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Title A name given to the resource Andrew Jackson Greene Collection Description An account of the resource The Andrew Jackson Greene Collection consists of more than 160 diaries written by Greene who describes Watauga County's education system, including Appalachian State Teachers College, cultural and religious life, and agriculture from 1906 to 1942. <br /><br /><strong>Biographical Note.</strong> Andrew Jackson Greene (March 2, 1883-August 12, 1942) was a life-long resident of Watauga County, North Carolina and instructor in several Watauga schools including Appalachian State Teachers College (A.S.T.C). Greene worked as a farmer, public school teacher, and college professor. Greene was an enthusiastic diarist maintaining regular entries from 1906 to the day before his death. He also recorded A.S.T.C. faculty meetings from January 9, 1915 to May 3, 1940. He married Polly Warren, and they had three children, Ralph, Maxie, and Lester. Contributor An entity responsible for making contributions to the resource Greene, Andrew Jackson, 1883-1942 Source A related resource from which the described resource is derived <a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/190">AC.105: Andrew Jackson Greene Collection</a> Date A point or period of time associated with an event in the lifecycle of the resource 1906-1942 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank" rel="noopener">No Copyright - United States</a> Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived <a title="Andrew Jackson Greene Collection, 1906-1942" href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/190" target="_blank">Andrew Jackson Greene Collection, 1906-1942</a> Date A point or period of time associated with an event in the lifecycle of the resource 1939 Extent The size or duration of the resource. 105MB 147 pages Language A language of the resource English Identifier An unambiguous reference to the resource within a given context 105_146_1939_0604_1939_0728 Description An account of the resource Andrew Jackson Greene recorded this diary from June 4 through July 28, 1939. Greene’s writings are mostly composed of his personal reactions to the many events that he comes into contact with. He wrote about his sleep habits, his work at Appalachian State Teachers College, the conversations he holds with friends and colleagues, and Willowdale Church. Creator An entity primarily responsible for making the resource Greene, Andrew Jackson, 1883-1942 Title A name given to the resource Diary of Andrew Jackson Greene, Volume 146 [June 4, 1939 - July 28, 1939] Type The nature or genre of the resource Text Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank" rel="noopener">No Copyright – United States</a> Subject The topic of the resource Watauga County (N.C.)--Social life and customs--20th century Greene, Andrew Jackson, 1883-1942 Format The file format, physical medium, or dimensions of the resource Diaries Is Part Of A related resource in which the described resource is physically or logically included. <a title="Andrew Jackson "Greene collection" href="https://omeka.library.appstate.edu/collections/show/39" target="_blank"> Andrew Jackson Greene collection </a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Watauga County (N.C.) Spatial Coverage Spatial characteristics of the resource. <a title="https://www.geonames.org/4497707/watauga-county.html" href="https://www.geonames.org/4497707/watauga-county.html" target="_blank"> https://www.geonames.org/4497707/watauga-county.html</a> Temporal Coverage Temporal characteristics of the resource. 1930s A.R. Smith Albert Wilson Appalachian State Teachers College Boone Brushy Fork Valley Carrie Smith Cecil Glenn Clyde Baker Clyde Thomas Cove Creek Academy Coy Billings Coy Yates Cozy Nook Dixie Store Dutch Creek Falls Conly Glenn E.F. Sherwood Edwin Dougherty Elmo Brinkley Frances Galloway G.W. Trivett George Edminsten Greene Inn J.B. Elliot J.L. Reese John Henry Whittington L.C. Maples Louise Thomas Ommer Henson Professor H.R. Eggers R.M. Greene Reverend R.L. Pointer Rich Mountain Sarah Smith Shelton Dugger Thelma Osborne Thomas Moore Velma Combs Vilas W.M. Thomas Watauga County N.C. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Andrew Jackson Greene Collection Description An account of the resource The Andrew Jackson Greene Collection consists of more than 160 diaries written by Greene who describes Watauga County's education system, including Appalachian State Teachers College, cultural and religious life, and agriculture from 1906 to 1942. <br /><br /><strong>Biographical Note.</strong> Andrew Jackson Greene (March 2, 1883-August 12, 1942) was a life-long resident of Watauga County, North Carolina and instructor in several Watauga schools including Appalachian State Teachers College (A.S.T.C). Greene worked as a farmer, public school teacher, and college professor. Greene was an enthusiastic diarist maintaining regular entries from 1906 to the day before his death. He also recorded A.S.T.C. faculty meetings from January 9, 1915 to May 3, 1940. He married Polly Warren, and they had three children, Ralph, Maxie, and Lester. Contributor An entity responsible for making contributions to the resource Greene, Andrew Jackson, 1883-1942 Source A related resource from which the described resource is derived <a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/190">AC.105: Andrew Jackson Greene Collection</a> Date A point or period of time associated with an event in the lifecycle of the resource 1906-1942 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank" rel="noopener">No Copyright - United States</a> Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived <a title="Andrew Jackson Greene Collection, 1906-1942" href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/190" target="_blank">Andrew Jackson Greene Collection, 1906-1942</a> Date A point or period of time associated with an event in the lifecycle of the resource 1940 Extent The size or duration of the resource. 