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                    <text>BONAPART ON l'EE ISLE OF ST. HElENA
he is ~ne from the wars of all fighting,
He has g~ne to the place r.e never took delight in;
Oh these re may sit down, and tell the scenes he's seen oh!
While forlorn he doth mourn on the Isle of St. Helena..
Louisa does mourn f r her husband departed,
She dreams wl:en she sleeps, and she wa.kes broken hearted;
Not a. friend t~ cons~le her, even those that nigh be with her,
But she mourns when she thinks of the isle of St. Helena.
Come all ye that have got wealth, pray beware of ambition,
For it is a n.ecree in fate that might cha.nge your condition;
Be ye steadfast in time, for what is to come ye know not;
For fear you might bechanged, like he on the isle of St. Helena.
The rude rushing waves, all ar~und th shore are washing,
And the great billows heave, and the wild rocks are dashing;
He may look to the m~on of the great Mount Diana;
With his eyes over the waves t:tat are around St. Helena.•
No more in the clouds, he will be seen in such splendour,
Or go on with his crowds with the great Alexander;
For the young king of Rome, and the Prince of Gana.k,
Says he will bring his fa.ther home from the isle of St. Helena.
The Parliaments of England, and your Holy Alliance;
T~ a prisoner of wa.r you may now bid defiance;
For your base intrigues, and your baser misdeameanors,
Ha.ve caused him to die on the Isle of St. Helena.
B~ny

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Bonapart's Retreat, Napoleon, Bone Part, Napoleon Bonaparte</text>
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                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Bonapart On The Isle of St. Helena&#13;
&#13;
Bony he is gone from the wars of all fighting,&#13;
He has gone to the place he never took delight in.&#13;
Oh these he may sit down, and tell the scenes he’s seen oh!&#13;
While forlorn he doth mourn on the Isle of St. Helena.&#13;
Louisa does mourn for her husband departed,&#13;
She dreams when she sleeps, and she wakes broken hearted.&#13;
Not a friend to console her, even those that nigh be with her,&#13;
But she mourns when she thinks of the isle of St. Helena.&#13;
Come all ye that have got wealth, pray beware of ambition,&#13;
For it is a decree in fate that might change your condition.&#13;
Be ye steadfast in time, for what is to come ye know not,&#13;
For fear you might be changed, like he on the isle of St. Helena.&#13;
The rude rushing waves, all around the shore are washing,&#13;
And the great billows heave, and the wild rocks are dashing.&#13;
He may look to the moon of the great Mount Diana.&#13;
With his eyes over the waves that are around St. Helena.&#13;
No more in the clouds, he will be seen in such splendour,&#13;
Or go on with his crowds with the great Alexander,&#13;
For the young king of Rome, and the Prince of Ganak,&#13;
Says he will bring his father home from the isle of St. Helena.&#13;
The Parliaments of England, and your Holy Alliance.&#13;
To a prisoner of war you may now bid defiance,&#13;
For your base intrigues, and your baser misdeameanors,&#13;
Have caused him to die on the Isle of St. Helena.</text>
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                    <text>~he lonsome ·nove.
@h dont you see thct lonsome dove.
Tb~t flys fro m pine to pine.
Its morning for its own true love.
' nd why not mourn for mine my true love?
·na w
hy not mourn for mine?
Do you remember the dr: y th r· t y ou gr ve me y our he :: rt?
'nd vowed to me th Lt if ever you m~ rrid I should be you r girl.
3 ut now y ou h f' ve broken . . 11 those vowe just mErry who you ple t:s e,
'iihile this pore ::ching he a rt most de t. d.
You e re living Lt your e ~ se my love.
You Ere living £t your e2se.
You slighted me once you slighte d me twice.
You will never slight me 2ny m or ~ .
Though y ou slighted me for enother girl.
nd now you mc::.y t · 1\:8 ner ~ nU. go r.•~· love.
Oh da rling da rling do hush up.
I h 2te to here you cry.
For the best of friends they h 2ve to pa rt.
:' n d so do you und I my love ~nd so do you and l .
Lc ok up look down this 1onsomero2d.
Hong down your he 2d G cry.
nd
Ill fly to the e a st I11 fly to the west.
Ill will fly in the ~~~~ vf tue one ~ lvvebest.

