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                    <text>YOUNG DAMON
Young Da.mon long studied my heart to obtain,
He is the prettiest young shepherd that pipes over the plain,
He tells me soft tales, and I vow they are not amiss;
I have often sa.id no, when I longed to say yes,
Yes, yes,
I have often said no, when I long to say yes.
Last valentines day to my cottage he came,
He brought me a Pamkin to witness his flame;
Here, take this, he cries, you are fairer than the flower;
I designed to say no, but mistook and said yes,
Yes, yes,
I designed to say no, but mistook and said yes.
One evening of late, as we met in tr~ grove,
He pressed my hand ha.rd, and a sigh breathed his love;
l!e tenderly asked me to grant him a kiss,
I designed to say no, but mistook and said yes,
Yes, yes,
I designed to say no, but mistook and said yes.
He flew into raptures no
Ye gods, he cried, Flora
To church we will go for
To prevent being teased,
Yea, yes,
To prevent being teased,

t ongue can inpress;
wouldest thou ma.ke me blessed,
a conjugal bliss,
I was forced to say yes,
I was forced to say yes.

I never was so pleased with word in my life,
I never was so ha.ppy as since I have been a wife,
Come all you ;)Oung damsels, take warning by this,
You will all die old maids if you do not say yes,
Yes, yes,
You will all die old maids if you do not say yes.

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                    <text>THE WRECK OF THE OLD NINETY SEVEN
They gave him his orders at Monroe, Virginia
Saying: Steve, you are way behind time.
This is not old thirty eight but it 1 s old ninety seven,
You must put her in Center in time.
He looked round and said to his black greasy fireman:
You must shovel in a little more coal,
For when we cross that White Oak 1Vlountain
You can see old Ninety Seven roll.
It•s a might rough road from Lynchburg to Danville,
And a line on a three mile grade.
It was on that grade that he lost his airbrake
And you see what a jump he made.
He ~vas going dovm grade making ninety Bi:ae miles an hour,
When his whistle broke into a scream.
He was found in the wreck with his hand on the throttle,
And was scalded to death by the steam.
Now, ladies, you must take v,rarning,
From this time now and on,
Never speak harsh ·words to your true loving husband;
He may leave you and never return.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                    <text>The

~rexk

of

t ~e

Old Nine ty

Deven.

They gave him his orders at '!onroe , Virginia
Saying: ::&gt;teve, }ou are lJay hehind ti.:J.e.
This is not old thirty eight b ut it's old ninety seven,
You nust put her in Center in time.
:. e looked round and said t o his black greasy fireman:
must shovel in a little more ooal,
For when lY'e cros s t hat rlli te Oak ::ounta in
You can see old "inety ~e ven roll.
~~ on

It's a mightj rough road from Lyncl1bur .~ t o Danville,
Ancl a line on a t h ree mile grade.
It rm·; on that grade that he lost his airhrake
And you see wh at a jump h e :n~:cl e.
Ee was going down gratle n aldng nine ty miles an hour,
his whistle broke into a scream.
He was found in t h e wrec!:: with his hand on t ile throttle,
.:md was scalded to death hy t ~1e s team.

~hen

_T our l &lt;:dies,you must take warning,
:'ro..~ this time now and on,
:~ ever speak h arsh words to y our true l ovinrr hu s band ;
ne may ' leave you aml neve r return.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                    <text>The wreck or t~e C.N.O.
or
Between Richmond and .for:folk

on the !;eTen Pine Road.

On that colcil and clark cloudy evening,
Just bef'ore the close of clay,
There ca1:1e Harry Lile ancl Dillard,
And. with Anderson tha;y rode a·xay.
y

From c lif'ton Forf_ th./y starteo.,
·7ith their spirits so ru:-ged and high,
They stopped at the iron gate and waite(l
Until old nm:1bcr nine went bJt.
Bacl( on the main line t~ 1 ey stareed
Down James River so dark and drear.
They gave no thought to the e.langer
lor the death that was waiting so near.
They talked and they joked wit! each other,
As they spe'l on their way sise y side •
.And the old engine rocked as she trc..veled
Through the night in this last f'atal ride.
Now the story ends;the old engine
Lies on her side in t'' e coltl river beci.
r:::arry lies in tl'e ca1)in
lfith -~. hat deep :ratal wouncl in his heacl.
l'rmv railroad nen,you should all take W[trning,
You may f'ade like this young handsome · mn.
For you all :cmst remmn1~er that the step is a s ~~ ort one
From this earth to tijat sweet prmmisecl land.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Worry for Rent &#13;
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                    <text>Take This Letter to ll:y 1fo her.

Take this letter to my ~:other
Far across the ee~ blue sea.
It will fill her lleart with pleasure
She'll be glad to llear f'rom me .
How she wept when list;.i we partecl
How her heart ditl ache 1vith pain
When s he said ,"9ood bye,God bless you,
lfe may never m ~ et again'!

Take this letter to my i!other .
It will fill my heart witll joy. ,
Tell her that her prayers are answered.~
God proteetes her dar lin ;'~ boy.
Tell her to be glad and cheerful ,
P ray f'or me where ere I roam,
And 'ere long I'll turn my foot steps
Bak towara my dear old home .

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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tty

o1oa.

