir lmste
Turnctl t heir steps toward t1c ilson place;
They mc.l to tak e to I ig1 1er ground;
17hen they reached. tile place no llouse was found.

ho

mvn in the
se w' ich -illiam built
Lonas anl Lillie and. tl1e hil ren knelt.
Sai~ Julius to Lonas and Lillie too
"Are your chil rcn all safe ?I see onl·· t1ro."
"Oh no L..,aid he, I fear t'1ey are drowned;
They haTe not been seen since tlle lwuse ''ent
But down in t .. e ott om y the .Jt .clair pond
The bo!ies of Levis an~ J ennie were founi.

s the neir;hbors can' an i wal!md around
T:1eir teardrops fell ast on t 10 ground;
Eut poor little Perry has not been found·Ie sleeps so:1ewherc ~ eneath t 10 ground.
1.

ith a ed. o mud an l ·
·11ow of lay
He may not c found till the last .,reat day
'fhen t:10 angels cor1e wit· trumpet sound
To awal&lt;:e t 1e dead t 1a t
rc uncler t h e ~r'?und .
As he a1.akcs in t'1e r.w rning ~ ml up·mr flies
101 cet his loved ones
eyond t 1c skies.
Ob, :rod in J' ercy , ax in T 1y g teat love,
,.,re:mre t l em · 11 t o eet "' ee above.
That wben their trials and trou les arc past
'f lley ·· y all find a ho K~ :i.n r,. eaTen at last,
Throug1 eternity to sin~ is p raise
•or dyin~ love and saTin~ race.

own."

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Landslide.&#13;
&#13;
In the month of July, in the year sixteen,&#13;
The worst tropical storm that was ever seen,&#13;
As it made its way fro m the ocean wide,&#13;
Struck with full force on the mountain side.&#13;
&#13;
At the head of Jack branch there were children five,&#13;
A father and mother and all alive&#13;
As they stood in the door and the rain came down,&#13;
They saw how quick it covered the ground.&#13;
&#13;
And the pleading voice of Perry was heard:&#13;
To the pines let's go together, "he said,&#13;
But the words of the boy had just been spoken,&#13;
When the windows of Heaven were thrown wide open.&#13;
&#13;
The downpour came with a terrific roar&#13;
It struck the house, they were thrown to the floor&#13;
The new born babe in the cradle at rest&#13;
The mother snatched up and pressed to her breast.&#13;
&#13;
As the house went down they struck a tree&#13;
They were all thrown out except the three&#13;
As the house went down and the horses, too,&#13;
The neighbors said there's work to do.&#13;
&#13;
Julius and Watson in their haste&#13;
Turned their steps toward the Wilson place&#13;
They had to take to higher groun&#13;
When they reached the place no house was found.&#13;
&#13;
Down in the house which William built&#13;
Lonas and Lillie and the children knelt.&#13;
Said Julius to Lonas and Lillie too&#13;
"Are your children all safe? I see only two."&#13;
&#13;
"Oh no! said he, I fear they are drowned&#13;
They have not been seen since the house went down."&#13;
But down in the bottom by the St. Clair pond&#13;
The bodies of Lewis and Jennie were found.&#13;
&#13;
As the neighbors came and walked around&#13;
Their teardrops fell fast on the ground&#13;
But poor little Perry has not been found-&#13;
He sleeps somewhere beneath the ground.&#13;
&#13;
With a bed of mud and a pillow of clay&#13;
He may not be found till the last great day&#13;
When the angels come with trumpet sound&#13;
To awake the dead that are under the ground.&#13;
&#13;
As he awakes in the morning and upward flies&#13;
To meet his loved ones beyond the skies.&#13;
Oh, God in mercy, and in Thy gteat love,&#13;
Prepare them all to meet Thee above.&#13;
&#13;
That when their trials and troubles are past&#13;
They may all find a home in Heaven at last,&#13;
Through eternity to sing His praise&#13;
For dying love and saving grace. </text>
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                    <text>The Landslide.
In the monyh July, in the year sixteen,
As the neighbors came and
The worst tro:pi.}al storm that ever was seen, walked around,
As it made its way from the ocean wid
Their teardrops fell fast
Struck with f'ull force on the mountain sideo on the ground,
But poor little Perry has
not been found,
At the head of Jack branch there were child
He sleeps somewhere beneath
ren :Cive,
the ground.
A father ancl :. mother and all alive;
As they stood in the door ancl the rain caDe
lith a bed of' mud and a ~1 clown,
low of' clay .
They saw how tuick it coverecl the ~ound o
Re may not be found till
the last great day,
And the plead.ng voice of' Perry was heard:
flhen the angels coDe with
To the Bines ~et' s go together~ he said,
trULipet souncl,
But the wor, s of' the boy had just been spoken, o awaJ;:e the dead that are
Yhen the windn•s of' Heaven were thrmm wide
tmller the . groundo
open.
The downpour 'aLJ.e with terri:fic roar ,
It struck the house, they were thrmm to the
floor,
The new ~rn babe in the crad!e at rest,
Tbe moth~ snatched up and .pr essed to her
breast.

