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                    <text>THE WRECK OF THE OLD NINETY SEVEN
They gave him his orders at Monroe, Virginia
Saying: Steve, you are way behind time.
This is not old thirty eight but it 1 s old ninety seven,
You must put her in Center in time.
He looked round and said to his black greasy fireman:
You must shovel in a little more coal,
For when we cross that White Oak 1Vlountain
You can see old Ninety Seven roll.
It•s a might rough road from Lynchburg to Danville,
And a line on a three mile grade.
It was on that grade that he lost his airbrake
And you see what a jump he made.
He ~vas going dovm grade making ninety Bi:ae miles an hour,
When his whistle broke into a scream.
He was found in the wreck with his hand on the throttle,
And was scalded to death by the steam.
Now, ladies, you must take v,rarning,
From this time now and on,
Never speak harsh ·words to your true loving husband;
He may leave you and never return.

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                    <text>The

~rexk

of

t ~e

Old Nine ty

Deven.

They gave him his orders at '!onroe , Virginia
Saying: ::&gt;teve, }ou are lJay hehind ti.:J.e.
This is not old thirty eight b ut it's old ninety seven,
You nust put her in Center in time.
:. e looked round and said t o his black greasy fireman:
must shovel in a little more ooal,
For when lY'e cros s t hat rlli te Oak ::ounta in
You can see old "inety ~e ven roll.
~~ on

It's a mightj rough road from Lyncl1bur .~ t o Danville,
Ancl a line on a t h ree mile grade.
It rm·; on that grade that he lost his airhrake
And you see wh at a jump h e :n~:cl e.
Ee was going down gratle n aldng nine ty miles an hour,
his whistle broke into a scream.
He was found in t h e wrec!:: with his hand on t ile throttle,
.:md was scalded to death hy t ~1e s team.

~hen

_T our l &lt;:dies,you must take warning,
:'ro..~ this time now and on,
:~ ever speak h arsh words to y our true l ovinrr hu s band ;
ne may ' leave you aml neve r return.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                    <text>The wreck or t~e C.N.O.
or
Between Richmond and .for:folk

on the !;eTen Pine Road.

On that colcil and clark cloudy evening,
Just bef'ore the close of clay,
There ca1:1e Harry Lile ancl Dillard,
And. with Anderson tha;y rode a·xay.
y

From c lif'ton Forf_ th./y starteo.,
·7ith their spirits so ru:-ged and high,
They stopped at the iron gate and waite(l
Until old nm:1bcr nine went bJt.
Bacl( on the main line t~ 1 ey stareed
Down James River so dark and drear.
They gave no thought to the e.langer
lor the death that was waiting so near.
They talked and they joked wit! each other,
As they spe'l on their way sise y side •
.And the old engine rocked as she trc..veled
Through the night in this last f'atal ride.
Now the story ends;the old engine
Lies on her side in t'' e coltl river beci.
r:::arry lies in tl'e ca1)in
lfith -~. hat deep :ratal wouncl in his heacl.
l'rmv railroad nen,you should all take W[trning,
You may f'ade like this young handsome · mn.
For you all :cmst remmn1~er that the step is a s ~~ ort one
From this earth to tijat sweet prmmisecl land.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                    <text>Charlie Grew.
Charlie Grew was a cowboy,
And maldng plans one day,
("! aid " Boys, I' 11 tell you so;:ething
Before we go away.
You see I'm only a cowb oy,
Lik you,drrssed all in rags;
I used to b e a gay one,
?. cnt on sO' ·c great lJig game,
Though 0 have a h01:1e in Di:xie,
A g ood one,too, you know,
Although I have'nt seen it
Since many a year a {~ O.
I'm going to my h ome in Dixie;
I'm going t o see t hem all
I'm going to see m~ n other
W
hen t he vork's all done t his Fall.
Then when t his round up is over,
As certain as t here is a dawn,
I'c going to my h ome in Dixie
Before my money's all g one.
' other's heart is a b reak ing;
It's b reak ing f or me,that's all.
By God's h elp I'll see 7other
W
hen the wo rk's all d one t his :B'all.
That ni gh t t his very cowboy
r;ent out to stand his guarel..
The wind was blowing swiftly,
The coast wa s st or ming !m r~ .
The catt l e t hey al l got s cattered,
.And runnin g at \fila, stampedec
l.
A trying his b est to stop t !1er.1,
Dy turning their head s ab out
Pis cattle horse fiid stubb le
And under him d id ~all.
So be' 11 not see his 7Iother
When t he work's all done t his ~ all.
They picked him up so gently
And laid him on t he ed .
The e owlwys all were looking
To see :ilf he were d eaQ..
ne opened wide his b lue eyes
And gazing all around
Says," ::! oys, my last step is taken
I'll neTcr walk t he ground.
Jack,You will have my p istol,
And Ted , you take my becl.
Send my saddle to ·..: other
After I aEI &lt; ead.
l

I ' n going to a new ranch ,
I heard t he ::aster's eall.
By God's help ,I' 11 s ee ;rother
W
hen t he w· rk's al l d one
ne xt •a ll.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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        <name>We Parted by the River Side</name>
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                    <text>THE WASHING DAY
The sky with clouds was overcast,
The rain began to fa 11,
My wife she beat the children,
And raised a :pretty squall:
She bade mewi th a scolding look,
To get out of the way;
The devil a bit of comfort's there,
All on a washing day.
For its thump, thump scold scold thump thump a.wa.y,
The devil a bit of comfort's there all on a washing day.
My Kate she is a bonny wife,
There is none so free from evil,
Except upon a. washing day,
And then she is the devil:
The very kitten's on the hearth,
They will not even :play;
Away they jump with many a thump,
All on a washing day.

A friend of mone once asked me,
How long Kate had been dead,
Lamenting the good creature,
And sorry I was wed!
To such a. scolding vixen,
Whilst he had been at seaThe truth it was he chanced to come,
Upcm a washing day.
I asked him to come and dine
Come, come, says I, odds bud's,
I will no den1al take! you shall,
Though Kate is in the suds:
But what he had to dine upon,
I~ farth I shall not say,
But I will wager he will not come again,
Upon a washing day.

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                    <text>l10.THER AN:C

S~.!EETHEART

A crowd of young fellows one night at a club

were te 1 ling of swePth~arts they had,
All were jolly excepting onA youth
He seemed down-hearted ana sad,
come ned won't you join us his comrads then said
For surely some girl has loved you,
Then raising his head very proudly he said~
:Boys I'm in to~re with two,.
·
CHORUS

one
One
l3U t
one

has hair of silver grey, the other just like golds
is fa.lr a.na youthful, the other is bent and old,
deo rer than life are they both to me from neither I would pe.rt,
is my mother God ble s s her, the other is my sweethea.rt.