141MB 146 pages Language A language of the resource English Identifier An unambiguous reference to the resource within a given context 105_152_1940_0429_1940_0619 Description An account of the resource This diary was recorded by Andrew Jackson Greene. He wrote entries each day from April 29 through June 19, 1940. The diary is a collection of personal reactions to the events of each day. Topics include from church at Willowdale, visits from friends and neighbors, work at Appalachian State Teachers College, weather reports, and information about his daily travels. Some local places named in the diary include Boone Drug Company, Carolina Pharmacy, Hagaman Clinic, Greene Inn, and Jerry Wilson’s Barbershop. Community members named include but are not limited to Bertha Eller, C.C. Edminsten, Alice Cook, Martha Pennell, Louise Adams. Creator An entity primarily responsible for making the resource Greene, Andrew Jackson, 1883-1942 Title A name given to the resource Diary of Andrew Jackson Greene, Volume 152 [April 29, 1940-June 19, 1940] Type The nature or genre of the resource Text Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank" rel="noopener">No Copyright – United States</a> Subject The topic of the resource Watauga County (N.C.)--Social life and customs--20th century Greene, Andrew Jackson, 1883-1942 Format The file format, physical medium, or dimensions of the resource Diaries Is Part Of A related resource in which the described resource is physically or logically included. <a title="Andrew Jackson "Greene collection" href="https://omeka.library.appstate.edu/collections/show/39" target="_blank"> Andrew Jackson Greene collection </a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Watauga County (N.C.) Spatial Coverage Spatial characteristics of the resource. <a title="https://www.geonames.org/4497707/watauga-county.html" href="https://www.geonames.org/4497707/watauga-county.html" target="_blank"> https://www.geonames.org/4497707/watauga-county.html</a> Temporal Coverage Temporal characteristics of the resource. 1940s Alice Cook Bertha Eller Boone Boone Drug Company C.C. Edminsten Carolina Pharmacy College Park Baptist Church Colonel Ronda Earp Conly Glenn Dean Rankin Dr. J.T. J. Battle Dr. Len Hagaman Elizabeth Randle Greene Inn Greensboro College Hagaman Clinic Henry Beach Hodges Building Janna Halsey Jerry Wilson’s Barbershop John W. Hodges Lilly Brown Louise Adams Martha Pennell Naomi Parker President Dougherty Professor H.R. Eggers Reverend A.L. Brown Russell Hodges Stanly Harmon Thomas Moore Willowdale Baptist Church Wilma June Thomas https://omeka-test.library.appstate.edu/files/original/736b962175eb889236047ca08c82ff98.pdf 7d50dc06487b52c264a190e6bc4d131d PDF Text Text THE WATCHMAN Goodnight, goodnight, my dearest, How fast the moments fly; It is time to part, thou dearest, That hateful watchtna.ns cry. Past twelve o'clock--good night! Yet stay a moment longer, Alas; why is i t $o; The wish to stay grows stronger, The more it is time to go. Past one o'clock!--goodnight! Now wrap thy cloak about thee, The hours must soon go wrong; For when they are past without thee, They are oh, ten times as long. Past two o'clock! -- goodnight. Again that dreadful warning, Had ever time such flight; And see the sky--it is morning, So now ended, goodnight. Past three o'clock--goodnight! � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I.G. Greer Folksong Collection Description An account of the resource <p>The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</p> <p>Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.</p> <p>Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.</p> Greer Document Associated Date 1820 File name 113_Watchman Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Watchman Language A language of the resource English Is Part Of A related resource in which the described resource is physically or logically included. <a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"> I. G. Greer Folksong Collection </a> Format The file format, physical medium, or dimensions of the resource PDF Song texts Source A related resource from which the described resource is derived <a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"> AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings </a> Rights Information about rights held in and over the resource <a title="In Copyright - Rights-holder(s) Unlocatable or Unidentifiable" href="http://rightsstatements.org/vocab/InC-RUU/1.0//" target="_blank"> In Copyright - Rights-holder(s) Unlocatable or Unidentifiable</a> Contributor An entity responsible for making contributions to the resource Greer, I. G. (Isaac Garfield), 1881-1967 Subject The topic of the resource Irish poetry--19th century Time--Poetry Watchmen--Poetry Love--Poetry Creator An entity primarily responsible for making the resource Moore, Thomas, 1779-1852 Type The nature or genre of the resource Text Spatial Coverage Spatial characteristics of the resource. <a title= "Dublin (Ireland)" href="https://www.geonames.org/2964574/dublin.html" target="_blank" rel="noreferrer noopener"> Dublin (Ireland)</a> Publisher An entity responsible for making the resource available W. L. Eury Appalachian Collection, Appalachian State University Description An account of the resource This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin. 19th century poetry Irish poetry Poetry Watchman Thomas Moore Watchman https://omeka-test.library.appstate.edu/files/original/4fa8591dd09cced984365b988cee7412.pdf ce5254c6ebd84adcecf4fd15acb5d2d0 PDF Text Text THE TURF BE MY SHRINE The turf shall be my fragrant shrine, My temple, Lord, that arch of thine; My cenceres breath the mountain airs, And silent thoughts my only prayers. My choir she.ll be the moonlight waves, When murmuring homeward to their caves, Or whn the stillness of the sea, Even more than music, breathes of thee! I will see, by day some glade unknown, All light end silence, like thy throne; And the pale stars shall be, at night, The only eyes that watch my rite. Thy Heaven, Shell be my When I ablll The glories on which it is bliss to look, pure and shining brook, read, in words of :fllame, of thy wondrous name. I will rea.d thy anger in the rack, Tat clouds a while the dey-beams track; Thy mercy in the azure hue, Of sunny brightness breaking through! There is nothing bright, above bel~, From flowers that bloom to stars that glow; But in its light my soul can see, Some feature of thy Diety! There is nothing da~ below ailove, But in its gloom I trace thy love; And meekly wait that moment when, Thy touch shall turn all bright again! • � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I.G. Greer Folksong Collection Description An account of the resource <p>The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</p> <p>Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.</p> <p>Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.