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yo u 1 Te,

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>My Pretty Mohea.&#13;
&#13;
As I went out walking for pleasure one day,&#13;
In sweet recreation to while the time away,&#13;
While I was amusing myself on the grass,&#13;
Oh, who should I spy but a fair Indian lass.&#13;
&#13;
She sat down beside me and, taking my hand,&#13;
Said: You   are a stranger and in a strange land&#13;
But if you will follow, you’re welcome to come&#13;
And dwell in the cottage that I call my home.&#13;
&#13;
The sun was fast setting ,far o’er the soft sea,&#13;
When I wandered alone with my pretty Mohea.&#13;
Together we wandered, together did rove&#13;
Till we came to the hut in the cocoa-nut grove.&#13;
&#13;
Then this kind expression she made unto me,&#13;
If you will consent , Sir, to stay here with me,&#13;
And go no more roving upon the salt sea,&#13;
I’ll teach you the language of the lass of Mohea.&#13;
&#13;
Oh,no,my dear maiden, that never could be,&#13;
For I have a true love in my own country.&#13;
And I’ll not forsake her , for I know she loves me,&#13;
And her heart is as true as the pretty Mohea.&#13;
&#13;
‘Twas early one morning in May, one morning in May,&#13;
That to this fair maiden these words I did say:&#13;
I’m going to leave you, so farewell, my dear,&#13;
My ship’s sails are spreading and home I must steer.&#13;
&#13;
The last time I saw her she stood on the sand,&#13;
And as my boat passed her, she waved me her hand,&#13;
Saying: When you have landed with the girl that you love,&#13;
Think of little Mohea in the cocoa-nut grove.&#13;
&#13;
And then when I landed on my own native shore,&#13;
With friends and relations around me once more,&#13;
I gazed all about me, - not one could I see&#13;
That I could compare with the pretty Mohea.&#13;
&#13;
And the girl that I trusted proved untrue to me,&#13;
So I’ll turn my course backward far o’er the deep sea,&#13;
I’ll turn my course backward, from this land I’ll flee,&#13;
I’ll go spend my days with my pretty Mohea. </text>
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                    <text>The Pretty :Iollea.
As I went out walking for pleasure one day,
In sweet recreation to while the ti1"1e alvay,
\fhile I was alriusing myself' on t~ 1 e grass,
Oh, who should I spy but a fair Inclian lass.
She sat down beside :;ne and, taking my 11and,
Gaid:Yop are a stranger and in a strange land;
:!"ut if you will :follow,you're welcome to come
And. dwell iU. the cotta~e that I call my ho1:1e.
~he sun was fast setting ,rar o'er the sof't sea,
W
hen I wan(;lered alone wit my pretty ' 1ohea.
Together we wanclered;together did rove
Till we came to the hut in tl1e cocoa-nut grove.

Then this kind expression she macle unto me;
If you will consent , Sir,to stay here with me,
And go no more roving upon the salt sea,
I' 11 teach you tl1e langua:;e of tbe lass of rohea.

.

Oh,no,my dear maiden,that never could be;
;:'or I have a true love in my own country .
.1\nd I' 11 not forsake l.er , f'or I know she loves me,
And her heart is as true as t :1 e pretty ' Iol1ea.
'Twas early one morning iH-!-iay,one morning in .. ay,
That to this fair maiden these words I did say:
I'm going to leave you; s0 f~rewell,my dear,
= ~y ship's sails are spreading and. ho:'le I must steer.
The last tine I saw her she stood on the sam, ,
\
And as my boat passecl ijer,she waved me her hand,
Saying :When you hav ·~ landed with the girl that yo u loTe,
Thinls:: of' little :',Iohea in t !1e cocoa-nut grove •
.And t ·-~n when I landed on my own native shore,
With :friends and relations around .1e once more,
I gazed. all about me;- not one could I see
That I could compare with the pretty :Johea.
And the girl that I trusted proved untrue to roo;
So I'll turn my course backward far o'er th :; deep s ea,
I'll turn my course baclnvard.;from thi s laml I'll fl8e;
I' 11 go s 1
1end my days with my :lretty ~.~ohea.

--.·

/

(

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>The Pretty Mohea.&#13;
&#13;
As I went out walking for pleasure one day,&#13;
In sweet recreation to while the time away,&#13;
While I was amusing myself on the grass,&#13;
Oh, who should I spy but a fair Indian lass.&#13;
&#13;
She sat down beside me and, taking my hand,&#13;
Said: You   are a stranger and in a strange land&#13;
But if you will follow, you’re welcome to come&#13;
And dwell in the cottage that I call my home.&#13;
&#13;
The sun was fast setting ,far o’er the soft sea,&#13;
When I wandered alone with my pretty Mohea.&#13;
Together we wandered, together did rove&#13;
Till we came to the hut in the cocoa-nut grove.&#13;
&#13;
Then this kind expression she made unto me,&#13;
If you will consent , Sir, to stay here with me,&#13;
And go no more roving upon the salt sea,&#13;
I’ll teach you the language of the lass of Mohea.&#13;
&#13;
Oh,no,my dear maiden, that never could be,&#13;
For I have a true love in my own country.&#13;
And I’ll not forsake her , for I know she loves me,&#13;
And her heart is as true as the pretty Mohea.&#13;
&#13;
‘Twas early one morning in May, one morning in May,&#13;
That to this fair maiden these words I did say:&#13;
I’m going to leave you, so farewell, my dear,&#13;
My ship’s sails are spreading and home I must steer.&#13;
&#13;
The last time I saw her she stood on the sand,&#13;
And as my boat passed her, she waved me her hand,&#13;
Saying: When you have landed with the girl that you love,&#13;
Think of little Mohea in the cocoa-nut grove.&#13;
&#13;
And then when I landed on my own native shore,&#13;
With friends and relations around me once more,&#13;
I gazed all about me, - not one could I see&#13;
That I could compare with the pretty Mohea.&#13;
&#13;
And the girl that I trusted proved untrue to me,&#13;
So I’ll turn my course backward far o’er the deep sea,&#13;
I’ll turn my course backward, from this land I’ll flee,&#13;
I’ll go spend my days with my pretty Mohea.  </text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                    <text>•
'1'HB BLOODY UILLBR, &lt;ll THB JIURDBRING lliLIJIR

One month ago since Chr i st
That moat unhappy day, .
The devil, he purauaded nie
To take her lite aw :y.

a last

I et her at her sister'• house
•Twas eight- o'clock that night,
But little that creature know
I owed h r any spite.
I asked her it ah 'd walk with
In the fields a little way,
That we might both so well agree
And appoint the wedding d y.
As we went down a lonesome
place
To the fields a little way,
I drew a stick out of the h dge
And struck her in the faoe.

•own

As she came
to her bended knees
"Oh, murderer, she did cry,
Por He ven'a sake don't mur *r ~
~or 1 am not tit to die.•
'...