rJ.rs

lice Cook,

�</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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              <text>Mrs. Alice Cook [Sarah Alice Sherrill], 1867-1937</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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                <text>The Lonesome Dove, In the Pines, The Pines, There's More Than One, Mobiline, The Lonesome Pine, With Feeling, Pretty Polly, Handsome Molly, Stinging Bee, Little Molly, Black-Eyed Mary, Loving Hannah, Loving Hanner, The Irish Girl</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Lonsome Dove.&#13;
&#13;
Oh dont you see that lonsome dove.&#13;
That flys from pine to pine.&#13;
Its morning for its own true love.&#13;
And why not mourn for mine my true love?&#13;
And why not mourn for mine?&#13;
Do you remember the day that you gave me your heart?&#13;
And vowed to me that if ever you marrid I should be your girl.&#13;
But now you have broken all those vows just marry who you please,&#13;
While this pore aching heart most dead.&#13;
You are living at your ease my love.&#13;
You are living at your ease.&#13;
You slighted me once you slighted me twice.&#13;
You will never slight me any more.&#13;
Though you slighted me for another girl.&#13;
and now you may take her and go my love.&#13;
Oh darling darling do hush up.&#13;
I hate to here you cry.&#13;
For the best of friends they have to part.&#13;
And so do you and I my love and so do you and I.&#13;
Look up look down this lonsomeroad.&#13;
Hang down your head and cry.&#13;
Ill fly to the east Ill fly to the west.&#13;
Ill will fly in the arms of the one I lovebest.&#13;
&#13;
    Mrs. Alice Cook.   </text>
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        <name>Black-Eyed Mary</name>
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        <name>In the Pines</name>
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        <name>In the Pines Where the Sun Never Shines</name>
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        <name>Mobiline</name>
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      <tag tagId="1325">
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        <name>The Irish Girl</name>
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                    <text>Co le ted

J hn Benet : 37 Legare 3t., Jhar eaton,
I

ines, in the pi e • here the au
iver hen the col win oloN ;
I all going a ay for a year and a d.ay
un the longerest road that I knows.
g fr

on

never

hine ,

dove
ine?
}
If a dove ca mour. for h ... t ... ue 1-:&gt;ve
. y can't I
for mi e?
~lyi

you se

1893-1922:

J:lL J!l
•••••

n t e

Oh, don'

~o.Ca.

loneao~e

m ine to

efr in t I

the

i es, etc.

h, don't you se· yonder oro f ying high,
1 ith
ui· s as o ack a nigh~?
il ne er o fal e o y u
Until that oro turr
h1t •

e

aken the Bi e into h's ha ds
_nd sore by bla
and hie
If ever
prove false to you
ri ht day ha 1 tur to night,
Oh, my lover, tell fle true,
~ere
~d you
tay ast night?
he ind ble cold on old Bald ountain,
the stars ere a-shining bright.
I

wo

that your ear brea
·.ere r:1ade out of g
t I ~1ght rea you through;
en I moughten't fe r
lyi ~ ton ue
ut lnow that your heart ere true.
.L

ss

ome i , co~ in, my old true love,
Come set you do n by me;
It ha been rt..or e t!lan a year an a day
in e I po en a
rd ith thee.
I c

't co· i , and
ca1't sit don;
o
hai 't got a oment of time.
ince you are ngaged ith another true love
Your heart no longer is ina.

You no
hat you o
e, ove,
And you know hat you aaid;
Y u k O\ l~t you remised me ,
And you know hat you did.
I'll never be ieve hat another man says
Le t h·s yes b blue or bra n,
U e
e be up on the galla -tree
S yi
' Love, I' much rather c~~e downl'
he n your heart ere min , tru love ,
n oy head
y on your brea ,
··eve by the f lling of your ar
'f u co
ill
b
..Lt.ta t
in the w st •
h,

here's
ny a bright star shall j s ngle in the we t,
nd m ny a lea shall fall below;
d there's many ad
ha 1 fall ~pon a man
or serving a poor girl so\
There'
ny a gir goe
To near the S1.1a
bir s
, oefore dhe'u uone
n cry
r a e dl g-r

g,
et alone
•

I cried, last night, hen I comed home ;
I cried the night before.
I'll cry, to -night, till my eyes pump sand,/ And then I'l