As he awalces in the morning and upward flies,
TO meet his loved ones beyond. the skies,
Oh, God in mercy and in tby
great loveo
Prepare them all to meet
thee above.

!\.!l the }Ouse went down they struck a tree,
- .c- :· W8"!.."'.:- ~ ,;:..::_l · ~l-u:;·u·-;;1 vu. t,
except the three,
the house went d1"\ID and the horses too ,

;t

That when their trials and
troubles are past,
They may find a home in
eRVen at last .
Julius and 'lilson in their haste,
Turned. their stem tm1ards the Wilson place, Through eternity to sing
his praise,
They had to take-to higher ground,
·when they react.1ei the place no house was found . For dying love and saving graceo
Down in the house which Willia.Ll built,
Lonas and Lill~e and the children knelt,
Said Julius to Lonas and Lillie too,
"Are your ctill lren all safe . I see only two''.
..ne neighbors said 'There is work to do 11 o

II

Oh no," aiel m, fl I fear t &gt;ey are drowned"
They have not leen seen since the house went
down".
But d mm in tht bottom by the st . Clair pond,
The bodies of' lewis and Jennie were found.

I

./.

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                  <text>I.G. Greer Folksong Collection</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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              <text>A. M. [Andrew Monroe] Bumgarner, 1853-1939</text>
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                <text>Landslide, Lyric Variant 01</text>
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                <text>The Cloudburst</text>
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                <text>&lt;a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"&gt; I. G. Greer Folksong Collection &lt;/a&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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                <text>&lt;a title="Mecklenburg County (N.C.)" href=" https://www.geonames.org/4478884/mecklenburg-county.html" target="_blank" rel="noreferrer noopener"&gt; Mecklenburg County (N.C.)&lt;/a&gt;</text>
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                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Landslide.&#13;
&#13;
In the month July, in the year sixteen, &#13;
The worst tropical storm fell that ever was seen,&#13;
As it made its way from the ocean wide,&#13;
Struck with full force on the mountain side.&#13;
&#13;
At the head of Jack branch there were children five,&#13;
A father and a mother and all alive&#13;
As they stood in the door and the rain came&#13;
down,&#13;
They saw how quick it covered the ground.&#13;
&#13;
And the pleading voice of Perry was heard:&#13;
To the Pines let’s go together”, he said,&#13;
But the words of the boy had just been spoken,&#13;
When windows of Heaven were thrown wide&#13;
open.&#13;
&#13;
The downpour came with terrific roar,&#13;
It struck the house, they were thrown to the &#13;
floor,&#13;
The new born babe in the cradle at rest,&#13;
The mother snatched up and pressed to her&#13;
breast.&#13;
&#13;
As the house went down they struck a tree,&#13;
They were all thrown out, except the three,&#13;
As the house went down and the  horses too,&#13;
The neighbors said “There is work to do”.&#13;
&#13;
Julius and Wilson in their haste,&#13;
Turned their steps towards the Wilson place,&#13;
They had to take to higher ground,&#13;
When they reached the place no house was found.&#13;
&#13;
Down in the house which William built,&#13;
Lonas and Lilllie and the children knelt,&#13;
Said Julius to Lonas and Lillie too,&#13;
“Are your children all safe.  I see only two”.&#13;
&#13;
“Oh no,” said he, “ I fear they are drowned”&#13;
They have not been seen since the house went &#13;
down”.&#13;
But down in the bottom by the St. Clair pond,&#13;
The bodies of Lewis and Jennie were found.&#13;
&#13;
As the neighbors came and&#13;
walked around,&#13;
Their teardrops fell fast &#13;
on the ground,&#13;
But poor little Perry has &#13;
not been found,&#13;
He sleeps somewhere beneath&#13;
the ground.&#13;
&#13;
With a bed of mud and a pillow of clay&#13;
He may not be found till&#13;
the last great day,&#13;
When the angels come with &#13;
trumpet sound,&#13;
To awake the dead that are &#13;
under the ground.&#13;
&#13;
As he awakes in the morning and upward flies,&#13;
To meet his loved ones beyond the skies,&#13;
Oh, God in mercy and in thy&#13;
great love.&#13;
Prepare them all to meet&#13;
thee above.&#13;
&#13;
That when their trials and &#13;
troubles are past,&#13;
They may find a home in&#13;
Heaven at last.&#13;
Through eternity to sing&#13;
his praise,&#13;
For dying love and saving grace. &#13;
&#13;
By A. M. Bumgarner&#13;
Charlotte, N. C. </text>
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                    <text>KATY WELlS