And then to wae h r sins away
I took her by the hair,
A.&amp;d drug her to a river near
And lett her body there.
Then to y aill, ~ mill I ran,
The miller w amazed,
..
He slowly fixed hie eyes on me
And slowly he clid g
Oh,
ater, ... ter,
eter, dear,
You look aa pale aa death;
HaTe you been running all this night
That put you out or breath?
What means the blood upon your banda
Likewise upon your clothes?
I answered hi~i.mediately
B7 bleeding at the nose.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>The Murdering Miller, The Oxford Girl, The Lexington Girl, The Knoxville Girl, The Wexford Girl, The Wittam Miller, The Berkshire Tragedy, Come All of You Who's Been in Love and Sympathize with Me, Last Saturday Night, Two Weeks Ago, Poor Nell, The Noel Girl, The Expert Girl, The Rexford Girl, The Cruel Miller, The Tragedy, The Lexington Miller, Johnny McDowell</text>
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                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Bloody Miller, or The Murdering Miller&#13;
&#13;
One month ago since Christmas last &#13;
The most unhappy day, &#13;
The devil, he persuaded me &#13;
To take her life away. &#13;
 &#13;
I met her at her sister's house &#13;
'Twas eight o' clock that night, &#13;
But little did that creature know  &#13;
I owed her any spite. &#13;
 &#13;
I asked her if she'd walk with me &#13;
In the fields a little way, &#13;
That we might both so well agree &#13;
And appoint the wedding day. &#13;
 &#13;
As we went down a lonesome place &#13;
To the fields a little way, &#13;
I drew a stick out of the hedge &#13;
And struck her in the face. &#13;
&#13;
 As she came down to bended knees &#13;
“Oh, murderer, she did cry,  &#13;
For Heaven's sake don't murder me &#13;
For I am not fit to die.” &#13;
 &#13;
And then to wash her sins away &#13;
I took her by the hair,  &#13;
And drug her to a river near &#13;
And left her body there. &#13;
 &#13;
Then to my mill, my mill I ran, &#13;
The miller was amazed, &#13;
He slowly fixed his eyes on me &#13;
And slowly he did gaze. &#13;
 &#13;
Oh, master, master, master, dear, &#13;
You look as pale as death, &#13;
Have you been running all this night  &#13;
That put you out of breath? &#13;
 &#13;
What means the blood upon your hands,  &#13;
Likewise upon your clothes? &#13;
I answered him immediately &#13;
By bleeding at the nose. </text>
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                    <text>THE BLOODY !.filLER , OR THE

MURD~~RING

MILLER

One month ago since Christmas last
That most unhappy day ,
The devil , he p ~rsuaded me
To take her life away .
I met her at her sister's house
'Tv.as eight o'clock that night ,
But little that creature knew
I owed her any spite.
I asked her if she'd walk with me
In the fields a little way ,
That we might both so well agree
And appoint the wedding day .
As we went down a lonesome place
To the fields a little way ,
I drew a stick out of the hedge
And struck her in the face.
As she came down to her bended knee~
"Oh, :nurderer, she did cry ,
For Heaven's sake don't murder me
For I a~ not fit to die."
And then to wash her sins away
I took her by the hair ,
And drug her to a river near
Ani left her body there.
Then to my mill, my mill I ran ,
The miller was amazed ,
He slo\vly fixed his eyes on me
And slowly he did gaze.
illh , master, master, master, dear ,
You look as paJe as death;
Have you been running all this night
That put you out of breath ?
What means the blood upon your hands
Likewise upon your clothes ?
I answered him i ~ediately
By· bleeding at the nose.
;

I snatched the candle from his hand
And to my bed I run,
I lay there trembling all that night
For the murder I had done.
I lay there trembling all that night ,
I could not take my rest;
I could but feel the fla:nes of hell
Roll o'er my guilty breast.
The morning davne~~.the sheriff came,
He tooK me to my Ju11,
And bound.medtheretfor 9i'x long months
~d tnen 1n
ea~n
o ~21 •

�</text>
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                  <text>I.G. Greer Folksong Collection</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Lexington Murder, Lyric Variant 03</text>
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            <name>Language</name>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>&lt;a title="In Copyright - Rights-holder(s) Unlocatable or Unidentifiable" href="http://rightsstatements.org/vocab/InC-RUU/1.0//" target="_blank"&gt; In Copyright - Rights-holder(s) Unlocatable or Unidentifiable&lt;/a&gt;</text>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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                <text>The Murdering Miller, The Oxford Girl, The Lexington Girl, The Knoxville Girl, The Wexford Girl, The Wittam Miller, The Berkshire Tragedy, Come All of You Who's Been in Love and Sympathize with Me, Last Saturday Night, Two Weeks Ago, Poor Nell, The Noel Girl, The Expert Girl, The Rexford Girl, The Cruel Miller, The Tragedy, The Lexington Miller, Johnny McDowell</text>
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                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Bloody Miller, or The Murdering Miller&#13;
&#13;
One month ago since Christmas last&#13;
The most unhappy day,&#13;
The devil, he persuaded me&#13;
To take her life away.&#13;
&#13;
I met her at her sister’s house&#13;
‘Twas eight o’ clock that night,&#13;
But little that creature knew &#13;
I owed her any spite.&#13;
&#13;
I asked her if she’d walk with me&#13;
In the fields a little way,&#13;
That we might both so well agree&#13;
And appoint the wedding day.&#13;
&#13;
As we went down a lonesome place&#13;
To the fields a little way,&#13;
I drew a stick out of the hedge&#13;
And struck her in the face.&#13;
&#13;
As she came down to bended knees&#13;
“Oh, murderer she did cry, &#13;
For Heaven’s sake don’t murder me&#13;
For I am not fit to die.”&#13;
 &#13;
And then to wash her sins away&#13;
I took her by the hair, &#13;
And drug her to a river near&#13;
And left her body there.&#13;
&#13;
Then to my mill, my mill I ran,&#13;
The miller was amazed,&#13;
He slowly fixed his eyes on me&#13;
And slowly he did gaze.&#13;
&#13;
Oh, master, master, master, dear,&#13;
You look as pale as death  &#13;
Have you been running all this night &#13;
That put you out of breath?&#13;
&#13;
What means the blood upon your hands &#13;
Likewise upon your clothes?&#13;
I answered him immediately&#13;
By bleeding at the nose.&#13;
&#13;
I snatched snatched the candle from his hand &#13;
And to my bed I run,&#13;
I lay there trembling all that night &#13;
For the murder I had done.&#13;
&#13;
I lay there trembling all that night,&#13;
I could not take my rest,&#13;
I could but feel the flames of hell &#13;
Roll o’er my guilty breast.&#13;
&#13;
The morning dawned, the sheriff came,&#13;
He took me to my jail,&#13;
And bound me there for six long months &#13;
And then in death to wail.  </text>
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                    <text>Let · ~e

Sl e e p in Your Barn To ni ght

~ ister .

Let me sleep in your barn to-night ~istcr,
'Tis so eol« lying out on the ground.
A.nd the cold. -~outh wind is a 'blowing,
And I have no plaee to lay clown.
You must know that I use no tolacco;
Neither carry no ~atches nor pipe.
I will do you no harm,-not a bit,sir.
Let me sleep in your barn just to-ni~ht.
You may ask me how long I'Te been traveling,
Or been living this ldnd of a life.
If yai'll listen,I'll tell you a story,
Thou:;h it cuts through my : eart like a Imife.
It was three years ago last ~ummer;
I sha~l never forget that sad iay,
7 hen a stranger cace from a city,
So tall , so hamlsome and gay.
He looked well ressed and spo:bty,
He looked like a man who hail wealth,
An~ he said he aad come to this CountrJ
Just t o stay here awhile for his health.
a
And ny wife said she'd loTe me with erRest
For somet~1 ing to add to our hoare1;
A
So she beggea me until I consented
'fo det the stranger stop aml board.
One evenin ~ as I
I was whistling
::S:xpeating a ldnd
From my wife and
~'

cane from my workshop,
and singi·1g for joy,
hearty welcome
a kiss from my boy.