</p> Greer Document Associated Date 1816 File name 113_TurfShallBeMyFragrantShrine Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Turf Shall Be My Fragrant Shrine Language A language of the resource English Is Part Of A related resource in which the described resource is physically or logically included. <a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"> I. G. Greer Folksong Collection </a> Format The file format, physical medium, or dimensions of the resource PDF Song texts Source A related resource from which the described resource is derived <a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"> AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings </a> Rights Information about rights held in and over the resource <a title="In Copyright - Rights-holder(s) Unlocatable or Unidentifiable" href="http://rightsstatements.org/vocab/InC-RUU/1.0//" target="_blank"> In Copyright - Rights-holder(s) Unlocatable or Unidentifiable</a> Contributor An entity responsible for making contributions to the resource Greer, I. G. (Isaac Garfield), 1881-1967 Subject The topic of the resource Irish poetry--19th century Prayers--Poetry Praise of God--Poetry Landscape--Poetry Creator An entity primarily responsible for making the resource Moore, Thomas, 1779-1852 Type The nature or genre of the resource Text Spatial Coverage Spatial characteristics of the resource. <a title= "Dublin (Ireland)" href=" https://www.geonames.org/2964574/dublin.html" target="_blank" rel="noreferrer noopener"> Dublin (Ireland)</a> Publisher An entity responsible for making the resource available W. L. Eury Appalachian Collection, Appalachian State University Description An account of the resource This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin. 19th century prayers Irish poetry Poetry - landscape poetry praise of god Sacred Songs Thomas Moore Turf Shall Be My Fragrant Shrine https://omeka-test.library.appstate.edu/files/original/a3ec38addb43abcec9ebc30a0d362b0a.pdf 2cc35f4592f4cdb7253b266da3f534a4 PDF Text Text TIME LOST IN WOOING The time I have lost in wooing, In watching and pursuing; The light that lies, in woman's eyes, Has been my hearts undoing. Though wisdom o~t has sought me, I scorned Ghe lore she brought me; My only books, were woman's looks, .And folly's all they have taught me. Her smiles, when beauty gra.nted, Hung with gaze enchanted; Like him, the sprite, whom maids by night, Oft meet in glen that's haunted. Like him too, Beauty won me, But while here eyes were on me; If hence their ray, was turned away, Oh! winds could not outrun me. And are those follies going! And is my proud heart growing; To:> cold too wise, f·:>r brilliant eyes, Again to .set it glowing? No -- vain, alas! the endeavor, From bonds so sweet to sever; Poor wisdom's chance, against a glance, Is now as weak as ever! � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I.G. Greer Folksong Collection Description An account of the resource <p>The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</p> <p>Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.</p> <p>Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.</p> Greer Document File name 113_TimeIveLostInWooing Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Time I've Lost in Wooing Language A language of the resource English Is Part Of A related resource in which the described resource is physically or logically included. <a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"> I. G. Greer Folksong Collection </a> Format The file format, physical medium, or dimensions of the resource PDF Song texts Source A related resource from which the described resource is derived <a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"> AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings </a> Rights Information about rights held in and over the resource <a title="In Copyright - Rights-holder(s) Unlocatable or Unidentifiable" href="http://rightsstatements.org/vocab/InC-RUU/1.0//" target="_blank"> In Copyright - Rights-holder(s) Unlocatable or Unidentifiable</a> Contributor An entity responsible for making contributions to the resource Greer, I. G. (Isaac Garfield), 1881-1967 Subject The topic of the resource Irish poetry Feminine beauty (Aesthetics) - Poetry Courtship--Poetry Creator An entity primarily responsible for making the resource Moore, Thomas, 1779-1852 Type The nature or genre of the resource Text Spatial Coverage Spatial characteristics of the resource. <a title= "Dublin (Ireland)" href=" https://www.geonames.org/2964574/dublin.html" target="_blank" rel="noreferrer noopener"> Dublin (Ireland)</a> Publisher An entity responsible for making the resource available W. L. Eury Appalachian Collection, Appalachian State University Description An account of the resource This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin. feminine beauty poetry Irish poetry poetry courtship Thomas Moore Time I've Lost in Wooing Time Lost Wooing https://omeka-test.library.appstate.edu/files/original/74f42635c36deca8e4040f0806e628f8.pdf a73dbcb59f18c304c918e7c87bb81f29 PDF Text Text FARE THEE WELL Then fa.re thee well, my own dear love, This w~rld has now for us; N~ greater grief, n~ pain ab~ve, The pain of :parting thvs, dea,r love! The pain ~f parting t hus! Had we but known, since first we met, S~me few short h~urs ~f bliss; We might, in numbering them forget, The deep, deep pain ~f this dear love! The deep, deep pain of this! But One But And And no, alas, we have never seen, glimpse ~f pleasured ray; still there oame some cl~ud between, chased i t all away, dear love! chased i t a.ll a.way. Yet even could those sad moments last, Fe.r dearer to my heart; Wr•ere hours of grief, t~gether past, Than years of mirth apart dear love! Than years of mirth apart! Farewe 11- -our hope was b~rn in fears, And nt1 rsed mid vain regrets! Like winter suns, it rose in tears, Like them in tears it sets, dear love! Like them in tears it sets! � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I.G. Greer Folksong Collection Description An account of the resource <p>The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</p> <p>Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.</p> <p>Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.