cry no maret

�</text>
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                  <text>I.G. Greer Folksong Collection</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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              <text>John Bennett, 1865-1956</text>
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              <text>Children's book author, activist in cultural life of Charleston, SC, married to Susan Smythe of Charleston, whose grandmother was antebellum author Louisa McCord. Bennett's biography written by Harlan Greene</text>
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              <text>Brown, Folk Lyric - 283</text>
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              <text>113_InThePines_Lyric_01_ocr</text>
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          <element elementId="50">
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              <elementText elementTextId="645382">
                <text>In the Pines, Where the Sun Never Shines, Lyric Variant 01</text>
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                <text>&lt;a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"&gt; I. G. Greer Folksong Collection &lt;/a&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>&lt;a title="In Copyright - Rights-holder(s) Unlocatable or Unidentifiable" href="http://rightsstatements.org/vocab/InC-RUU/1.0//" target="_blank"&gt; In Copyright - Rights-holder(s) Unlocatable or Unidentifiable&lt;/a&gt;</text>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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                <text>Folk songs</text>
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                <text>Unrequited love--Songs and music </text>
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                <text>Birds--Songs and music </text>
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                <text>Grief--Songs and music </text>
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              <elementText elementTextId="980433">
                <text>Forests and forestry--Songs and music</text>
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                <text>&lt;a title="Charleston (S.C.)" href=" https://www.geonames.org/4574324/charleston.html" target="_blank" rel="noreferrer noopener"&gt; Charleston (S.C.)&lt;/a&gt;</text>
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                <text>The Lonsome Dove, The Pines, There's More Than One, Mobiline, The Lonesome Pine</text>
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                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text> Collected by John Bennett: 37 Legare St., Charleston, So.Ca.  1893-1922:&#13;
&#13;
In The Pines&#13;
&#13;
In the pines, in the pines, where the sun never shines,&#13;
I shiver when the cold wind blows.&#13;
I am going away for a year and a day&#13;
On the longerest road that I knows.&#13;
&#13;
Oh, don’t you see yon lonesome dove&#13;
Flying from pine to pine?&#13;
If a dove can mourn for her true love&#13;
Why can’t I mourn for mine?&#13;
&#13;
Refrain: In the pines, etc.&#13;
&#13;
Oh, don’t you see yonder crow flying high,&#13;
With quills as black as night?&#13;
I will never be false to you&#13;
Until that crow turns white.&#13;
&#13;
He taken the Bible into his hands&#13;
And swore by black and white&#13;
If ever I prove false to you&#13;
Bright day shall turn to night,&#13;
&#13;
Oh, my lover, tell me true,&#13;
Where did you stay last night?&#13;
The wind blew cold on old Bald Mountain,&#13;
And the stars were a-shining bright.&#13;
&#13;
I would that your dear breast were made out of glass&#13;
That I might read you through.&#13;
Then I moughten’t fear a lying tongue&#13;
But know that your heart were true.&#13;
&#13;
Come in, come in, my old true love,&#13;
Come set you down by me.&#13;
It has been more than a year and a day&#13;
Since I spoken a word with thee.&#13;
&#13;
I can’t come in, and I can’t sit down,&#13;
For I hain’t got a moment of time.&#13;
Since you are engaged with another true love&#13;
Your heart no longer is mine.&#13;
&#13;
You know what you told me, love,&#13;
And you know what you said.&#13;
You know what you promised me,&#13;
And you know what you did.&#13;
&#13;
I’ll never believe what another man says&#13;
Let his eyes be blue or brown,&#13;
Unless he be up on the gallows-tree&#13;
Saying ‘Love, I’d much rather come down!’&#13;
&#13;
Oh, when your heart were mine, true love,&#13;
And my head lay  on your breast,&#13;
You could make me believe by the falling of your arm&#13;
That the sun rose up in the west.&#13;
&#13;
There’s many a bright star shall jingle in the west,&#13;
And many a leaf shall fall below,&#13;
And there’s many a damn shall fall upon a man&#13;
For serving a poor girl so!&#13;
&#13;
There’s many a girl goes gay about&#13;
To hear the small birds sing,&#13;
Who, before she’s done shall set alone&#13;
And cry for a wedding-ring .&#13;
&#13;
I cried, last night, when I comed home,&#13;
I cried the night before.&#13;
I’ll cry, to-night, till my eyes pump sand,&#13;
 And then I’ll cry no more!&#13;
&#13;
Close with the refrain.</text>
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                    <text>I'M DREAMING OF THE DAYS OF LONG AGO
I 1 m dreaming of the days of long ago,
As the sunshine and the shadows come and go.
I see the orchard and the hill and the little
brook and mill.
As I'm dreaming of the da~s of long ago.
I ' m dreaming of the woodland and the plainly
beaten path
Of the hoot owl and the caw caw of the crow.
I can see the grapevine swing and the bird
upon her i'ling,
As I ' m dreaming of the days of long ago.
I can hear the whippoorwill in the dusky
twilight still,
And the misic of tre fiddle and the bovl,
I turn with the corn mill crank and I hit
old Morgan's flank
As I'm dreaming of the days of long ago.
I can see the timbertwig as it fairly dances
a jig and the sun kissed apples
Fell down at my feet.
\'/here the sassafras it growed and the good
old cows they lowed.
I can hear the bob white and the pheasants beat,
I see that old log house and farm and the spinning
of the yarn,
By a hand that vanished like the winter snow.
And her look so tenderly as she often told to me
How I'd ponder on the days of long ago.
Just one more among my dreams
Dearer than them all it seems,
As the sunshine and the shadow come and go
As we stood at that old gate and
He whispered will you wait,
Will you love me when you
Dream of long ago.

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>I'm Dreaming of the Days of Long Ago&#13;
&#13;
I'm dreaming of the days of long ago,&#13;
As the sunshine and the shadows come and go.&#13;
I see the orchard and the hill and the little&#13;
brook and mill.&#13;
As I'm dreaming of the days of long ago.&#13;
&#13;
I'm dreaming of the woodland and the plainly&#13;
beaten path&#13;
Of the hoot owl and the caw caw of the crow.&#13;
I can see the grapevine swing and the bird&#13;
upon her wing,&#13;
As I'm dreaming of the days of long ago.&#13;
&#13;
I can hear the whippoorwill in the dusky&#13;
twilight still,&#13;
And the music of the fiddle and the bow,&#13;
I turn with the corn mill crank and I hit&#13;
old Morgan's flank&#13;
As I'm dreaming of the days of long ago.&#13;
&#13;
I can see the timbertwig as it fairly dances&#13;
a jig and the sun kidsed apples&#13;
Fell down at my feet.&#13;
Where the sassafras it growed and the good&#13;
old cows they lowed.&#13;
I can hear the bob white and the pheasants beat,&#13;
I see that old log house and farm and the spinning&#13;
of the yarn,&#13;
By a hand that vanished like the winter snow.&#13;
And her look so tenderly as she often told to me&#13;
How I'd ponder on the days of long ago.&#13;
&#13;
Just one more among my dreams&#13;
Dearer than them all it seems,&#13;
As the sunshine and the shadow come and go&#13;
As we stood at that old gate and&#13;
He whispered will you wait,&#13;
Will you love me when you&#13;
Dream of long ago.               </text>
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                    <text>THE ILL WIFE