And nothing I found but a letter
1'! hich some - one hafi plaeecl there for me.
And the ooment my eyes fell upon it,
I at onee picked it up just to see.
And the lford.s that were '\Yritten upon it
Seem to burn till my brow run me wild;
For t hey say that t:1e stranger ancl };ellie
Have run off and taken my ehil«.
Oh, there's
'Which I'Te
.And I pray
A life t lm t

surely a God U}) in heaven
always l"~ een taught to believe
that He'll give to my boy
he ought to receive.

Let me sleep in your lJarn to-night , :.rister
'Tis so cold lying out on t J e ground
And the snow is :fulling around me
And _ heve no place to lay down.
!

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Let Me Sleep in Your Barn To night Mister.&#13;
&#13;
Let me sleep in your barn to-night Mister,&#13;
‘Tis so cold lying out on the ground.&#13;
And the cold -South wind is a blowing, &#13;
And I have no place to lay down.&#13;
&#13;
You must know that I use no tobacco, &#13;
Neither carry  no matches nor pipe. &#13;
I will do you no harm, -not a bit, sir &#13;
Let me sleep in  your barn just to-night.&#13;
&#13;
You may ask me how long I’ve been traveling, &#13;
Or been living this kind of a life.&#13;
If you’ll listen, I’ll tell you a story, &#13;
Though it cuts through my heart like a knife.&#13;
&#13;
It was three years ago last Summer,&#13;
I shall never  forget that sad day,&#13;
When a stranger came from a city, &#13;
So tall ,so handsome and gay.&#13;
&#13;
He looked well dressed and sporty,&#13;
He looked like a man who had wealth,&#13;
And he said he had come to this Country &#13;
Just to stay here a while for his health.&#13;
&#13;
And my wife said she’d love me with earnest &#13;
For something to add to our hoard, &#13;
So she begged me until I consented&#13;
To let the stranger stop and board.&#13;
&#13;
One evening as I came from my workshop, &#13;
I was whistling  and singing for joy, &#13;
Expecting a kind hearty welcome &#13;
From my wife and a kiss from my boy.&#13;
&#13;
And nothing I found but a letter&#13;
Which some one had placed there for me. &#13;
And the moment my eyes fell upon it, &#13;
I at once picked it up just to see.&#13;
&#13;
And the words that were written upon it &#13;
Seem to burn till my brow run me wild, &#13;
For they say that the stranger and Nellie&#13;
Have run off and taken my child.&#13;
&#13;
Oh, theres surely a God up in heaven &#13;
Which I’ve always been taught to believe &#13;
And I pray that He’ll give to my boy &#13;
A life that he ought to receive.&#13;
&#13;
Let me sleep in your barn to-night ,Mister &#13;
‘Tis so cold lying out on the ground &#13;
And the snow is falling around me&#13;
And I have no place to lay down.</text>
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                    <text>It is tbe last rose of summer,
Left blooming a. lone.
All her lovely companions
Are faded and gone.
No
No
To
Or

flower of her kindred,
rose bud ia nigh
reflect back her blushes,
give sigh for sigh.

I will not leave thee thou love one
To pine on the stem
Since the lovely are sleeping
Go sleep thou with them.
Thus kindly I scatter
Thy leaves over thy bed,
When thy mates of the garden,
Lie scentless and dead.
So soon may I follow,
When friendsships decay,
And from loves shinning circle
The gems drop away.
I

'Ylhen true hearts lie withered
And fond ones a.re flown,
Ob, who would inhabit
This bleak world alone.
It is the last rose of summer
Left blooming alone,
All her lovely companions ,
Are faded and gone.
No
No
To
Or

flower of ber kindred,
rose bud is nigh,
reflect back herblushes,
give sigh for sigh.

�</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Tragic love song&#13;
&#13;
The Two Soldiers.&#13;
&#13;
It was just before the last fierce charge, &#13;
two soldiers drew their reins, &#13;
with a parting word and a touch of the hand. &#13;
They might never meet again.  &#13;
One had blue eyes and curly hair, &#13;
nineteen but a month ago.  &#13;
There was red on his cheeks and down on his chin, he was only a lad you know. </text>
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                    <text>TOO LATE
So you 1 ve come back to me~
The old~ old love is living yet.
You 1 ve tried through all these weary years~
Have tried~ but vainly~ to forget.
So now you ve ·come to me once more
Since time at last has made you free~
And offer me again the heart
Whose earthly hopes were bound in me.
1

Corne cleser~ let me see you now;
The chestnut locks are touched with snow~
But 1 tis the same~ the dear old face
I loved so fondly long agoThe same as on that summer day
Bent over me and kissed my brow.
Oh~ happy trusting hour of love!
Ah~ well, it is all over now.
no you must not take my hand.
God never gives us back our youth.
The love, the faith you asked for then
Were yours, dear friend~ in perfect truth.
rEre woman 1 s love and woman 1 s ways
\fake doubt and anguish in my breast~
You left me and my heart is dead
No sound can now disturb its rest.
No~

Forgive you? Do not speak the word~
You never meant to do me wrong.
God sent this anguish to my heart
To help to make me brave and strong.
Farevrell~ I think I love you yet
As friends love friends, God bless you~ dear,
And lead you through the coming years
To whe~e the sky is bright and clear.

