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                    <text>MARY'8 DEATH
Thou lingering star, with deepening ray,
That lovest to greet ih e early morn,
Again thou usherest in the day,
My Mary from my soul was torn.
0 Mary! q.ear departed shade!
Where is thy :place ~f blissful rest?
See'st thou thy lover l~wly laid?
Hearest thc&gt;U the gr~ans that rend his breast?
That sacred hour can I forget,
Can I f~rget the hallowed fl,r'Jve,
Where by the winding Ays we met,
T'J live 'Jne day of :parting love!
Eternity will not efface,
Those records near 'Jf transports :past;
Thy image at 'JUr last embrace!
Ah! 'little thougbt"
we it was our last!
Ays gurgling kissed his :pebbled shore,
Over hung with wild w'J'Jds thickening grew;
The fragrant birch and hawthorn hoar,
Twined am'Jr'Jus round the raptured scene.
The fl'Jwers sprang want'Jn to "be :prest,
The "birds sang l'Jve 'Jn every spray;
Till too; t'J'J S'J'Jn the glowing west,
Pr::&gt;claimed the speed 'Jf winged day.
Still over these scenes my memory wakes,
And fond.ly oro'Jds with miser cares;
Time out the impression deeper makes,
As streams their channels deeper wear.
My Mary, dear departed shade!
Where is thy "blessful :place of rest;
See'st thou thy lover lowly laid?
Hearest thou the groans that rends his ore/Elt?

�</text>
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                  <text>I.G. Greer Folksong Collection</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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              <text>1789</text>
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              <text>113_ToMaryInHeaven</text>
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            <name>Title</name>
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                <text>To Mary in Heaven</text>
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                <text>Thou Lingering Star, You Lingering Star</text>
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                <text>&lt;a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"&gt; I. G. Greer Folksong Collection &lt;/a&gt;</text>
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                <text>Song texts</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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                <text>Burns, Robert, 1759-1796</text>
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                <text>Love poetry, Scottish</text>
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                <text>Death--Poetry </text>
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                <text>Memories--Poetry</text>
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                <text>&lt;a title= "Alloway (Scotland)" href=" https://www.geonames.org/8063580/alloway.html" target="_blank" rel="noreferrer noopener"&gt; Alloway (Scotland)&lt;/a&gt;</text>
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                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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        <name>Mary's Death</name>
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