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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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&#13;
Black Jack David come ridin' through the woods, &#13;
Singin' so loud and merry &#13;
That the green hills all around him rang, &#13;
And he charmed the heart of a lady, &#13;
And he charmed the heart of a lady. &#13;
 &#13;
How old are you, my pretty little miss, &#13;
How old are you my lady. &#13;
She answered him with a “gee, he, he”, &#13;
I'll be sixteen next summer, &#13;
I'll be sixteen next summer. &#13;
 &#13;
Come, go with me, my pretty little miss, &#13;
 &#13;
Come, go with me, my lady&#13;
I'll take you across the deep blue sea, &#13;
Where you never shall want for money, &#13;
Where you never shall want for money. &#13;
 &#13;
Won't you pull off those high-heeled shoes, &#13;
All made of Spanish leather,&#13;
Won't you put on some low-heeled shoes, &#13;
And we'll ride off together, &#13;
And we'll ride off together. &#13;
 &#13;
She soon pulled off those high-heeled shoes, &#13;
All made of Spanish leather, &#13;
She put on those low-heeled shoes, &#13;
And they rode off together, &#13;
And they rode off together.  &#13;
'Twas late at night when the land-lord came, &#13;
Inquirin' for his lady. &#13;
He was posted by a fair young maid:&#13;
She's gone with Black Jack David, &#13;
She's gone with Black Jack David. &#13;
 &#13;
Go saddle me my noble steed, &#13;
Go bridle me my derby&#13;
I'll ride to the east, I'll ride to the west, &#13;
Or overtake my lady, &#13;
Or overtake my lady. &#13;
 &#13;
He rode till he came to the deep below, &#13;
The stream was deep and muddy. &#13;
Tears came tricklin' down his cheeks&#13;
For there he spied his lady, &#13;
For there he spied his lady. &#13;
 &#13;
“How can youl leave your house and land, &#13;
How can you leave your baby, &#13;
How can you leave your husband dear, &#13;
To go with Black Jack David, &#13;
To go with Black Jack Davy ? &#13;
 &#13;
Very well can I leave my house and land, &#13;
xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxband dear, &#13;
Very well can I leave my baby, &#13;
Much better can I leave my husband dear, &#13;
To go with Black Jack David, &#13;
To go with Black Jack David,&#13;
 &#13;
Last night I lay on a feather bed, &#13;
Beside my husband and baby, &#13;
Tonight I lay on the cold damp ground, &#13;
Beside the Black Jack David, &#13;
Beside the Black Jack David. </text>
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                    <text>Black Jack

Dav ~

Black Jack Dav ~ come ridin' through the woods,
Singi~Y ao lou~ and merry
That the green hills all around him rang,
And he charmed the heart of a lady,
And he charmed the heart of a lady.
"How old are you, my pretty 1 i ttle miss,
How old are you my lady? "
She answered him with a "Gee, he, he".
I'll be sixteen next summer,
I'll be sixteen next summer".
"Come, go with me, my pretty little miss,
Come, go with me, my lady;
I'll take you across the deep blue sea,
Where you never shall want for money,
Where you never shall want for money.
"Won't you pull off those high~heeled shoes,
All made of Spanish leather;
Won't you put on some low-heeled shoes,
And we'bl ride eff together,
And we'll rid e off together."
She
All
She
And
And

soon
made
then
they
they

pulled off those high-heeled shoes,
of Spanish leather,
put on those low-heeled shoes,
rode off together,
rode off together.

'Twas late at night when the land-lord came,
Inquirin' for his lady.
He was posted by a fair young maid:
"She's gone with Black Jack D~~
She's gone with Black Jack Dav ~ ··
"Go saddle me my noble steed,
Go saddle me my derby;
I'll ride to the east, I'll ride to the west,
Or overtake my lady,
Or overtake my lady."
He rode till he came to the deep below,
The stream was deep and muddy.
Tears came tricklin' down his cheeks;
For there he spied his lady,
For there he spied his lady.
"How can you leave your house and land,
How can you leave your baby,
Last night I lay on a
How can y ou leave your husband dear,
feather bed,
To go with Black Jack Dav ~
Beside my husband and baby·,,
To go with Black Jack Ds.v
Tonight I lay on the cold
damp g~ound,
"Very well can I leave my house and land,
Beside the Black Jack Dav~»
Very well can I leave my baby,
d
Much better can I leave my husband, dear, Beside the Black Jack
navta dl
To go with Black Jack Dav if ,
To go with Black Jack Davj\f"'

a?"

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>&lt;a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"&gt; I. G. Greer Folksong Collection &lt;/a&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Black Jack Davy&#13;
&#13;
Black Jack Davy come ridin’ through the woods,&#13;
Singin’ so loud and merry&#13;
That the green hills all around him rang,&#13;
And he charmed the heart of a lady,&#13;
And he charmed the heart of a lady.&#13;
&#13;
"How old are you, my pretty little miss,&#13;
How old are you my lady?"&#13;
She answered him with a "Gee, he, he",&#13;
I’ll be sixteen next summer,&#13;
I’ll be sixteen next summer".&#13;
&#13;
"Come, go with me, my pretty little miss,&#13;
Come, go with me, my lady&#13;
I’ll take you across the deep blue sea,&#13;
Where you never shall want for money,&#13;
Where you never shall want for money.&#13;
&#13;
"Won’t you pull off those high-heeled shoes,&#13;
All made of Spanish leather&#13;
Won’t you put on some low-heeled shoes,&#13;
And we’ll ride off together,&#13;
And we’ll ride off together."&#13;
&#13;
She soon pulled off those high-heeled shoes,&#13;
All made of Spanish leather,&#13;
She put on those low-heeled shoes,&#13;
And they rode off together,&#13;
And they rode off together.&#13;
&#13;
‘Twas late at night when the land-lord came,&#13;
Inquirin’ for his lady.&#13;
He was posted by a fair young maid:&#13;
"She’s gone with Black Jack Davy,&#13;
She’s gone with Black Jack Davy".&#13;
&#13;
"Go saddle me my noble steed,&#13;
Go saddle me my derby&#13;
I’ll ride to the east, I’ll ride to the west,&#13;
Or overtake my lady,&#13;
Or overtake my lady."&#13;
&#13;
He rode till he came to the deep below,&#13;
The stream was deep and muddy.&#13;
Tears came trickling’ down his cheeks&#13;
For there he spied his lady,&#13;
For there he spied his lady.&#13;
&#13;
"How can you leaver your house and land,&#13;
How can you leave your baby,&#13;
How can you leave your husband dear,&#13;
To go with Black Jack Davy,&#13;
To go with Black Jack Davy?"&#13;
&#13;
"Very well can I leave my house and land,&#13;
Very well can I leave my baby,&#13;
Much better can I leave my husband, dear,&#13;
To go with Black Jack Davy,&#13;
To go with Black Jack Davy."&#13;
&#13;
Last night I lay on a feather bed,&#13;
Beside my husband and baby,&#13;
Tonight I lay on the cold damp ground,&#13;
Beside the Black Jack Davy,&#13;
Beside the Black Jack Davy.</text>
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      <tag tagId="2314">
        <name>The Raggle Taggle Gypsies</name>
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      <tag tagId="2311">
        <name>The Ragtail Gipsies</name>
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      <tag tagId="2296">
        <name>The Three Gypsy Laddies</name>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>&lt;a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"&gt; I. G. Greer Folksong Collection &lt;/a&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                    <text>JOHNNY BEEN TO THE SEA
Johnny been to the sea
Johnny been to the shore,
Johnny's been to the island
Where he's never been before.
You're welcome home, my Johnny,
You're welcome home from sea.
This night my daughter Polly,
vias dreaming of thee.
vfuat luck says Johnny,
vfuat luck says he.
I've lost my ship and cargo,
All on the raging sea.
Where is your daughter Polly, John'?
Go bring her in to me.
And early in the morning
Married we will be.
My daughter Polly's absent, John,
And she is far away.
And if she was here, John,
She would not let you stay,
For Polly's very rich, John,
And you are very poor.
And if she was here, John,
She would kick you out the door.
Johnny being drawsy,
He hung down his head.
And called for a candle to light him off to bed.
My beds are full of strangers, John,
And has been all the week.
And for some other lodgings poor Johnny,
You must seek.
Johnny wakes up the landlord,
A room for to call.
Twenty of the new, John, and
Twenty of the old.
And Johnny he pulled out his two hands full of gold.
Oh; I was only joking, John,
I only spake my jest.
lithout any exceptions she loves you the best.
In come Polly, with a sparkling face,
Straightway to Johnny,
And John she did embrace.
My green bed is empty, John,
And you shall lay within.
And early in the morning,
Married we will be, 0!
vfuen I had no money, my lodgings was to seek,
And before I'd lay within your house,
I'd lie out in the street.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Johnny Been To The Sea&#13;
 &#13;
Johnny been to the sea &#13;
Johnny been to the shore, &#13;
Johnny's been to the island &#13;
Where he's never been before. &#13;
You're welcome home, my Johnny, &#13;
You're welcome home from sea. &#13;
This night my daughter Polly, &#13;
Was dreaming of thee. &#13;
 &#13;
What luck says Johnny, &#13;
What luck says he. &#13;
I've lost my ship and cargo, &#13;
All on the raging sea. &#13;
Where is your daughter Polly, John? &#13;
Go bring her in to me. &#13;
And early in the morning &#13;
Married we will be. &#13;
 &#13;
My daughter Polly's absent, John, &#13;
And she is far away. &#13;
And if she was here, John, &#13;
She would not let you stay, &#13;
For Polly's very rich, John, &#13;
And you are very poor. &#13;
And if she was here, John, &#13;
She would kick you out the door. &#13;
 &#13;
Johnny being drawsy, &#13;
He hung down his head. &#13;
And called for a candle to light him off to bed. &#13;
My beds are full of strangers, John, &#13;
And has been all the week. &#13;
And for some other lodgings poor Johnny, &#13;
You must seek. &#13;
Johnny wakes up the landlord, &#13;
A room for to call. &#13;
Twenty of the new, John, and  &#13;
Twenty of the old. &#13;
nd Johnny he pulled out his two hands full ofgold. &#13;
 &#13;
Oh! I was only joking, John, &#13;
I only spake my jest. &#13;
Without any exceptions she loves you the best. &#13;
In come Polly, with a sparkling face,  &#13;
Straightway to Johnny, &#13;
And John she did embrace. &#13;
 &#13;
My green bed is empty, John, &#13;
And you shall lay within. &#13;
And early in the morning, &#13;
Married we will be, O! &#13;
When I had no money, my lodgings was to seek, &#13;
And before I'd lay within your house, &#13;
I'd lie out in the street. </text>
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j

