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&#13;
Starting in the 1930s, Dr. Abrams built a reputation as an enthusiastic collector, scholar and promoter of North Carolina folklore. He served multiple terms as president of the North Carolina Folklore Society and contributed a number of articles to the society’s journal. A significant number of the folksong variants in his collection (some collected in association with Dr. Frank C. Brown and later with Dr. Cratis D. Williams) appear in the seven volume The Frank C. Brown Collection of North Carolina Folklore, published in 1962. Dr. Abrams received the Society’s Brown-Hudson Award in 1974.&#13;
&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
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&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
Presented here is the Dr. W. Amos Abrams Speech Collection. These speeches were given by Dr. Abrams at various functions, conferences, and banquets throughout North Carolina in the 1960s and 1970s. The Documenting Appalachia digital initiative is proud to present you the opportunity to listen to these speeches.&#13;
&#13;
 &#13;
&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
Starting in the 1930s, Dr. Abrams built a reputation as an enthusiastic collector, scholar and promoter of North Carolina folklore. He served multiple terms as president of the North Carolina Folklore Society and contributed a number of articles to the society’s journal. A significant number of the folksong variants in his collection (some collected in association with Dr. Frank C. Brown and later with Dr. Cratis D. Williams) appear in the seven volume The Frank C. Brown Collection of North Carolina Folklore, published in 1962. Dr. Abrams received the Society’s Brown-Hudson Award in 1974.&#13;
&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
The W. Amos Abrams Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise some 400 individual song titles, most of which have multiple variants. The documents in this collection consist of both manuscripts and typescripts. Dr. Abrams collected titles from such acclaimed regional folk performers as Watagua County’s Frank Proffitt and Yadkin County’s Uncle Pat Fry. Dr. Abrams’ students during his time at ASTC also contributed many of the ballad variants herein, thereby expanding the geographical scope of his collection beyond the uplands of western North Carolina. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.&#13;
&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
Presented here is the Dr. W. Amos Abrams Speech Collection. These speeches were given by Dr. Abrams at various functions, conferences, and banquets throughout North Carolina in the 1960s and 1970s. The Documenting Appalachia digital initiative is proud to present you the opportunity to listen to these speeches.&#13;
&#13;
 &#13;
&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
Starting in the 1930s, Dr. Abrams built a reputation as an enthusiastic collector, scholar and promoter of North Carolina folklore. He served multiple terms as president of the North Carolina Folklore Society and contributed a number of articles to the society’s journal. A significant number of the folksong variants in his collection (some collected in association with Dr. Frank C. Brown and later with Dr. Cratis D. Williams) appear in the seven volume The Frank C. Brown Collection of North Carolina Folklore, published in 1962. Dr. Abrams received the Society’s Brown-Hudson Award in 1974.&#13;
&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
The W. Amos Abrams Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise some 400 individual song titles, most of which have multiple variants. The documents in this collection consist of both manuscripts and typescripts. Dr. Abrams collected titles from such acclaimed regional folk performers as Watagua County’s Frank Proffitt and Yadkin County’s Uncle Pat Fry. Dr. Abrams’ students during his time at ASTC also contributed many of the ballad variants herein, thereby expanding the geographical scope of his collection beyond the uplands of western North Carolina. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.&#13;
&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
Presented here is the Dr. W. Amos Abrams Speech Collection. These speeches were given by Dr. Abrams at various functions, conferences, and banquets throughout North Carolina in the 1960s and 1970s. The Documenting Appalachia digital initiative is proud to present you the opportunity to listen to these speeches.&#13;
&#13;
 &#13;
&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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 &#13;
&#13;
Field Recordings&#13;
&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
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&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
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&#13;
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&#13;
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&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
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&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
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&#13;
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&#13;
Speech Collection&#13;
&#13;
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&#13;
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&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
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&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
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&#13;
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&#13;
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&#13;
Starting in the 1930s, Dr. Abrams built a reputation as an enthusiastic collector, scholar and promoter of North Carolina folklore. He served multiple terms as president of the North Carolina Folklore Society and contributed a number of articles to the society’s journal. A significant number of the folksong variants in his collection (some collected in association with Dr. Frank C. Brown and later with Dr. Cratis D. Williams) appear in the seven volume The Frank C. Brown Collection of North Carolina Folklore, published in 1962. Dr. Abrams received the Society’s Brown-Hudson Award in 1974.&#13;
&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
The W. Amos Abrams Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise some 400 individual song titles, most of which have multiple variants. The documents in this collection consist of both manuscripts and typescripts. Dr. Abrams collected titles from such acclaimed regional folk performers as Watagua County’s Frank Proffitt and Yadkin County’s Uncle Pat Fry. Dr. Abrams’ students during his time at ASTC also contributed many of the ballad variants herein, thereby expanding the geographical scope of his collection beyond the uplands of western North Carolina. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.&#13;
