1 50 1 https://omeka-test.library.appstate.edu/files/original/6944b8435c9698e79e936111fc19a4a8.pdf 425207339a800a09031807728a3da6d8 PDF Text Text THE PRAISE OF WOMAN Through many a land and clime a ranger, With toilsome steps I have held my way; A lonely unprotected stranger, To all the strangers ills a prey. While stealing thru my course precarious, My fortune still has been to find · Men's hearts and despositions various, But gentle woman ever kind. Alive to every tender feeling, To deeds of mercy ever prone; The wounds of pain and sorrow healing, With soft compassions sweetest tone. No proud delay, no dark suspicion, Stints the free bounty of their heart; They turn not from the sad petition, But cheerful aid at once impart. Formed in benevolence of nature, Obliging, modest, gay, and mild; Womans the same endearing creature, In courtly town and savage wild. When parched with thi-rst, with hunger wasted, Her friendly ha.nd refreshment gave; How sweet the coarsest food has tasted, What cordial in the simple wave. Her courtious looks her words caressing, Shed comfort on the fainting soul; Woman's the strangers general blessing, From sultry India to the Pole. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I.G. Greer Folksong Collection Description An account of the resource <p>The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</p> <p>Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.</p> <p>Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.</p> Greer Document File name 113_PraiseOfWomen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Praise of Women Language A language of the resource English Is Part Of A related resource in which the described resource is physically or logically included. <a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"> I. G. Greer Folksong Collection </a> Format The file format, physical medium, or dimensions of the resource PDF Source A related resource from which the described resource is derived <a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"> AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings </a> Rights Information about rights held in and over the resource <a title="In Copyright - Rights-holder(s) Unlocatable or Unidentifiable" href="http://rightsstatements.org/vocab/InC-RUU/1.0//" target="_blank"> In Copyright - Rights-holder(s) Unlocatable or Unidentifiable</a> Contributor An entity responsible for making contributions to the resource Greer, I. G. (Isaac Garfield), 1881-1967 Subject The topic of the resource American poetry--18th century Women--Poetry Praise--Poetry Creator An entity primarily responsible for making the resource Ledyard, John, 1751-1789 Type The nature or genre of the resource Text Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. In Praise of Women, Character of Women, Ledyard's Praise of Women Publisher An entity responsible for making the resource available W. L. Eury Appalachian Collection, Appalachian State University Description An account of the resource This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin. 18th century women American poetry Character of Women In Praise of Women John Ledyard Ledyard's Praise of Women poetry compassion poetry women Praise of Women