MY sweetheart is a. poor working girl,
:But still I 1 m determined to wed•
~~ father says no it will never be so,
you'll marry an heiress insteads
I won mother over she knows how it is,
When father met her she was poor,
Said Ned dent you fret she'll be your wife yet
Your father will consent I am sure.

ACL ... PS- :Believe you have a. title like this-----Please compare with

the record and if words are different we will change the
title on this one as Dl vie knows it gnd it fits his voice
just right.

WRC

�</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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Take this letter to my mother  Far across the deep blue sea,&#13;
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It will fill her heart with pleasure.  She'll be glad to hear from me.&#13;
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Take this letter to my Mother
Far across the deep blue sea.
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How she wept when first we parted
How her heart did ache with pain
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Take this letter to my Mother.
It will fill my heart with joy.
Tell her that her prayers are answered.
God protects her darling boy.
Tell her to be glad and cheerful,
Pray for me where ere I roam,
And 'ere long I ' ll turn my footsteps
Back toward my dear old home.

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&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                    <text>Take This Letter to ll:y 1fo her.

Take this letter to my ~:other
Far across the ee~ blue sea.
It will fill her lleart with pleasure
She'll be glad to llear f'rom me .
How she wept when list;.i we partecl
How her heart ditl ache 1vith pain
When s he said ,"9ood bye,God bless you,
lfe may never m ~ et again'!

Take this letter to my i!other .
It will fill my heart witll joy. ,
Tell her that her prayers are answered.~
God proteetes her dar lin ;'~ boy.
Tell her to be glad and cheerful ,
P ray f'or me where ere I roam,
And 'ere long I'll turn my foot steps
Bak towara my dear old home .

�</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>"Take this letter to my mother far across &#13;
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How she wept when last we parted &#13;
 oh her heart was pierced with pain &#13;
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 we may never meet again." &#13;
 &#13;
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 God protects her rambling boy. &#13;
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 for me wher'er I roam &#13;
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Take this letter too my &#13;
mother far a cross the Deep &#13;
Blue sea it will fill her heart &#13;
With pleasure she'll be glad &#13;
to here from me &#13;
how she wept when last we &#13;
parted ah her heart was &#13;
filled with pain when she &#13;
said good By God Bless You &#13;
we may never meet a gain &#13;
2 take this letter to my mother &#13;
it will fill her heart with &#13;
joy tell her that her prayers &#13;
are answered God protects &#13;
her rambling Boy &#13;
tell her to Be glad and &#13;
thankful pray for me wher'er &#13;
I roam and E Er long I'll &#13;
turn my footsteps Back &#13;
toward my Dear old home </text>
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                    <text>THE STORM ON SEA
Cease, rude Boreas, blustering railer;
Sist, ye landsmen, all to me;
Shipmates, hear a brother sailor,
Sing the dangers of the sea;
From bounding billows first in motion,
When the distant whirlwinds rise;
To the tempest-troubled ocean,
Where the seas contend with skies.
Herk! the boatswain hoarsely bawling,
By topsail sheets and haulyards stand;
Down topgallants quick be hauling,
Down your staysails, hand boys, hand!
Now it freshens, set the braces,
Now the topsail sheets let go;
Luff, boys, luff, do not make wry faces,
Up your topsails nimbly clew.
Now all you at home in safety,
Sheltered from the howling storm;
Testing joys by heaven vouchsafed ye,
Of our state vain notions form;
Round us roars the tempest louder,
Think what fear our minds entreat;
Harder yet if yet blows harder,
Now again the boatswain calla : J' The topsa,il yards :point to the wind boys,
See all clear to reef each course;
Let the foreahett go--do not mind, boys,
Though the weather should be worse;
Fore and aft the spritsail -- yard yet,
Rffe the mizan- sea all clean;
Hands up, each preventer--brace set,
Men the foreyard- -cheer lads cheer.
Now the dreEilful thunder's roaring,
Peal on :peal contending clash;
On our head fierce rain falls pouri.p.g,
In our eyes blue lightening flash;
One wide water all around us,
All above us one black sky;
Different deaths at once -- suround us,
Hark! what means that dretlf'ul cry.
The foremast's gone! cries every tongue out,
Over the lee, twelve feet above deck;
A leak beneath the chest-tree's sprung out,
Call allhands to clear the wreck.
Quick the lanyards cut to pieces,
Come, hearts, be stout and bold!
Plumb the well the leak increases,
Four feet water in the hold!

While over the ship wild waves are beating,
We for wives or children mourn;
Alas! from thence there is no retreating,
Still the leak, is gaining on us,
Both chain-pumps are choked below;
Heaven have mercy here upon us!
For only that can save us now.
Over the lee-beam is the land, boys,
Let the guns overboard be thrown,
To the pump come every hand boys,
See our mizenmast is gone.
The leak we have .found, it cannot pour
fast,
We have lightened her afoot or more;
Up and rig a Jury- -foremast,
The rights! she rights! boys --wear off
shore.
Now, once more, :peace round us beaming,
Since kind heaven has saved our lives;
From our eyes joy' a tears are streaming,
For our children and our wives;
Grateful ~ hearts now beat in wonder,
To him who thus prolongs our days;
Hushed to rest the mighty thunder,
Every voice bursts forth in praise.

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                    <text>YANKEE DOODlE
Yankee Doodle is the tune,
Americans delight in;
It will do to whistle sing or play,
And just the thing for fighting.
Yankee Doodle, boys, hurray!
Down outside, up the middleYankee Doodle, fa, sol, la,
Trumpet, drum, and fiddle.
Should Great Britain, Spain, or France,
Wage war upon our shore, sir,
We will lead them such a woundy dance,
They will find their toes are sore, sir,
Chorus Should a haughty foe expect,
To give our boys a caning,
We guess they will find the lads have learnt
A little a bit of training.
Yankee Doodle, etc.
I will wager now a mug of flip,
And bring it on the table;
Put Yankee boys aboard a ship,
To beat them they are able.
ChoursThen if they go to a.rgufy,
Irather quess they will find too,
'l,le have got a. set of tonguey blades,
To out-talk them, if th~y a re amind to .
America is dandy place,
The people .a.re all brothers,
And when one's got a pump~n pie,
He shares it with the others.
We work, and sleep, and pray in peace,
By industry we thrive, sir;
And if a drone will not do his part,
We will scout him from the htve, sir.