&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
Presented here is the Dr. W. Amos Abrams Speech Collection. These speeches were given by Dr. Abrams at various functions, conferences, and banquets throughout North Carolina in the 1960s and 1970s. The Documenting Appalachia digital initiative is proud to present you the opportunity to listen to these speeches.&#13;
&#13;
 &#13;
&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
Starting in the 1930s, Dr. Abrams built a reputation as an enthusiastic collector, scholar and promoter of North Carolina folklore. He served multiple terms as president of the North Carolina Folklore Society and contributed a number of articles to the society’s journal. A significant number of the folksong variants in his collection (some collected in association with Dr. Frank C. Brown and later with Dr. Cratis D. Williams) appear in the seven volume The Frank C. Brown Collection of North Carolina Folklore, published in 1962. Dr. Abrams received the Society’s Brown-Hudson Award in 1974.&#13;
&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
The W. Amos Abrams Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise some 400 individual song titles, most of which have multiple variants. The documents in this collection consist of both manuscripts and typescripts. Dr. Abrams collected titles from such acclaimed regional folk performers as Watagua County’s Frank Proffitt and Yadkin County’s Uncle Pat Fry. Dr. Abrams’ students during his time at ASTC also contributed many of the ballad variants herein, thereby expanding the geographical scope of his collection beyond the uplands of western North Carolina. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.&#13;
&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
Presented here is the Dr. W. Amos Abrams Speech Collection. These speeches were given by Dr. Abrams at various functions, conferences, and banquets throughout North Carolina in the 1960s and 1970s. The Documenting Appalachia digital initiative is proud to present you the opportunity to listen to these speeches.&#13;
&#13;
 &#13;
&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
The W. Amos Abrams Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise some 400 individual song titles, most of which have multiple variants. The documents in this collection consist of both manuscripts and typescripts. Dr. Abrams collected titles from such acclaimed regional folk performers as Watagua County’s Frank Proffitt and Yadkin County’s Uncle Pat Fry. Dr. Abrams’ students during his time at ASTC also contributed many of the ballad variants herein, thereby expanding the geographical scope of his collection beyond the uplands of western North Carolina. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.&#13;
&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
Presented here is the Dr. W. Amos Abrams Speech Collection. These speeches were given by Dr. Abrams at various functions, conferences, and banquets throughout North Carolina in the 1960s and 1970s. The Documenting Appalachia digital initiative is proud to present you the opportunity to listen to these speeches.&#13;
&#13;
 &#13;
&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
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&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
Presented here is the Dr. W. Amos Abrams Speech Collection. These speeches were given by Dr. Abrams at various functions, conferences, and banquets throughout North Carolina in the 1960s and 1970s. The Documenting Appalachia digital initiative is proud to present you the opportunity to listen to these speeches.&#13;
&#13;
 &#13;
&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
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&#13;
Manuscripts and Typescripts&#13;
&#13;
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&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
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&#13;
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&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
The W. Amos Abrams Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise some 400 individual song titles, most of which have multiple variants. The documents in this collection consist of both manuscripts and typescripts. Dr. Abrams collected titles from such acclaimed regional folk performers as Watagua County’s Frank Proffitt and Yadkin County’s Uncle Pat Fry. Dr. Abrams’ students during his time at ASTC also contributed many of the ballad variants herein, thereby expanding the geographical scope of his collection beyond the uplands of western North Carolina. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.&#13;
&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
Presented here is the Dr. W. Amos Abrams Speech Collection. These speeches were given by Dr. Abrams at various functions, conferences, and banquets throughout North Carolina in the 1960s and 1970s. The Documenting Appalachia digital initiative is proud to present you the opportunity to listen to these speeches.&#13;
&#13;
 &#13;
&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
Starting in the 1930s, Dr. Abrams built a reputation as an enthusiastic collector, scholar and promoter of North Carolina folklore. He served multiple terms as president of the North Carolina Folklore Society and contributed a number of articles to the society’s journal. A significant number of the folksong variants in his collection (some collected in association with Dr. Frank C. Brown and later with Dr. Cratis D. Williams) appear in the seven volume The Frank C. Brown Collection of North Carolina Folklore, published in 1962. Dr. Abrams received the Society’s Brown-Hudson Award in 1974.&#13;
&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
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&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
Presented here is the Dr. W. Amos Abrams Speech Collection. These speeches were given by Dr. Abrams at various functions, conferences, and banquets throughout North Carolina in the 1960s and 1970s. The Documenting Appalachia digital initiative is proud to present you the opportunity to listen to these speeches.&#13;
&#13;
 &#13;
&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
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&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
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&#13;
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&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