You ask what makes this darkey weep,
Why him like others am not gay.
What makes the tears roll down his cheek,
From early dawn to the close of day.
The story darkys, you shall bear,
For fresh it in my memory dwell,
It will cause you all to shed a tear,
Over the grave of my poor Katy Wells, ChorusWhen the wild birds were singing sweetly in the morning,
When the myrtle and the ivy were in bloom,
When the sun over the hill tops was dawning
It wa.s there I laid her in the tomb.
I never shall forget that day,
When we together roamed the dell,
I kissed her cheek and named the day,
That I should marry !aty Wells.
When death came in that cabin door,
And stole from me my joy and pride,
And when I found she wa.s no more,
I laid my banjo down and cried, ChorusOftimes I wish that I were dead,
And laid beside her in the tomb,
The sorrow that bowed down my head,
Is as dark to me as the midnight gloom.
The springtime has no charm
The flowers are blooming in
Her from I never more shall
Is the form of my poor Katy

for me,
the dell,
see,
Wells, Chorus-

(Song ballad written by Miss Linza Joyner for Miss Ella Andrews)

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Katy Wells&#13;
You ask what makes this darkey weep,&#13;
Why him like others am not gay.&#13;
What makes the tears roll down his cheek,&#13;
From early dawn till close of day.&#13;
The story darkys, you shall hear,&#13;
For fresh it in my memory dwell,&#13;
It will cause you all to shed a tear,&#13;
Over the grave of my poor Katy Wells, Chorus-&#13;
&#13;
When the wild birds were singing sweetly in the morning,&#13;
when the myrtle and the ivy were in bloom,&#13;
When the sun over the hill tops was dawning&#13;
It was there I laid her in the tomb.&#13;
&#13;
I never shall forget that day,&#13;
When we together roamed the dell,&#13;
I kissed her cheek and named the day,&#13;
That I should marry Katy Wells.&#13;
&#13;
When death came in that cabin door,&#13;
And stole from me my joy and pride,&#13;
And when I found she was no more,&#13;
I laid my banjo down and cried, Chorus-&#13;
&#13;
Oftimes I wish that I were dead,&#13;
And laid beside her in the tomb,&#13;
The sorrow that bowed down my head,&#13;
Is as dark to me as the midnight gloom.&#13;
&#13;
The springtime has no charm for me,&#13;
The flowers are blooming in the dell,&#13;
Her from I never more shall see,&#13;
Is the form of my poor Katy Wells, Chorus-&#13;
&#13;
(Song ballad written by Miss Linza Joyner for Miss Ella Andrews)</text>
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                    <text>Jaclr ancil.

aye.

Jack and aye,swe ·thearts were · they,
.!nd they were engaged. to be wed.
any the promise the y hacl made,
Many the loTe worcl lad said..
But as loTers o,they quarreled one day;
She bade him not o e any more.
She brought him his hat;he started alTay,
But lingered to say at t.1e oor:
Chorus
Tie up thoRe ~ . b roken cor~s ,
And let us be lovers again;
or you know t at I loTe you darling.
To part from you
·ivcs me pain.
Remember the vows of long ago,
That f'aith:ful,we would not f'orget •
... o let us f'orr;et,and nake up ,n.y pet .. alcc up and be loTers again.

Years rolled by and neither were wed,
Still all of' his pleadings we ·e Tain.
ut one rip;ht ~ay poor Jack l'!as round dead.
'Twas all or her bridals disdain;
Two lives have been vmeeked~he love~ but too late-she goes to his ~raTe every da••
She can't tell you why,but seems 'tis her fate,
The win4 seems to whisper and say:
Cho.