/

(/
Johnny Been to the Sea.

Johnny been to the sea
Johnny been to t he shore.
Johnny's oeen to the island where he 's neTer aeen berore.
You're weleome home ,my John:p.y,You're weleome home :from sea.
This :ni,ht my daughter Polly was Glreaninr; or thee.
What luck says Johnny,what luek says he .
I'Te lost my ship and cargo

all on t he raginr; sea.

Where is your daughter Polly,John!
Go bring her in to me.
And early in the mornint
Harried we will be .
t.ty

i.aU{';~ter

Polly's allsent,John,and she is rar away •

.A.nd. i:f she was here, ,J ohn,
She would not let y ou stay,
For Polly's Tery ric h ,John,and you are Tery poor.
And if she was he i·e John, she woulfl kick you out t he cioor.
Johnny being cirowsy,he hung d own his he ad.,
And. calletl

ror a eandle to light him orr to bed

i:..y beds are f'ull of

stran~ers,John,

and bas been all the week.

And :for some other lodgings poor Johnny ,you must seek.
Johnny

wal~efi

up the lan41.l ord,a room for to Qall.

Twenty o:f the new,Jobn,and twenty or t he . olel •
.A.nel.

Johnny he pulled. out his two l;:.ands full of' :;oHl..

'011' I was only joking,John,I only spaJ.ce my jest.

lfit:1 ont any exce r•t ions she loves you the best .
In eome Polly ,witb a sparklint ~nee¢f

. s traightway to JoNnny,

.A.nci John she d.i€1. emt., race.

My green bed is ernpty,John,and you

s~all

lay therein •

..lnel early in the morniur;,marrieli we will be,O'

When I had no mmney,my lod,ings was to seek,
.A.nci "before I'il. lay within your aouse,
I'a lie out in t he street.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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Johnny been to the sea&#13;
Johnny been to the shore.&#13;
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You’re welcome home ,my Johnny,You’re welcome home from sea.&#13;
This night my daughter Polly was dreaming of thee.&#13;
&#13;
What luck says Johnny,what luck says he.&#13;
I’ve lost my ship and cargo  all on the raging sea.&#13;
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Go bring her in to me.&#13;
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Married we will be.&#13;
&#13;
My daughter Polly’s absent,John,and she is far away.&#13;
And if she was here,John,&#13;
She would not let you stay,&#13;
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And if she was here John,she would kick you out the door.&#13;
&#13;
Johnny being drowsy,he hung down his head,&#13;
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Johnny waked up the landlord,a room for to call.&#13;
Twenty of the new,John,and twenty of the old.&#13;
And Johnny he pulled out his two hands full of gold.&#13;
&#13;
Oh’ I was only joking,John,I only spake my jest.&#13;
Without any exceptions she loves you the best.&#13;
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&#13;
My green bed is empty,John,and you shall lay therein.&#13;
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                    <text>Goodbye
Farewell . farewoll is a lonely sound
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That comes from the heart; goodbye .
Chorus
Farewell , farewell we hear it oft
i th a tear&gt; perhaps with a sicr .
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~hen the lips move not
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Farewell , fare~ell is never heard wren
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The tear is ~ he Mother s eye
Adie lA.&gt;adie ~.1 she spoahs it not
But , my child~ e;oodbye , goodb~e .
But ) r. y child 1 e:oodb;y e.&gt; goodbye •

Chorus
Farewell , farcwell may do for the gay
pleas~res thron£ is nl[h ~
But e;ive to me when loved c 1
: - ·t
That sweet old word_, good by _, That sweet old word , goodb~~ .

~hen

Chorue

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Goodbye&#13;
&#13;
Farewell, farewell is a lonely sound&#13;
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&#13;
Chorus&#13;
Farewell, farewell we hear it oft&#13;
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&#13;
Farewell, farewell is never heard when&#13;
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&#13;
Chorus&#13;
&#13;
Farewell, farewell may do for the gay&#13;
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That sweet old word, goodbye.&#13;
&#13;
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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Ile knew quite well
P oppq. ~as tleacl ,
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P oppa had led;
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Go a sk P oppa.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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&#13;
&#13;
Her face so fair,&#13;
Her form divine,&#13;
He whispered low,&#13;
Sweetheart, be mine.&#13;
&#13;
Go ask Poppa,&#13;
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He knew quite well&#13;
Poppa was dead,&#13;
&#13;
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&#13;
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                    <text>'l'l1;

S L UIRES

sm:s

Onoe there was a f a i r yo un~ lady ,
She was bcq utiiu 1 ad gay ,
And £1 e made a resoluti n
That no man chould her betla.y.
Let h im b ,, a

.an of honor ,
LEt him b e on land or s e a ,
Tlie Squj re '
£ ns t' o lov .:.n
o.:..·otl er·s,
Ca Je t 1ls f ir lady for to sc •
cnt ho.1~ the£€ olf.Lng bro thers ,
·ot dren. . .l.Lg of t 1eir c i 1. nl &lt;loom ,
·"hile she lny 1~ aping on her pillow ,
lJntll ~he !'1 J!'t1ing ltght should ~one .

Tren

::.1e cnll ,d for eo·tch nnd ho cec ,
in ttcndanc be
i.l e J. r· i 0. e on to youd .r ra u.ntninr.,
The roa1· c lion:.; .. or: to f;:81 •

An&lt;l tit

~n

AlJ read

. . e . de Jn
Tl' e lionc

And
She ln,.., q u.i tf)

AnJ

~

d"a

rccov~r .

In o t: e .. en f,j
t. rew }', ·,1' 1 a ,
S ying , •':Either )f yo.t o win ::'. lovor
· ·f L L go 1d b:rin. my 1 an _,~dn .

Then up

~

nd
11

S yinJ ,

For in t

~at

. L n thP..,..e

•

brave

. en up f!n:l
He If'it:cd
y.:.n ~ .

11

I ' ll

....

o a nd

Ir:1

~

~icutenLrl'· ,

o d nC 1' i 1 'l
} on r,
.L an ur t
t, ' .

int o

~

,, tbc lions

i

D o ''1'!

•

r·tomcd
t 1em,
fierc ' n,ain .
H e s t ::t11ped &lt; n i J1, st

Unti l b he lionf.3
Y1hvn l o! he

11 ro nd

nd a o· c t?.em,

ala ,
the fan .1e :&gt;a 'h Grc ,
_u~.,e

e turnin, to hi::
A!1d wh en E! sa, t a~.~ h
'Ja~ c om_n ,
And unt o him no harm wa s
one ,

Into hie ar!Yls shJ fle,· a runnin ,
For him to enj oy the -uriz ~ lJ. h

on.