The W. Amos Abrams Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise some 400 individual song titles, most of which have multiple variants. The documents in this collection consist of both manuscripts and typescripts. Dr. Abrams collected titles from such acclaimed regional folk performers as Watagua County’s Frank Proffitt and Yadkin County’s Uncle Pat Fry. Dr. Abrams’ students during his time at ASTC also contributed many of the ballad variants herein, thereby expanding the geographical scope of his collection beyond the uplands of western North Carolina. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.&#13;
&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
Presented here is the Dr. W. Amos Abrams Speech Collection. These speeches were given by Dr. Abrams at various functions, conferences, and banquets throughout North Carolina in the 1960s and 1970s. The Documenting Appalachia digital initiative is proud to present you the opportunity to listen to these speeches.&#13;
&#13;
 &#13;
&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
The W. Amos Abrams Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise some 400 individual song titles, most of which have multiple variants. The documents in this collection consist of both manuscripts and typescripts. Dr. Abrams collected titles from such acclaimed regional folk performers as Watagua County’s Frank Proffitt and Yadkin County’s Uncle Pat Fry. Dr. Abrams’ students during his time at ASTC also contributed many of the ballad variants herein, thereby expanding the geographical scope of his collection beyond the uplands of western North Carolina. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.&#13;
&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
Presented here is the Dr. W. Amos Abrams Speech Collection. These speeches were given by Dr. Abrams at various functions, conferences, and banquets throughout North Carolina in the 1960s and 1970s. The Documenting Appalachia digital initiative is proud to present you the opportunity to listen to these speeches.&#13;
&#13;
 &#13;
&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
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&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
Presented here is the Dr. W. Amos Abrams Speech Collection. These speeches were given by Dr. Abrams at various functions, conferences, and banquets throughout North Carolina in the 1960s and 1970s. The Documenting Appalachia digital initiative is proud to present you the opportunity to listen to these speeches.&#13;
&#13;
 &#13;
&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
The W. Amos Abrams Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise some 400 individual song titles, most of which have multiple variants. The documents in this collection consist of both manuscripts and typescripts. Dr. Abrams collected titles from such acclaimed regional folk performers as Watagua County’s Frank Proffitt and Yadkin County’s Uncle Pat Fry. Dr. Abrams’ students during his time at ASTC also contributed many of the ballad variants herein, thereby expanding the geographical scope of his collection beyond the uplands of western North Carolina. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.&#13;
&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
Presented here is the Dr. W. Amos Abrams Speech Collection. These speeches were given by Dr. Abrams at various functions, conferences, and banquets throughout North Carolina in the 1960s and 1970s. The Documenting Appalachia digital initiative is proud to present you the opportunity to listen to these speeches.&#13;
&#13;
 &#13;
&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
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&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
Presented here is the Dr. W. Amos Abrams Speech Collection. These speeches were given by Dr. Abrams at various functions, conferences, and banquets throughout North Carolina in the 1960s and 1970s. The Documenting Appalachia digital initiative is proud to present you the opportunity to listen to these speeches.&#13;
&#13;
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&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
The W. Amos Abrams Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise some 400 individual song titles, most of which have multiple variants. The documents in this collection consist of both manuscripts and typescripts. Dr. Abrams collected titles from such acclaimed regional folk performers as Watagua County’s Frank Proffitt and Yadkin County’s Uncle Pat Fry. Dr. Abrams’ students during his time at ASTC also contributed many of the ballad variants herein, thereby expanding the geographical scope of his collection beyond the uplands of western North Carolina. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.&#13;
&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
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&#13;
 &#13;
&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
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&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
Presented here is the Dr. W. Amos Abrams Speech Collection. These speeches were given by Dr. Abrams at various functions, conferences, and banquets throughout North Carolina in the 1960s and 1970s. The Documenting Appalachia digital initiative is proud to present you the opportunity to listen to these speeches.&#13;
&#13;
 &#13;
&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
Starting in the 1930s, Dr. Abrams built a reputation as an enthusiastic collector, scholar and promoter of North Carolina folklore. He served multiple terms as president of the North Carolina Folklore Society and contributed a number of articles to the society’s journal. A significant number of the folksong variants in his collection (some collected in association with Dr. Frank C. Brown and later with Dr. Cratis D. Williams) appear in the seven volume The Frank C. Brown Collection of North Carolina Folklore, published in 1962. Dr. Abrams received the Society’s Brown-Hudson Award in 1974.&#13;
&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
The W. Amos Abrams Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise some 400 individual song titles, most of which have multiple variants. The documents in this collection consist of both manuscripts and typescripts. Dr. Abrams collected titles from such acclaimed regional folk performers as Watagua County’s Frank Proffitt and Yadkin County’s Uncle Pat Fry. Dr. Abrams’ students during his time at ASTC also contributed many of the ballad variants herein, thereby expanding the geographical scope of his collection beyond the uplands of western North Carolina. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.&#13;
&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
Presented here is the Dr. W. Amos Abrams Speech Collection. These speeches were given by Dr. Abrams at various functions, conferences, and banquets throughout North Carolina in the 1960s and 1970s. The Documenting Appalachia digital initiative is proud to present you the opportunity to listen to these speeches.&#13;
&#13;
 &#13;
&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