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Jack and Maye.&#13;
&#13;
Jack and Maye, swe thearts were they,&#13;
And they were engaged to be wed.&#13;
Many the promise they had made,&#13;
Many the love word had said.&#13;
But as lovers do, they quarreled one day.&#13;
She bade him not come any more.&#13;
She brought him his hat, he started away,&#13;
But lingered to say at the door:&#13;
&#13;
Chorus&#13;
&#13;
Tie up those old broken cords,&#13;
And let us be lovers again.&#13;
For you know that I love you darling.&#13;
To part from you gives me pain.&#13;
Remember the vows of long ago,&#13;
That faithful, we would not forget.&#13;
So let us forget, and make up, my pet-&#13;
Make up and be lovers again.&#13;
&#13;
Years rolled by and neither were wed,&#13;
Still all of his pleadings were vain.&#13;
But one bright day poor Jack was found dead.&#13;
'Twas all of her bridals disdain,&#13;
Two lives have been wrecked-&#13;
She loved but too late-she goes to his grave every day.&#13;
She can't tell you why, but seems 'tis her fate,&#13;
The wind seems to whisper and say:&#13;
&#13;
Cho.</text>
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                    <text>I saw thy ~orm in youth~ul prime.
No thought that pale decay,
Could steal be~ore the steps o~ time,
And wash its bloom away.
Yet stillthy ~eatures wore that light.
Which fleets not with the breath,
And li~e never looked more ~arely bright,
Than in thy ami lee o~ death.
I

As steams that run over golden mines,
With modest murmur gl:de.
N~r seem to know the wealth that shines,
With in there gentle tide.
So ~all beneath a simple guise,
Thy radiant genious shone,
And that which charmed all other eyes,
Seemed worthless in thy own.
I~ souls could always dwell above,
Thou never hadest ~elt thy sphere,
Or could we keep the souls we love,
We never had lost thee here.
Though many a gilted mind. we meet,
Though ~a. ireet ~orms we see.
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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No thought that pale decay, &#13;
Could steal before the steps of time, &#13;
And wash its bloom away. &#13;
Yet still thy features wore that light. &#13;
Which fleets not with the breath, &#13;
And life never looked more farely bright, &#13;
Than in thy smiles of death. &#13;
 &#13;
As streams that run over golden mines, &#13;
With modest mur mur glide. &#13;
Nor seem to know the wealth that shines, &#13;
With in there gentle tide. &#13;
So fall beneath a simple guise,  &#13;
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Seemed worthless in thy own. &#13;
 &#13;
If souls could always dwell above, &#13;
Thou never hadest left thy sphere, &#13;
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Though fairest forms we see. &#13;
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I saw thy form in youthful prime,
Nor thought that pale decay;
Would steal before the steps of time,
And was te : its bloom away Mary.'
Yet still thy features wore that light,
Which fleets not wi th the breath·
And life never ,looked more purely bright,
Than in thy smile of death Mary.'
As streams that run over golden mines,
With modest murmur glide;
Nor seem -tp )mow the wealth that shines,
Winh in~ gentle tide Mary!
So, veiled beneath a simple guise,
Thy radiant genius shone:
And that whic h charmed all other freyes,
Seemed worthless in thy 0wn Mary!
If s0uls c0uld always dwe'll above,
Thou never hadest left thy sphere;
Or, could we keep the souls we l0ve,
We never had lost thee here Mary.'
Though many a gifted mind we meet,
Though fairest f0rms we see;
To live with them is far less sweet,
Than t0 remember thee Mary.'