And then on Independence Dl"y,
And who's a better right to?
We eat ann drink, a.nd sing and play,
And have a dan~e at night too.
Ovr girls are fair, our boys are tough,
~lr old folks wise and healthy;
And when we have every thing enough,
We count that we are weal t}:ly:
We are happy, free, and well to do,
And cannot want for knowledge;
For almost every mile or two,
You find a School or College.
The land we till is all our own,
Whatever the price, we paid it;
Therefore we will fight till all is blue,
Should any dare invade it.

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                    <text>THE SHIP THAT NEVER RETURNED

On a Summer's day as the waves were rippled
By a soft, gentle breeze,
A ship set sail with a cargo laden
To a port beyond the seas.
There were sweet farewells; there were loving signals,
vfuile a form was yet discerned.
Though they knew it not, 'twas a solemn parting
For that ship, she never returned.
Chorus:
Did it ever return? No, no it never returned.
Her fate is yet unlearned;
Though for years and years there were fond ones watching
For the ship that never returned.
Said a feeble lad to his anxious Mother;
I must cross the deep blue sea,
For they say perchance in some foreign country
There is health and strength for me.
'Twas a gleam of hope in a maze of danger;
Her poor heart for her youngest yearned.
Yet she sent him forth with a smile and blessing
On the ship that never returned.
Only one more trip, said a gallant seaman,
As he kissed his weeping wife.
Only one more lot of this golden treasure,
And it will last us all through life.
Then I'll stay always in my cozey cottage,
And enjoy the rest I've earned;
But alas, poor man, for he sailed commander
On the ship that never returned.

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                    <text>The Ship That Never Returned.
On a Summer's day ~as t1!e stream; were rippled
By the sort~ ,gentlest r e eze,
~{a' ship set sail with a cargo laclen
To a port beyond the seas.
There were sweet rarewells;there were loving signals,
n '~ile a form was yet discerned.
Tl:lough they lmew ir not, 'twas a solemn parting
Forthat ship,she never returned.
Chorus:
Did sh7, J'ver return?:lo,she never returned.
ner rate is yet unlearneq;
Though :for years and years t 11ere were romil ones \Vatching
Forthe ship that never returned.
Said a feeble lad to his anxious llother;
I must cross the deep blue sea,
Forthey say perchance mn some :foreign country
Th~re is health and strength :for me.
'Twas a gleao of hope in a maze of danger;
Her poor heart :for her youngest yearned.
Yet she sent him :forth with a st.Iile and blessing
on the ship that ne T
rer returned.
Only one more trip,said a gallant seaman,
As he kissed his weeping wif'e.
Only one more buncU of this golden treasure,
.And it will last us all through li:fe .
Then I'll spen~ my days in my cozy cottage,
And enjoy the rest I've earned;
nut alas,poor nan,.for he sailed cOL"L......,ander
or the ship that never returnecl •
.)'

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                    <text>ROSA LEE, THE PRAIRE
On the
In its
Stands
Love 1 s

FLO~ffiR

distant praire where the heather \'lild,
quiet beauty lived and smiled,
a little cottage and a creeping vine,
around its porch to twine.

Chorus:
Fair as a lilly, joyous and free,
Light of that praire home was she.
Everyone whoklew her felt the gentle power,
Of Rosa Lee the praire flower.
Mrs. Alice Cook

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                    <text>.. 1
. 1 Ci.

j

Rosa Lee The Praririe FloGer •

On ' he Pr:::ire where the heather wild.
In itsquitet beGuty lived and smiled.
St£r.ds ~ little Cottage End a creeping vine.
Lov3'S around its po~rchto twine.
Chrus.
Fcir ~s alilley joyous ~nd free.
Lightbof that Prairie home was she.
Eve y one whoe new her felt the gentle p01;ier.
Of Ros~ Lee the Pacirie flower.
lirs. Plice Cook.

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                    <text>RICHMOND, VIRGINIA
Survey the ample realm around,
By ocean bathed, by mounta±n crowned,
Of smiling earth and genial skies,
Whet lovely scenes arise!
From north Potomac's circling line,
To where the Dan and Staunton join,
What noble Rivers winding down,
Thy vales with plenty crown!
From Monticello's height behold,
How vast a scope is eastward rolled,
To Chesapeake's Atlantic tide,
Of all our bays, the pride!
From Allegheny's loftier top,
Sublimely grand, how wild a scope,
Like Ocean billows in a storm,
Thy vardant mountains form!
Hence north and westward, pour thy springs,
Whose vernal swell such tribute brings,
As scarce Ohio's banks controls,
So rich and full it rolls.
Return we to the east again,
Where countless streams enrich the plain,
And Agriculture loads the marts,
Of Commerce and the Arts.
Here Richmond reigns unrivalled queen,
ANd crovns the fertile midland scene,
With ell that wealth and taste combine,
To polish and refine.
The Capitol's majestic pile,
Of thirty years the ceaseless toil,
At length assumes a splendid mein,
And dignified the scene.
And soon to grace its noble square,
The tribes of Fashion will repair;
And muses too, to take air,
Delight to linger there.
Hail, hills of Richmond!
Where the cheek of beauty blooms,
And lovely Woman,
Man's breast illumes.

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                    <text>POLLY HOP:KINS AND TOMMY TOMJ?KJNS
Tommy Polly
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Pretty, pretty Polly Hopkins, how do you do?
None the better, Tommy Tompkins, for seeing you.
I am a. man of wealth.
Be q_uiet, pray.
Take all my
Pray get away.
Oh! cruel, cruel Polly Hopkins, to treat me so.
Oh! cruel, cruel Tommy Tompkins, to tease me so.
When we are married, Polly Hopkins, wbich we will be.
I hope the next day, Tommy Tompkins, to bury thee.
I will handsome grow.
That I deny.
Though ugly now.
Worse by and by.
Oh! cruel, cruel Polly Hopkins, to treat me so.
Oh! cruel, cruel Tommy Tompkins, to tease me so.
When I am d.ead., Polly Hopkins, remember me.
With all my heart, Tommy Tompkins, so let i t be.
Then you will fret and cry.
Ah! to be sure.
To think that I.
Died not before.
Oh! cruel, cruel Polly Hopkins, to treat me so.