</p> Greer Document Associated Date 1818 File name 113_ThenFareTheeWell_ocr Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Then, Fare Thee Well Language A language of the resource English Is Part Of A related resource in which the described resource is physically or logically included. <a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"> I. G. Greer Folksong Collection </a> Format The file format, physical medium, or dimensions of the resource PDF Song texts Source A related resource from which the described resource is derived <a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"> AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings </a> Rights Information about rights held in and over the resource <a title="In Copyright - Rights-holder(s) Unlocatable or Unidentifiable" href="http://rightsstatements.org/vocab/InC-RUU/1.0//" target="_blank"> In Copyright - Rights-holder(s) Unlocatable or Unidentifiable</a> Contributor An entity responsible for making contributions to the resource Greer, I. G. (Isaac Garfield), 1881-1967 Subject The topic of the resource Poetry, Irish Farewells--Songs and music Grief--Songs and music Creator An entity primarily responsible for making the resource Moore, Thomas, 1779-1852 Type The nature or genre of the resource Text Spatial Coverage Spatial characteristics of the resource. <a title= "Dublin (Ireland)" href=" https://www.geonames.org/2964574/dublin.html" target="_blank" rel="noreferrer noopener"> Dublin (Ireland)</a> Publisher An entity responsible for making the resource available W. L. Eury Appalachian Collection, Appalachian State University Description An account of the resource This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin. Scripto Transcription A written representation of a document. Irish love Irish poetry poetry songs and music farewells songs and music grief Then; Fare Thee Well Thomas Moore https://omeka-test.library.appstate.edu/files/original/5deacf839ec885c99bc302cb0c62bc6b.pdf 62621ec231b12716921d29e4d41a76da PDF Text Text TIME STEALS OUR YEARS AWAY t,Then time, who steals -:>ur years away, Shall steal our pleaures t-:>o; The memory of the past will stay, And half -:>ur joys renew. Then, Chl~e, when thy beauty's lower, Shall fill the wintry air; Re:nernbrance will recall the h:)ur, When <:.hou alone \ert faj r. Then talk no more of future gloom, Our joys will always last; F-:>r h0pe shall brighten days to come, An(l memory gild the past. Chloe, fill the genial b0wl, I drink t0 love and thee; Thou never canst decay in s0ul, Th0u wilt otill be young t-:> me. Ann as thy lips the tear (]r-:>p chase, Which on my cr eck they find; So h:)pe shall steal away the trace, Which sorraw leaves behind.. Then f:Ul the bowl away with gloom, 0Ul' j-:>ys shall alwayp ta.st j For h0pe shall brighten days to CYme, .Pnd ·nernory gil0 the past. Bnt mark, fit tl1')ught of futu""e years, When l~ve shall lose its SJul; My Crloe dr0ps her timid tears, They mingle with my bovrl. How like this bowl of vine my :fair, Our l"ving l~fe sf1all fleet, ThJugh tears may A-:>~etimes mingle there, The dra-:..lgr' t will still be sweet. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I.G. Greer Folksong Collection Description An account of the resource <p>The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</p> <p>Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.</p> <p>Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.</p> Greer Document Associated Date 1801 File name 113_Song Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Time Steals Our Years Away Language A language of the resource English Is Part Of A related resource in which the described resource is physically or logically included. <a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"> I. G. Greer Folksong Collection </a> Format The file format, physical medium, or dimensions of the resource PDF Source A related resource from which the described resource is derived <a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"> AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings </a> Rights Information about rights held in and over the resource <a title="In Copyright - Rights-holder(s) Unlocatable or Unidentifiable" href="http://rightsstatements.org/vocab/InC-RUU/1.0//" target="_blank"> In Copyright - Rights-holder(s) Unlocatable or Unidentifiable</a> Contributor An entity responsible for making contributions to the resource Greer, I. G. (Isaac Garfield), 1881-1967 Subject The topic of the resource Irish poetry--19th century Aging--Poetry Time--Poetry Creator An entity primarily responsible for making the resource Moore, Thomas, 1779-1852 Type The nature or genre of the resource Text Spatial Coverage Spatial characteristics of the resource. <a title= "Dublin (Ireland)" href=" https://www.geonames.org/2964574/dublin.html" target="_blank" rel="noreferrer noopener"> Dublin (Ireland)</a> Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. When Time, Who Steals Publisher An entity responsible for making the resource available W. L. Eury Appalachian Collection, Appalachian State University Description An account of the resource This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin. Scripto Transcription A written representation of a document. 19th century love poetry Irish poetry poetry aging poetry time poetry wine Song Thomas Moore When Time; Who Steals https://omeka-test.library.appstate.edu/files/original/8ba8902bda0547f20c8530e16fa82254.pdf 10e8d587124a658ba8bfcd4a39d23b12 PDF Text Text It is tbe last rose of summer, Left blooming a. lone. All her lovely companions Are faded and gone. No No To Or flower of her kindred, rose bud ia nigh reflect back her blushes, give sigh for sigh. I will not leave thee thou love one To pine on the stem Since the lovely are sleeping Go sleep thou with them. Thus kindly I scatter Thy leaves over thy bed, When thy mates of the garden, Lie scentless and dead. So soon may I follow, When friendsships decay, And from loves shinning circle The gems drop away. I 'Ylhen true hearts lie withered And fond ones a.re flown, Ob, who would inhabit This bleak world alone. It is the last rose of summer Left blooming alone, All her lovely companions , Are faded and gone. No No To Or flower of ber kindred, rose bud is nigh, reflect back herblushes, give sigh for sigh. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I.G. Greer Folksong Collection Description An account of the resource <p>The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</p> <p>Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.</p> <p>Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.</p> Greer Document Associated Date 1805 File name 113_LastRoseOfSummer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Last Rose of Summer Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. 