As soon as I got married a happy men to be,
My wife turned out a sorrow jade, we never could agree;

For what I thought my greatest bliss was grief beyond compare,
And all the cause of my complaint, she is my forever more.
Chorue -

For she's a plague plaguing and she's a plaguing me,
She's a plague plaguing and never let's me be.

About a week or something less, a bonny thing she was,
But err the second Sunday came, she made me cry alas.'
Oh! often times I cry alas! 'tis needless here to tell,
The wright of it lies all on this, the jade she knows herself.
My house I dare n-:&gt;t call my own, nor anything that is in it,

And if I

ch~nce

to speak a word, she flies like fire from flint;

My very hair I dare not cut, my clothes I dare not wear,

And all, both clothes and money too, she keeps me naked bare.
Right well she knows I dearly love a dainty dish of meat,
She cooks it up so dirtily, the devil abit I eat;
And if I turn my mouth awry, or chance to shake my head,
She calls me :'ilthy boor, and says I am very ill to feed.
When I a.m for merriment, oh! then she's very sad,
And when I am for soberness, she goes destra.cted mad.
When I wish to hear her speak, she silent sits and dumb,
And when I am for quietness, she rattles like a. drum.
Yesterday my neighbor Tom and I went our throats to wet,
She thundered in my ears so lour1 I think I hear her yet;
And when her barleyhood is on, wh~ck often is the case,
The first thing that comes to her hands she dashes in my face.
That marriage is a :paradise I have often heard folks tell,
But for my own :part - first and last - I think its worse than hellAnd yet there is a comfort left - acomfort and no more,
The pangs of death willbreak the bonds and bury all my care. -

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Ill Wife&#13;
&#13;
As soon as I got married a happy man to be,&#13;
My wife turned out a sorrow jade, we never could agree,&#13;
For what I thought my greatest bliss was grief beyond compare,&#13;
And all the cause of my complain, she is my forever more.&#13;
&#13;
Chorus- &#13;
For she’s a plague plaguing and she’s a plaguing me,&#13;
She’s a plague plaguing and never let’s me be.&#13;
&#13;
About a week or something less, a bonny thing she was,&#13;
But err the second Sunday came, she made me cry alas!&#13;
Oh!  often times I cry alas!  ‘tis needless here to tell,&#13;
The wright of it lies all on this, the jade she knows herself.&#13;
&#13;
My house I dare not call my own, nor anything that is in it,&#13;
And if I chance to speak a word, she flies like fire from flint.&#13;
My very hair I dare not cut, my clothes I dare not wear,&#13;
And all, both clothes and money too, she keeps me naked bare.&#13;
&#13;
Right well she knows I dearly love a dainty dish of meat,&#13;
She cooks it up so dirtily, the devil abit I eat,&#13;
And if I turn my mouth awry, or chance to shake my head,&#13;
She calls me filthy boor, and says I am very ill to feed.&#13;
&#13;
When I am for merriment, oh!  then she’s very sad,&#13;
And when I am for soberness, she goes distracted mad.&#13;
When I wish to hear her speak, she silent sits and dumb,&#13;
And when I am for quietness, she rattles like a drum.&#13;
&#13;
Yesterday my neighbor Tom and I went our throats to wet,&#13;
She thundered in my ears so loud I think I hear her yet,&#13;
And when her barleyhood is on, whicH often is the case,&#13;
The first thing that comes to her hands she dashes in my face.&#13;
&#13;
That marriage is a paradise I have often heard folks tell,&#13;
But for my own part - first and last - I think its worse than hell-&#13;
And yet there is a comfort left - a comfort and no more,&#13;
The pangs of death will break the bonds and bury all my care.               &#13;
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&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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I'll Hang My Harp on a Willow Tree.&#13;
&#13;
I'll hang my harp on a willow tree, I'm off to the wars a -gain.  My peaceful home has no charm for me, the&#13;
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                    <text>I ' LL HANG MY HARP ON A