;f-o

~ ~ ~ ...f--·

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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&#13;
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&#13;
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&#13;
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&#13;
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                    <text>Perry's Victory
Over the bosom of Erie in fanciful pride,
Did the fleet of old England exaltingly ride;
Till the flag of Columbia her Perry unfurled,
The boast of the west and the pride of the world!
Chorus- And still should the foe dare the fight to sustain,
Gallant Perry shall lead on to conquest again.
The spirit of Lawrence his influence sheds,
To the van of the fight while the Lawrence he leads;
Then death dealt around, thou' such numbers oppose,
And leveled the gun at fair libertys foes. ChorusWhen covered with stain, from her deck he withdrew,
And led the Neagard the fight to renew;
Where undaunted in danger, our sea beaten tars,
Over the crOss of St. George waved the stripes and the stars!
Six ships while our banners triumphantly flew
Submitted to tars who were born to subdue;
When they rushed to the battle, resolved to maintain,
The freedom of trade, and our right to the main. Chorus
With the glory of conquest our heroes are crowned,
Let their brows with the bright naval chaplet bebound;
For still should the foe dare the fight to sustain,
Gallant Perry shall lead them to conquest again. Chorus

Chorus

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Perry’s Victory&#13;
&#13;
Over the bosom of Erie in fanciful pride,&#13;
Did the fleet of old England exaltingly ride,&#13;
Till the flag of Columbia her Perry unfurled,&#13;
The boast of the west and the pride of the world!&#13;
&#13;
Chorus -  And still should the foe dare the fight to sustain,&#13;
  Gallant Perry shall lead on to conquest again.&#13;
&#13;
&#13;
The spirit of Lawrence his influence sheds,&#13;
To the van of the fight while the Lawrence he leads,&#13;
Then death dealt around, thou’ such numbers oppose,&#13;
And leveled the gun at fair libertys foes.  Chorus – &#13;
&#13;
When covered with stain, from her deck he withdrew,&#13;
And let the Neagard the fight to renew,&#13;
Where undaunted in danger, our sea beaten tars,&#13;
Over the cross of St. George waved the stripes and the stars!  Chorus&#13;
&#13;
Six ships while our banners triumphantly flew&#13;
Submitted to tars who were born to subdue,&#13;
When they rushed to the battle, resolved to maintain,&#13;
The freedom of trade, and our right to the main.,  Chorus&#13;
&#13;
With the glory of conquest our heroes are crowned,&#13;
Let their brows with the bright naval chaplet bebound,&#13;
For still should the foe dare the fight to sustain,&#13;
Gallant Perry shall lead them to conquest again. Chorus</text>
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                    <text>.A.ntelo:!Je Song.
Oh come

wit~1

me in my :ti ttle cahoe

.here t~e sea is calm andthe sky is

luG.

Oh come with me,for I long to go
To those isles where the mango apples grow.
Oh co!ne wit'1 me and e my love,
Foe the jun~le depths I'll rove.
I'll

gath ~ r

th~

cocoa's cup forits wine,

And. h&lt;-ste to thee if thou'lt "l be mine.
Chorus:
I' 11 c hase t'·e antelope over the Ilain.
The tiger's cuh, I' 11 1:dnd. with a c ain.
And the wild gazelle with its silvery feet,
I' 11 giTe thee for a playmate sweet,

I'll clim1 theplain for the
Red peas I'll gather to deck

ird ' s ne l!.rr
~y

:reast.

For should we linger another day,
storms

rna~

arise and love decay.

Oh cor;Je with me in my light canoe,
Vhen the sea is calm and

the sky i3

And £lo not tarry anojher day
Or storms nay arise and love decay.

lue;

�</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Antelope Song&#13;
&#13;
Oh come with me in my little canoe&#13;
Where the sea is calm and the sky is blue.&#13;
Oh come with me, for I long to go&#13;
To those isles where the mango apples grow.&#13;
Oh come with me and be my love,&#13;
For the jungle depths I'll rove.&#13;
I'll gather the cocoa's cup for its wine,&#13;
And haste to thee if thou'lt be mine.&#13;
&#13;
Chorus:&#13;
I'll chase the antelope over the plain.&#13;
The tiger's cub, I'll bind with a chain.&#13;
And the wild gazelle with its silvery feet,&#13;
I'll give thee for a playmate sweet.&#13;
&#13;
I'll climb the plain for the bird's nest&#13;
Red peas I'll gather to deck thy breast.&#13;
For should we linger another day,&#13;
Storms may arise and love decay.&#13;
Oh come with me in my light canoe,&#13;
When the sea is calm and the sky is blue,&#13;
And do not tarry another day&#13;
Or storms nay arise and love decay. </text>
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                    <text>Antelope Song.
Oh cci.e with me in my little cLnoe.
the se£ is CElm c.nd the sky is blue.
Oh coLe with me for i long to go.
To those isles where the m2ngo apples growo
Oh cor:;e vdth me 2nd be my love.
For the jungle depths Ill rove.
Ill g ther the cocc£s cup for its wine.
Pnd h st to thee thou'lt be mine.
~~ere

Chorus.
Ill ch~se the }.ntelope over the plsne.
The tigers cuU, Ill bind with a chemen •
.Pnd t · e wild gazelle with its silvery f .e et.
Ill five thee for a playmate swwet.

*

Ill climb the plain for the biDs nest.
Red pees Ill gsther to deck thy brest.
For should we l~er ~nother day.
Stmrms m~y arise sndlove decay.
Unfinished .
Mrs. Alice Cook.

A. K. III.

*

Oh come with me in my light C::-noe •
.•~en the se~ is c~lrr. r nd the sky blue .
' nd do not t rry rnothcr a~y.
Or storms m~y Drrise ~nd love decry.

( Finished&lt;)

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>              Antelope Song.&#13;
&#13;
Oh come with me in my little canoe.&#13;
Where the sea is calm and the sky is blue.&#13;
Oh come with me for i long to go. &#13;
To those isles where the mango apples grow.&#13;
Oh come with me and be my love.&#13;
For the jungle depths Ill rove.&#13;
Ill gather the cocoas cup for its wine.&#13;
And hast to thee thou'lt be mine. &#13;
&#13;
Chorus.&#13;
&#13;
Ill chase the Antelope over the plan. &#13;
The tigers cub, Ill bind with a chain.&#13;
And the wild gazelle with its silvery feet.&#13;
Ill give thee for a playmate sweet.&#13;
&#13;
Ill climb the plain for the bias nest.&#13;
Red peas Ill gather to deck thy brest.&#13;
For should we linger another day.&#13;
*Storms may arise and love decay.&#13;
&#13;
Unfinished.&#13;
Mrs. Alice Cook.&#13;
&#13;
A.K.M.&#13;
&#13;
Oh come with me in my light canoe.&#13;
When the sea is calm and the sky blue.&#13;
And do not tarry another day.&#13;
Or storms may arrise and love decay. &#13;
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                    <text>TEE BUCKET

How cLear to this heart are the scenes of my childhood,
When fond rec')llection recalls them to vie¥r;
The orchard, the mead::&gt;w, the deep-tangled wilil-wood,
And every lov'd sp-Jt which my infancy lmew.
The old oaken bucket the ir-Jn-baund bucketThe m-Jss-covered bucket, whichhung in the well.
The
The
The
And
The
The

wide-spreading pand and the mill which stood by it,
bridge, and the rock where the cataract fell;
cot of my father, the dairy-house :aea night it,
every lov'd spot which my infancy lmew.
old oaken bucket the iron-bound bucketmoss-covered bucket, which hung in the well.