The W. Amos Abrams Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise some 400 individual song titles, most of which have multiple variants. The documents in this collection consist of both manuscripts and typescripts. Dr. Abrams collected titles from such acclaimed regional folk performers as Watagua County’s Frank Proffitt and Yadkin County’s Uncle Pat Fry. Dr. Abrams’ students during his time at ASTC also contributed many of the ballad variants herein, thereby expanding the geographical scope of his collection beyond the uplands of western North Carolina. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.&#13;
&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
Presented here is the Dr. W. Amos Abrams Speech Collection. These speeches were given by Dr. Abrams at various functions, conferences, and banquets throughout North Carolina in the 1960s and 1970s. The Documenting Appalachia digital initiative is proud to present you the opportunity to listen to these speeches.&#13;
&#13;
 &#13;
&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
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&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
Presented here is the Dr. W. Amos Abrams Speech Collection. These speeches were given by Dr. Abrams at various functions, conferences, and banquets throughout North Carolina in the 1960s and 1970s. The Documenting Appalachia digital initiative is proud to present you the opportunity to listen to these speeches.&#13;
&#13;
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&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
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&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
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&#13;
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&#13;
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&#13;
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&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
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&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
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&#13;
 &#13;
&#13;
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&#13;
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&#13;
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&#13;
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&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
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&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
Presented here is the Dr. W. Amos Abrams Speech Collection. These speeches were given by Dr. Abrams at various functions, conferences, and banquets throughout North Carolina in the 1960s and 1970s. The Documenting Appalachia digital initiative is proud to present you the opportunity to listen to these speeches.&#13;
&#13;
 &#13;
&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
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&#13;
Manuscripts and Typescripts&#13;
&#13;
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&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
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&#13;
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&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
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&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
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&#13;
 &#13;
&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
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&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
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&#13;
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&#13;
Speech Collection&#13;
&#13;
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&#13;
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&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
 &#13;
&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
Speech Collection&#13;
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&#13;
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&#13;
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&#13;
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&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
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&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
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&#13;
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&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
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&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
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&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
Presented here is the Dr. W. Amos Abrams Speech Collection. These speeches were given by Dr. Abrams at various functions, conferences, and banquets throughout North Carolina in the 1960s and 1970s. The Documenting Appalachia digital initiative is proud to present you the opportunity to listen to these speeches.&#13;
&#13;
 &#13;
&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
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&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
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&#13;
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&#13;
Speech Collection&#13;
&#13;
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&#13;
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&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
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&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
Presented here is the Dr. W. Amos Abrams Speech Collection. These speeches were given by Dr. Abrams at various functions, conferences, and banquets throughout North Carolina in the 1960s and 1970s. The Documenting Appalachia digital initiative is proud to present you the opportunity to listen to these speeches.&#13;
&#13;
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&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
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&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
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&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
Presented here is the Dr. W. Amos Abrams Speech Collection. These speeches were given by Dr. Abrams at various functions, conferences, and banquets throughout North Carolina in the 1960s and 1970s. The Documenting Appalachia digital initiative is proud to present you the opportunity to listen to these speeches.&#13;
&#13;
 &#13;
&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
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&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
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&#13;
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&#13;