~·JILLO~v

TREE

I'll hang my harp on a willow tree,
I ' m off to the wars again,
My peaceful home has no charms for me,
The battle field no pain;
The lady I love will soon be a bride,
'Vi th a diadem on her brow,
Oh! Why did she flatter my boyish pride,
She's going to leave me now.
She took me away from my warlike lord,
And gave me a silken suit.
I thought no more of my master's sword
When I played on my master's lute;
She seem'd to think me a boy above
Her Pages of low degree
Oh! Had I but lov'd with a boyish love
It would have been better for me.
Then I'll hide in my breast every selfish care,
I'll flush my pale cheek with wine,
vfuen smiles await the bridal pair
I'll hasten to give them mine.
I'll laugh and I'll sing tho' my heart may bleed,
And I'll walk in the festive train.
And if I survive it I'll mount my steed,
And I'll off to the wars again.
But the golden tress of her hair I ' ll twine,
In my helmet's sable plume,
And then on the field of Palestine,
I'll seek an early doom;
And if by the Saracen's hand I fall,
Mid the noble and thebrave,
A tear from my ladylove is all
I ask for the warrior's grave.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>I'll Hang My Harp on a Willow Tree&#13;
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I'll hang my harp on a willow tree,&#13;
I'm off to the wars again,&#13;
My peaceful home has no charms for me,&#13;
The battle field no pain.&#13;
The lady I love will soon be a bride,&#13;
With a diadem on her brow,&#13;
Oh! Why did she flatter my boyish pride,&#13;
She's going to leave me now.&#13;
&#13;
She took me away from my warlike lord,&#13;
And gave me a silken suit.&#13;
I thought no more of my master's sword&#13;
When I played on my master's lute.&#13;
She seem'd to think a boy above&#13;
Her pages of low degree&#13;
Oh! Had I but lov'd with a boyish love&#13;
It would have been better for me.&#13;
&#13;
Then I'll hide in my breast every selfish care,&#13;
I'll flush my pale cheek with wine,&#13;
When smiles await the bridal pair&#13;
I'll hasten to give them mine.&#13;
I'll laugh and I'll sing tho' my heart may bleed,&#13;
And I'll walk in the festive train.&#13;
And if I survive it I'll mount my steed,&#13;
And I'll off to the wars again.&#13;
&#13;
But the golden tress of her hair I'll twine,&#13;
In my helmet's sable plume,&#13;
And then on the field of Palestine,&#13;
I'll seek an early doom,&#13;
And if by the Saracen's hand I fall,&#13;
Mid the noble and thebrave,&#13;
A tear from my ladylove is all&#13;
I ask for the warrior's grave.               </text>
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                    <text>Harp On Tbe Wi llow Tree
I'll hang my harp on tr.e l!. i llow Tree
.~d off to the war s again }
For my peace f ul tome
Has no charo for me
Nor t~e battle field "no pain .
Chorus
1

ll lauc,h and sing
Tho ' my h aa rt IDbLY brcv..k .
I ' 11 fJ unh my pale cheel~s with wine_,
And if I urvivc it
I ' LL mount my st0ed J a nd off to the
'hars again
For my peaceful hone
Haz no cnarm for me
Nor the battle field no pain .
I

For the lady I love will soon be
c. bride
Vit~ ~ Jiadem i n her brow
Oh ! wh¥ ~id she flatter m~ bo~ish pride
She
going to leave rne row
She seem to U1ink me a beau ideal
Tho ' my parents were of low degree
Oh ! hJ.J I but loved with a boyish love
I t woulJ have been better for ~e
Chcr . .ts
She

too~ me awa~ from my warlike Lord
And gave rr~ a 3i l ken suit
I t:bour;ht no more of m~ Masterz Si\Ord
• z I play0d on my lady ' s fL1te
One ;oli&lt;&gt;rj tress of h0r hair 1 1 1' t•.vinc
I J ill~ helmet sabre sword
AnJ. tl'er. on tho fields of Palfstinc
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I ' ll seJK ~n early doom
1~d if by the s a.ycenz hand I fall
Mid tll e noble a~1d the brave
A tear f ro~ my lady love is all
I last f~r a warrerz grave