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>So You've Come Back to Me, You Say, So You've Come Back</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Too Late&#13;
&#13;
So you’ve come back to me,&#13;
The old, old love is living yet.&#13;
You've tried through all these weary years,&#13;
Have tried, but vainly, to forget.&#13;
So now you’ve come to me once more&#13;
Since time at last has made you free,&#13;
And offer me again the heart&#13;
Whose earthly hopes were bound in me.&#13;
&#13;
Come closer, let me see you now,&#13;
The chestnut locks that are touched with snow,&#13;
But ‘tis the same, the dear old face&#13;
I loved so fondly long ago—&#13;
The same as on that summer day&#13;
Bent over me and kissed my brow.&#13;
Oh, happy trusting hour of love!&#13;
Ah, well, it is all over now.&#13;
&#13;
No, no you must not take my hand.&#13;
God never gives us back our youth.&#13;
The love, the faith you asked for then&#13;
Were yours, dear friend, in perfect truth.&#13;
‘Ere woman’s love and woman’s ways&#13;
Wake doubt and anguish in my breast,&#13;
You left me and my heart is dead&#13;
No sound can disturb its rest.&#13;
&#13;
Forgive you? Do not speak the word,&#13;
You never meant to do me wrong.&#13;
God sent this anguish to my heart&#13;
To help make me brave and strong.&#13;
Farewell, I think I love you yet&#13;
As friends love friends, God bless you, dear,&#13;
And lead you through the coming years&#13;
The where the sky is bright and clear.</text>
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                    <text>DON'T YOU SEE THAT LITTLE BIRD?
Don't you see that little bird,
Hopping from vine to vine?
Lamenting for its own true love
As I do mournllir mine.
Chorus:
The storms are on the ocean,
The sea will cease to roam.
The earth will loose it's motion
If I prove false to thee.
If there's no change in the ocean,
If there's no change in the sea,
If there's no change in you my love
There'll be no change in me.
There is no change in the ocean,
There is no change in the sea,
If there's no change in you, my love,
There'll be no change in me.
I asked your Mama for you, dear.
She said you was too young.
I wish I had never saw you, dear
And I had never been born.
\fho will shoe your little feet,
And who will glove your hands?
And who will kiss your red rosy lips
When I'm in a foreign land?
My Papa will shoe my pretty little feet,
My Mama will glove my hands.
And you may kiss my red rosy lips
When you return again.

�</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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                <text>Must I Go to Mississippi, Annie of Lochryan, The Lass of Lochroyan, Love Gregory, Blue-Eyed Boy, Oh Who Will Shoe My Foot, Careless Love, I'll Hang My Harp, Should I Prove False to Thee, Cold Winter's Night, Lord Gregory, Winter's Night, Little Betty Ann, The Storms are on the Ocean, An Old Love Song, Lass of Rock Royal</text>
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                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Don't You See That Little Bird&#13;
&#13;
Don't you see that little bird,&#13;
Hopping from vine to vine?&#13;
Lamenting for its own true love&#13;
As I do mourn for mine.&#13;
&#13;
Chorus:&#13;
The storms are on the ocean,&#13;
The sea will cease to roam.&#13;
The earth will loose it's motion&#13;
If I prove false to thee.&#13;
&#13;
If there's no change in the ocean,&#13;
If there's no change in the sea,&#13;
If there's no change in you my love&#13;
There'll be no change in me.&#13;
&#13;
There is no change in the ocean,&#13;
There is no change in the sea,&#13;
If there's no change in you, my love,&#13;
There'll be no change in me.&#13;
&#13;
I asked your Mama for you, dear.&#13;
she said you wase too young.&#13;
I wish I had never saw you, dear&#13;
And I had never been born.&#13;
&#13;
Who will shoe your little feet,&#13;
And who will glove your hands?&#13;
And who will kiss your red rosy lips&#13;
When I'm in a foreign land?&#13;
&#13;
My Papa will shoe my pretty little feet,&#13;
My Mama will glove my hands.&#13;
And you may kiss my red rosy lips&#13;
When you return again. </text>
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                    <text>Don ' t You

ee That Little Bir 1

Don't you see t hat little bird,
oJpin, from Tine to Tine?
Lamenting for its mm true loTe
As I do moubn f or mine .
Chorus.
The storms are on t • e ocean,
T e sea will cease t o roam.
T~ earth will lo eeeit's motion
If I _
rove false to t h ee .
t Lere's no c .ange in the ocean,
I:f t . .1ere' s no c 1an o;e in L 1e s Ja,
L. t here's no c' an ,e i n y ou my love
There'll e no chan_e in me.

I

There is no e ll' n "'e in ·,e o ,e P
1 ~·e
s n o c· en e il t
s ea
_f t e re' r; n
c an ·e i n ·ol' , . ·
L1e1·e' ll . Je n o c an ;c in 1e.

'C

a·_ for yon, ear.
m
•
sai · :·o·1 was e t oo
..1e
I ha neTer saw you, ear
I wish
een orn.
A nd I ha never
· skc .

·ou P

()

L

lf'lo will shoe your little :reet,
And who will gloTe your hancls'r
.Anc who will kiss your re rosy lips
\Then I ' m i:U a :roreign land!
y Papa will shoe my pretty little feet,
y ana will gloTe my hands •
•\n. you nay ldss .ny re:l rosy l i 1s
1 hen :rou return a afn .

�</text>
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                  <text>I.G. Greer Folksong Collection</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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              <text>Child, 76 Brown, Older Ballads - Mostly British - 22 Cox, 13 Combs, 21</text>
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                <text>Lass of Roch Royal, Lyric Variant 02</text>
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                <text>&lt;a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"&gt; I. G. Greer Folksong Collection &lt;/a&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>&lt;a title="In Copyright - Rights-holder(s) Unlocatable or Unidentifiable" href="http://rightsstatements.org/vocab/InC-RUU/1.0//" target="_blank"&gt; In Copyright - Rights-holder(s) Unlocatable or Unidentifiable&lt;/a&gt;</text>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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                <text>Must I Go to Mississippi, Annie of Lochryan, The Lass of Lochroyan, Love Gregory, Blue-Eyed Boy, Oh Who Will Shoe My Foot, Careless Love, I'll Hang My Harp, Should I Prove False to Thee, Cold Winter's Night, Lord Gregory, Winter's Night, Little Betty Ann, The Storms are on the Ocean, An Old Love Song, Lass of Rock Royal</text>
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                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Don't You See That Little Bird?&#13;
&#13;
Don't you see that little bird,&#13;
Hopping from vine to vine?&#13;
Lamenting for its own true love&#13;
As I do mourn for mine.&#13;
&#13;
Chorus.&#13;
The storms are on the ocean,&#13;
The sea will cease to roam.&#13;
The earth will loseeit's motion&#13;
If I prove false to thee.&#13;
&#13;
If there's no change in the ocean,&#13;
If there's no change in the sea,&#13;
If there's no change in you my love&#13;
There'll be no change in me.&#13;
&#13;
There is no change in the ocean..&#13;
There is no change in the sea&#13;
If there's no change in you, my love,&#13;
There'll be no change in me.&#13;
&#13;
I asked your Mama for you, dear.&#13;
she said you wase too young.&#13;
I wish I had never saw you, dear&#13;
A nd I had never been born.&#13;
&#13;
Who will shoe your little feet,&#13;
And who will glove your hands?&#13;
And who will kiss your red rosy lips&#13;
When I'm in a foreign land?&#13;
&#13;
My Papa will shoe my pretty little feet,&#13;
My Mama will glove my hands.&#13;
And you may kiss my red rosy lips&#13;
When you return again.</text>
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                    <text>KATY WELlS