Then up and s )oke tr e nob ... -e Cnp t r. in ,
He spoke ., tk
1nan · no a a tro ubl ed i n mind ,
Say ng , I 'll go d~ n in som lon e vall ey ,
And mou r n unt il the day I die 11 •

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>The Squire's Sons&#13;
&#13;
Once there was a fair young lady,&#13;
She was beautiful and gay,&#13;
And she made a resolution&#13;
That no man should her betray.&#13;
&#13;
Let him be a man of honor,&#13;
Let him be on land or sea,&#13;
The Squire's sons two loving brothers,&#13;
Came this fair lady for to see.&#13;
&#13;
Then went home these loving brother,&#13;
Not dreaming of their dismal doom,&#13;
While she lay lisping on her pillow,&#13;
Until the morning light should come.&#13;
&#13;
And then she called for coach and horses,&#13;
All ready in attendance be&#13;
While I ride on to yonder mountains,&#13;
The roaring lions for to see.&#13;
&#13;
She rode on to yonder mountains&#13;
The lions they were fumbling round&#13;
And for the space of one half hour,&#13;
She lay quite senseless on the ground.&#13;
&#13;
And when at last she did recover,&#13;
Into the den she threw her fan,&#13;
Saying, "Either of you to win a lover&#13;
Will go and bring my fan again.&#13;
&#13;
Then up and spoke the noble captain,&#13;
Saying, "Madam, your offer I do refuse,&#13;
For in that den there is great danger,&#13;
In there a man his life would lose".&#13;
&#13;
Then up and spoke the brave Lieutenant,&#13;
He raised his voice so loud and high,&#13;
Saying, "Im a man a man of honor,&#13;
I'll go and bring your fan or die".&#13;
&#13;
Down into the den he entered, the lions&#13;
They were fierce and grim,&#13;
But he stamped and he stormed&#13;
All around and about them,&#13;
And looked at them as fierce again.&#13;
&#13;
He stamped and he stormed all round and about them,&#13;
Until the lions grew quite calm,&#13;
When lo!  he stooped and the fan he gathered,&#13;
Returning to his love again.&#13;
&#13;
And when she saw that he was coming,&#13;
And unto him no harm was done,&#13;
Into his arms she flew a running,&#13;
For him to enjoy the prize he had won.&#13;
&#13;
Then up and spoke the noble Captain,&#13;
He spoke like a man who was troubled in mind,&#13;
Saying, I'll go down in some lone valley,&#13;
And mourn until the day I die".</text>
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                    <text>THE GIRL I LEFT BEHIND
My parents raised me tenderly.
They had no child but me.
My mind was bent on gambling,
\·lith them it did not agree.
So I became a roving son;
It grieves my heart full sore;
I left my aged parents dear,
To see them never more.
There was a wealthy gentlemen,
Who then lived in those parts.
He had a lovely daughter
And I had gained her heart.
And she was noble minded, too,
Haughty, full and fair.
\vith Columbus 'fairest daughter
She truly would compare.
I told her by intention was
Quite soon to cross the Main;
I said, "~'/ill you be faithful till I return again?"
Big drops of tears were in her eyes;
Her bosom heaved a sigh.
She said, 11 Dear youth, fear not for me,
l'rly love can never die. "
To Danfordtown I first set out
To England, beautiful land,
Where handsome Elizabeth soon took me by the hand.
She said, "I've gold in plenty;
In love with you I be
The gold that I possess is yours
If you will marry me, 11
To this I soon consented;
I own it to my shame.
For what man can be happy
When he knows himself to blame?
It's true I ' ve gold in plenty.
My wife is true and kind
But still my pillow's haunted
By the girl I left behind.
in his winding sheet
mother, too, appears.
The girl I loved stands by ~Y side
A kissing off the tears.
They all have died of broken hearts,
And now too late I find
Dear God hath seen my cruelty
To the girl I left behind.

My~ther
r~ly

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Girl I Left Behind&#13;
&#13;
My parents raised me tenderly.&#13;
They had no child but me.&#13;
My mind was bent on gambling,&#13;
With them it did not agree.&#13;
So I became a roving son,&#13;
It grieves my heart full sore,&#13;
I left my aged parents dear,&#13;
To see them never more.&#13;
&#13;
There was a wealthy gentlemen,&#13;
Who then lived in thosev parts.&#13;
He had a lovely daughter&#13;
And I had gained her heart.&#13;
And she was noble minded, too,&#13;
Haughty, full and fair.&#13;
With Columbus 'fairest daughter&#13;
She truly would compare.&#13;
&#13;
I told her my intention was &#13;
Quite soon to cross the Main,&#13;
I said, "Will you be faithful till I return again?"&#13;
Big drops of tears were in her eyes.&#13;
Her bosom heaved a sigh.&#13;
She said, "Dear youth, fear not for me,&#13;
My love can never die."&#13;
&#13;
To Danfordtown I first set out&#13;
To England, beautiful land,&#13;
Where handsome Elizabeth soon took me by the and.&#13;
She said, "I've gold in plenty.&#13;
In love with you I be&#13;
The gold that I possess is yours&#13;
If you will marry me."&#13;
&#13;
To this I soon consented,&#13;
I own it to my shame.&#13;
For what man can be happy&#13;
When he knows himself to blame?&#13;
It's true I've gold in plenty.&#13;
My wife is true and kind&#13;
But still my pillow's haunted&#13;
By the girl I left behind.&#13;
&#13;
My father in his winding sheet&#13;
My Mother, too ,appears.&#13;
The girl I loved stands by my side&#13;
A kissing off the tears.&#13;
They all have died of broken hearts,&#13;
And now too late I find&#13;
Dear God hath seen my cruelty&#13;
To the girl I left behind.</text>
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Girl I 1Jeft

e .dncl.

y ~ ._ ron~- ---1-u: -:·- !.------::·ly.
',.' __ '2.y l hc!. no c .il ~ ut· ~ •
y min was bent on gam )ing,
With t b em it did not agree.
So I beear.1e a roTinb son;
It "rieTes my .1eart full sore;
I left my aged parents dear,
To see then neTer more.

There was a wealthy entleman
Who then liTetl in tboseT
arts.
He had a liTely d.authter
And I ha
ained her heart.
And she was noble minded,too,
Raue;hty,full ancl fair.
With Colma us 'fairest dau~hte'
w.;he truly woul:t compare.
I told her my intention was
O
,uite soon to eross the ain
I saic1~ ill you e faitll:ful ill I return
Big rops of tears were in 1r eyes;
1 er boson heaTed a si'h.
he said, "Dear youth, fear nt for ne,
-Y love can never di • "
To nanfor(ltown I first setout
To England,leautiful land,
here llandsoiae liz a beth !)on took me
, he said~ 'Ve gold f
ple:tY;
In loTe lvith you I e
The old that I posse~s j; youu
If you will marry me."
To this I soon eonsente
I own it to my shame.
For what man can be haJPY
trhen he lmmvs himself t' blame'!
Itts true I'Te gold in ple ty.
ry wi:fe is true and kiJd
But still my pillow's .munted
By the girl I left l:&gt;etind •
. ry father in his windine; sheet
y :!other, too , appears.
T e girl I loTed stanls y my si
~i s si ~ ~ :~ t~
•
They all h aTe ~ i - ~ ~ r ol{en Le s,
A nd now too late I fin
near Go h at h seen y cruelty
To t h e rrirl I left e llinl.

gainT"

y the ha •ci.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>Maggie Walker, The Maid I Left Behind, The Tennessee Girl, My Parents Reared Me Tenderly</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Till the Evening of life cherish the Rememberance of a friend..&#13;
&#13;
Jane. Eller.&#13;
&#13;
The Girl I left behind..&#13;
1&#13;
&#13;
(1)&#13;
My parents raised me tenderly they&#13;
Had no child but me.  my mind was&#13;
bent on gambling with them it did not&#13;
agree so I became a roving son it &#13;
grieves my heart full sore I left&#13;
My aged parents dear to see them&#13;
never more.&#13;
(2)&#13;
There was a welthy gentleman&#13;
Who then lived in those parts he&#13;
Had a lovely daughter and I had&#13;
gained her heart and she was noble&#13;
minded to haughty full and fair &#13;
with Cloumbus fairest daughter&#13;
She truly would compair.&#13;
(3)&#13;
I told her my intention was quite &#13;
soon to cross the main I said will&#13;
you be faithful till I return a &#13;
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                    <text>GENEROUS W:mE

Had Neptune when first he took charge of the sea,
Been a.s wise, or a. t least been a.s merry as we;
He'd have thought better on it, a.nd instead of the brine
Would have filled the vast ocean with generous wine.
What trafficing then woul" have been on the main,
For the sake of good liquor as well as for gain.
Nor fear then of tempest, or danger of sinking,
The fishes never drown that a.re a.lways a drinking.
The hot thirsty sun would then drive withnore haste,
Secure in the evening of such a repaste,
And when he'd got tipsy would have taken his nap,
With double the pleasure on Thelus 's la.p.
By the force of his rays, and thus heated with wine,
Consider how gloriously Phoebus wnuld shine;
Wb~t vast exhalations he'd draw up on high,
To relieve the poor earth as it wanted supply.
How '1appy us mortals when blessed with such rain,
To fill all our vessels and fill them again!
Nay, even the beggar that has never a disk,
Might jump in the river and drink like a fish.
What mirth and oontentment on every one's brow,
II:&gt;b as great as a prince, dancing after his :plow;
The birds in the air as they play on the wing,
Although they but sip, would eternally sing.
The stars which I think do not to drink incline,
Would frisk and rejoice at the fume of the wine,
And merrily twinkling woul~ soon let us know,
That they were as happy as mortals below.
Had this been the case, what had_ we enjoyed,
Our spirits still rising, our fancy never cloyed;
A pox then on Neptune, when it was in his power,
To slip, like a fool, such a fortunate hour.

