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                    <text>The night her silent sable wore.
And glo::&gt;my were the skies,
Of glittering stars appeared no more
Than t~ose in Nellys eyes.
When to her
Where I had
I begged my
To rise and
But
Did
And
She

fathers d::&gt;or I ca.me,
often been.
fair my lovely dame.
let me in.

she with accents all devine,
my fond suit reprove,
while she chid my rash design,
but inflamed my love.

Her beauty oft had :pleased me before,
While her bright eyes did roll,
But virtue only had the power,
To chance my very soul.
Then who would cruelly deceive,
Or from auch beauty part.
I loved her so I could not leave,
The charm of my heart.
My eager fondness I obeyed,
Resolved she should be mine,
Till Hymen to my arms conveyed,
~zy treasure so devine.

How happy in my Nellys love,
Tra.nsp-:&gt;rting in my joy,
No greater blessing can I find,
S-:&gt; blessed a man am I.
For beauty my a while retain,
The conquered fluttering heart,
But virtue only is the claim,
Holds never do depart.
This alas to me is dear
For 1-:&gt;ve it draws the near
In this y-:&gt;u see remember me,
And bear it in mind.
For a hard-l::&gt;oking gtrl,
Like me is hard to find.
Mary E. Andrews
Robersonville
I'..artin Co.
N. C.

�</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                    <text>THE ROSE AND TITm
The night her silent sable wore,
And gloomy were the skies;
Of glittering stars appeared no more,
Than those in Nellys eyes.
When to her
Where I had
I begged my
To rise and
But
Did
And
She

fathers door I came,
often been;
fair, my lovely dame,
let me in.

she, with accents all divine,
my fond suit reprove;
while she chid my rash design,
but inflamed my love.

Her beauty oft had pleased me before,
While her bright eyes did roll;
But virtue only had the power,
To cha,rm. my very soul.
Then who would cruelly deceive,
Or from such beauty part?
I loved her so, I could not leave,
The charmer of my heart.
My eager fondness I obeyed,
Resolved she should be mine;
Till Hymen to my arms conveyed,
My trea,sure so divine.
How happy in my Nellys love,
Transporting in my joy;
No greater blessing can I prove,
So blessed a man am I
For beauty my awhile retain,
The conquered fluttering heart;
But virtue only is the chain,
Holds, never to depart.
Ella Andrews

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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