1 50 1 https://omeka-test.library.appstate.edu/files/original/c3885de2e87972c95f25a2915a1f48cf.pdf f05ce0b9bf0c599653554af86d4065b4 PDF Text Text Mary's Dream The moon had climbed the highest hill, Which rises over the source of day; And from the eastern summit shed, Her silver light on town and hay; When Mary laid her down to sleep, Her thoughts on Sandy far at sea; When soft and low as voice she heard, Saying, Mary, weep no more for me. She from her pillow gently raised. Her head, to ask who there might be; She saw young Sandy shivering stand, With pallid cheek and hallow eye! Oh! Mary, dear, cold is my clay, It lies beneath the stormy sea; Far, far from thee I sleep in death, So, Mary, weep no more for me. Three stormy nights and stormy da.ys, We tossed upon the raging main; And long we strove our bark to save, But all our striving was in vain; Even then, when horror chilled my blood, My heart was filled with love for thee; The storm is past, and I a.m at rest, So Mary, weep no more for me. 0 maiden dear, thyself prepare, We soon shall meet upon that shore, Where love is free from doubt and care, And thou and I shall part no more. Loud crew the cock, the shadow fled, No more of Sandy cnuld she see; But soft the passing spirit said, Sweet Mary, weep no more for me. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I.G. Greer Folksong Collection Description An account of the resource <p>The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</p> <p>Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.</p> <p>Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.</p> Greer Document Associated Date 1772 Scholarly Classification Laws, K 20 Cox, 147 Combs, 88 File name 113_MarysDream_MaryOTheDee Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mary's Dream (Mary o' the Dee) Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Mary and Sandy Creator An entity primarily responsible for making the resource Lowe, John, 1750-1798 Language A language of the resource English Is Part Of A related resource in which the described resource is physically or logically included. <a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"> I. G. Greer Folksong Collection </a> Format The file format, physical medium, or dimensions of the resource PDF Source A related resource from which the described resource is derived <a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"> AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings </a> Rights Information about rights held in and over the resource <a title="In Copyright - Rights-holder(s) Unlocatable or Unidentifiable" href="http://rightsstatements.org/vocab/InC-RUU/1.0//" target="_blank"> In Copyright - Rights-holder(s) Unlocatable or Unidentifiable</a> Contributor An entity responsible for making contributions to the resource Greer, I. G. (Isaac Garfield), 1881-1967 Subject The topic of the resource Popular music--Scotland Love--Songs and music Ghosts--Songs and music Sailors--Songs and music Type The nature or genre of the resource Text Spatial Coverage Spatial characteristics of the resource. <a title= "Dumfries and Galloway (Scotland)" href="https://www.geonames.org/2650797/dumfries-and-galloway.html" target="_blank" rel="noreferrer noopener"> Dumfries and Galloway (Scotland)</a> Publisher An entity responsible for making the resource available W. L. Eury Appalachian Collection, Appalachian State University Description An account of the resource This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin. Scripto Transcription A written representation of a document. The moon had climbed the highest hill, Which rises over the source of day And from the eastern summit shed, Her silver light on town and hay When Mary laid her down to sleep, Her thoughts on Sandy far at sea When soft and low as voice she heard, Saying, Mary, weep no more for me. She from her pillow gently raised. Her head, to ask who there might be She saw young Sandy shivering stand, With pallid cheek and hallow eye! Oh! Mary, dear, cold is my clay, It lies beneath the stormy sea Far, far from thee I sleep in death, So, Mary, weep no more for me. Three stormy nights and stormy days, We tossed upon the raging main And long we strove our bark to save, But all our striving was in vain Even then, when horror chilled my blood, My heart was filled with love for thee The storm is past, and I am at rest, So Mary, weep no more for me. O maiden dear, thyself prepare, We soon shall meet upon that shore, Where love is free from doubt and care, And thou and I shall part no more. Loud crew the cock, the shadow fled, No more of Sandy could she see But soft the passing spirit and said, Sweet Mary, weep no more for me. John Lowe Mary and Sandy Mary's Dream Mary's Dream (Mary o' the Dee) popular music Scotland love songs and music ghosts songs and music sailors