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Neptune, When First He Took Charge of the Sea, Had Neptune When He First Took Charge of the Sea, The Bacchanalian's Wish</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Generous Wine&#13;
&#13;
Had Neptune when first he took charge of the sea,&#13;
Been as wise, or at least been as merry as we,&#13;
He'd have thought better on it, and insted of the brine&#13;
Would have filled the vast ocean with generous wine.&#13;
&#13;
What trafficing then would have been on the main,&#13;
For the sake of good liquor as well as for gain.&#13;
Nor fear then of tempest, or danger of sinking,&#13;
The fishes never drown that are always drinking.&#13;
&#13;
The hot thirsty sun would then drive with more haste,&#13;
Secure in the evening of such a repaste,&#13;
And when he'd got tipsy would have taken his nap,&#13;
With double the pleasure on Thelus's lap.&#13;
&#13;
By the force of his rays, and thus heated with wine,&#13;
Consider how gloriously Phoebus would shine,&#13;
What vast exhalations he'd draw up on high,&#13;
To relieve the poor earth as it wanted supply.&#13;
&#13;
How happy us mortals when blessed with such rain,&#13;
To fill all our vessels and fill them again!&#13;
Nay, even the beggar that has never a disk,&#13;
Might jump in the river and drink like a fish.&#13;
&#13;
What mirth and contentment on every one's brow,&#13;
Hob as great as a prince, dancing after his plow,&#13;
The birds in the air as they play on the wing,&#13;
Although they but sip, would eternally sing.&#13;
&#13;
The stars which I think do not to drink incline,&#13;
Would frisk and rejoice at the fume of the wine,&#13;
And merrily twinkling would soon let us know,&#13;
That they were as happy as mortals below.&#13;
&#13;
Had this been the case, what had we enjoyed,&#13;
Our spirits still rising, our fancy never cloyed,&#13;
A pox then on Neptune, when it was in his power,&#13;
To slip, like a fool, such a fortunate hour.</text>
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                    <text>Just Goi n g Down to t . . e ':: nte.
y sweet heart's a s hy little fairy.
Uer age is just seventeen.
Her pa rents say she is too airy,
nut a sweeter girl neTe r was seen.
At nig t she steals out fron t 1e cottage
Her rotlwr calls ~:fter I .. er: ·n. te,
She anm1ers : Dear ~a, I a:tt not going far;
I'm just going own to t he gate.
Chorus:
Just going d own to the gate:r;.dear :ra,
Just mv-n to t .1e old garden gate.
The moon is so "1right;it..,.s such a nice ni ,ht,
I'm just going : own to t he p;ate.

o:r course, at tLe gate I am

u·ai~tig,

And sweet are t he wortls t hat we say,
r hile within,the ol~ fol k s are debating
As to \':hen t hay shall move in ilay.
Sometimes t my call gently foe ratie.
' he answers: Dear !a, 'tis not late.
There's no sign of storn and t e nig t is so \Yarn
I loTe to stand here at t he gate.
They say she's too young to e married,
nut with t l:em we o not agree.
Love's message to ra tie I carried •
.A. kiss was the answer for 1 e.
e'll wander alonr; in the moonlight.
''ucL longer I'm sure I can't rait.
So11e nig 1t y-and-' y to a preacher l:e' 11 fly
· 1en Katie omes down to t lJe ~ate.

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Just Going Down to the Gate.&#13;
&#13;
My sweet heart's a shy little fairy.&#13;
Her age is just seventeen.&#13;
Her parents say she is too airy,&#13;
But a sweeter girl never was seen.&#13;
At night she steals out from the cottage&#13;
Her mother calls after her: Kate,&#13;
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I'm just going down to the gate.&#13;
&#13;
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Just going down to the gate, dear Ma,&#13;
Just down to the old garden gate.&#13;
The moon is so bright, it's such a nice night,&#13;
I'm just going down to the gate.&#13;
&#13;
Of course,  at the gate I am wai/ntig,&#13;
And sweet are the words that we say,&#13;
While within, the old folks are debating&#13;
As to when thay shall move in May.&#13;
Sometimes thay call gently for Katie.&#13;
She answers: Dear Ma, 'tis not late.&#13;
There's no sign of storm and the night is so arm&#13;
I love to stand here at the gate.&#13;
&#13;
They say she's too young to be married,&#13;
But with them we do not agree.&#13;
Love's message to Katie I carried.&#13;
A kiss was the answer for me.&#13;
We'll wander along in the moonlight.&#13;
Much longer I'm sure I can't wait.&#13;
Some night by-and-by to a preacher we'll fly&#13;
When Katie comes down to the gate.  </text>
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                    <text>GAMBLING FOR GOLD
One year ago since my sunny haired
Left his old home to go out in the
When he had kissed his dear Mother
I told him to never give honor for

darling
world.
and started,
gold.

Chorus:
Gambling for gold,
Gambling for gold.
That's what my boy is doing, I'm told.
Breaking the heart of his old gray haired mother,
Yes, breaking and crushing for gold.
But a letter last week from a stranger,
Brought the sad news that must kill me, I'm sure.
For it said that my boy was a drunkard and gambler,
\fJhen I thought he was honest and pure.
I'll go tonight to that far distant city;
God, hear my prayers and help me find my boy.
I'll bring him back to the old church and
He'll again be my pride and my joy.
Dear Mothers, I beg, watch over your children,
Don't let them feel that your love can grow cold,
But teach them that gold is all worthless,
Lest they gamble their honor for gold.

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Gambling for Gold&#13;
&#13;
One year ago since my sunny haired darling &#13;
Left his old home to go out in the world.  &#13;
When he had kissed his dear Mother and started,&#13;
I told him to never give honor for gold.&#13;
&#13;
Chorus:&#13;
Gambling for gold,&#13;
Gambling for gold.&#13;
That's what my boy is doing, I'm told.&#13;
Breaking the heart of his old gray haired mother,&#13;
Yes, breaking and crushing for gold.&#13;
&#13;
But a letter last week from a stranger,&#13;
Brought the sad news that must kill me, I'm sure.&#13;
For it said that my boy was a drunkard and gambler,&#13;
When I thought he was honest and pure.&#13;
&#13;
I'll go tonight to that far distant city,&#13;
God, hear my prayers and help me find my boy.&#13;
I'll bring him back to the old Church yard yonder.&#13;
He'll again be my pride and my joy.&#13;
&#13;
Dear Mothers, I beg, watch over your children,&#13;
Don't let them feel that your love can grow cold,&#13;
But teach them that gold is all worthless,&#13;
Lest they gamble their honor for gold.</text>
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                    <text>Gamblin~

ror Gold .

One year ago since my sunny haired darlin~
Left his old home to go out :in t e Forld.
hen he had kissed his ear ot~er ani started,
I told him to ne'er give honor :ror gol.
C'orus:
Ga bling :ror gol ,
Gaml ling for gold.
That's what my boy is oing ,IJ'm told.
Breaking t'1e heart of n1s ol gray hairecl mother,
Yes, realdng ancl crushing f'or gold.
But a letter last wekk :rrom a stran~er,
rour;'1t the sad news that ust kill ne , 'm sure.
For it said that ·y
y was a llrun.:ar ancl ga , ler,
tfhen I thour;lt he was honest and pure.
I'll go toni r:ht t o tllat f'ar distant city;
uotl,hear my prayers and help me f'ind my oy .
I'll ring hilm ack to the old Church yard yonler.
lie' 11 ar::;ain e my pri ·e anril. ;:-ty joy .
Dear others,! e~,watch over your children.
Don't let t em :feel t lmt :yn ur love can grmv cold ,
But teach them that gol is all worthless,
Lest t·ey gamble their hom(}r for gold .

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Gambling for Gold &#13;
&#13;
One year ago since my sunny haired darling &#13;
Left his old home to gobout in the world. &#13;
When he had kissed his dear Mother and started, &#13;
I told him to never give honor for gold. &#13;
 &#13;
Chorus: &#13;
Gambling for gold, &#13;
Gambling for gold. &#13;
That's what my boy is doing, I'm told. &#13;
Breaking the heart of his old gray haired mother, &#13;
Yes, breaking and crushing for gold. &#13;
 &#13;
But a letter last week from a stranger, &#13;
Brought the sad news that must kill me, I'm sure. &#13;
For it said that my boy was drunkard and gambler, &#13;
When I thought he was honest and pure. &#13;
&#13;
I'll go tonight to that far distant city,&#13;
God, hear my prayers and help me find my boy. &#13;
I'll bring him back to the old Church yard yonder. &#13;
He'll again be my pride and my joy. &#13;
 &#13;
Dear Mothers, I beg, watch over you children. &#13;
Don't let them feel that your love can grow cold, &#13;
But teach them that gold is all worthless, &#13;
Lest they gamble their homor for gold. </text>
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                    <text>I
THE CASTAT\iET
Gaily sounds the Castanet,
Beating time tCJ bounding feet;
yJhen, after daylight IS g'Jlden Set,
Maids and yCJuths by moonlight meet.
Oh! then, how sweet tCJ mCJve,
Through all that maze of mirth;
Lighted by those eyes we love,
Beyond all eyes on earth.
Then the joyeCJus banquet spread,
On the co'Jl and fragrant grCJund;
With night's bright eye--beams over head,
And still brighter sparkling round.
Oh! then, how sweet to say,
Into the l'Jved one's ear;
Thoughts reserved thr::&gt;ugh many a day,
To be thus whispered there.
When the dance and feast are done,
Arm and arm as hom we stray;
H::&gt;w sweet to see the daMning sun,
Over her cheek's warm blushes play.
Then, then the farewell
And wCJrds ,.,hose parting
Lingers still in dreams
That haunt y::&gt;ung hearts

kiss,
tone;
of bliss,
alone.

