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I

•

Poor J P. c k ha s , l; one a . sa i l i ::&lt;; i 1 it} ' t r o u. b l e in hi c ·o. ; n d ,
A leav"inh C'}\ hl:his country his da.rlinr· .:irl behind ,
TL.ere wc._.,.s a wealt;!_y mtorcJ~~-:.nt in .LO nlor he did dv.·E.ll ,
And he 1 ad ~"n only dP..u_;llter -:Le tru.t.t~ "to yoH 1 ' ll tell.

This lady snc waE: .Joi.~n:, ed oy _;c.nt.s n· hi _:l1 de~·re ,
She lo'. t.d none but Jack ~J c ~ailor Viho :)lou~- £ t . e rabin£; se::1
I f tlc.:..s be t:r._.c ny daugh te r of hat I 'v e :.utrc, 0:1.' t;!~c:e ,
T:.1en ~c:. c:-c l1e slla ll be banis~.Led and :/'-)V. c onfi lle_l sl1all be .
Oh , Pa , yoJ. 1W·.y ha-,c ,.r1y body , my l:teart you
There is none but J·ac.r:, t.·tc s;::{ilor , can
She went into the t av ern to dres s in ,.1en ' s
And unto t:1e ship s]1L E t'lrt Pd to : );•vcy

can ' t co;-,:;:'~ne ,
',&lt;in t,_.:_s}:eart of nine ,
arnty ,
h · rr eL~ awaJ .

Be.to ..rc you co .J.e on boc:.rd si1.· , j"OL.l~ rm.!!c' I ' d like to 'mol' ,
b,JC smi::_, ., , ichin :
r c )'J.!1tcn;.vL;c tJucJ CRll 1C .J2.ck . :ov·roe ,
Your \mist. it is tcro~lender, Y ~· ur fir:;ers t :. Ley e..re S1Y12.ll ,
Your chet:. ~\: S too red 2.nd ::·.l::...;~ t.o lace tlw canr on b~·tll.

11Y :!:.'ir:-ers t. ~ey r~1·e S'l'.ll ,
But it nev'-r jl'l:·:ec _'le tr e·:J.bl(; to SCL t.en t:n1 sn·r"- fall ,
~'he d.:u.n began to beat, t he fife be._- an to play ,
Unto tl:.e field 01.' battlE: t.!.CJ : ll diJ T:J.ar::l ~,.-N,~

Hy vvaist is very slende r,

The Yvc.rs all "being ended, c! l to o:: a circle rot.n:i
A 1on ; t.}!e d ead Cllld \;ou:1d eGl: her de.r lir..&lt; boy s_" _·o· '11 ,
She took him in her Br .:s and -:arrie_. hi•1 to to ,, ,
An d sent tor :::.o:•don docto rs to l1eal .Lis blood; Vlcmnd.

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                  <text>I.G. Greer Folksong Collection</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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              <text>Brown, Older Ballads - Mostly British - 99 Randolph, 42 Cox, 98 Laws, N 7 Combs, 99 Sharp, 65</text>
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                <text>Jack Munro, Lyric Variant 03</text>
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                <text>&lt;a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"&gt; I. G. Greer Folksong Collection &lt;/a&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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                <text>Ballads, English</text>
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                <text>Male impersonators--Songs and music </text>
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                <text>Love--Songs and music </text>
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                <text>Marriage--Songs and music </text>
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                <text>Soldiers--Songs and music</text>
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                <text>Sailors--Songs and music </text>
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                <text>Jack the Sailor, Poor Jack is Gone a-Sailing, Jacky, the Sailor Boy, War Song, The Brisk Young Plow Boy, Men's Clothes I Will Put On, The Banks of the Nile, The Sailor's Sweetheart, Lily Oh, Jackie Fraisure, The Merchant's Daughter, Jackie Frazier, Poor Jack's Gone to War, Jack Went A-Sailing</text>
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                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Soldier Lass&#13;
&#13;
Poor Jack has gone a sailing with trouble in his mind,&#13;
A leaving in this country his darling girl behind,&#13;
There was a wealthy merchant in London he did dwell,&#13;
And he had an only daughter the truth to you I’ll tell.&#13;
&#13;
This lady she was courted by gents of high degree,&#13;
She loved none but Jack the sailor who ploughs the raging sea&#13;
If this be true my daughter of what I’ve heard of thee,&#13;
Then Jack he shall be banished and you confined shall be.&#13;
&#13;
Oh, Pa, you may have my body, my heart you can’t confine,&#13;
There is none but Jack, the sailor, can win thisheart of mine,&#13;
She went into the tavern to dress in men’s array,&#13;
And unto the ship she started to convey herself away.&#13;
&#13;
Before you come on board sir, your name I’d like to know,&#13;
She smiled within her countenance they call me Jack Monroe,&#13;
Your waist it is tooslender, your fingers they are small,&#13;
Your cheeks too red and rosy to face the cannon ball.&#13;
&#13;
My waist is very slender, my fingers they are small,&#13;
But it never makes me tremble to see ten thousand fall,&#13;
The drum began to beat, the fife began to play,&#13;
Unto the field of battle they all did march away.&#13;
&#13;
The wars all being ended, she took a circle round&#13;
Among the dead and wounded her darling boy she found,&#13;
She took him in her arms and carried him to town,&#13;
And sent for London doctors to heal his bloody wound.   </text>
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