Chorus

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Harp On the Willow Tree&#13;
&#13;
I’ll hang my harp on the Willow Tree&#13;
And off to the wars again,&#13;
For my peaceful home&#13;
Has no charm for me&#13;
Nor the battle field no pain.&#13;
&#13;
Chorus&#13;
&#13;
I’ll laugh and sing&#13;
Tho’ my heart may break.&#13;
I’ll flush my pale cheeks with wine,&#13;
And if I survive it&#13;
I’ll mount my steed, and off to the &#13;
wars again&#13;
For my peaceful home&#13;
Haz no charm for me&#13;
Nor the battle field no pain.&#13;
&#13;
For the lady I love will soon be&#13;
a bride&#13;
With a diadem on her brow&#13;
Oh!  why did she flatter my boyish pride&#13;
She’s going to leave me now&#13;
She seem to think me a beau ideal&#13;
Tho’ my parents were of low degree&#13;
Oh!  had I but loved with a boyish love&#13;
It would have been better for me&#13;
&#13;
     Chorus&#13;
&#13;
She took me away from my warlike Lord&#13;
And gave me a silken suit&#13;
I thought no more of my Masterz sword&#13;
Az I played on my lady’s flute&#13;
One golden tress of her hair I’ll twine&#13;
In my helmet sabre sword&#13;
And then on the fields of Palestine&#13;
I’ll seek an early doom&#13;
And if by the Sarycenz hand I fall&#13;
Mid the noble and the brave&#13;
A tear from my lady love is all&#13;
I last for a warrerz grave&#13;
&#13;
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Tragic Love Song.&#13;
&#13;
I'll Be All Smiles Tonight, Love.&#13;
I'll deck my brow with roses.&#13;
The loved one may be there&#13;
The gems that others gave me will shine within my hair And even those that know me will think my heart is light though my heart should break to morrow, &#13;
I'll be all smiles tonight.&#13;
I'll be all smiles to night love, I'll be all smiles to&#13;
night. Though my heart may break to morrow I'll be all smiles tonight.               </text>
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&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                    <text>I'll be All Smiles Tonight,LoTe •
I' 11 decl.: my brow with roses;
The loved one may be there.
The gens that others gave me
J ill shine within my hair •
.A.mi even those that know me
\Till think my heart is light;
T ough my heart s 1
10ulcl 1Jreak to morrow
I"ll be all smiles to night.
Chorus.
I'll be all smiles tonig~ t,loTe
I'll be all smiles to-night.
Though my heart may breal{ to-morrow
I' 11 be all smiles to-nigl1t •
..lnd when the room he entered ,
The bri(le upon his arm,
I stood anC: gazert upon him
As ir he were a charm.
~s onee he smiled u)on her,
So onee he smiled on me.
They kno . not what I su:f:f'e!'ecl:~
They found no chanr,e in me.
A.nd when the clance is ended,
Oh how I will rejoice.
I'll sing the songs he taught me
ithout one raltering voice.
When flatterers eome around me,
They will t hink my heart is light;
Thou~h my heart will.break to morrow,
I'll be all smiles to night.
And when the clance is ende&amp;,
And all have gone to re s t,
I'll think or bim,dear ~other,
The one t 1 mt I love best.
lie once ':id love, elieve me,
::Jut now's r;rown colel and strange.
He sought not to decieve me;
False rriend.s have wrought this chan~ •

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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I’ll be all smiles tonight, love&#13;
I’ll be all smiles to-night.&#13;
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I’ll be all smiles to-night.&#13;
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They know not what I suffered,&#13;
They found no change in me.&#13;
&#13;
&#13;
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&#13;
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I’ll think of him,dear Mother,&#13;
The one that I love best.&#13;
He once did love,believe me,&#13;
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                <text>If You But Knew&#13;
&#13;
How's a kindly word or two&#13;
A thought or smile from you&#13;
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Would ease the burden, of the day&#13;
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&#13;
If you but knew&#13;
How great would be the bliss&#13;
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When I was single, I went dressed all so fine.
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Oh I wish I was a single gal again.&#13;
&#13;
When I was single, my new shoes would squeak.&#13;
Now I am married, and oh, my shoes do leak.&#13;
Oh I wish I was a single gal again.&#13;
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Nothing to give them, an' I almost wish I's dead&#13;
Oh, I wish I was a single gal again.&#13;
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One a cryin' "Mammy, I want a piece of bread,"&#13;
The other cryin' Mammy, I want to go to bed."&#13;
Oh, I wish I was a single gal again.&#13;
Wh their little feet and send them to bed.&#13;
Long comes their Daddy and asks if they've been fed&#13;
Oh I wish I was a single gal again.&#13;
&#13;
Dishes to wh and the spring to go to.&#13;
When you are married you have it all to do.&#13;
Oh I wish I was a single gal again.&#13;
&#13;
Chickens to feed, the cows are to milk.&#13;
The blamed little children are all cryin' yet.&#13;
Oh I wish I was a single gal again.&#13;
It's hard to be married, an' not have enough of bread.&#13;
But I'd rather marry the devil than never to be wed.&#13;
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                <text>Sngle  Gal.&#13;
&#13;
When I was single, I went dressed all so fine.&#13;
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Oh, I wish I was a single Gal again.&#13;
&#13;
&#13;
When I was single My new shoes would screak.&#13;
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&#13;
&#13;
Two little children a cryin’ for bread.&#13;
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&#13;
&#13;
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The other cryin’ "Mammy, I want to go to bed."&#13;
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&#13;
&#13;
Wh their little feet and send them to bed.&#13;
'Lon comes their Daddy and asks if they’ve beenfed&#13;
Oh, I wish I was a single gal again.&#13;
&#13;
&#13;
Wh their little hands and send them to school.&#13;
‘Long comes that  drunkard and calls me a fool.&#13;
Oh, I wish I was a single gal again.&#13;
&#13;
&#13;
Dishes to wh and the spring to go to.&#13;
When you are married you have it all to do.&#13;
Oh, I wish I was a single gal again.&#13;
&#13;
&#13;
Chickens to feed, the cows are to milk.&#13;
The blamed little children are all cryin’ yet.&#13;
Oh, I wish I was a single gal again.&#13;
&#13;
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>The Sngle Girl&#13;
&#13;
When I was single, dressed all so fine.&#13;
Now I am married, go ragged all the time.&#13;
Oh I wish I was a single girl again.&#13;
&#13;
When I was single, my new shoes would screak.&#13;
Now I am married, my shoes, O they leak&#13;
Oh I wish I was a single girl again.&#13;
&#13;
Three little children, a crying for bread.&#13;
And Oh, I am hungry, I wish I was dead.&#13;
Oh, I wish I was a single girl again.&#13;
&#13;
One crying Mammy, I want a piece of bread,&#13;
The other crying Mammy, I want to go to bed.&#13;
Oh, Mammy I wish I was a single girl again.&#13;
&#13;
Wh their little feet and send them to bed.&#13;
Long comes their Daddy and wishes they were dead. asked if they'd been fed.&#13;
Oh I wish I was a single girl again.&#13;
&#13;
Dishes to wh, the spring to go to,&#13;
When you are married you have the work to do.&#13;
Oh I wish I was a single girl again.&#13;
&#13;
Chickens are to feed, the cows are to milk.&#13;
Them blamed little children are all crying yet.&#13;
Oh I wish I was a single girl again.&#13;
&#13;
It's hard to be married and not have enough bread.&#13;
But I'd rather marry the devil than never to be wed.&#13;
Oh I wish I was a single girl again.&#13;
Oh I'm glad I'm not a single girl again. </text>
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                    <text>.lf!l-e 8ingle