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Castanet&#13;
&#13;
Gaily sound the Castanet,&#13;
Beating time to bounding feet.&#13;
When, after daylight’s golden set,&#13;
Maids and youths by moonlight meet.&#13;
&#13;
Oh!  then, how sweet to move,&#13;
Through all that maze of mirth,&#13;
Lighted by those eyes we love,&#13;
Beyond all eyes on earth.&#13;
&#13;
Then the joyeous banquet spread,&#13;
On the cool and fragrant ground.&#13;
With night’s bright eye--beams over head,&#13;
And still brighter sparkling round.&#13;
&#13;
Oh!  then, how sweet to say,&#13;
Into the loved one’s ear,&#13;
Thoughts reserved through many a day,&#13;
To be thus whispered there.&#13;
&#13;
When the dance and feast are done,&#13;
Arm and arm as home we stray,&#13;
How sweet to see the dawning sun,&#13;
Over her cheek’s warm blushes play.&#13;
&#13;
Then, then the farewell kiss,&#13;
And words whose parting tone&#13;
Lingers still in dreams of bliss,&#13;
That haunt young hearts alone. </text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text> Franky &amp; Albert&#13;
&#13;
Franky was a good girl as every body knows, she paid a hundred dollar bill for a&#13;
suit of Albert's clothes 'cause she loved him so, 'cause she loved him so.</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                    <text>FLY TO THE DESERT
Fly to the desert,
Our Arab tents are
B11t oh! the choice
Of tents wrth love

fly with me,
rude for the;
what heart can doubt,
or thrones without?

Our rocks are rough, but smiling there,
The acacia waves her yellow hair,
Lovely and sweet, nor loved the less,
For flowering in a wilderness.
Our sands are bare, but down their slope,
The silvery-footed antelope;
As gracefully and gaily springs,
As over the marble court of kings.
Then come - thy Arab maid will be,
The loved and lone acacia tree;
The antelope, whose feet shall bless,
With their light sound thy loneliness.
Oh! there are looks and tones that dart,
An instant sunshine through the heart;
A-, if the soul that minute caught,
Some treasure it through life had sought.
As if the very lips and eyes,
Predestined to have all our sighs;
Ana never be forgot again,
Sparkled and spoke before us then.
So came thy very glance and tone,
When first on me they breathed and shone;
New as if brought from other spheres,
Yet welcome as if loved for years~
Then fly with me--if thou hast known,
No other flame, nor falsely thrown;
A gem away that thou hast sw~rn,
Should ever in thy heart be v.orn.
Come, if the love thou hast for me,
Is pure ana fresh as mine for thee;
Fresh as the fountain under ground,
Whey first it is by the lapwing found .
.But if for me thou dost forsake,
Some other maid and rudely break;
Her worshipped image from its base,
To give to me the ruined place.
When, fare thee well -- I would rather make,
My bower upon some icy lake;
When thawing suns begin to shine,
Than trust to love so false as thine.

�</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Fly to the Desert&#13;
&#13;
Fly to the desert, fly with me,&#13;
Our Arab tents are rude for the&#13;
But oh! The choice what heart can doubt,&#13;
Of tents with love or thrones without?&#13;
&#13;
Our rocks are rough, but smiling there,&#13;
The acacia waves her yellow hair,&#13;
Lovely and sweet, nor loved the less,&#13;
For flowering in a wilderness.&#13;
&#13;
Our sands are bare, but down their slope,&#13;
The silvery-footed antelope,&#13;
As gracefully and gaily springs,&#13;
As over the marble court of kings.&#13;
&#13;
Then come - thy Arab maid will be,&#13;
The loved and lone acacia tree&#13;
The antelope, whose feet shall bless,&#13;
With their light sound thy loneliness.&#13;
&#13;
Oh!  there are looks and tones that dart,&#13;
And instant sunshine through the heart,&#13;
As if the soul that minute caught,&#13;
Some treasure it through life has sought.&#13;
&#13;
As if the very lips and eyes,&#13;
Predestined to have all our sighs&#13;
And never be forgot again,&#13;
Sparkled and spoke before us then.&#13;
&#13;
So came thy very glance and tone,&#13;
When first on me they breathed and shone,&#13;
New as if brought from other spheres,&#13;
Yet welcome as if loved for years!&#13;
&#13;
Then fly with me-if thou hast known,&#13;
No other flame, nor falsely thrown&#13;
A gem away that thou hast sworn,&#13;
Should ever in thy heart be worn.&#13;
&#13;
Come, if the love thou hast for me,&#13;
Is pure and fresh as mine for thee,&#13;
Fresh as the fountain under ground,&#13;
Whey first it is by the lapwing found.&#13;
&#13;
But if for me thou dost forsake,&#13;
Some other maid and rudely break,&#13;
Her worshipped image from its base,&#13;
To give to me the ruined place.&#13;
&#13;
When, fare thee well - I would rather make,&#13;
My bower upon some icy lake&#13;
When thawing suns begin to shine,&#13;
Than trust to love so false as thine.  </text>
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                    <text>.(1

loyd Collins.•

Qh ,coMe all ye young people,
And listen while I tell
The fate of Floyd Collins,
A la.:l we all lmmT '"'ell.
His :race was fair ancl hands one,
And. his he art was true and l)rave.
His boet.y nmv lies sleeping i:e-4;lie-ss.Htl-ti4;eBB-&amp;8¥e.
l:n t he sand stone caTe.
Ilow sacl, how sad t ile story,
It f'ills :my eyes with tears.
The memory ,too,will linger
F or many;::mny ye a rs.
The broken hearted father,
Vho tried his boy to save,
Will now weep tears of sorrow
At t ~ e door of Floyd's cave.

•

Dear mot ller,don't you worry.
Dear Father,Don't e sad,
.And I'll tell you all my troubles
In an awful dream I :1aci.
I drem.1ecl I wz.. s
a ')risoner;
::..y l _f'e I coulc not salle.
i
l
I cried: ~ h,must I perish
W
ithin t ~ e silent cave.
The rescue pa rty labored,
They worked both nmght aml flay
To move . that mighty barrier
That stood within t heir way.
To rescue ~ loyd Collins,
It was a attle cry •
.
'f e' 11 never, no we' 11 ne ver ~et-l"'~eyt!-Se!H~!i.:es
Let Floyd Collins aie.
But on t he :ratal morning
The sun rose in '.he sky.
The workers were sti ll gusy.
VIe' 11 save him by aml p.
nut oh, how sad t '•e ending .
His lif e t hey oo•.1lcl not save.
His ody now lies sleeping
In a lonely sand stone cave.
Young peonle,al l t ake warning
'!Yror:1 Floyd Collins fate,
.:\.nd get right ei th your mal~er
Defore it is too late.
It may not b e a sand cave
In wllioh we find our tm:1b;
But at t ~ c b ar . of' judG'lent
r e,too, rmst meet our doom.

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Floyd Collins.&#13;
&#13;
Oh, come all ye young people,&#13;
And listen while I tell&#13;
The fate of Floyd Collins,&#13;
A lad we all knew well.&#13;
His face was fair and handsome,&#13;
And his hear was true and brave.&#13;
His body now lies sleeping &#13;
In the sand stone cave.&#13;
&#13;
How sad, how sad the story,&#13;
It fills my eyes with tears.&#13;
The memory, too will linger&#13;
For many, many years.&#13;
The broken hearted father,&#13;
Who tried his boy to save,&#13;
Will now weep tears of sorrow&#13;
At the door of Floyd's cave.&#13;
&#13;
Dear mother, don't you worry.&#13;
Dear Father, Don't be sad,&#13;
And I'll tell you all my troubles &#13;
In an awful dream I had.&#13;
I dreamed I was a prisoner&#13;
My life I could not save.&#13;
I cried: Oh, must I perish&#13;
Within the silent cave.&#13;
&#13;
The rescue party labored,&#13;
They worked both night and day&#13;
To move that mighty barrier &#13;
That stood within their way.&#13;
To rescue Floyd Collins,&#13;
It was a battle cry.&#13;
We'll never, no we'll never &#13;
Let Floyd Collins die.&#13;
&#13;
But on the fatal moring&#13;
The sun rose in the sky.&#13;
The workers were still busy.&#13;
We'll save him by and by.&#13;
But oh, how sad the ending.&#13;
His life they could not save.&#13;
His body now lies sleeping&#13;
In a lonely sand stone cave.&#13;
&#13;
Young people, all take warning &#13;
From Floyd Collins' fate,&#13;
And get right with your maker&#13;
Before it is too late.&#13;
It may not be a sand cave&#13;
In which we find our tomb&#13;
But at the bar of judgment&#13;
We, too, must meet our doom.</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                    <text>The Jealous Lover .
One eve w!1en t lte moon shone l)rightly,
There softly fell a dew,
~ hen in a lonely cottage
A jealous lover drew .
Saicl :1e to fair young .:llen:
ion't y ou come ancl roa·:1 witT: me?
- "';e' 11 watch and wait and wander
Until our weclding day.
Said she to fair young =dgar:
I care not for to roam.
Oh, P:dgar, I aJ'l weary,
Please ,won't you take ne home?