'Tis the Last Rose of Summer Language A language of the resource English Is Part Of A related resource in which the described resource is physically or logically included. <a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"> I. G. Greer Folksong Collection </a> Format The file format, physical medium, or dimensions of the resource PDF Source A related resource from which the described resource is derived <a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"> AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings </a> Rights Information about rights held in and over the resource <a title="In Copyright - Rights-holder(s) Unlocatable or Unidentifiable" href="http://rightsstatements.org/vocab/InC-RUU/1.0//" target="_blank"> In Copyright - Rights-holder(s) Unlocatable or Unidentifiable</a> Contributor An entity responsible for making contributions to the resource Greer, I. G. (Isaac Garfield), 1881-1967 Subject The topic of the resource Irish poetry--19th century Loneliness--Poetry Roses--Poetry Time--Poetry Creator An entity primarily responsible for making the resource Moore, Thomas, 1779-1852 Type The nature or genre of the resource Text Spatial Coverage Spatial characteristics of the resource. <a title= "Dublin (Ireland)" href=" https://www.geonames.org/2964574/dublin.html" target="_blank" rel="noreferrer noopener"> Dublin (Ireland)</a> Publisher An entity responsible for making the resource available W. L. Eury Appalachian Collection, Appalachian State University Description An account of the resource This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin. Scripto Transcription A written representation of a document. It is the last rose of summer, Left blooming alone. All her lovely companions Are faded and gone. No flower of her kindred, No rosebud is nigh To reflect back her blushes, Or give sigh for sigh. I will not leave thee thou love one To pine on the stem Since the lovely are sleeping Go sleep with them. Thus kindly I scatter Thy leaves over thy bed, When thy mates of the garden, Lie scentless and dead. So soon may I follow, When friendships decay, And from loves shinning circle The gems drop away. When true hearts lie withered And fond ones are flown, Oh, who would inhabit This bleak world alone. It is the last rose of summer Left blooming alone, All her lovely companions , Are faded and gone. No flower of her kindred, No Rose bud is nigh, To reflect back her blushes, Or give sigh for sigh. 'Tis the Last Rose of Summer 19th century poetry folk song Irish poetry Last Rose of Summer songs and music Thomas Moore https://omeka-test.library.appstate.edu/files/original/d20893340e37573b126285676b7c5335.pdf c1a4e33772eb2ef94bf3a5b42651cf54 PDF Text Text I saw thy ~orm in youth~ul prime. No thought that pale decay, Could steal be~ore the steps o~ time, And wash its bloom away. Yet stillthy ~eatures wore that light. Which fleets not with the breath, And li~e never looked more ~arely bright, Than in thy ami lee o~ death. I As steams that run over golden mines, With modest murmur gl:de. N~r seem to know the wealth that shines, With in there gentle tide. So ~all beneath a simple guise, Thy radiant genious shone, And that which charmed all other eyes, Seemed worthless in thy own. I~ souls could always dwell above, Thou never hadest ~elt thy sphere, Or could we keep the souls we love, We never had lost thee here. Though many a gilted mind. we meet, Though ~a. ireet ~orms we see. To live with them is ~arless sweet, Than to remember thee. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I.G. Greer Folksong Collection Description An account of the resource <p>The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</p> <p>Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.</p> <p>Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.</p> Greer Document Associated Date 1820 File name 113_ISawThyFormInYouthfulPrime_Lyric_02 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I Saw Thy Form in Youthful Prime, Lyric Variant 02 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Youthful Prime Language A language of the resource English Is Part Of A related resource in which the described resource is physically or logically included. <a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"> I. G. Greer Folksong Collection </a> Format The file format, physical medium, or dimensions of the resource PDF Source A related resource from which the described resource is derived <a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"> AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings </a> Rights Information about rights held in and over the resource <a title="In Copyright - Rights-holder(s) Unlocatable or Unidentifiable" href="http://rightsstatements.org/vocab/InC-RUU/1.0//" target="_blank"> In Copyright - Rights-holder(s) Unlocatable or Unidentifiable</a> Contributor An entity responsible for making contributions to the resource Greer, I. G. (Isaac Garfield), 1881-1967 Subject The topic of the resource Irish poetry Memories--Songs and music Death--Songs and music Aging--Songs and music Creator An entity primarily responsible for making the resource Moore, Thomas, 1779-1852 Type The nature or genre of the resource Text Spatial Coverage Spatial characteristics of the resource. <a title= "Dublin (Ireland)" href=" https://www.geonames.org/2964574/dublin.html" target="_blank" rel="noreferrer noopener"> Dublin (Ireland)</a> Publisher An entity responsible for making the resource available W. L. Eury Appalachian Collection, Appalachian State University Description An account of the resource This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin. Scripto Transcription A written representation of a document. I saw thy form in youthful prime, No thought that pale decay, Could steal before the steps of time, And wash its bloom away. Yet still thy features wore that light. Which fleets not with the breath, And life never looked more farely bright, Than in thy smiles of death. As streams that run over golden mines, With modest mur mur glide. Nor seem to know the wealth that shines, With in there gentle tide. So fall beneath a simple guise, Thy radiant genious shone, And that which charmed all other eyes, Seemed worthless in thy own. If souls could always dwell above, Thou never hadest left thy sphere, Or could we keep the souls we love, We never had lost thee here. Though many a gilted mind we meet, Though fairest forms we see. To live with them is farless sweet, Than to remember thee. I Saw Thy Form in Youthful Prime Irish Melodies songs and music songs and music aging songs and music death Thomas Moore Youthful Prime https://omeka-test.library.appstate.edu/files/original/6a1dfa21d7235fbbbbd7a33cc5ac99c6.pdf ae0360632d3953b7c384ca1ff14b9d10 PDF Text Text YOurHFUL PRIME I saw thy form in youthful prime, Nor thought that pale decay; Would steal before the steps of time, And was te : its bloom away Mary.' Yet still thy features wore that light, Which fleets not wi th the breath· And life never ,looked more purely bright, Than in thy smile of death Mary.' As streams that run over golden mines, With modest murmur glide; Nor seem -tp )mow the wealth that shines, Winh in~ gentle tide Mary! So, veiled beneath a simple guise, Thy radiant genius shone: And that whic h charmed all other freyes, Seemed worthless in thy 0wn Mary! If s0uls c0uld always dwe'll above, Thou never hadest left thy sphere; Or, could we keep the souls we l0ve, We never had lost thee here Mary.' Though many a gifted mind we meet, Though fairest f0rms we see; To live with them is far less sweet, Than t0 remember thee Mary.' � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I.G. Greer Folksong Collection Description An account of the resource <p>The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</p> <p>Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.