That moss-covered vessel I hail as a treasure,
For often, at naon, when returned from the field;
I found it the source of an exquisite pleasure,
The purest and sweetest that nature can yield.
The old oaken bucket the ir'Jn-bound. blJcketThe moss-covered bucket, which hung in the well.'
How ardent I .seized it, with hands that were glowing,
And quick to the while pebbled bottom it fell;
Then soon with the emblem of truth overflowing,
And dripping with coolness, it rase from the well.
The old oaken bucket, the iron-bound bucket-The moss-covered bucket a rose from the well.
How sweet from the green mossy brim to receive it,
As poised on the cord, it inclined to my lips;
Not a full-blushing goblet could tempt me to ]leave it,
Though filled with the nectar that Jupiter sips.
The old oaken bucket the iron-bauncl bucket-The moss-covered bucket, which hung in the well.
And. now far remover:t from the laved situation,
The tear of regret will intrusively wwe~l;
As fancy revisits my fathers plantation,
And sighs for the bucket whichrung in the well.
The old oaken bucket the iron-bound bucket-The moss-covered bucket, which hung in the well.

�</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Bucket&#13;
&#13;
How dear to this heart are the scenes of my childhood,&#13;
When fond recollection recalls them to view,&#13;
The orchard, the meadow, the deep-tangled wild-wood,&#13;
And every lov’d spot which my infancy knew.&#13;
The old oaken bucket the iron-bound bucket-&#13;
The moss-covered bucket, which hung in the well.&#13;
&#13;
The wide-spreading pond and the mill which stood by it,&#13;
The bridge, and the rock where the cataract fell,&#13;
The cot of my father, the dairy-house night it,&#13;
And every lov’d spot which my infancy knew.&#13;
The old oaken bucket the iron-bound bucket-&#13;
The moss-covered bucket, which hung in the well.&#13;
&#13;
That moss-covered vessel I hail as a treasure,&#13;
For often, at noon, when returned from the field,&#13;
I found it the source of an exquisite pleasure,&#13;
The purest and sweetest that nature can yield.&#13;
The old-oaken bucket the iron-bound bucket-&#13;
The moss-covered bucket, which hung in the well.&#13;
&#13;
How ardent I seized it, with hands that were glowing,&#13;
And quick to the while pebbled bottom it fell,&#13;
Then soon with the emblem of truth overflowing,&#13;
And dripping with coolness, it rose from the well.&#13;
The old oaken bucket, the iron-bound bucket--&#13;
The moss-covered bucket a rose from the well.&#13;
&#13;
How sweet from the green mossy brim to receive it,&#13;
As poised on the cord, it inclined to my lips,&#13;
Not a full-blushing goblet could tempt me to heave it,&#13;
Though filled with the nectar that Jupiter sips.&#13;
The old oaken bucket the iron-bound bucket--&#13;
The moss-covered bucket, which hung in the well.&#13;
&#13;
And now far removed from the loved situation,&#13;
The tear of regret will intrusively swell,&#13;
As fancy revisits my fathers plantation,&#13;
And sighs for the bucket which hung in the well.&#13;
The old oaken bucket the iron-bound bucket--&#13;
The moss-covered bucket, which hung in the well.  </text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Old Folks at Home&#13;
&#13;
Way down upon the Swanee ribber&#13;
Far far away&#13;
Dars where my heart is turning ebber&#13;
Dars whar de old folks play&#13;
All up and down de old plantation&#13;
Daddy I roam, Still longing for de old&#13;
Plantation and for de Old Folks at Home. &#13;
&#13;
Chorus&#13;
&#13;
2nd&#13;
All dis world am sad and dreary &#13;
Ebry where I roam&#13;
O darkeys don’t your hearts grow weary&#13;
Far from de old folks at home&#13;
&#13;
3rd&#13;
All round de little farms I wandered&#13;
When I was young&#13;
‘Dem many happy days I squandered&#13;
 Many de songs I sung&#13;
When I was playing wid my brudder&#13;
Happy was I, Oh, take me to my kind old mudder&#13;
Dere let me lib and die&#13;
&#13;
4th&#13;
One little hut among de bushes&#13;
One dat I love. Still sadly to my memory rushes&#13;
No matter where I roam. When will I see de&#13;
Bees a humming, all round de comb&#13;
When will I hear the banjo tuning&#13;
Down in my good old home&#13;
&#13;
Chorus&#13;
&#13;
I hope you can read this terrible &#13;
writing and learn to play this nicely&#13;
If you have any wandering Jew&#13;
please send us a little&#13;
by Willy and come over. &#13;
Much love from&#13;
Emma &amp; Ellis</text>
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                    <text>OLD FOLKS ARE GONE
Far, far in many lands I've wandered sadly and lone
Iv'Jy heart was ever turning southward
To all the dear ones at home.
~'/here after all my weary roaming at early dawn,
I've come and find the cot still standing
But Oh, the old folks are gone.
Chorus:
Here I wander sad and lonely
In the dear old home,
Those that I loved so well and fondly
All, all the old folks are gone.
Here's where I frolicked with my brother, under the ~ees,
Here s where I knelt beside my mother
From care and sorrow free,
Still sing the little birds sweetly at night and morn,
Still runs the little brook fleetly
But oh, the old folks are gone.
1

Chorus:
Down where the wild Cavara's waving they're laid to rest,
Where Swanee's peaceful waters loving
The green turf o'er their breast,
But there's a home I know where parting never can come
Oh, for that home I must be starting,
There's where the old folks are gone.
Chorus:

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                <text>Old Folks Are Gone&#13;
&#13;
Far, far in many lands I’ve wandered sadly and lone&#13;
My heart was ever turning southward&#13;
To all the dear ones at home.&#13;
Where after all my weary roaming at early dawn, &#13;
I’ve come and find the cot still standing &#13;
But Oh, the old folks are gone. &#13;
&#13;
Chorus&#13;
&#13;
Here I wander sad and lonely&#13;
In the dear old home,&#13;
Those that I loved so well and fondly&#13;
All, all the old folks are gone.&#13;
Here’s where I frolicked with my brother, under the trees,&#13;
Here’s where I knelt besode my mother&#13;
From care and sorrow free,&#13;
Still sing the little birds sweetly at night and morn,&#13;
Still runs the little brook fleetly&#13;
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Down where the wild Cavara’s waving they’re laid to rest,&#13;
Where Swanee’s peaceful waters loving &#13;
The green turf o’er their breast,&#13;
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                    <text>OLD FOLKS ART GOl_ ...
~ ar ,

:far in m.any l an ds : • ve \1evt::dt:red s adly ~x'd lone
1-Ly heart -v,as t=V-v r tu:-nin t; s out: .'Ha:cd
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..'h ere a1. ter c-:1 1 .ny Yieary ro a.un,: a t early dawn ,
I ' v e c ome and find tYe co ~ Ftl~ st andc~:
3ut OL , t)c:. old lol·:s are f,:one .
ChJ rus
Her e I •uand.e r s::-,d rmd 1 ncly
In t. ·e dear old hoL1e ,
Tbose th&lt;.". t .... loved so '&lt;~t_ll and f:mdly
.~&gt;J..l , all t~ 1 e old foL~s are cone .

IIer·e ' s w)_ere ..1.. 1rollic .t..ei ·.:.1LL ·v broL,.Lt.;r , unJer t1 e ere,, ,
here ' s 1orLe rc ~ knelt. bes icle ::.y .J·:) t. c..r
.Jrom care.. :'nc.. r.orro;,, :free,
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ClLJ!'US •

.)o,.n "Ler e tl.e v1ild C?..vara ' s vmv~n ,· c:·tEJ ' re lc.id to rE.·st , ·
Ynerc 0'v,anee ' s neaceful 1-·,at. er::: lovi;:,:
fhc g r een turt o ' er their br~ast ,
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Oh for tl:at horGe I .m st be ::::tarting ,
TherL 1 s v:r_ert. t . . c J ld ::. ol -·s arE- ::;ol'lE: .
0u o rus

..

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                <text>Old Folks Are Gone&#13;
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Far, far in many lands I’ve wandered sadly and lone&#13;
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To all the dear ones at home&#13;
Where after all my weary roaming at early dawn, &#13;
I’ve come and find the cot still standing &#13;
But Oh, the old folks are gone. &#13;
&#13;
Chorus&#13;
Here I wander sad and lonely&#13;
In the dear old home,&#13;
Those that I loved so well and fondly&#13;
All, all the old folks are gone.&#13;
&#13;
Here’s where I frolicked with my brother, under the tree,&#13;
Here’s where I knelt besode my mother&#13;
From care and sorrow free,&#13;
Still sing the little birds sweetly at night and morn,&#13;
Still runs the little brook fleetly&#13;
But oh, the old folks are gone.&#13;
&#13;
Chorus&#13;
&#13;
Down where the wild Cavara’s waving they’re laid to rest,&#13;
Where Swanee’s peaceful waters loving &#13;
The green turf o’er their breast,&#13;
But there’s a home I know where parting never can come&#13;
Oh for that home I must be starting, &#13;
There’s where the old folks are gone.&#13;
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                <text>Old Folks Are Gone&#13;
&#13;
Far far in many lands I've wandered sadly and lone&#13;
My heart was ever turning southward&#13;
To all the dear ones at home &#13;
Were after all my weary roaming &#13;
at early dawn&#13;
I've come and find the cot still standing &#13;
But all the old folks are gone&#13;
&#13;
Chorus-&#13;
Here I wander sad and lonely&#13;
In the dear old home&#13;
Those that I loved so well and fondly&#13;
All all the old folks are gone&#13;
&#13;
II&#13;
Here's where I frolicked with my brother&#13;
Under this tree&#13;
Here's where I knelt beside my mother&#13;
From care and sorrow free &#13;
Still sing the little birds as sweetly &#13;
At night and morn&#13;
Still runs the little brook fleety&#13;
But oh the old folks are gone&#13;
&#13;
Chorus&#13;
&#13;
III&#13;
Down where the wild banara's waving&#13;
They're laid to rest&#13;
Where swanee's peaceful waters loving&#13;
The green turf o'er their breast &#13;
But there's a home I know where parting&#13;
Never can come&#13;
Oh for that home I must be starting &#13;
There's where the old folks are gone&#13;
&#13;
1854 &#13;
R.E. Jones&#13;
Mrs. R.E. Barnes&#13;
copied by Sue Campbell&#13;
Jan. 2nd 1920&#13;
Mother copied from book</text>
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                    <text>NAVAL SONG
High fill the bowl, and round it ' twine,
The laurels wreath of fame,
The wreath that blooms thro latest time,
To deck the hero's name;
To Perry and his gallant host
The sparkling wine shall flow,
They tamed the pride of Brite in's boast,
And brought her glory low.
Stern over the dark tempestuous weve,
That heaves ita sullen swell,
Over many a hero bold and brave,
Who in that combat fill;
The shouting host of freemen rose,
Unfurled the flag of fight,
And bade defiance to their foes,
To Britain and her might.
Together now the squadron's ride,
The thundering cannons roar,
The lightings flash from side to side,
And slaughter wade&lt;&gt; in gore:
Fierce horror now patrols the deck,
To. swell the rage of fight,
And tumult flies with hurried step,
And wild averted sight.
Where Perry moved, the god of war,
More fiercely seemed to glow,
Destruction like a baleful star,
Rained terror on the foe;
From s0ul t0 soul the pride of fame,
The love of country flies,
And every heart received the flame,
That lighened in his eyes.
No longer rocks the battles sweep,
On Erie's stormy tide,
But over its wild and ruffled deep,
Victorious Perry rides:
Rise freemen of Columbia., rise!
Sxalt the hero's name,
Through distant lands and foreign skies,
Sound! Sound, the trump of fame!!!