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                <text>Youthful Prime&#13;
&#13;
I saw thy form in youthful prime,&#13;
Nor thought that pale decay.&#13;
Would steal before the steps of time,&#13;
And waste its bloom away Mary!&#13;
&#13;
Yet still thy features wore that light,&#13;
Which fleets not with the breath,&#13;
And life never looked more purely bright,&#13;
Than in thy smile of death Mary!&#13;
&#13;
As streams that run over golden mines,&#13;
With modest murmur glide,&#13;
Nor seem to know the wealth that shines,&#13;
With in this their gentle tide Mary!&#13;
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So, veiled beneath a simple guise, &#13;
Thy radiant genius shone,&#13;
And that which charmed all other yeyes,&#13;
Seemed worthless in thy own Mary!&#13;
&#13;
If souls could always dwell above&#13;
Thou never hadest left thy sphere.&#13;
Or, could we keep the souls we love,&#13;
We never had lost thee here Mary!&#13;
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Though many a gifted mind we meet,&#13;
Though fairest forms we see.&#13;
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                    <text>THE DYING PREACHER
My brother preacher boldly speaks
And stands on Zion•s walls,
T 1 revive the strong, confirm the weak
And after sinners call.
My brothers, fare you well,
Your fellowship I love.
In time no more I shall see you,
But soon we 1 11 meet above.
My little children near my heart
And nature seems to bind.
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And leave you all behind.
0 Lord, a Father to them be,
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That they may love and worship Thee
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My loving wife, my bosom f.riend,
The object of my love,
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My sweet and harmless dove.
My loving wife, don•t grieve for me,
Neither lament nor mourn.
For I shall with my Savior be,
\~en you are left alone.
How
And
But
And

often
often
now I
never

you have looked for me,
seen me come;
must depart from thee
more return.

For I can never come to Thee;
Let not this grieve your heart.
For you will shortly come to me
\·/here we shall never pa:bt.

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                <text>The Dying Preacher&#13;
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My brother preacher boldly speaks&#13;
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T'revive the strong,confirm the weak&#13;
And after sinners call.&#13;
&#13;
My brothers,fare you well,&#13;
Your fellowship I love.&#13;
In time no more, I shall see you,&#13;
But soon we'll meet above.&#13;
&#13;
My little children near my heart&#13;
And nature seems to bind.&#13;
It grieves me sorely to depart, &#13;
And leave you all behind.&#13;
&#13;
O Lord,a Father to them be,&#13;
And keep them from all harm.&#13;
That they may love and worship Thee&#13;
And dwell upon the charms.&#13;
&#13;
My loving wife, my bosom friend,&#13;
The object of my love,&#13;
The time's been sweet I've spent with you&#13;
My sweet and harmless dove.&#13;
&#13;
My loving wife, don't grieve for me,&#13;
Neither lament nor mourn.&#13;
For I shall with my Savior be,&#13;
When you are left alone.&#13;
&#13;
How often you have looked for me,&#13;
And often seen me come,&#13;
But now I must depart from thee&#13;
And never more return.&#13;
&#13;
For I can never come to Thee&#13;
Let not this grieve your heart.&#13;
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rot
a .- "'

· .-l"

I

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It

0 .

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';1 l

T c

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c·
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t' ..c

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>The Dying Preacher&#13;
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My brother preacher bodly speaks&#13;
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T’revive the strong,confirm the weak&#13;
And after  sinners call.&#13;
&#13;
My brothers,fare you well.&#13;
Your fellowship I love.&#13;
In time no more, I shall see you,&#13;
But soon we’ll meet above.&#13;
&#13;
My little children near my heart&#13;
And nature seems to bind.&#13;
It grieves me sorely to depart, &#13;
And leave you all behind.&#13;
&#13;
O Lord,a Father to them be,&#13;
And keep them from all harm.&#13;
That they may love and worship Thee&#13;
And dwell upon the charms.&#13;
&#13;
My loving wife, my bosom friend,&#13;
The object of my love,&#13;
The time’s been sweet I’ve spent with you&#13;
My sweet and harmless dove.&#13;
&#13;
My loving wife, don’t grieve for me,&#13;
Neither lament nor mourn.&#13;
For I shall with my Savior be,&#13;
When you are left alone.&#13;
&#13;
How often you have looked for me,&#13;
And often seen me come,&#13;
But now I must depart from thee&#13;
And never more return.&#13;
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Let not this grieve your heart.&#13;
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                    <text>THE NORTH CAROLINA FOLK-LORE SOCIETY
FRANK C . BROWN, SECRETARY- TREASURER

DURHAM . NORTH CAROLINA

•The Hamlet Wreck"
et-

)

•see the women and children going to the train ,
Fare-~ou-well , my husband, if I never see you again ,
The engineer turned his head
When he saw so man¥ were dead;
So many have lost their lives.
I

CHORUS.

a., ,

-ClA1./V

t i ,t sad , :i-Bf1' t it sad?
~cursion left Durham,going to Charlotte, North Carolina ,
Isn't tt sad, isn't it sad?
So many have lost their lives.
~

'-'

...