&gt;Ja.

S4P-*.

. rl

When I w::&gt; s single,clressed all so fine.
Now I ai:l married, go raggecl all the time.
Oh I w ish I was a single ~rl again.
When I was single,my new shoes would screak.
Now I am narriea.,~ shoes, 0 t.lley leak
Oh I wish I was a single girl again. 1---

- ~, ~e
children, a
7 ~~A'hd bhilittle hungry;I wishcryin~£orbeiad. ~
am
I wall dead.
Oh,, I wisll I was a single

~
~

again.

.....

.

.

One cryin~ ·:amrny,I want a piece of bread,
The other.' cryinJ6 ..:ammy, I want to go to bed.
Oh,~aH!ll!y I wisl'{ I was a single gj; l ar.;ain.
Wash tlleir little feet an&lt;l !::;!.!~"~ 1to ,b eil,
Long cones their Daddy and
~
U16"3' were dea&amp;:.
Oh I wish I was a single girl aga •
~
&lt;
.
~
~ishes to wash,±he spring to go
When :r ou are marr1ecl you :tave t
to do.
Oh I wish I was G:. single ~ again.
.,.

&gt;B

t,..,

l~:ens

rL

to reed, t ~· e cows aret o milk.
~Mn,lamed little ohild en are all crying ye..t.
Oh I wish .I was a single ~-! again.

•

a.P@o

tl}-

It's hard to l)e married ~ not have enough~~ r~ .~:..
nut I'd rather marry the clevil than never to 1 ' e wed.
Qa-~-w~s~-~-wae-a-B~H~~e-g'P~-again.

Oh I'm glad I'm not a single

~!i:trit·again.

,.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>The Single Girl, I Wish I Were Single Again, A Drunkard, The Drunkard's Wife, A Married Woman's Lament, I'm Satisfied, When I was Single, I Wish I Were a Single Girl Again</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Sngle Girl Gal.&#13;
&#13;
When I was single, I went dressed all so fine.&#13;
Now I am married, go ragged all the time.&#13;
Oh I wish I was a single girl gal again.&#13;
&#13;
When I was single, my new shoes would screak.&#13;
Now I am married, my and oh my shoes, O they do leak&#13;
Oh I wish I was a single girl again.&#13;
&#13;
Three Two little children, a crying for bread.&#13;
And Oh, I am hungry, Nothing to give them an, I wish I was dead.&#13;
Oh, I wish I was a single girl gal again.&#13;
&#13;
One a crying Mammy, I want a piece of bread,&#13;
The other a crying Mammy, I want to go to bed.&#13;
Oh, Mammy I wish I was a single girl gal again.&#13;
&#13;
Wh their them little feet and send them to bed.&#13;
Long comes their Daddy and wishes they were dead. asks if they’ve been fed.&#13;
Oh I wish I was a single girl again.&#13;
 &#13;
Dishes to wh, and the spring to go to,&#13;
When you are married you have the work it all to do.&#13;
Oh I wish I was a single girl gal again.&#13;
&#13;
The chickens are to feed, the cows areto milk.&#13;
Them The blamed little children are all crying yit.&#13;
Oh I wish I was a single girl gal again.&#13;
                 &#13;
It’s hard to be married and not have enough of&#13;
bread.&#13;
But I’d rather marry the devil than never to be wed.&#13;
Oh I wish I was a single girl again.&#13;
Oh I’m glad I’m not a single girl gal again.&#13;
&#13;
Wh them little hands &amp; send them to school&#13;
Long comes that drunkard &amp; calls me a fool</text>
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                    <text>I AM THE BOY FOR BEWrrCHmG
THEM
I was the boy for bewitching them,
good-humored or coy;
All cried when I was beseeching them,
Do what you will with me joy.
For I was the boy for bewitching them.
Whethe~

