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&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>Billy Boy&#13;
&#13;
Oh where have you been, Billy Boy, Billy Boy?  Oh, where have you been charming&#13;
Billy?  I have been to seek a wife, She's the joy of my life.  She's a &#13;
young thing &amp; cannot leave her Mammy.               &#13;
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                    <text>BILLY BOY
0 where have you been, Billy boy, Billy boy?
0 where have you been, charming Billy?
I have been to seek a wife; she's the joy of my life,
She's a young thing and cannot leave: her mother.
Did she ask you to come in, Billy boy, Billy boy~
Did she ask you to come in, charming Billy?
She asked me to come in,
With a dimple in her chin,
She's a young thing and cannot leave her Mother.
Did she give you for to eat, Billy boy, Billy boy,
Did she ask you for to eat, charming Billy?
She asked me for to eat;
She had plenty of bread and meat,
She's a young thing and cannot leave her mother.
Can she bake a cherry pie, Billy boy, Billy boy,
Can she bake a cherry pie, charming Billy?
She can bake a cherry pie,
Quick as a cat can wink its eye,
She's a young thing and cannot leave her mother.
How tall is she, Billy boy, Billy boy,
How tall is she, charming Billy?
She's as tall as any pine,
Slim as a pumpkin vine,
She's a young thing and cannot leave her mother.
How old is she, Billy boy, Billy boy,
How old is she, charming Billy?
She's twice six, twice seven,
Twenty and eleven,
She's a young thing and cannot leave her mother.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Billy Boy.&#13;
&#13;
O where have you been, Billy boy, Billy boy?&#13;
O where have you been, charming Billy?&#13;
I have been to seek a wife, she's the joy of my life.&#13;
She's a young thing and cannot leave her mother.&#13;
&#13;
Did she ask you to come in, Billy boy, Billy boy,&#13;
Did she ask you to come in, charming Billy?&#13;
She asked me to come in,&#13;
With a dimple in her chin.&#13;
She's a young thing and cannot leave her Mother.&#13;
&#13;
Did she give you for to eat, Billy boy, Billy boy,&#13;
Did she ask you for to eat, charming Billy?&#13;
She asked me for to eat,&#13;
She had plenty of bread and meat,&#13;
She's a young thing and cannot leave her mother.&#13;
&#13;
Can she bake a cherry pie, Billy boy, Billy boy,&#13;
Can she bake a cherry pie, charming Billy?&#13;
She can bake a cherry pie,&#13;
Quick as a cat can wink its eye.&#13;
She's a young thing and cannot leave her mother.&#13;
&#13;
How tall is she, Billy boy, Billy Boy,&#13;
How tall is she, charming Billy?&#13;
She's as tall as any pine,&#13;
Slim as a pumpkin vine.&#13;
She's a young thing and cannot leave her mother.&#13;
&#13;
How old is she, Billy boy, Billy boy,&#13;
How old is she, charming Billy?&#13;
She's twice six, twice seven,&#13;
Twenty and eleven,&#13;
She's a young thing and cannot leave her mother.&#13;
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0 ·where h ave you 1)een,:Uilly "boy , Billy boy1
0 where :; ave you b een , chart!ling : illy?
I h ave bee n to seel.: a wilf'e; she's t h e joy of my lif'e.
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~h e asked meto cou e in
l'iit h a dimple in her chin.
She's a young thing ancl cannot leave h er ilamrty.
Di£1 s h e give you f' or to eat, Billy boy, Eilly buy?
Ditl she as k you f'or to eat, c h::.r minp.; Dilly?
£:he asl&lt;::e.l me f'or to eat;
She had plcnyy of 1Jread antl meat ,
She's a young t h ing a n d cannot leave her ::a; ~u:Iy.
Can she b a k e a c h erry pie, Billy boy, Billy boy?
Can s h e b ake a cherry pie,cha rming n illy?
She can bake a cherry pie,
Quick as a cat can wink its eye.
She's a young t hin~ ancl cannot leave he r
a!Til!ly.
n ow tall is she,Billy boy,Billy Boy?
How tall is she, charr:.Iin g Billy?
: he's a s tall a s any pine,
3 lim a s a pumpkin vine.
She's a young thing and cannoj leave h er ::amm.y.
How old is s h e ,:Lilly boy , Dilly 1Joy?
Row old is s h e ,charning Rilly?
She's twice six,twice seven,
Twenty and eleven,
She's a young t hing and. c annot lea~e h er

:.~amy.