_ Some of us have mothers standing at the train ,
~ Fare-well-well , my daughter , I may never see you again ,
And th e train began to fly
And some di dn't come back alive;
So many have lost their lives.
The fireman said to the engineer,
"We are something late,
We don't want to meet up with the local freight",
The local was on the line
And the7K c ould not get there on time ,
So many have lost their lives .
When the news got to Dumam, some said it was a lie ,
But there was somein the hospital almost ready to die ,
And their poor old mothers , you know ,
They were running from door to door ;
s~ ma ny have lost their lives .
Now colored people I will tell you to your face ,
The train that left Dunham, was loaded with our race ,
And some did not think of dying
When they rode on down the line;
So many have los t the i r lives .
They put the dead in ~ eir coffins and sent them back to town ,
And then they were ~en to the burying ground ,
You could hear the coffin sound
When they let those bodies down;
So many have lost their ~ives . "

~ (By _Fr~nkl in Willi ~s and Wil~iam Firki ~s&gt; ''~

~ ~L o ~;~ ~~~:t ~ ~

j

_ .

.

;:;;:;-:4d::!f::r

~:X~~ J_~ ~11 ~ p~f;::!7v-y-Jr~,._j ~~

~ '"w-~J~

~/it. ~)hy

~~~ ~~~-

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Negro Songs and Ballads&#13;
&#13;
The North Carolina Folklore Society. &#13;
Frank C. Brown, Secretary-Treasurer&#13;
Durham, North Carolina-&#13;
“The Hamlet Wreck”&#13;
&#13;
1&#13;
“See the women and children going to the train,&#13;
Fare-you-well, my husband, if I never see you again,&#13;
The engineer turned his head&#13;
When he saw so many were dead,&#13;
So many have lost their lives.&#13;
&#13;
Chorus &#13;
&#13;
Isn’t Ains it sad, isn’t ains it sad?&#13;
Ex/cur/si/on left Durham, going to Charlotte, North Carolina,&#13;
Isn’t it sad, isn’t it said?&#13;
So many have lost their lives.&#13;
&#13;
2&#13;
Some of us have mothers a standing at the train,&#13;
Say Fare-well-well, my daughter, I may never see you again,&#13;
And the train began to fly&#13;
And some didn’t come back alive,&#13;
So many have lost their lives.&#13;
&#13;
[illegible] The fireman said to the engineer,&#13;
“We are something late,&#13;
We don’t want to meet up with the local freight,”&#13;
The local was on the line&#13;
And theye could not get there on time ,&#13;
So many have lost their lives.&#13;
&#13;
3 omit these 2 stanzas&#13;
When the news got to Durham, some said it was a lie,&#13;
But there was some in the hospital almost ready to die,&#13;
And their poor old mothers, you know,&#13;
They were running from door to door,&#13;
So many have lost their lives.&#13;
&#13;
Now colored people I will tell you and tell you to your face,&#13;
The train that left Durham, was loaded with our race,&#13;
And some did not think of dying&#13;
When they rode on down the line,&#13;
So many have lost their lives.&#13;
&#13;
4&#13;
They put the dead in their coffins and sent them back to town,&#13;
And then they were taken to the burying ground,&#13;
You could hear the coffin sound&#13;
When they let those bodies down,&#13;
So many have lost their lives.”&#13;
&#13;
“(by Franklin Williams and William Firkins)”&#13;
&#13;
Note:This is the form of the song as it appears in a broadside published &#13;
by the Reform Publishing Company, an African-American printer in Durham.&#13;
The song was likely not composed by Williams and Firkins,&#13;
who ran operations in the Liggett and Myers Tobacco Co’s factory in &#13;
Durham.               </text>
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                    <text>.(1

loyd Collins.•

Qh ,coMe all ye young people,
And listen while I tell
The fate of Floyd Collins,
A la.:l we all lmmT '"'ell.
His :race was fair ancl hands one,
And. his he art was true and l)rave.
His boet.y nmv lies sleeping i:e-4;lie-ss.Htl-ti4;eBB-&amp;8¥e.
l:n t he sand stone caTe.
Ilow sacl, how sad t ile story,
It f'ills :my eyes with tears.
The memory ,too,will linger
F or many;::mny ye a rs.
The broken hearted father,
Vho tried his boy to save,
Will now weep tears of sorrow
At t ~ e door of Floyd's cave.

•

Dear mot ller,don't you worry.
Dear Father,Don't e sad,
.And I'll tell you all my troubles
In an awful dream I :1aci.
I drem.1ecl I wz.. s
a ')risoner;
::..y l _f'e I coulc not salle.
i
l
I cried: ~ h,must I perish
W
ithin t ~ e silent cave.
The rescue pa rty labored,
They worked both nmght aml flay
To move . that mighty barrier
That stood within t heir way.
To rescue ~ loyd Collins,
It was a attle cry •
.
'f e' 11 never, no we' 11 ne ver ~et-l"'~eyt!-Se!H~!i.:es
Let Floyd Collins aie.
But on t he :ratal morning
The sun rose in '.he sky.
