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                    <text>KATHERINE COOY

As walking forth to view the ~lain,
U~on a morning early;
While V~y's sweet scent did cheer my brain,
From flowers which grew so rarely,
I chanced to meet a ~retty maid,
She shined though i t we.s foggy;
I asked be::- name; sweet sir, she said,
My name is Ka.therine Oggy.
I stood a while and did admire,
To see a nym~h so stately;
So brisk an air there did a.~~eer,
In a. country maid s·.:&gt; nee.tly,
Such na.tural sweetness she dis~layed,
Like lilies in a boe~;
Dia.na 's self was never arrayed,
Like this same Y..a.therine Oggy.
Thou flower of females, Beautys queen,
Who sees thee sure must ~rize thee,
Though th-:m art d_rest in robes but meen,
Yet trese cann::&gt;t disquise thee;
Thy handsome air, and graceful look,
Far excels a. clownish rogy;
Thou art amatch for L::&gt;:r~, or duke,
My charming Katherine Oggy.
0! were I but some she~herd swain,
To feed my flock beside thee;
At bugling time to leave the ~lain,
In milking to a~ide thee;
I would think myself a ha~~ier man,
With Kate, my club, a.nd doggy;
Than he that hugs his thousands ten,
Had I but Ka.therine Oggy.

Then I would des~ise the im~rial throne,
And statemen's dangerous stations;
I would be no king I would wear no crown,
I would smile at c::&gt;nquering nations;
Might I caress, a.nn still ~ossess,
This lass of whom I am voggy;
For they are 't::&gt;ys, and still looks less,
Compared with Katherine Oggy.
But I fear the gods ha.ve not decreed,
For me so fine a creature;
Whose beauty rare makes her exceed,
All other works in nature;
Clouds of despair surround my love,
That are both dark and foggy;
Pity my case, ye powers above,
Else I die for Katherine Oggy.

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                  <text>I.G. Greer Folksong Collection</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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            <name>Title</name>
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                <text>Katherine Oggy</text>
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                <text>&lt;a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"&gt; I. G. Greer Folksong Collection &lt;/a&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>&lt;a title="In Copyright - Rights-holder(s) Unlocatable or Unidentifiable" href="http://rightsstatements.org/vocab/InC-RUU/1.0//" target="_blank"&gt; In Copyright - Rights-holder(s) Unlocatable or Unidentifiable&lt;/a&gt;</text>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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                <text>Folk songs, Irish </text>
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                <text>Feminine beauty (Aesthetics)--Songs and music</text>
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                <text> Social classes--Songs and music</text>
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                <text>Lady Catherine Ogle, Bonny Katherine Oggy, Katherine Oggie, Catherine Oggie</text>
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                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Katherine Oggy&#13;
&#13;
As walking forth to view the plain,&#13;
Upon a morning early,&#13;
While May’s sweet scent did cheer my brain,&#13;
From flowers which grew so rarely,&#13;
I chanced to meet a pretty maid,&#13;
She shined though it was foggy,&#13;
I asked her name, sweet sir, she said,&#13;
My name is Katherine Oggy.&#13;
&#13;
I stood a while and did admire,&#13;
To see a nymph so stately,&#13;
So brisk an air there did appear,&#13;
In a country maid so neatly,&#13;
Such natural sweetness she displayed,&#13;
Like lillies in a boggy,&#13;
Diana’s self was never arrayed,&#13;
Like this same Katherine Oggy.&#13;
&#13;
Thou flower of females, Beautys queen,&#13;
Who sees thee sure must prize thee,&#13;
Though thou art drest in robes but mean,&#13;
Yet these cannot disguise thee,&#13;
Thy handsome air, and graceful look,&#13;
Far excels a clownish rogy,&#13;
Thou art a match for Lord, or duke,&#13;
My charming Katherine Oggy.&#13;
&#13;
O!  were I but some shepherd swain,&#13;
To feed my flock beside thee,&#13;
At bugling time to leave the plain,&#13;
In milking to abide thee,&#13;
I would think myself a happier man,&#13;
With Kate, my club, and doggy,&#13;
Than he that hugs his thousands ten,&#13;
Had I but Katherine Oggy.&#13;
&#13;
Then I would despise the imperial throne,&#13;
And statesmen’s dangerous stations,&#13;
I would be no king I would wear no crown,&#13;
I would smile at conquering nations,&#13;
Might I caress, and still possess, &#13;
This lass of whom I am voggy,&#13;
For they are toys, and still looks less,&#13;
Compared with Katherine Oggy.&#13;
&#13;
But I fear the gods have not decreed,&#13;
For me so fine a creature,&#13;
Whose beauty rare makes her exceed,&#13;
All other works in nature,&#13;
Clouds of despair surround my love,&#13;
That are both dark and foggy,&#13;
Pity my case, ye powers above,&#13;
Else I die for Katherine Oggy.    </text>
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        <name>Bonny Katherine Oggy</name>
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        <name>Catherine Oggie</name>
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      <tag tagId="2143">
        <name>irish folk song</name>
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        <name>Katherine Oggie</name>
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        <name>Katherine Oggy</name>
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        <name>Lady Catherine Ogle</name>
      </tag>
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        <name>songs and music beauty</name>
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        <name>songs and music social class</name>
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