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Naval Song&#13;
&#13;
High fill the bowl, and round it ‘twine,&#13;
The laurels wreath of fame,&#13;
The wreath that blooms thro latest time,&#13;
To deck the hero’s name,&#13;
To Perry and his gallant host&#13;
The sparkling wine shall flow,&#13;
They tamed the pride of Britain’s boast,&#13;
And brought her glory low.&#13;
&#13;
Stern over the dark tempestuous wave,&#13;
That heaves its sullen swell,&#13;
Over many a hero bold and brave,&#13;
Who in that combat fill,&#13;
The shouting host of freemen rose,&#13;
Unfurled the flag of fight,&#13;
And bade defiance to their foes,&#13;
To Britain and her might.&#13;
&#13;
Together now the squadron’s ride,&#13;
The thundering cannons roar,&#13;
The lightings flash from side to side,&#13;
And slaughter wades in gore:&#13;
Fierce horror now patrols the deck,&#13;
To swell the rage of fight,&#13;
And tumult flies with hurried step,&#13;
And wild averted sight.&#13;
&#13;
Where Perry moved, the god of war,&#13;
More fiercely seemed to glow,&#13;
Destruction like a baleful star,&#13;
Rained terror on the foe,&#13;
From soul to soul the pride of fame,&#13;
The love of country flies,&#13;
And every heart received the flame,&#13;
That lighened in his eyes.&#13;
&#13;
No longer rocks the battles sweep,&#13;
On Erie’s stormy tide,&#13;
But over its wild and ruffled deep,&#13;
Victorious Perry rides:&#13;
Rise freemen of Columbia, rise!&#13;
Exalt the hero’s name,&#13;
Through distant lands and foreign skies,&#13;
Sound!  Sound, the trumpet of fame!!!&#13;
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                    <text>Grandfatherz C

ck

grnndfa.therz t.az too t a ll for the ohelf
So it stood ninet~ yrz on the floor
It waz taller by half than the old man himself
Thou it wiegh cd not a pennyweight more
It wu.z bought on the mor-n of tho day he wnz born
It waz always his joy and his prid
But it stoped short never to go again when the
Old man died .

My

Choru
Ninety yrz without slumbering
Tick Tiel~ •rick
Itz lifez seckond 1 numbering
Tiel{ Tick Tiel&lt;
It stoped short never to go aguir1
then the old man died .
~nd

w ~ tcl1ing

itz pendulum swing two and fro
Many hrz had he passed w.cn a boy
And throuc;h youtb. and through manhood
The clock seem to know
An to share with his rief and his jow
Fo.r it truclr t wen tj~ four
As he entered the door
With his beautiful and blooming brid~
But it _toped short never to t;o again
rhen the old man died
Chorus
My grandfather said of those he
N.ot a servant so fait:b..ful
For it wai ted no time
1~d it had but o e desire
At the clo~e of eacl1 ~eek to be
And it stood at itz place
Not a frown an it ~ face
itz hand s never hung by it
But it stoped short never to go
'hen the •ld man died

would hire
he found
wound
sides
again

Chorus
It rane an al rm at the dead of the night
An alarm that for yrz had been dum
And we knew that his spirit
Waz blooming for f l ig.~
That the hour of departure had come
And the clock kept time
With the lonely chime
AZ we silently stood by his side
But it stcped short never to go acain
~hen the old man died.
Chorus

,it

r

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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                <text>&lt;a title= "Middletown (Conn.)" href=" https://www.geonames.org/4838633/middletown.html" target="_blank" rel="noreferrer noopener"&gt; Middletown (Conn.)&lt;/a&gt;</text>
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                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Grandfatherz Clock  &#13;
&#13;
My grandfatherz clock waz too tall for the shelf &#13;
So it stood ninety yrz on the floor  &#13;
It waz taller by half than the old man himself &#13;
Thou it wieghed not a pennyweight more &#13;
It was bought on the morn of the day he waz orn &#13;
It waz always his joy and his pride &#13;
But it stoped short never to go again when the  &#13;
Old man died. &#13;
 &#13;
Chorus &#13;
 &#13;
Ninety yrz without slumbering &#13;
Tick Tick Tick &#13;
Itz lifez seckond's numbering &#13;
Tick Tick Tick &#13;
It stoped short never to go again &#13;
When the old man died. &#13;
 &#13;
And watching itz pendulum swing two and fro &#13;
Many hrz had he passed when a boy &#13;
And through youth and through manhood  &#13;
The clock seem to know &#13;
And to share with his grief and his joy &#13;
For it struck twenty four &#13;
As he entered the door &#13;
With his beautiful and blooming bride &#13;
But it stoped short never to go again &#13;
When the old man died &#13;
 &#13;
Chorus &#13;
 &#13;
My grandfather said of those he would hire &#13;
Not a servant so faithful he found &#13;
For it waisted no time &#13;
And it had but one desire &#13;
At the close of each week to be wound &#13;
And it stood at its place &#13;
Not a frown on its face &#13;
And itz handz never hung by its sides &#13;
But it stoped short never to go again &#13;
When the old man died &#13;
 &#13;
Chorus &#13;
 &#13;
It rang an alarm at the dead of the night  &#13;
An alarm that for yrz had been dum &#13;
And we knew that his spirit &#13;
Waz blooming for flight  &#13;
That the hour of departure had come &#13;
And the clock kept time &#13;
With the lonely chime &#13;
Az we silently stood by his side &#13;
But it stoped short, never to go again &#13;
When the old man died. &#13;
 &#13;
Chorus </text>
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                    <text>Gran

f~therz

Cleek

c.L,Vcl.

gra dfa thcr,i, o\':.US too tall for t:1e ::;.wlf
So i t stood ninet~ ~n the floor
It Wi.l a tal ler by half t: .....~.n tue old man h-mncl f /
Tho;r it. wiet,hed n ot .1 p ennyweight mor e •
It wa.s b ought on the morn of tho d~:J' he wu.&amp; born ;
It az al\'4 :JG h i s jo:; ami his pride .
B~t i t stop ed
h rtJn ever t £ 0 ugainJ when the
Old m:.m died.
~y

Ch rus
Ninety ybllfA','Ii t .. 1out s l umb-.,ring :
Tick Tic k Tiel{
It'a life $ seck nd ' o numbering ;
TicK Tic{. Tiel{
It ntope s ort )nevcr t o GO abain
~hen tt.e
lJ !llan icd.
at ching i t.s pendulu n s i ng t . . 0 and fro
Mans h ~ l d !le .P~Gaed '.'.J.lell a bo:; ,
And throug11 y o~th · nd through munh od
The cloc k aee ~o ~mO\'.
And t s.ure ith hio grief nd hi&amp; jo~ .
For it tr~ck t&gt;; enty fo ~r
As he entered taC door
With his cuutiful ar..J bl mi ng brido
But i t st ped nhort_, never to GO a Lr-ain )
\hen the olJ r.aan d i ed .
AnJ