The workers were sti ll gusy.
VIe' 11 save him by aml p.
nut oh, how sad t '•e ending .
His lif e t hey oo•.1lcl not save.
His ody now lies sleeping
In a lonely sand stone cave.
Young peonle,al l t ake warning
'!Yror:1 Floyd Collins fate,
.:\.nd get right ei th your mal~er
Defore it is too late.
It may not b e a sand cave
In wllioh we find our tm:1b;
But at t ~ c b ar . of' judG'lent
r e,too, rmst meet our doom.

�</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Floyd Collins.&#13;
&#13;
Oh, come all ye young people,&#13;
And listen while I tell&#13;
The fate of Floyd Collins,&#13;
A lad we all knew well.&#13;
His face was fair and handsome,&#13;
And his hear was true and brave.&#13;
His body now lies sleeping &#13;
In the sand stone cave.&#13;
&#13;
How sad, how sad the story,&#13;
It fills my eyes with tears.&#13;
The memory, too will linger&#13;
For many, many years.&#13;
The broken hearted father,&#13;
Who tried his boy to save,&#13;
Will now weep tears of sorrow&#13;
At the door of Floyd's cave.&#13;
&#13;
Dear mother, don't you worry.&#13;
Dear Father, Don't be sad,&#13;
And I'll tell you all my troubles &#13;
In an awful dream I had.&#13;
I dreamed I was a prisoner&#13;
My life I could not save.&#13;
I cried: Oh, must I perish&#13;
Within the silent cave.&#13;
&#13;
The rescue party labored,&#13;
They worked both night and day&#13;
To move that mighty barrier &#13;
That stood within their way.&#13;
To rescue Floyd Collins,&#13;
It was a battle cry.&#13;
We'll never, no we'll never &#13;
Let Floyd Collins die.&#13;
&#13;
But on the fatal moring&#13;
The sun rose in the sky.&#13;
The workers were still busy.&#13;
We'll save him by and by.&#13;
But oh, how sad the ending.&#13;
His life they could not save.&#13;
His body now lies sleeping&#13;
In a lonely sand stone cave.&#13;
&#13;
Young people, all take warning &#13;
From Floyd Collins' fate,&#13;
And get right with your maker&#13;
Before it is too late.&#13;
It may not be a sand cave&#13;
In which we find our tomb&#13;
But at the bar of judgment&#13;
We, too, must meet our doom.</text>
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                    <text>The Jealous Lover .
One eve w!1en t lte moon shone l)rightly,
There softly fell a dew,
~ hen in a lonely cottage
A jealous lover drew .
Saicl :1e to fair young .:llen:
ion't y ou come ancl roa·:1 witT: me?
- "';e' 11 watch and wait and wander
Until our weclding day.
Said she to fair young =dgar:
I care not for to roam.
Oh, P:dgar, I aJ'l weary,
Please ,won't you take ne home?

In silence then he kissed her,
And pressed her to his heart.
Oh, . llen, Oh, 'llen,r:1y tlarling,
''l'is sad t hat we must part.
She t !1en knelt U.own 1·eside him
l..nd prayed. him spare he r lifeWhen in her fair young bosom
:: e plun2;ed a daggered kmbfe.
Oh, .;dgar rtll forgive you,
Though this l.&gt;e Hy last breath.
I never will deceive y ou
Till I e l ~'L my eyes in dea th.
Down in the s haded valley,
Where the Tiolets are in blooc,
The : e lies ;1is f'air young ..:::llen
A slee ~ ing in t he gloom .
We knou not how she su.::'feretl.
We know not how she moaned,
But we lmow t ~" ese words were spol{en:
Please, ,.;dgar, take me hone .

�</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>The Jealous Lover&#13;
&#13;
One eve when the moon shone brightly,&#13;
There softly fell a dew,&#13;
When in a lonely cottage&#13;
A jealous lover drew.&#13;
Said he to fair young Ellen:&#13;
Won’t you come and roam with me?&#13;
We’ll watch and wait and wander&#13;
Until our wedding day.&#13;
Said she to fair young Edgar:&#13;
I car not for to roam.&#13;
O, Edgar, I am weary,&#13;
Please ,won’t you take me home?&#13;
&#13;
In silence then he kissed her,&#13;
And pressed her to his heart.&#13;
Oh, Ellen, Oh, Ellen, my darling,&#13;
‘Tis sad that we must part.&#13;
She then knelt down beside him&#13;
And prayed him spare her life-&#13;
When in her fair young bosom&#13;
He plunged a daggered knife.&#13;
Oh, Edgar I’ll forgive you,&#13;
Though this be my last breath.&#13;
I never will deceive you&#13;
Till I close my eyes in death.&#13;
&#13;
Down in the shaded valley,&#13;
Where the violets are in bloom,&#13;
There lies the fair young Ellen&#13;
A sleeping in the gloom.&#13;
We know not how she suffered.&#13;
We know not how she moaned,&#13;
But I know these words were spoken:&#13;
Please, Edgar, take me home.</text>
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        <name>Annie My Darling</name>
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      <tag tagId="2394">
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        <name>Fair Young Ellen</name>