You ask what makes this darkey weep,
Why him like others am not gay.
What makes the tears roll down his cheek,
From early dawn to the close of day.
The story darkys, you shall bear,
For fresh it in my memory dwell,
It will cause you all to shed a tear,
Over the grave of my poor Katy Wells, ChorusWhen the wild birds were singing sweetly in the morning,
When the myrtle and the ivy were in bloom,
When the sun over the hill tops was dawning
It wa.s there I laid her in the tomb.
I never shall forget that day,
When we together roamed the dell,
I kissed her cheek and named the day,
That I should marry !aty Wells.
When death came in that cabin door,
And stole from me my joy and pride,
And when I found she wa.s no more,
I laid my banjo down and cried, ChorusOftimes I wish that I were dead,
And laid beside her in the tomb,
The sorrow that bowed down my head,
Is as dark to me as the midnight gloom.
The springtime has no charm
The flowers are blooming in
Her from I never more shall
Is the form of my poor Katy

for me,
the dell,
see,
Wells, Chorus-

(Song ballad written by Miss Linza Joyner for Miss Ella Andrews)

�</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Katy Wells&#13;
You ask what makes this darkey weep,&#13;
Why him like others am not gay.&#13;
What makes the tears roll down his cheek,&#13;
From early dawn till close of day.&#13;
The story darkys, you shall hear,&#13;
For fresh it in my memory dwell,&#13;
It will cause you all to shed a tear,&#13;
Over the grave of my poor Katy Wells, Chorus-&#13;
&#13;
When the wild birds were singing sweetly in the morning,&#13;
when the myrtle and the ivy were in bloom,&#13;
When the sun over the hill tops was dawning&#13;
It was there I laid her in the tomb.&#13;
&#13;
I never shall forget that day,&#13;
When we together roamed the dell,&#13;
I kissed her cheek and named the day,&#13;
That I should marry Katy Wells.&#13;
&#13;
When death came in that cabin door,&#13;
And stole from me my joy and pride,&#13;
And when I found she was no more,&#13;
I laid my banjo down and cried, Chorus-&#13;
&#13;
Oftimes I wish that I were dead,&#13;
And laid beside her in the tomb,&#13;
The sorrow that bowed down my head,&#13;
Is as dark to me as the midnight gloom.&#13;
&#13;
The springtime has no charm for me,&#13;
The flowers are blooming in the dell,&#13;
Her from I never more shall see,&#13;
Is the form of my poor Katy Wells, Chorus-&#13;
&#13;
(Song ballad written by Miss Linza Joyner for Miss Ella Andrews)</text>
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                    <text>THAT PELLOW THAT LOOKS

I n sao

~pair

KE ME

I tander,

My ba rt is filled with woe •
..1 n on
y grief
onder,

What to do I do not know.
For cruel fate has on e frowned,
And the trouble seems to be
There IS anothe1• f 1 0 in thiS here town
That's just
e or me.
Chorus:
ul 1't
like to catch h1m,
v r h
y be?
Woul 't I bust is p mpkin n ad ,
That fe ow th t looks like me.

and blue,
e.

e out
to the c ntral P k to go,
n in a ra
·tho said,

For

bill I paid
m.

I
nt to a ball he oth r ni t~
Wa Just enjo i
th sport,
fuen
policem n rabbed me by th
rm
And s ys, ' ou 1 rc
nted dmm at court ,
You've scap d ~ twice, ut thia here time
I'll take car that yo don't go free."
So I \'T s arrested and too.-c to jail
For the fello 1 th t looks like me.
I w

tried c7t day. found guilty,
was about . be taken do~m,
Whe another policeman then bro
t in
The 1: i. ' t criminal, Mr. Ermm.
They loct
him up and they s t me free ,
O he as a 1ght to see .
h,
I ever saw
The ugliest r
I s the fellow that
oks like me .

�</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Fellow That Looks Like me&#13;
&#13;
In sad despair I wander,&#13;
My heart is filled with woe.&#13;
When on my grief I ponder,&#13;
What to do I do not know.&#13;
For cruel fate has on me frowned,&#13;
And the trouble seems to be&#13;
There's another fellow in this here town&#13;
That's just the image of me.&#13;
&#13;
Chorus:&#13;
Oh, wouldn't I like to catch him,&#13;
Whoever he may be?&#13;
Wouldn't I bust his pumpkin head,&#13;
That fellow that looks like me.&#13;
&#13;
One day while I was walking&#13;
Through a narrow street up town&#13;
I was stopped by a man in a rage,&#13;
Who said, ìI've got you, Mr. Brown.î&#13;
You know my daughter you have wronged,&#13;
Though his gal I never did see,&#13;
But he beat me till I was black and blue,&#13;
For that fellow that looks like me.&#13;
&#13;
One day while I sat sparking&#13;
A girl as dear as life,&#13;
A lady who had just dropped in&#13;
Says, ìBrown, how is your wife?î&#13;
In vain I said I'm a single man&#13;
Though married I wish to be.&#13;
She called me a swindle and kicked me out&#13;
For the fellow that looks like me.&#13;
&#13;
I was walking to the Central Park to go,&#13;
I was stopped by a man in a rage who said,&#13;
ìPay me this bill you owe.î&#13;
In vain I said, ìI know you notî&#13;
But he would not let me free&#13;
Till a crowd came around and the bill I paid&#13;
For the fellow that looks like me.&#13;
&#13;
I went to a ball the other night,&#13;
Was just enjoying the sport,&#13;
When a policeman grabbed me by the arm&#13;
And says, "You're wanted down at court,&#13;
You've escaped us twice, but this here time&#13;
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                    <text>The Fatal W
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The wedding b ells were ringing,
On a moonlit winter's night;
The church was deeorated
.A}.l within was gay an··l bright.
A nother with her baby came
And smr t hese li ~hts aglow;
Slle tliought of' how t he same bells chimed
For her,three years ago.
Chorus:
While the wedL
ling bells were ringing,
While the bride and groom were t here,
~!arching up t he isle together 1
A.s the oggam pealec1 an air,
Tel l ing tales of f'ond affe~tion,
Vowing neTermore to part,
Just another fatal wedding,
Just another brok en heart.