In silence then he kissed her,
And pressed her to his heart.
Oh, . llen, Oh, 'llen,r:1y tlarling,
''l'is sad t hat we must part.
She t !1en knelt U.own 1·eside him
l..nd prayed. him spare he r lifeWhen in her fair young bosom
:: e plun2;ed a daggered kmbfe.
Oh, .;dgar rtll forgive you,
Though this l.&gt;e Hy last breath.
I never will deceive y ou
Till I e l ~'L my eyes in dea th.
Down in the s haded valley,
Where the Tiolets are in blooc,
The : e lies ;1is f'air young ..:::llen
A slee ~ ing in t he gloom .
We knou not how she su.::'feretl.
We know not how she moaned,
But we lmow t ~" ese words were spol{en:
Please, ,.;dgar, take me hone .

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Jealous Lover&#13;
&#13;
One eve when the moon shone brightly,&#13;
There softly fell a dew,&#13;
When in a lonely cottage&#13;
A jealous lover drew.&#13;
Said he to fair young Ellen:&#13;
Won’t you come and roam with me?&#13;
We’ll watch and wait and wander&#13;
Until our wedding day.&#13;
Said she to fair young Edgar:&#13;
I car not for to roam.&#13;
O, Edgar, I am weary,&#13;
Please ,won’t you take me home?&#13;
&#13;
In silence then he kissed her,&#13;
And pressed her to his heart.&#13;
Oh, Ellen, Oh, Ellen, my darling,&#13;
‘Tis sad that we must part.&#13;
She then knelt down beside him&#13;
And prayed him spare her life-&#13;
When in her fair young bosom&#13;
He plunged a daggered knife.&#13;
Oh, Edgar I’ll forgive you,&#13;
Though this be my last breath.&#13;
I never will deceive you&#13;
Till I close my eyes in death.&#13;
&#13;
Down in the shaded valley,&#13;
Where the violets are in bloom,&#13;
There lies the fair young Ellen&#13;
A sleeping in the gloom.&#13;
We know not how she suffered.&#13;
We know not how she moaned,&#13;
But I know these words were spoken:&#13;
Please, Edgar, take me home.</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>That Fellow that Looks Like Me.&#13;
&#13;
&#13;
In sad despair I wander,&#13;
My heart is filled with woe.&#13;
When on my grief I ponder,&#13;
What to do I do not know.&#13;
For cruel fate has on me frowned,&#13;
And the trouble seems to be&#13;
There’s another fellow in this here town&#13;
That’s just the image of me !&#13;
&#13;
Chorus&#13;
&#13;
Oh, wouldn’t I like to catch him,&#13;
Whoever he may be?&#13;
Wouldn’t I burst his pumpkin head,&#13;
That fellow that looks like me ?&#13;
&#13;
One day while I was walking&#13;
Through a narrow street up town,&#13;
I was stopped by a man in a rage,&#13;
Who said, “I’ve got you, Mr. Brown.&#13;
You know my daughter you have wronged”.&#13;
Though his gal I never did see,&#13;
But he beat me till I was black and blue,&#13;
For that fellow that looks like me.&#13;
&#13;
One day while I sat sparking&#13;
A girl as dear as life,&#13;
A lady who had just dropped in&#13;
Says, “Brown, how is your wife?”&#13;
In vain I said I’m a single man&#13;
Though married I wish to be.”&#13;
She called me a swindle and kicked me out&#13;
For the fellow that looks like me.&#13;
&#13;
 One day when I had started&#13;
To the Central Park to go,&#13;
A stranger stepped up to me,&#13;
Said, “Pay me this bill you owe.”&#13;
In vain I said , “ I know you not”,&#13;
But he would not let me free&#13;
Till a crowd came/around and the bill I paid&#13;
For the fellow that looks like me.</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Humor –&#13;
That Fellow That Looks Like Me.&#13;
&#13;
In sad despair I wander, my heart is filled with woe. When on my grief I ponder, What to do I do not know for cruel fate has on me frowned and the trouble seems to be, There is a nother fellow in this here town, That’s just the image of me.&#13;
&#13;
Chorus&#13;
Oh wouldn’t I like to catch him, Whoever he may be? Oh wouldn’t I burst his pumpkin head, That fellow that looks like me.</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>That Fellow that Looks Like Me.&#13;
&#13;
In sad despair I wander,&#13;
My heart is filled with woe.&#13;
When on my grief I ponder,&#13;
What to do I do not know.&#13;
For cruel fate has on me frowned,&#13;
And the trouble seems to be&#13;
There’s another fellow in this here town&#13;
That’s just the image of me !&#13;
&#13;
Chorus&#13;
&#13;
Oh, wouldn’t I like to catch him,&#13;
Whoever he may be?&#13;
Wouldn’t I buxrxst his pumpkin head,&#13;
That fellow that looks like me ?&#13;
&#13;
One day while I was walking&#13;
Through a narrow street up town,&#13;
I was stopped by a man in a rage,&#13;
Who said, “I’ve got you, Mr. Brown.&#13;
You know my daughter you have wronged”.&#13;
Though his gal I never did see,&#13;
But he beat me till I was black and blue,&#13;
For that fellow that looks like me.&#13;
&#13;
One day while I sat sparking&#13;
A girl as dear as life,&#13;
A lady who had just dropped in&#13;
Says, “Brown, how is your wife?”&#13;
In vain I said I’m a single man&#13;
Though married I wish to be.”&#13;
She called me a swindle and kicked me out&#13;
For the fellow that looks like me.&#13;
&#13;
One day when I had started&#13;
To the Central Park to go,&#13;
A stranger stepped up to me,&#13;
Said, “Pay me this bill you owe.”&#13;
In vain I said , “ I know you not”,&#13;
But he would not let me free&#13;
Till a crowd came/around and the bill I paid&#13;
For the fellow that looks like me.               </text>
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                    <text>THAT PELLOW THAT LOOKS

I n sao

~pair

KE ME

I tander,

My ba rt is filled with woe •
..1 n on
y grief
onder,

What to do I do not know.
For cruel fate has on e frowned,
And the trouble seems to be
There IS anothe1• f 1 0 in thiS here town
That's just
e or me.
Chorus:
ul 1't
like to catch h1m,
v r h
y be?
Woul 't I bust is p mpkin n ad ,
That fe ow th t looks like me.

and blue,
e.

e out
to the c ntral P k to go,
n in a ra
·tho said,

For

bill I paid
m.

I
nt to a ball he oth r ni t~
Wa Just enjo i
th sport,
fuen
policem n rabbed me by th
rm
And s ys, ' ou 1 rc
nted dmm at court ,
You've scap d ~ twice, ut thia here time
I'll take car that yo don't go free."
So I \'T s arrested and too.-c to jail
For the fello 1 th t looks like me.
I w

tried c7t day. found guilty,
was about . be taken do~m,
Whe another policeman then bro
t in
The 1: i. ' t criminal, Mr. Ermm.
They loct
him up and they s t me free ,
O he as a 1ght to see .
h,
I ever saw
The ugliest r
I s the fellow that
oks like me .

�</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Fellow That Looks Like Me, Lyric Variant 02, Copy</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Fellow That Looks Like me&#13;
&#13;
In sad despair I wander,&#13;
My heart is filled with woe.&#13;
When on my grief I ponder,&#13;
What to do I do not know.&#13;
For cruel fate has on me frowned,&#13;
And the trouble seems to be&#13;
There's another fellow in this here town&#13;
That's just the image of me.&#13;
&#13;
Chorus:&#13;
Oh, wouldn't I like to catch him,&#13;
Whoever he may be?&#13;
Wouldn't I bust his pumpkin head,&#13;
That fellow that looks like me.&#13;
&#13;
One day while I was walking&#13;
Through a narrow street up town&#13;
I was stopped by a man in a rage,&#13;
Who said, ìI've got you, Mr. Brown.î&#13;
You know my daughter you have wronged,&#13;
Though his gal I never did see,&#13;
But he beat me till I was black and blue,&#13;
For that fellow that looks like me.&#13;
&#13;
One day while I sat sparking&#13;
A girl as dear as life,&#13;
A lady who had just dropped in&#13;
Says, ìBrown, how is your wife?î&#13;
In vain I said I'm a single man&#13;
Though married I wish to be.&#13;
She called me a swindle and kicked me out&#13;
For the fellow that looks like me.&#13;
&#13;
I was walking to the Central Park to go,&#13;
I was stopped by a man in a rage who said,&#13;
ìPay me this bill you owe.î&#13;
In vain I said, ìI know you notî&#13;
But he would not let me free&#13;
Till a crowd came around and the bill I paid&#13;
For the fellow that looks like me.&#13;
&#13;
I went to a ball the other night,&#13;
Was just enjoying the sport,&#13;
When a policeman grabbed me by the arm&#13;
And says, "You're wanted down at court,&#13;
You've escaped us twice, but this here time&#13;
I'll take care that you don't go free."&#13;
So I was arrested and took to jail&#13;
For the fellow that looks like me.&#13;
&#13;
&#13;
I was tried next day, found guilty,&#13;
And was about to be taken down,&#13;
When another policeman then brought in &#13;
The right criminal, Mr. Brown.&#13;
They locked him up and they set me free,&#13;
Oh, he was a sight to see.&#13;
The ugliest wretch I ever saw&#13;
Is the fellow that looks like me.</text>
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                    <text>That Fellow 'that

Looks Like ;.re.