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      <tag tagId="2396">
        <name>Floella's Death</name>
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      <tag tagId="2389">
        <name>Florella (The Jealous Lover)</name>
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      <tag tagId="2390">
        <name>Florilla</name>
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      <tag tagId="2393">
        <name>Lone Valley</name>
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      <tag tagId="2404">
        <name>Pearl Bright</name>
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      <tag tagId="2399">
        <name>Pearl Bryant</name>
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      <tag tagId="1503">
        <name>songs and music courtship</name>
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        <name>songs and music death</name>
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      <tag tagId="2406">
        <name>The Jealous Lover of Lone Green Valley</name>
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      <tag tagId="2405">
        <name>The Jewish Lover</name>
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        <name>The Lone Green Valley</name>
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      <tag tagId="2395">
        <name>The Love Valley</name>
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      <tag tagId="2407">
        <name>The Weeping Willow</name>
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        <name>Way Down in Lone Green Valley</name>
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                    <text>A

spent,
Chorus:

r ow r ,

I cried.

1

ckon h

ou

ro

I

'

s l ep.

own,

1d?

�</text>
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            <element elementId="50">
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                  <text>I.G. Greer Folksong Collection</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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              <text>113_FathersADrunkard_Lyric_04</text>
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                <text>Father's a Drunkard, Lyric Variant 04</text>
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                <text>English</text>
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                <text>&lt;a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"&gt; I. G. Greer Folksong Collection &lt;/a&gt;</text>
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              <elementText elementTextId="968196">
                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="969078">
                <text>&lt;a title="In Copyright - Rights-holder(s) Unlocatable or Unidentifiable" href="http://rightsstatements.org/vocab/InC-RUU/1.0//" target="_blank"&gt; In Copyright - Rights-holder(s) Unlocatable or Unidentifiable&lt;/a&gt;</text>
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            <name>Contributor</name>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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                <text>Folk songs--United States </text>
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                <text>Alcoholism--Songs and music </text>
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                <text>Desertion and non-support--Songs and music </text>
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                <text>Fathers and songs--Songs and music </text>
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            <description>An entity responsible for making the resource available</description>
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                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>A Drunkard&#13;
&#13;
When I was lad, I had a bad dad,&#13;
I mean he was bad in a way,&#13;
Every nickle and cent for liquor he spent,&#13;
Till death came and stole him away.&#13;
&#13;
Chorus:&#13;
&#13;
"Flowers, bouquets of flowers," I cried.&#13;
I may not look neat&#13;
While walking the street,&#13;
While working for Mother and I.&#13;
&#13;
My mother took sick, they said she would die,&#13;
But to bear all her troubles she strove.&#13;
She called me to her bed, what do you recon she said?&#13;
To meet her in Heaven above.&#13;
&#13;
Oh, tell me a man who never did wrong,&#13;
Who never stayed out at night,&#13;
Who stayed at his home and minded his own,&#13;
And rocked his dear children to sleep.</text>
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        <name>songs and music fathers</name>
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