Sheila Adams and Primitive Baptists Singers
 


Citation

“Sheila Adams and Primitive Baptists Singers,” Appalachian State University Libraries Digital Collections, accessed October 16, 2026, https://omeka-test.library.appstate.edu/items/show/41120.


Comments

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Title

Sheila Adams and Primitive Baptists Singers

Description

The episode features various forms of religious music and personal stories. Mary Greene, described as a frequent and talented guest, shares her interest in the Primitive Baptist tradition and regional religious music, noting her family's background in gospel music and her great-grandfather being a Primitive Baptist minister. She performs "50 Miles of Elbow Room," a song from 1933 depicting a rural vision of heaven popularized by the Carter Family. Mary Greene also sings the traditional gospel song "Where Could I Go," which she grew up singing, and "When They Ring the Golden Bells," a favorite that she suggests might have been sung at her father's burial service.​

Later, Sharon Kellam, who organized the group of singers, explains shape notes using the tune "New Britain," also known as "Amazing Grace." She describes the geometric shapes used to teach music notation to those who could not read standard musical scores. The Primitive Baptist singers, who emphasize they are not a formal choir but sing together from their congregations using only voices, perform several hymns. Elder Eddie Lyle leads song 268. Brother Jane and Sister Pansy participate in song 145. Brother Joey Jenkins leads song 179, a piece suggested to have possibly been sung on the Trail of Tears due to its distinct rhythm. Brother Eddie comments that a song attributed to Isaac Watts is a deep doctrinal song from the old English era.​

Following the Primitive Baptist singers, Sheila Kay Adams shares stories and music. She recounts her childhood experiences attending both a Catholic chapel and a Missionary Baptist church, noting how Father Andrew Graves at the Catholic chapel taught the children to respond in Latin even though they didn't understand the words. Sheila Kay Adams performs a shortened version of the ballad "The Four Nights Drunk," a song about a man returning home drunk and mistaking various items for things his wife's granny sent. Finally, Sheila Kay Adams performs a song she wrote for her grandmother, "Granny's Song," recalling memories of her grandmother and the unconditional love she provided.

Note: This description was generated by NotebookLM.

Subject

Folk music
Appalachian Region, Southern
North Carolina, Western
Shannon, Joe Wayne, 1949-2014

Date

1998-07-31

Format

Sound recordings
MP3

Language

English

Type

Sound

Identifier

869_DAT_33_SheilaAdams_2ndhalf_1998_0731_AC

Temporal Coverage

1990s

Duration

1:10:39

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