In sad despair I 'raneler,
::.y heart is filled with woe.
hen on my ~rief I ponder,
'fhat to do I do not know.
~or cruel fate 1'as on me fro med,
A..nd the trouble seems to be
There's another fello~v in this here town
That 1 s just t:1e ima&amp;e of me.

•.

Chprus:
Oh,wouldn't I like to catch him,
l'h oever he may be?
fo uldn 1 t I buf st his pmapkin Lead ,
That fellow that looks like me.
One day while I was walking
Throuc-;~1 u narrow street up town
I was stoppetl by a man in a rage,
Tho saiC:., 11 I 1 ve got you, ·r . Brown."
You know my daughter you l·ave wronr;ed~
'l':!oug!1 his ~ al I ne.-er :i\t see,
But he beat me t i l l I was black and blue,
For that fellow t~at looks like me.
One uay while I sat sparking
A girl as dear as life,
_ lady who had just dro-J''&gt;ecl in
S ays, "Brmrn , how is your wife?"
In vain I said I'm a single 'mn
Thour,h married I wish to be .
She called r:1e a swindle antl kicked me out
• or tl e fello. '"' .-t lo"
like me .
I was wai ing to tile Central Park to go,
I waG sto ped by a man in a rage who said,
"Pay me this bill you owe~
In vain I samd ," I know you not"
But lle woulcl not let me free
Till a crowcJ~ came around and the bill I paid
For the fellow that looks 1tL.:c me.

fo

I went
a ball t h e oj;her night,
Was just enjoying tl~e sport,
rhen a nolice1:1an ,ral.)~)~d 11e by t 1e arm
nd says , n7ou ' re wanted down at court ,
You've escapecl us twice, ut · is
t"'re ti:1e
i ' 11 take care t .a ~·nu tlm1 1 t -~o f re~
o J. .·s:w ar.1.'este _ m
too · to j::: il
or t 1 e fellow t:1at loo::s lik3 - e .
I was trie:l next cay , f' o&lt;..md ";uil t],
.....n.: :::ls ab ~u:, t~ l ~ t:::.l:cn do-,1,
Ill-en u.not.wr policer.mn then brou[iht in
The right cri1.inal , ·:r . Brown .
l'hey lock d him U"U anll they set me :free,
Oh , he;iwas a si..,.ht to see.
rhe ugliest wretch I ever saw
Is t 2e fe l low ti at looks like me .

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>That Fellow that  Looks Like Me.&#13;
&#13;
In sad despair I wander,&#13;
My heart is filled with woe.&#13;
When on my grief I ponder,&#13;
What to do I do not know.&#13;
For cruel fate has on me frowned,&#13;
And the trouble seems to be&#13;
There’s another fellow in this here town&#13;
That’s just the image of me.&#13;
&#13;
?&#13;
&#13;
Chorus:&#13;
&#13;
Oh, wouldn’t I like to catch him,&#13;
Whoever he may be?&#13;
Wouldn’t I buxrxst his pumpkin head,&#13;
That fellow that looks like me.&#13;
&#13;
One day while I was walking&#13;
Through a narrow street up town&#13;
I was stopped by a man in a rage,&#13;
Who said, “I’ve got you, Mr. Brown.”&#13;
You know my daughter you have wronged”.&#13;
Though his gal I never did see,&#13;
But he beat me till I was black and blue,&#13;
For that fellow that looks like me.&#13;
&#13;
One day while I sat sparking&#13;
A girl as dear as life,&#13;
A lady who had just dropped in&#13;
Says, “Brown, how is your wife?”&#13;
In vain I said I’m a single man&#13;
Though married I wish to be.&#13;
She called me a swindle and kicked me out&#13;
For the fellow that looks like me.&#13;
&#13;
?&#13;
&#13;
I was walking to the Central Park to go,&#13;
I was stopped by a man in a rage who said,&#13;
“Pay me this bill you owe”.&#13;
In vain I said , “I know you not”&#13;
But he would not let me free&#13;
Till a crowd came around and the bill I paid&#13;
For the fellow that looks like me.&#13;
&#13;
I went to a ball the other night,&#13;
Was just enjoying the sport,&#13;
When a policeman grabbed me by the arm&#13;
And says, “You’re wanted down at court,&#13;
You’ve escaped us twice, but this here time&#13;
I’ll take care that you don’t go free”.&#13;
So I was arrested and took to jail&#13;
For the fellow that looks like me.&#13;
&#13;
I was tried next day, found guilty,&#13;
And was about to be taken down,&#13;
When another policeman then brought in &#13;
The right criminal, Mr. Brown.&#13;
They locked him up and they set me free,&#13;
Oh, he v was a sight to see.&#13;
The ugliest wretch I ever saw&#13;
Is the fellow that looks like me.</text>
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                    <text>A

spent,
Chorus:

r ow r ,

I cried.

1

ckon h

ou

ro

I

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s l ep.

own,

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>A Drunkard&#13;
&#13;
When I was lad, I had a bad dad,&#13;
I mean he was bad in a way,&#13;
Every nickle and cent for liquor he spent,&#13;
Till death came and stole him away.&#13;
&#13;
Chorus:&#13;
&#13;
"Flowers, bouquets of flowers," I cried.&#13;
I may not look neat&#13;
While walking the street,&#13;
While working for Mother and I.&#13;
&#13;
My mother took sick, they said she would die,&#13;
But to bear all her troubles she strove.&#13;
She called me to her bed, what do you recon she said?&#13;
To meet her in Heaven above.&#13;
&#13;
Oh, tell me a man who never did wrong,&#13;
Who never stayed out at night,&#13;
Who stayed at his home and minded his own,&#13;
And rocked his dear children to sleep.</text>
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When I \'/as a lad, I had a bad dad,
I mean he was bad in a way;
Every nickle and cent for liquor he spent,
Till death came and stole him away.
Chorus:
Flowers, bouquets of flowers, 11 I cried.
I may not look neat
While walking the street,
\mile working for mother and I.
11

My mother took sick; they said she would die,
But to hear all her troubles she strove.
She called me to her bed; what do you reckon she said?
To meet her in Heaven above.
Oh,
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never stayed out at night,
stayed at his home and minded his own,
rocked his dear children to sleep.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Father's A Drunkard&#13;
&#13;
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&#13;
"Flowers, bouquets of flowers," I cried.&#13;
I may not look neat&#13;
While walking the street,&#13;
While working for Mother and I.&#13;
&#13;
My mother took sick, they said she would die,&#13;
But to bear all her troubles she strove.&#13;
She called me to her bed, what do you recon she said?&#13;
To meet her in Heaven above.&#13;
&#13;
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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I may not look neat&#13;
While walking the street,&#13;
While working for Mother and I.&#13;
&#13;
My mother took sick, they said she would die,&#13;
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To meet her in Heaven above.&#13;
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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&#13;
When I was  lad, I had a bad dad&#13;
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Every nickel and cent for liquor he spent,&#13;
Till death came and stole him away.&#13;
Chorus.&#13;
"Flowers, boquets of flowers", I cry.&#13;
I may not look neat&#13;
While walking the street,&#13;
While working for Mother and I.&#13;
&#13;
My mother took sick, they said she would die,&#13;
But to bear all her troubles she strove.&#13;
She called me to her bd, what do you recon she sai?&#13;
To meet her in Heaven above.&#13;
&#13;
Oh, tell me a man who never did wrong,&#13;
Who never stayed out at night,&#13;
Who stayed at his home and minded his own,&#13;
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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Father dear Father, come home with me now, the clock in the steeple strikes one.  You&#13;
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                    <text>FATHER DEAR FATHER COME HOME
Father dear come home with me now
The clock in the steeple strikes one
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Please papa, dear papa come home.
Papa, dear papa, come home with me now
The clock in the steeple strikes two
The night has grown colder,
And Bennie is worse, but he has been calling
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Indeed he is worse Mama says he must die
Perhaps before morning shall dawn,
And this is the message she sent me to bring
Come, quickly or he will be gone,
Please papa, papa come home.
Papa, dear Papa come home with me now
The clock in the steeple strikes three
The night is so lonely the hours so long
For poor weeping Mother and me.
Yes, we are alone poor Bennie is dead
And gone with the angels of light
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I want to kiss Papa tonight,
Please Papa, dear Papa come home.

