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                    <text>LITT
ou

111
11.

P r ?

Co
I'll

r

n

or .
hor .

I

�</text>
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                  <text>I.G. Greer Folksong Collection</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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              <text>Brown, Older Ballads - Mostly British - 167</text>
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                <text>My Little Dear, So Fare You Well, Lyric Variant 02</text>
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                <text>&lt;a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"&gt; I. G. Greer Folksong Collection &lt;/a&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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                <text>Ballads, English </text>
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                <text>Unrequited love--Songs and music </text>
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                <text>Betrayal--Songs and music </text>
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                <text>Sing with Feeling, Alas! My Darling, Broken-Hearted, My Little Love, So Farewell, Come All Ye Girls from Adam's Race</text>
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                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>My Little Dear&#13;
&#13;
My little dear, so fare-you-well,&#13;
You slight me, but I wish you well.&#13;
You have broken my heart,&#13;
Oh, how can I from you depart?&#13;
&#13;
The pain of love no tongue can tell&#13;
No mind can think, no heart can swell.&#13;
I’ll tell to you in a few short lines,&#13;
It is worse than death ten thousand times.&#13;
&#13;
I go to cry, to mourn, to weep,&#13;
With thoughts of you, I ne’er can sleep.&#13;
When all is done, and all is told,&#13;
My little dear, God bless your soul.&#13;
&#13;
A many an hour I’ve spent with you,&#13;
But I never knew that you were not true.&#13;
It breaks my heart to have to part,&#13;
To think of your deceitful heart.&#13;
&#13;
My little love, my harmless dove,&#13;
You are the only one I love.&#13;
If you on earth I never more see,&#13;
I’ll never serve you like you have me.&#13;
&#13;
And when I’m dead and gone to rest,&#13;
Remember the one that loved you best.&#13;
And when you are passing around my grave,&#13;
Ah, think of the one that loved you brave.&#13;
&#13;
Come , all ye run of Adam’s race,&#13;
I’ll tell to you my sad disgrace.&#13;
I’ve loved you long, I’ve loved you bold.&#13;
My little dear, God bless your soul.&#13;
&#13;
When days are dark, and friends are few,&#13;
Remember me and I will you.&#13;
And if on earth we meet no more.&#13;
I hope we’ll meet on Canaan’s shore.  </text>
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