</p> <p>Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.</p> Greer Document Associated Date 1820 File name 113_ISawThyFormInYouthfulPrime_Lyric_01 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I Saw Thy Form in Youthful Prime, Lyric Variant 01 Language A language of the resource English Is Part Of A related resource in which the described resource is physically or logically included. <a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"> I. G. Greer Folksong Collection </a> Format The file format, physical medium, or dimensions of the resource PDF Source A related resource from which the described resource is derived <a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"> AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings </a> Rights Information about rights held in and over the resource <a title="In Copyright - Rights-holder(s) Unlocatable or Unidentifiable" href="http://rightsstatements.org/vocab/InC-RUU/1.0//" target="_blank"> In Copyright - Rights-holder(s) Unlocatable or Unidentifiable</a> Contributor An entity responsible for making contributions to the resource Greer, I. G. (Isaac Garfield), 1881-1967 Subject The topic of the resource Irish poetry Memories--Songs and music Death--Songs and music Aging--Songs and music Creator An entity primarily responsible for making the resource Moore, Thomas, 1779-1852 Type The nature or genre of the resource Text Spatial Coverage Spatial characteristics of the resource. <a title= "Dublin (Ireland)" href=" https://www.geonames.org/2964574/dublin.html" target="_blank" rel="noreferrer noopener"> Dublin (Ireland)</a> Publisher An entity responsible for making the resource available W. L. Eury Appalachian Collection, Appalachian State University Description An account of the resource This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin. Scripto Transcription A written representation of a document. Youthful Prime I saw thy form in youthful prime, Nor thought that pale decay. Would steal before the steps of time, And waste its bloom away Mary! Yet still thy features wore that light, Which fleets not with the breath, And life never looked more purely bright, Than in thy smile of death Mary! As streams that run over golden mines, With modest murmur glide, Nor seem to know the wealth that shines, With in this their gentle tide Mary! So, veiled beneath a simple guise, Thy radiant genius shone, And that which charmed all other yeyes, Seemed worthless in thy own Mary! If souls could always dwell above Thou never hadest left thy sphere. Or, could we keep the souls we love, We never had lost thee here Mary! Though many a gifted mind we meet, Though fairest forms we see. To live with them is far less sweet, Than to remember thee Mary! I Saw Thy Form in Youthful Prime Irish Melodies songs and music songs and music aging songs and music death Thomas Moore Youthful Prime https://omeka-test.library.appstate.edu/files/original/be6aacfb484148ac1f78d84fe608d483.pdf a61f9061d1a48177aaff2d9b9dfec89b PDF Text Text FLY TO THE DESERT Fly to the desert, Our Arab tents are B11t oh! the choice Of tents wrth love fly with me, rude for the; what heart can doubt, or thrones without? Our rocks are rough, but smiling there, The acacia waves her yellow hair, Lovely and sweet, nor loved the less, For flowering in a wilderness. Our sands are bare, but down their slope, The silvery-footed antelope; As gracefully and gaily springs, As over the marble court of kings. Then come - thy Arab maid will be, The loved and lone acacia tree; The antelope, whose feet shall bless, With their light sound thy loneliness. Oh! there are looks and tones that dart, An instant sunshine through the heart; A-, if the soul that minute caught, Some treasure it through life had sought. As if the very lips and eyes, Predestined to have all our sighs; Ana never be forgot again, Sparkled and spoke before us then. So came thy very glance and tone, When first on me they breathed and shone; New as if brought from other spheres, Yet welcome as if loved for years~ Then fly with me--if thou hast known, No other flame, nor falsely thrown; A gem away that thou hast sw~rn, Should ever in thy heart be v.orn. Come, if the love thou hast for me, Is pure ana fresh as mine for thee; Fresh as the fountain under ground, Whey first it is by the lapwing found . .But if for me thou dost forsake, Some other maid and rudely break; Her worshipped image from its base, To give to me the ruined place. When, fare thee well -- I would rather make, My bower upon some icy lake; When thawing suns begin to shine, Than trust to love so false as thine. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I.G. Greer Folksong Collection Description An account of the resource <p>The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</p> <p>Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.</p> <p>Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.</p> Greer Document Associated Date 1817 File name 113_FlyToTheDesert_ocr Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fly to the Desert Language A language of the resource English Is Part Of A related resource in which the described resource is physically or logically included. <a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"> I. G. Greer Folksong Collection </a> Format The file format, physical medium, or dimensions of the resource PDF Source A related resource from which the described resource is derived <a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"> AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings </a> Rights Information about rights held in and over the resource <a title="In Copyright - Rights-holder(s) Unlocatable or Unidentifiable" href="http://rightsstatements.org/vocab/InC-RUU/1.0//" target="_blank"> In Copyright - Rights-holder(s) Unlocatable or Unidentifiable</a> Contributor An entity responsible for making contributions to the resource Greer, I. G. (Isaac Garfield), 1881-1967 Subject The topic of the resource