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Father dear father come home with me now&#13;
The clock in the steeple strikes one&#13;
You said you were coming&#13;
Right home from the shop&#13;
As soon as your days work was done.&#13;
The fire is gone out the house is all dark,&#13;
And mamma's been watching since tea,&#13;
With poor brother Bennie so sick in her arms &#13;
And no one to help her but me.&#13;
Please papa, dear papa come home.&#13;
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Papa, dear papa, come home with me now&#13;
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The night has grown colder&#13;
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for you.&#13;
Indeed he is worse Mama says he must die&#13;
Perhaps before morning shall dawn.&#13;
And this is the message she sent me to bring&#13;
Come, quickly, or he will be gone,&#13;
Please papa, papa come home.&#13;
&#13;
Papa, dear papa, come home with me now&#13;
The clock in the steeple strikes three&#13;
The night is so lonely the hours so long&#13;
For poor weeping Mother and me.&#13;
Yes, we are alone poor Bennie is dead&#13;
And gone with the angels of light.&#13;
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I want to kiss Papa tonight,&#13;
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Fathe~ dear~

home with me now ;
Th clock in the steeple stri ke s one .
You said you w.ere coming
ight home from the shop
As soon as your days work was done ·
The fire is
one out the hause is all dark J
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Plea!!e papa dear papa eon~e home
Papa Jdear papa ~ come home with me now •
The clock in the steeple strikes two :
The night has grown colder
And Bennie is worse but he has been CA-lling
For you
Indeed he is worse ~ mamma aaye he mu.st di~
Perhaps before morning shall dawn •
Anj this is the message she sent me to bri~g
Come Jquickly, or he will be gone .
Please papa , dear papa come home
Papa , dear papa ~ come home with me now
The clock i~ thv steeple strikes three .
The nig~t is so lonely the hours so long
For poor weeping mother and me .
Yes ,we are alone •poor Bennie is dead
And gone wit~ t
angels of light .
nd these L~ere the . ~ y last words he said
Iwant to ~ ss papa ~ night
Please papa dear papa ) come home ,
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>Father, Dear Father, Come Home&#13;
&#13;
Father dear father come home with me now,&#13;
The clock in the steeple strikes one.&#13;
You said you were coming&#13;
Right home from the shop&#13;
As soon as your days work was done.&#13;
The fire is all gone out the house is all dark,&#13;
And mamma's been watching since tea&#13;
With poor brother Bennie so sick in her arms &#13;
And no one to help her but me.&#13;
Please papa dear papa come home&#13;
&#13;
Papa, dear papa, come home with me now,&#13;
The clock in the steeple strikes two.&#13;
The night has grown colder&#13;
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For you&#13;
Indeed he is worse, mamma says he must die&#13;
Perhaps before morning shall dawn.&#13;
And this is the message she sent me to bring&#13;
Come, quickly, or he will be gone.&#13;
Please papa, dear papa come home.&#13;
&#13;
Papa, dear papa, come home with me now&#13;
The clock in the steeple strikes three.&#13;
The night is so lonely the hours so long&#13;
For poor weeping mother and me.&#13;
Yes, we are alone, poor Bennie is dead&#13;
And gone with the angels of light.&#13;
And these were the very last words he said&#13;
I want to kiss papa good to night &#13;
Please papa, dear papa, come home.</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Father&#13;
&#13;
F.  is for the fireside Smokes together&#13;
&#13;
A.  is all that he has given me&#13;
&#13;
T.  is for all the times we have had together&#13;
&#13;
H.  is for his heartstrings made of gold&#13;
&#13;
E.  is for the Eyes now growing dimmer&#13;
&#13;
R.  is right and Square He’s been with me&#13;
&#13;
Put it all to gather it spells “father”&#13;
&#13;
the best friend and all pal a man can be&#13;
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                    <text>The Fatal W
edding.
The wedding b ells were ringing,
On a moonlit winter's night;
The church was deeorated
.A}.l within was gay an··l bright.
A nother with her baby came
And smr t hese li ~hts aglow;
Slle tliought of' how t he same bells chimed
For her,three years ago.
Chorus:
While the wedL
ling bells were ringing,
While the bride and groom were t here,
~!arching up t he isle together 1
A.s the oggam pealec1 an air,
Tel l ing tales of f'ond affe~tion,
Vowing neTermore to part,
Just another fatal wedding,
Just another brok en heart.

I' d like t o be admitted ,sir,
~he begge~ t h e sexton,old,
Just for t he sake of baby,
·ro protect him from t he :6olci".
But he told her t hat t he wedding
lras f'or the rich and graml,
And with t he eager watching crowd
Outsicle,she'd haTe to stand.

She begged t he sexton once a gain
To let her step inside,
"For baby's sake you may come i• "
The ~ray haired .man replied.
"If any one knows reas&amp;n why
This oo1,1ple shou ld. not wed,
Speak no'\9', or else foreTer hold.
Your peaee",the preacij.er said.

"
I

must objeet" ,a ·w oman cried,
Her Toice so meek anGl milli.
"The bride groom is my husband ,sir,
Anoc this our little ehil•."
"l'fhat proof' have you,the preacher asked.
" ' y baby ,sir "she cried,
.And knelt to pray to God in Heaven,
The littl:e one hac.t Elied.
The p arents pf t he bride
Then to ok the outcast by t lle arm,
"W
e'll care for you through life",they said;
"You'Te saved our child from harm."
The p arents,bri~e and outeast wire
In a carriage rolled away,
The gritie groom died by his own hand
Bef'ore the break of day.
No wedding reast was spraa t hat night.
Two graTes were made next day.
In one the little baby
And , in one t he :rather Jay.
The story has been oftime s told
By riresides warm and b right,
Of bride and gro om and outcast wife,
And t ha t :t'atal wedding night.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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The wedding bells were ringing,&#13;
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All within was gay and bright.&#13;
A mother with her baby came&#13;
And saw these lights aglow,&#13;
She thought of how the same bells chimed&#13;
For her, three years ago.&#13;
&#13;
  Chorus:&#13;
While the wedding bells were ringing,&#13;
While the bride and groom were there,&#13;
Marching up the isle together,&#13;
As the organ pealed an air,&#13;
Telling tales of fond affection,&#13;
Vowing nevermore to part,&#13;
Just another fatal wedding,&#13;
Just another broken heart.&#13;
&#13;
I’d like to be admitted ,sir,&#13;
She begged the sexton, old,&#13;
Just for the sake of baby,&#13;
To protect him from the cold".&#13;
But he told her that the wedding&#13;
Was for the rich and grand,&#13;
And with the eager watching crowd&#13;
Outside, she’d have to stand.&#13;
&#13;
She begged the sexton once again&#13;
To let her step inside,&#13;
"For baby’s sake you may come in"&#13;
The gray haired man replied.&#13;
"If any one knows reason why&#13;
This couple should not wed,&#13;
Speak now, or else forever hold&#13;
Your peace", the preacher said."&#13;
I must object", a woman cried,&#13;
Her voice so meek and mild.&#13;
"The bride groom is my husband ,sir,&#13;
And this our little child."&#13;
"What proof have you, the preacher asked.&#13;
"My baby ,sir "she cried,&#13;
And knelt to pray to God in Heaven,&#13;
The little one had died.&#13;
&#13;
The parents pf the bride&#13;
Then took the outcast by the arm,&#13;
"We’ll care for you through life", they said&#13;
"You’ve saved our child from harm."&#13;
The parents, bride and outcast wife&#13;
In a carriage rolled away,&#13;
The gridegroom died by his own hand&#13;
Before the break of day.&#13;
&#13;
No wedding feast was spred that night.&#13;
Two graves were made next day.&#13;
In one the little baby&#13;
And in one the father lay.&#13;
The story has been oftimes told&#13;
By firesides warm and bright,&#13;
Of bride and groom and outcast wife,&#13;
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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              <text>Brown, Play-Party and Dance Songs - 88 Randolph, 118</text>
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                <text>Farmer's Boy</text>
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                <text>&lt;a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"&gt; I. G. Greer Folksong Collection &lt;/a&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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                <text>Folk songs</text>
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                <text>Farmers--Songs and music </text>
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                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Farmer's Boy&#13;
&#13;
The sun had sunk behind the hills&#13;
Across yon dreary moor.&#13;
When wet and cold there came a boy&#13;
Up to the farmer's door.&#13;
“Can you tell me”, said he, “if any there be&#13;
Who would like to give employ&#13;
For to plow and sow, to reap and mow,&#13;
And to be a farmer's boy?&#13;
&#13;
“My father'dead--my mother's left&#13;
With four poor children small,&#13;
And what is worse for mother still&#13;
I'm the eldest of them all.&#13;
But though small, I'll work as hard as I can&#13;
If I can get employ&#13;
For to plow and sow,  to reap and mow,&#13;
And to be a farmer's boy!”&#13;
&#13;
The farmer's wife cried, “Try the lad,&#13;
Let him no further seek!”&#13;
“O, do, papa!”  the daughter said, &#13;
While a tear stood on her cheek:&#13;
“For those who will work 'tis hard to want,&#13;
Or to wander for employ&#13;
For to plow and sow, to reap and mow,&#13;
And to be a farmer's boy!”&#13;
&#13;
The farmer's boy he grew a man--&#13;
The good old farmer died,&#13;
He left the lad with all he had,&#13;
And his daughter for a bride!&#13;
The boy that was, now a farmer is&#13;
And he thinks and smiles with joy,&#13;
At the close of day when he passed that way&#13;
To be a farmer's boy!</text>
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        <name>songs and music happy ending</name>
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