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Billy Boy.&#13;
&#13;
O where have you been, Billy boy, Billy boy?&#13;
O where have you been, charming Billy?&#13;
I have been to seek a wife, she's the joy of my life.&#13;
She's a young thing and cannot leave her Mother.&#13;
&#13;
Did she ask you to come in, Billy boy, Billy boy?&#13;
Did she ask you to come in, charming Billy?&#13;
She asked me to come in&#13;
With a dimple on her chin.&#13;
She's a young thing and cannot leave her Mammy.&#13;
&#13;
Did she give you for to eat, Billy boy, Billy boy?&#13;
Did she ask you for to eat, charming Billy?&#13;
She asked me for to eat,&#13;
She had plenty of bread and meat,&#13;
She's a young thing and cannot leave her Mammy.&#13;
&#13;
Can she bake a cherry pie, Billy boy, Billy boy?&#13;
Can she bake a cherry pie, charming Billy?&#13;
She can bake a cherry pie,&#13;
Quick as a cat can wink its eye.&#13;
She's a young thing and cannot leave her Mammy.&#13;
&#13;
How tall is she, Billy boy, Billy Boy?&#13;
How tall is she, charming Billy?&#13;
She's as tall as any pine,&#13;
Slim as a pumpkin vine.&#13;
She's a young thing and cannot leave her Mammy.&#13;
&#13;
How old is she, Billy boy, Billy boy?&#13;
How old is she, charming Billy?&#13;
She's twice six, twice seven,&#13;
Twenty and eleven,&#13;
She's a young thing and cannot leave her Mammy.</text>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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              <name>Title</name>
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                  <text>W. Amos Abrams Folksong Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>William Amos “Doc” Abrams (1905-1991), originally from Pinetops in Edgecombe County, North Carolina, was chairman of the English Department at Appalachian State Teacher’s College (ASTC) from 1932 to 1946. Dr. Abrams possessed both B. A. and M. A. degrees from Duke University, in addition to a Ph.D. from Cornell University. From 1946 until his retirement in 1970, he served as editor of the North Carolina Education Association publications. He was married to Lillian Crow.&#13;
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Starting in the 1930s, Dr. Abrams built a reputation as an enthusiastic collector, scholar and promoter of North Carolina folklore. He served multiple terms as president of the North Carolina Folklore Society and contributed a number of articles to the society’s journal. A significant number of the folksong variants in his collection (some collected in association with Dr. Frank C. Brown and later with Dr. Cratis D. Williams) appear in the seven volume The Frank C. Brown Collection of North Carolina Folklore, published in 1962. Dr. Abrams received the Society’s Brown-Hudson Award in 1974.&#13;
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Manuscripts and Typescripts&#13;
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The W. Amos Abrams Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise some 400 individual song titles, most of which have multiple variants. The documents in this collection consist of both manuscripts and typescripts. Dr. Abrams collected titles from such acclaimed regional folk performers as Watagua County’s Frank Proffitt and Yadkin County’s Uncle Pat Fry. Dr. Abrams’ students during his time at ASTC also contributed many of the ballad variants herein, thereby expanding the geographical scope of his collection beyond the uplands of western North Carolina. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.&#13;
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Field Recordings&#13;
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As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
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Speech Collection&#13;
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Presented here is the Dr. W. Amos Abrams Speech Collection. These speeches were given by Dr. Abrams at various functions, conferences, and banquets throughout North Carolina in the 1960s and 1970s. The Documenting Appalachia digital initiative is proud to present you the opportunity to listen to these speeches.&#13;
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The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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              <text>Billy Boy, Variant 1</text>
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              <text>Ora Leona Townsend, 1917-?. Mrs. Manley Townsend [Ollie Bell Harmon], 1898-1978</text>
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              <text>Ollie Harmon Townsend is Leona Townsend's mother.  Leona student of Dr. Abrams.</text>
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              <text>Brown Lullabies and Nursery Rhymes - 121, Randolph 104, Cox 168</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Billy Boy</text>
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            <name>Publisher</name>
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                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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                <text>JPEG</text>
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                <text>Song texts</text>
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                <text>English</text>
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            <name>Alternative Title</name>
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                <text>Charming Billy, Billie Boy</text>
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            <name>Subject</name>
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                <text>North Carolina--Songs and music</text>
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                <text>Wives--Songs and music</text>
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                <text>Cookery--Songs and music</text>
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                <text>Folk songs, English--Appalachian Region</text>
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                <text>Folk music--Appalachian Region</text>
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            <name>Rights</name>
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                <text>&lt;a title="In Copyright - Rights-holder(s) Unlocatable or Unidentifiable" href="http://rightsstatements.org/vocab/InC-RUU/1.0/" target="_blank"&gt; In Copyright - Rights-holder(s) Unlocatable or Unidentifiable&lt;/a&gt;</text>
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                <text>&lt;a title="AC.114 W. Amos Abrams Papers" href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/198" target="_blank"&gt;AC.114 W. Amos Abrams Papers&lt;/a&gt;</text>
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                <text>&lt;a title= "Avery County (N.C.)" href=" https://www.geonames.org/4453232/avery-county.html" target="_blank" rel="noreferrer noopener"&gt; Avery County (N.C.)&lt;/a&gt;</text>
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              <elementText elementTextId="992562">
                <text>Abrams, W. Amos (William Amos), 1904-1991</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Text</text>
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                <text>&lt;a title=" W. Amos Abrams Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/16" target="_blank"&gt; W. Amos Abrams Folksong Collection&lt;/a&gt;</text>
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              <elementText elementTextId="996138">
                <text>This item is part of the W. Amos Abrams Folksong Collection, which includes some 400 individual song titles, most of which have multiple variants. Dr. Abrams recorded songs primarily from the Appalachian region of North Carolina from 1938 to 1946 and transcribed them in 1973. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.</text>
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        <name>Billie Boy</name>
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        <name>Billy Boy</name>
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        <name>Charming Billy</name>
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        <name>folk songs</name>
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        <name>songs and music</name>
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        <name>songs and music wife</name>
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