Speech Collection&#13;
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&#13;
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&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
The W. Amos Abrams Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise some 400 individual song titles, most of which have multiple variants. The documents in this collection consist of both manuscripts and typescripts. Dr. Abrams collected titles from such acclaimed regional folk performers as Watagua County’s Frank Proffitt and Yadkin County’s Uncle Pat Fry. Dr. Abrams’ students during his time at ASTC also contributed many of the ballad variants herein, thereby expanding the geographical scope of his collection beyond the uplands of western North Carolina. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.&#13;
&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
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&#13;
 &#13;
&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
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&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
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&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
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&#13;
 &#13;
&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
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&#13;
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&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
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&#13;
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&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
The W. Amos Abrams Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise some 400 individual song titles, most of which have multiple variants. The documents in this collection consist of both manuscripts and typescripts. Dr. Abrams collected titles from such acclaimed regional folk performers as Watagua County’s Frank Proffitt and Yadkin County’s Uncle Pat Fry. Dr. Abrams’ students during his time at ASTC also contributed many of the ballad variants herein, thereby expanding the geographical scope of his collection beyond the uplands of western North Carolina. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.&#13;
&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
Presented here is the Dr. W. Amos Abrams Speech Collection. These speeches were given by Dr. Abrams at various functions, conferences, and banquets throughout North Carolina in the 1960s and 1970s. The Documenting Appalachia digital initiative is proud to present you the opportunity to listen to these speeches.&#13;
&#13;
 &#13;
&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
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&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
Presented here is the Dr. W. Amos Abrams Speech Collection. These speeches were given by Dr. Abrams at various functions, conferences, and banquets throughout North Carolina in the 1960s and 1970s. The Documenting Appalachia digital initiative is proud to present you the opportunity to listen to these speeches.&#13;
&#13;
 &#13;
&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
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&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
Presented here is the Dr. W. Amos Abrams Speech Collection. These speeches were given by Dr. Abrams at various functions, conferences, and banquets throughout North Carolina in the 1960s and 1970s. The Documenting Appalachia digital initiative is proud to present you the opportunity to listen to these speeches.&#13;
&#13;
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&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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&#13;
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&#13;
 &#13;
&#13;
Manuscripts and Typescripts&#13;
&#13;
The W. Amos Abrams Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise some 400 individual song titles, most of which have multiple variants. The documents in this collection consist of both manuscripts and typescripts. Dr. Abrams collected titles from such acclaimed regional folk performers as Watagua County’s Frank Proffitt and Yadkin County’s Uncle Pat Fry. Dr. Abrams’ students during his time at ASTC also contributed many of the ballad variants herein, thereby expanding the geographical scope of his collection beyond the uplands of western North Carolina. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.&#13;
&#13;
 &#13;
&#13;
Field Recordings&#13;
&#13;
As part of the Abrams Folksong Collection, the Documenting Appalachia digital initiative presents the Field Recordings collection of Dr. Abrams. Recorded from 1938 to 1946, these songs were transcribed by Dr. Abrams in 1973. To introduce this collection, listen to Dr. Abrams himself.&#13;
&#13;
 &#13;
&#13;
Speech Collection&#13;
&#13;
Presented here is the Dr. W. Amos Abrams Speech Collection. These speeches were given by Dr. Abrams at various functions, conferences, and banquets throughout North Carolina in the 1960s and 1970s. The Documenting Appalachia digital initiative is proud to present you the opportunity to listen to these speeches.&#13;
&#13;
 &#13;
&#13;
The "So Mote It Ever Be" project was funded in part by a grant from the Blue Ridge National Heritage Area.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Shout Little Lula, performed by Dr. Cratis Williams</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Folk music--Appalachian Region</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="989662">
                <text>Williams, Cratis D.</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="989951">
                <text>&lt;a title="In Copyright - Rights-holder(s) Unlocatable or Unidentifiable" href="http://rightsstatements.org/vocab/InC-RUU/1.0/" target="_blank"&gt; In Copyright - Rights-holder(s) Unlocatable or Unidentifiable&lt;/a&gt;</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="991425">
                <text>&lt;a title="AC.114 W. Amos Abrams Papers" href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/198" target="_blank"&gt;AC.114 W. Amos Abrams Papers&lt;/a&gt;</text>
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                <text>&lt;a title=" W. Amos Abrams Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/16" target="_blank"&gt; W. Amos Abrams Folksong Collection&lt;/a&gt;</text>
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                <text>Field recordings</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Dr. Cratis Williams performs 'Shout Little Lula.' As part of the Abrams Folksong Collection, this song is one of many songs Dr. W. Amos Abrams recorded from 1938 to 1946 and transcribed in 1973.  In most cases, the information provided in the Date field reflects the date the recording was made. </text>
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