C h o r~s

y grandfuU1er said of

t~0se he
Not a s . . rvu.nt no fu.i t. ful
For i t \,i.l.) stcd nu tir.1e
Arlu it rlu.d b.J.t o . . w d .... :::; ire
At t~e cl c of ei.lch •eek~t be
Anl it 3tood t it~ place
Nt
fro n en it~ f a ce
An itz hand a never huns bj ita
But it t pe sh rt.J neve r to g
When the eld man i e

woulJ hir~
he f~u.1.1d.,
wound ·
~ides .

again 1

Chor.rs
It rang u. ... 'lar rn at the dead of the nit:.Jrit
An larm t: · t fo r yf01'11ad been dum li- .
And e lne that his spirit
a $ bl oming for fli £ .t
That the h~ur of eparture had come •
AnJ the clock k ept time
i th t.1e lonely c h i me
A&amp; e silentl~ stood by his side
But it stoped snort_rev r to t, o ag in
hen the old man , ied.
Ch orus

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                  <text>I.G. Greer Folksong Collection</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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              <text>1876</text>
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                <text>&lt;a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"&gt; I. G. Greer Folksong Collection &lt;/a&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>&lt;a title="In Copyright - Rights-holder(s) Unlocatable or Unidentifiable" href="http://rightsstatements.org/vocab/InC-RUU/1.0//" target="_blank"&gt; In Copyright - Rights-holder(s) Unlocatable or Unidentifiable&lt;/a&gt;</text>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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                <text>Work, Henry C. (Henry Clay), 1832-1884</text>
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                <text>&lt;a title= "Middletown (Conn.)" href=" https://www.geonames.org/4838633/middletown.html" target="_blank" rel="noreferrer noopener"&gt; Middletown (Conn.)&lt;/a&gt;</text>
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                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Grandfatherz Clock &#13;
&#13;
My grandfathers clock was too tall for the shelf&#13;
So it stood ninety years on the floor &#13;
It was taller by half than the old man himself,&#13;
Thou it wieghed not a pennyweight more.&#13;
It was bought on the morn of the day he was orn&#13;
It waz always his joy and his pride.&#13;
But it stoped short, never to go again, when the &#13;
Old man died.&#13;
&#13;
Chorus&#13;
&#13;
Ninety years without slumbering:&#13;
Tick Tick Tick&#13;
It's life's seckond's numbering&#13;
Tick Tick Tick&#13;
It stoped short, never to go again&#13;
When the old man died.&#13;
&#13;
And watching its pendulum swing two and fro&#13;
Many hours had he passed when a boy.&#13;
And through youth and through manhood &#13;
The clock seemed to know&#13;
And to share with his grief and his joy.&#13;
For it struck twenty four&#13;
As he entered the door&#13;
With his beautiful and blooming bride&#13;
But it stoped short, never to go again,&#13;
When the old man died.&#13;
&#13;
Chorus&#13;
&#13;
My grandfather said of those he would hire,&#13;
Not a servant so faithful he found,&#13;
For it wasted no time&#13;
And it had but one desire&#13;
At the close of each week to be wound.,&#13;
And it stood at its place&#13;
Not a frown on its face&#13;
And itz hands never hung by its sides.&#13;
But it stoped short, never to go again,&#13;
When the old man died&#13;
&#13;
Chorus&#13;
&#13;
It rang an alarm at the dead of the night &#13;
An alarm that for years had been dumb.&#13;
And we knew that his spirit&#13;
Was blooming for flight &#13;
That the hour of departure had come.&#13;
And the clock kept time&#13;
With the lonely chime&#13;
As we silently stood by his side&#13;
But it stoped short, never to go again&#13;
When the old man died.&#13;
&#13;
Chorus   </text>
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                    <text>Mary's Dream
The moon had climbed the highest hill,
Which rises over the source of day;
And from the eastern summit shed,
Her silver light on town and hay;
When Mary laid her down to sleep,
Her thoughts on Sandy far at sea;
When soft and low as voice she heard,
Saying, Mary, weep no more for me.
She from her pillow gently raised.
Her head, to ask who there might be;
She saw young Sandy shivering stand,
With pallid cheek and hallow eye!
Oh! Mary, dear, cold is my clay,
It lies beneath the stormy sea;
Far, far from thee I sleep in death,
So, Mary, weep no more for me.
Three stormy nights and stormy da.ys,
We tossed upon the raging main;
And long we strove our bark to save,
But all our striving was in vain;
Even then, when horror chilled my blood,
My heart was filled with love for thee;
The storm is past, and I a.m at rest,
So Mary, weep no more for me.
0 maiden dear, thyself prepare,
We soon shall meet upon that shore,
Where love is free from doubt and care,
And thou and I shall part no more.
Loud crew the cock, the shadow fled,
No more of Sandy cnuld she see;
But soft the passing spirit said,
Sweet Mary, weep no more for me.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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The moon had climbed the highest hill,&#13;
Which rises over the source of day&#13;
And from the eastern summit shed,&#13;
Her silver light on town and hay&#13;
When Mary laid her down to sleep,&#13;
Her thoughts on Sandy far at sea&#13;
When soft and low as voice she heard,&#13;
Saying, Mary, weep no more for me.&#13;
&#13;
She from her pillow gently raised.&#13;
Her head, to ask who there might be&#13;
She saw young Sandy shivering stand,&#13;
With pallid cheek and hallow eye!&#13;
Oh!  Mary, dear, cold is my clay,&#13;
It lies beneath the stormy sea&#13;
Far, far from thee I sleep in death,&#13;
So, Mary, weep no more for me.&#13;
&#13;
Three stormy nights and stormy days,&#13;
We tossed upon the raging main&#13;
And long we strove our bark to save,&#13;
But all our striving was in vain&#13;
Even then, when horror chilled my blood,&#13;
My heart was filled with love for thee&#13;
The storm is past, and I am at rest,&#13;
So Mary, weep no more for me.&#13;
&#13;
O maiden dear, thyself prepare,&#13;
We soon shall meet upon that shore,&#13;
Where love is free from doubt and care,&#13;
And thou and I shall part no more.&#13;
Loud crew the cock, the shadow fled,&#13;
No more of Sandy could she see&#13;
But soft the passing spirit and said,&#13;
Sweet Mary, weep no more for me.</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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