I' d like t o be admitted ,sir,
~he begge~ t h e sexton,old,
Just for t he sake of baby,
·ro protect him from t he :6olci".
But he told her t hat t he wedding
lras f'or the rich and graml,
And with t he eager watching crowd
Outsicle,she'd haTe to stand.

She begged t he sexton once a gain
To let her step inside,
"For baby's sake you may come i• "
The ~ray haired .man replied.
"If any one knows reas&amp;n why
This oo1,1ple shou ld. not wed,
Speak no'\9', or else foreTer hold.
Your peaee",the preacij.er said.

"
I

must objeet" ,a ·w oman cried,
Her Toice so meek anGl milli.
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Anoc this our little ehil•."
"l'fhat proof' have you,the preacher asked.
" ' y baby ,sir "she cried,
.And knelt to pray to God in Heaven,
The littl:e one hac.t Elied.
The p arents pf t he bride
Then to ok the outcast by t lle arm,
"W
e'll care for you through life",they said;
"You'Te saved our child from harm."
The p arents,bri~e and outeast wire
In a carriage rolled away,
The gritie groom died by his own hand
Bef'ore the break of day.
No wedding reast was spraa t hat night.
Two graTes were made next day.
In one the little baby
And , in one t he :rather Jay.
The story has been oftime s told
By riresides warm and b right,
Of bride and gro om and outcast wife,
And t ha t :t'atal wedding night.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Fatal Wedding.&#13;
&#13;
The wedding bells were ringing,&#13;
On a moonlit winter’s night,&#13;
The church was decorated&#13;
All within was gay and bright.&#13;
A mother with her baby came&#13;
And saw these lights aglow,&#13;
She thought of how the same bells chimed&#13;
For her, three years ago.&#13;
&#13;
  Chorus:&#13;
While the wedding bells were ringing,&#13;
While the bride and groom were there,&#13;
Marching up the isle together,&#13;
As the organ pealed an air,&#13;
Telling tales of fond affection,&#13;
Vowing nevermore to part,&#13;
Just another fatal wedding,&#13;
Just another broken heart.&#13;
&#13;
I’d like to be admitted ,sir,&#13;
She begged the sexton, old,&#13;
Just for the sake of baby,&#13;
To protect him from the cold".&#13;
But he told her that the wedding&#13;
Was for the rich and grand,&#13;
And with the eager watching crowd&#13;
Outside, she’d have to stand.&#13;
&#13;
She begged the sexton once again&#13;
To let her step inside,&#13;
"For baby’s sake you may come in"&#13;
The gray haired man replied.&#13;
"If any one knows reason why&#13;
This couple should not wed,&#13;
Speak now, or else forever hold&#13;
Your peace", the preacher said."&#13;
I must object", a woman cried,&#13;
Her voice so meek and mild.&#13;
"The bride groom is my husband ,sir,&#13;
And this our little child."&#13;
"What proof have you, the preacher asked.&#13;
"My baby ,sir "she cried,&#13;
And knelt to pray to God in Heaven,&#13;
The little one had died.&#13;
&#13;
The parents pf the bride&#13;
Then took the outcast by the arm,&#13;
"We’ll care for you through life", they said&#13;
"You’ve saved our child from harm."&#13;
The parents, bride and outcast wife&#13;
In a carriage rolled away,&#13;
The gridegroom died by his own hand&#13;
Before the break of day.&#13;
&#13;
No wedding feast was spred that night.&#13;
Two graves were made next day.&#13;
In one the little baby&#13;
And in one the father lay.&#13;
The story has been oftimes told&#13;
By firesides warm and bright,&#13;
Of bride and groom and outcast wife,&#13;
And that fatal wedding night.               </text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                    <text>b~rk of 1 if p \'1::1 s t OS si l1C: d 0 vro '
i'he tro" l.i-1 ed :;;.ea of t i'Tl~,
/hen f i !'st I s;.:n,. your s"Ylil:lnr:; f·ce ,
~ en yo· t t "b · 1'1"' in i t e; ... , r · e ,
·.7hen 1 i.!.'f' ' s dark }1nurF -.. t re turnerl t'l l iff ,
~ sorro~fd hEart Eet ~r~~ .
J, nd ever sin e tl•"t ti'Tie you ' ve · ecn
..t. fa t~d ul fr i Pr•d
to •e .

Hy

C1 w .
.n ... !:. ers n )t Vtld:;re I c..r I roc
J ere v e r y ) ,
'1: y be ,
If ( v E. r I ! ::t
: a
'1. 1 r i c u ,

It

You 1 V(

oe

n

t}l;,

,!1 ,

t .J.l'iena to

One br:) t 1 o k from y r b luP
Dis ,ells a cloud of st!'if~ ,
nd scr:rl"' :!.ts rays of F-•nsl1inc
'y '"~n·i 1 d p·t!. 01 li_'p ,
I now

lOlK

hack

eros;: li1

r

U'!;'('n

tLc

t

yr s,

c )\D ,

n~u·t. ,

' s stor:ay seR ,

nd r::n1ile to tnink Cl 'id ll1'E ' c scene ,
YL ). 1 vE: bEE.n t .. t friend to '!e .
0.1!) .

Tlle t i e ltac c) e tlnt '' e !'1J.st
I r~iv• this riroc; to tr·e ,
I placr it on t hy 1i• ~er de~r .
Tr1· t yrw m·• J th · Y'k of •1e ,

&gt;art ,

•• err ' s '11Y L1"nd hfld '1ere ' ' TJY ~.
I :i ve :.r r,.. bot.1 to t!tee ,
&gt;
nd i • ~ ne tr o &gt;Tt'' ;o 'e back ,
I :to Je y)u ' ll tllink o_· '~" ·

rt ,

c:.n .

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>Faithful Friend&#13;
&#13;
My bark Of life was tossing down,&#13;
The troubled sea of time,&#13;
When first I saw your smiling face,&#13;
When youth was in its prime,&#13;
When life's dark hours were turned to life,&#13;
My sorrowed heart set free,&#13;
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A faithful friend to me.&#13;
&#13;
Cho.&#13;
It matters not where'er I roam,&#13;
Wherever you may be,&#13;
If ever I have had a friend,&#13;
You've been that friend to me.&#13;
&#13;
One bright look from your blue eyes,&#13;
Dispells a cloud of strife,&#13;
And sends its rays of sunshine down,&#13;
My wearied path of life,&#13;
I now look back upon the past,&#13;
Across life's stormy sea,&#13;
And smile to think amid life's scene,&#13;
You've been that friend to me.&#13;
Cho.&#13;
&#13;
The time has come that we must part,&#13;
I give this ring to thee,&#13;
I place it on thy finger dear,&#13;
That you may think of me,&#13;
Here's my hand and here's my heart,&#13;
I give them both to thee,&#13;
And if I never more come back,&#13;
I hope you'll think of me.&#13;
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                    <text>Faithf~l,F r iend .