Courtship--Songs and music Love--Songs and music Irish poetry Deserts--Songs and music Creator An entity primarily responsible for making the resource Moore, Thomas, 1779-1852 Type The nature or genre of the resource Text Spatial Coverage Spatial characteristics of the resource. <a title= "Dublin (Ireland)" href=" https://www.geonames.org/2964574/dublin.html" target="_blank" rel="noreferrer noopener"> Dublin (Ireland)</a> Publisher An entity responsible for making the resource available W. L. Eury Appalachian Collection, Appalachian State University Description An account of the resource This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin. Scripto Transcription A written representation of a document. Fly to the Desert Fly to the desert, fly with me, Our Arab tents are rude for the But oh! The choice what heart can doubt, Of tents with love or thrones without? Our rocks are rough, but smiling there, The acacia waves her yellow hair, Lovely and sweet, nor loved the less, For flowering in a wilderness. Our sands are bare, but down their slope, The silvery-footed antelope, As gracefully and gaily springs, As over the marble court of kings. Then come - thy Arab maid will be, The loved and lone acacia tree The antelope, whose feet shall bless, With their light sound thy loneliness. Oh! there are looks and tones that dart, And instant sunshine through the heart, As if the soul that minute caught, Some treasure it through life has sought. As if the very lips and eyes, Predestined to have all our sighs And never be forgot again, Sparkled and spoke before us then. So came thy very glance and tone, When first on me they breathed and shone, New as if brought from other spheres, Yet welcome as if loved for years! Then fly with me-if thou hast known, No other flame, nor falsely thrown A gem away that thou hast sworn, Should ever in thy heart be worn. Come, if the love thou hast for me, Is pure and fresh as mine for thee, Fresh as the fountain under ground, Whey first it is by the lapwing found. But if for me thou dost forsake, Some other maid and rudely break, Her worshipped image from its base, To give to me the ruined place. When, fare thee well - I would rather make, My bower upon some icy lake When thawing suns begin to shine, Than trust to love so false as thine. Fly to the Desert songs and music courtship songs and music desert Thomas Moore https://omeka-test.library.appstate.edu/files/original/8556740c9e7f08858179205d452246b0.pdf e658d11f52fe90e0a620574778344455 PDF Text Text FAREWELL Farewell - farewell to the Araby's daughter! Thus warbled a Peri beneath thae dark sea; No pearl ever lay under Oman's green water, More pure in its shell than thy spirit in thee. l"' Oh! fair as the sea-flawa- close to thee growing, How light was thy heart till love's witchery came; Like the wind of the South over a summer day blowing, And hushed all its music and withered its frame! But long upon Araby's green sunny highlands, Shall maids a.nd there lovers remember the doom; Of her who lies sleeping among the Pearl Islands, With nought but the sea-star to light up her tomb. And still, when the merry date season is burning, And calls to the palm-groves the young and the old; The happiest there from their pastime returning, At sunset, will weep when thy story is told. The young village maid, when with flowers she dresses, Her dark-flowing hair, for some festival day; Will think of thy fate, till, neglecting her tresses, She mournfully turns from the mirror away. Nor shall Iran, beloved of her hero! forget thee, Though tyrants watch over her tears as they start; Close, close by the sid.e of that hero she will set thee, Embalmed in the innermost shrine of her heart. Farewell--be it ours to embellish thy pillow, With every thing beauteous that grows in the deep; Each .flower of the rock, and each gem of the billow, Shall sweeten thy bed, and illumine thy sleep. Around thee shall glisten the loveliest amber, That ever the sorrowing sea-bird has wept; With many a ehe~l, in whose hollow-wreathed chamber, The peris of ocean, by moonlight have slept. d We will dive where the gardens of coral lie flPa.rkling And plant all the rosiest stems at thy head; We will seek when the sands of the Caspian are sparkling, And gather their gold to shrew over thy bed. Fa.rewell-farewell - until pity's sweet fountain, Is lost in the hearts of the fair and the bra.v e; They will weep for the cieftain who died on that mountain, They willweep for the maiden who sleeps in this wave. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I.G. Greer Folksong Collection Description An account of the resource <p>The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</p> <p>Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.</p> <p>Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.</p> Greer Document Associated Date 1817 File name 113_FarewellToTheeArabysDaughter_ocr Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Farewell to Thee, Araby's Daughter Language A language of the resource English Is Part Of A related resource in which the described resource is physically or logically included. <a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"> I. G. Greer Folksong Collection </a> Format The file format, physical medium, or dimensions of the resource PDF Source A related resource from which the described resource is derived <a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"> AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings </a> Rights Information about rights held in and over the resource <a title="In Copyright - Rights-holder(s) Unlocatable or Unidentifiable" href="http://rightsstatements.org/vocab/InC-RUU/1.0//" target="_blank"> In Copyright - Rights-holder(s) Unlocatable or Unidentifiable</a> Contributor An entity responsible for making contributions to the resource Greer, I. G. (Isaac Garfield), 1881-1967 Subject The topic of the resource Irish poetry Middle East--Songs and music Death--Songs and music Collective memory--Songs and music Creator An entity primarily responsible for making the resource Moore, Thomas, 1779-1852 Type The nature or genre of the resource Text Spatial Coverage Spatial characteristics of the resource. <a title= "Dublin (Ireland)" href=" https://www.geonames.org/2964574/dublin.html" target="_blank" rel="noreferrer noopener"> Dublin (Ireland)</a> Publisher An entity responsible for making the resource available W. L. Eury Appalachian Collection, Appalachian State University Description An account of the resource This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin. Scripto Transcription A written representation of a document. Farewell Farewell – farewell to the Araby’s daughter! Thus warbled a Peri beneath thae dark sea, No pearl ever lay under Oman’s green water, More pure in its shell than thy spirit in thee. Oh! fair as the sea xflownx flowers close to thee growing, How light was thy heart till love’s witchery came, Like the wind of the South over a summer day blowing, And hushed all its music and withered its frame! But long upon Araby’s green sunny highlands, Shall maids and there lovers remember the doom, Of her who lies sleeping among the Pearl Islands, With nought but the sea-star to light up her tomb. And still, when the merry date season is burning, And calls to the palm-groves the young and the old, The happiest there from their pastime returning, At sunset, will weep when thy story is told. The young village maid, when with flowers she dresses, Her dark-flowing hair, for some festival day, Will think of thy fate, till, neglecting her tresses, She mournfully turns from the mirror away. Nor shall Iran, beloved of her hero! forget thee, Though tyrants watch over her tears as they start, Close, close by the side of that hero she will set thee, Embalmed in the innermost shrine of her heart. Farewell--be it ours to embellish thy pillow, With every thing beauteous that grows in the deep, Each flower of the rock, and each gem of the billow, Shall sweeten thy bed, and illumine thy sleep. Around thee shall glisten the loveliest amber, That ever the sorrowing sea-bird has wept, With many a shell, in whose hollow-wreathed chamber, The peris of ocean, by moonlight have slept. We will dive where the gardens of coral lie sparkling And plant all the rosiest stems at thy head, We will seek when the sands of the Caspian are sparkling, And gather their gold to shrew over thy bed. Farewell-farewell – until pity’s sweet fountain, Is lost in the hearts of the fair and the brave, They will weep for the cieftain who died on that mountain, They will weep for the maiden who sleeps in this wave. Araby's Daughter Farewell to Thee Farewell to Thee Araby's Daughter Peal Islands Thomas Moore https://omeka-test.library.appstate.edu/files/original/0ae4730c15af6923e0c0b9f39692440c.pdf a5e2460ee7c7f773787ff80882675266 PDF Text Text WE IEFI' BEHIND US As slcrw our ship her foamy track, Against the wind was cleaving; Her trembling pennant still looked back, To that dear isle it was leaving. So took we part from all we love, From all the links that bind us; So turn our hearts wherever we rove, To those we left behind us! When, round the bowl, of vanished yee.rs, We talk with joyous seeming; And smiles that might as well be tears, So faint, so sad their beaming. While memory brings us back again, Each early tie that twined us; Oh; sweets the cup that circles then, To those we have left behind us! And when in other climes we meet, Some isle or vale enchanting; Where alllooks flowery wild and sweet, And nought but lO'f e is waning. We think low great had been our bliss, If Hee.ven had but assigned us; To live and die in scenes like this; With some we have left behind us! As travellers oft look back at evening, When eastward darkly going; To gaze upon that light they leave, Still fa.int behind them glowing. So when the close of pleasure's day, To gloom hath near consigned us; We turn to catch -one fading ray, Of joy that left behind us. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I.G. Greer Folksong Collection Description An account of the resource <p>The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</p> <p>Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.</p> <p>Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.</p> Greer Document Associated Date 1820 File name 113_AsSlowOurShip_ocr Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource As Slow Our Ship Language A language of the resource English Is Part Of A related resource in which the described resource is physically or logically included. <a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"> I. G. Greer Folksong Collection </a> Format The file format, physical medium, or dimensions of the resource PDF Source A related resource from which the described resource is derived <a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"> AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings </a> Rights Information about rights held in and over the resource <a title="In Copyright - Rights-holder(s) Unlocatable or Unidentifiable" href="http://rightsstatements.org/vocab/InC-RUU/1.0//" target="_blank"> In Copyright - Rights-holder(s) Unlocatable or Unidentifiable</a> Contributor An entity responsible for making contributions to the resource Greer, I. G. (Isaac Garfield), 1881-1967 Subject The topic of the resource Popular music--Ireland Homesickness--Songs and music Memories--Songs and music Time--Songs and music Creator An entity primarily responsible for making the resource Moore, Thomas, 1779-1852 Type The nature or genre of the resource Text Spatial Coverage Spatial characteristics of the resource. <a title= "Dublin (Ireland)" href=" https://www.geonames.org/2964574/dublin.html" target="_blank" rel="noreferrer noopener"> Dublin (Ireland)</a> Publisher An entity responsible for making the resource available W. L. Eury Appalachian Collection, Appalachian State University Description An account of the resource This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin. Scripto Transcription A written representation of a document. We Left Behind Us As slow our ship her foamy track, Against the wind was cleaving, Her trembling pennant still looked back, To that dear isle it was leaving. So took we part from all we love, From all the links that bind us, So turn our hearts wherever we rove, To those we left behind us! When, round the bowl, of vanished years, We talk with joyous seeming, And smiles that might as well be tears, So faint, so sad their beaming. While memory brings us back again, Each early tie that twined us, Oh! sweets the cup that circles then, To those we left behind us! And when in other climes we meet, Some isle or vale enchanting, When all looks flowery wild and sweet, And nought but love is wanting. We think how great had been our bliss, if Heaven had but assigned us, To live and die in scenes like this, With some we have left behind us! As travelers oft look back at evening, When eastward darkly going, To gaze upon that light they leave, Still faint behind them glowing. So when the close of pleasure’s day, To gloom hath near consigned us, We turn to catch –one fading ray, Of joy that left behind us. As Slow Our Ship Irish Melodies songs and music Ireland songs and music sailing Thomas Moore We Left Behind Us