My Bark·Of life was tossing down.
ThJ troubl~see of time .
\'Vb.en first I saw your smiling f2ce .
When youth wns in its prime .
Then lifes d.:::rk hours were turned to life .
Hy sorrowed heert set free.
I nd. ever since th:::t time youv been •
_ lo ithful friend to me .

~~

I._.

Ch '. rus,
It mt?tters not where I 1r1oem •
r:he re ever you mEy be •
If ever I have hvd a friend .
Youve been thnt friend to me .
One bright look from your blue eys.Dispeels a cloud of strife
·n · sends its r2ys of sunshine downe .
My wemried p ~ th of life .
I now look b2ck upon the pst.
' c 1oss lifes stormey sea . ,
nd. smile to think amid ·see e.
Youv been th£tbfriend to me .
Chours ' •
Thetime h~s come thvt we must pert.
I e ive th s ring to the.
I plcce it on thy finger deer.
Th ~ t you mey think of me.
He ::: s my b::nd. nnd hers my her&gt;rt •
I~ive them boeth to the.
: nd if I nev.er more cone back,
I hope ypul think of me .
l.Irs

Alice Cook.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>Faithful, Friend.&#13;
 &#13;
My Bark Of life was tossing down.&#13;
The troubled sea of time.&#13;
When first I saw your smiling face.&#13;
When youth was in its prime.&#13;
Then lifes dark hours were turned to life.&#13;
My sorrowed heart set free.&#13;
And ever since that time youv been .&#13;
A faithful friend to me.&#13;
&#13;
Chorus,&#13;
&#13;
It matters not where ere I roam .&#13;
Where ever you may be .&#13;
If ever I have had a friend.&#13;
Youve been that friend to me.&#13;
&#13;
One bright look from your blue eys.Dispeels a cloud of strife&#13;
And sends its rays of sunshine downe.&#13;
My wearied path of life.&#13;
I now look back upon the pst.&#13;
Across lifes stormey sea.&#13;
And smile to think amid lifes scene.&#13;
Youv been thatbfriend to me.&#13;
&#13;
Chours .&#13;
&#13;
The time has come that we must part.&#13;
I give this ring to the.&#13;
I place it on thy finger dear.&#13;
That you may think of me.&#13;
Hers my hand and hers my heart .&#13;
I give them boath to the.&#13;
And if I never more come back,&#13;
I hope youl think of me.&#13;
  Mrs Alice Cook.</text>
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        <name>Alice Cook</name>
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        <name>folk song</name>
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        <name>songs and music friendship</name>
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                    <text>DULL CARES
Why sh-;,uld we at our lots complain,
Or grieve at our distress!
S-;,me think if they c-;,uld riches gain,
They w-;,uld gain true happiness;
Alas! how vain is all their gain!
This life will s-;,an decay.
Then whilst we are here with friends so dear,
Let us rJrive dull cares away.
The anly circumstances in life,
That ever I c'Juld find;
To s'Jften care ar temper strife,
Was a cantented mind;
Having that stare we have much mare,
Than wealth cauld ever convey;
And whilst we are here with friends so dear,
\{e will drive dull cares away.
Why shauld the ric t despise the paar?
Why should the pobr repine?
We all will in a few years more,
In equal friendship join.
We are much to blame, we are all the same,
This life is made af clay;
So whilst we are here with friends sa dear,
Let us drive dull cares away.
Let us make the best we can of life,
Not render it a curse;
But take it, as yau wauld a wife,
For better or for worse.
Life at the best is but a jest.
A dreary wind is day.
So whilst we are here with friends so dear,
We will drive d_ull c.ares away.
Decline af life, old_ age comes on,
And we are young na more;
Let us not repine at what we have done,
Nor grieve that yauth is over;
B11t cheerful be as formerly,
And innocently gay.
And whilst we are here, with friends so dear,
Let us drive dull cares away.

�</text>
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                  <text>I.G. Greer Folksong Collection</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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              <text>Appears in The New England Pocket Songster, 1846</text>
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              <text>113_DullCares_ocr</text>
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                <text>Dull Cares</text>
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                <text>English</text>
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                <text>&lt;a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"&gt; I. G. Greer Folksong Collection &lt;/a&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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              <elementText elementTextId="969122">
                <text>&lt;a title="In Copyright - Rights-holder(s) Unlocatable or Unidentifiable" href="http://rightsstatements.org/vocab/InC-RUU/1.0//" target="_blank"&gt; In Copyright - Rights-holder(s) Unlocatable or Unidentifiable&lt;/a&gt;</text>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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                <text>Folk songs </text>
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                <text>Worry--Songs and music</text>
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                <text>Mental health--Songs and music </text>
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                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Dull Cares&#13;
&#13;
Why should we at our lots complain,&#13;
Or grieve at our distress!&#13;
Some think if they could riches gain,&#13;
They would gain true happiness,&#13;
Alas! How vain is all their gain!&#13;
This life will soon decay.&#13;
Then whilst we are here with friends so dear,&#13;
Let us drive dull cares away.&#13;
&#13;
The only circumstances in life,&#13;
That ever I could find,&#13;
To soften care or temper strife,&#13;
Was a contented mind&#13;
Having that store we have much more,&#13;
Than wealth could ever convey&#13;
And whilst we are here with friends so dear,&#13;
We will drive dull cares away.&#13;
&#13;
Why should the rich despise the poor?&#13;
Why should the poor repine?&#13;
We all will in a few years more,&#13;
In equal friendship join.&#13;
We are much to blame, we are all the same,&#13;
This life is made of clay&#13;
So whilst we are here with friends so dear,&#13;
Let us drive dull cares away.&#13;
&#13;
Let us make the best we can of life,&#13;
Not render it a curse&#13;
But take it, as you would a wife,&#13;
For better or for worse.&#13;
Life at the best is but a jest.&#13;
A dreary wind is day.&#13;
So whilst we are here with friends so dear,&#13;
We will drive dull cares away.&#13;
&#13;
Decline of life, old age comes on,&#13;
And we are young no more,&#13;
Let us now repine at what we have done, &#13;
Nor grieve that youth is over,&#13;
But cheerful be as formerly,&#13;
And innocently gay.&#13;
And whilst we are here, with friends so dear,&#13;
Let us drive dull cares away.</text>
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