Daughters be cautious and steady,
Mammies would cry out for fear;
Would not you take care now of Teddy,
Oh! he is the devil, my dear.
For I was the boy for bewitching them.
From every quarter I gathered them,
Very few rivals had I··
If I found any I lathered them,
That ~de them plaguily shy.
For I was the boy for bewitching them.
Pat Mooney my Shelah once meeting,
It wigged him beginning his clack;
Says he, at my heart I have a beating,
Says I, then take one at your back.
For I was the boy for bewitching them.
Many a lass that would fly away,
When other vooer, but spoke;
Once if I looked her a die away,
There was an end of the joke.
For I was the boy for bewitching them.
Beauties, no matter how cruel,
Hundreds of lads though they crossed,
When I came nigh to them jewel,
Me 1ted like mud in a frost
For I was the boy for bewitching them.

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>I Am The Boy For Bewitching Them&#13;
&#13;
I was the boy for bewitching them,&#13;
Whether good-humored or coy.&#13;
All cried when I was beseeching them,&#13;
Do what you will with me joy.&#13;
For I was the boy for bewitching them.&#13;
&#13;
Daughters be cautious and steady,&#13;
Mammies would cry out for fear.&#13;
Would not you take care now of Teddy,&#13;
Oh!  he is the devil, my dear.&#13;
For I was the boy for bewitching them.&#13;
&#13;
From every quarter I gathered them,&#13;
Very few rivals had I.&#13;
If I found any I lathered them,&#13;
That made them plaguily shy.&#13;
For I was the boy for bewitching them.&#13;
&#13;
Pat Mooney my Shelah once meeting,&#13;
It wigged him beginning his clack,&#13;
Says he, at my heart I have a beating,&#13;
Says I, then take one at your back.&#13;
For I was the boy for bewitching them.&#13;
&#13;
Many a lass that would fly away,&#13;
When other wooer, but spoke,&#13;
Once if I looked her  a die away,&#13;
There was an end of the joke.&#13;
For I was the boy for bewitching them.&#13;
&#13;
Beauties, no matter how cruel,&#13;
Hundreds of lads though they crossed,&#13;
When I came nigh to them jewel,&#13;
Melted like mud in a frost&#13;
For I was the boy for bewitching them.    </text>
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                    <text>I saw thy ~orm in youth~ul prime.
No thought that pale decay,
Could steal be~ore the steps o~ time,
And wash its bloom away.
Yet stillthy ~eatures wore that light.
Which fleets not with the breath,
And li~e never looked more ~arely bright,
Than in thy ami lee o~ death.
I

As steams that run over golden mines,
With modest murmur gl:de.
N~r seem to know the wealth that shines,
With in there gentle tide.
So ~all beneath a simple guise,
Thy radiant genious shone,
And that which charmed all other eyes,
Seemed worthless in thy own.
I~ souls could always dwell above,
Thou never hadest ~elt thy sphere,
Or could we keep the souls we love,
We never had lost thee here.
Though many a gilted mind. we meet,
Though ~a. ireet ~orms we see.
To live with them is ~arless sweet,
Than to remember thee.

�</text>
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No thought that pale decay, &#13;
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Which fleets not with the breath, &#13;
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With modest mur mur glide. &#13;
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I saw thy form in youthful prime,
Nor thought that pale decay;
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Which fleets not wi th the breath·
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Than in thy smile of death Mary.'
As streams that run over golden mines,
With modest murmur glide;
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So, veiled beneath a simple guise,
Thy radiant genius shone:
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Seemed worthless in thy 0wn Mary!
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Thou never hadest left thy sphere;
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We never had lost thee here Mary.'
Though many a gifted mind we meet,
Though fairest f0rms we see;
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Which fleets not with the breath,&#13;
And life never looked more purely bright,&#13;
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With modest murmur glide,&#13;
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Thy radiant genius shone,&#13;
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Father &#13;
 &#13;
Verse 1` &#13;
F. is for the fireside Smokes together &#13;
A. is all that he has given me &#13;
T. is for all the times we have had together &#13;
H. is for his heartstrings made of gold &#13;
E. is for the Eyes now growing dimmer &#13;
R. is right and Square He's been with me &#13;
Put it all to gather it spells “father” &#13;
the best friend and xallx pal a man can be &#13;
 &#13;
I Once had a heart &#13;
and it was true &#13;
It has left me &amp; gone to you &#13;
now you must take care of it as I have done &#13;
for you have too &amp; I have none &#13;
So tell me darling if you love me &#13;
it would cure my aking heart &#13;
for from sorrow it is breaking &#13;
to think we too so far apart. &#13;
 &#13;
Written By &#13;
James W. Martin</text>
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                    <text>I,HAVE NO MOTHER NOW
I hear the low winds sweeting
Through every bush and tree,
Where my dear mother's sleeping
Away from home and me.
Chorus:
Tears from my eyes are flowing
And sorrow shades my brow,
Cold in the grove she's sleeping,
I have no mother now.
I see the pale moon shining
On mother's white tomb stone,
The rose bush round it twining,
It's just like me alone.
It's just like me a-weeping,
Cold dewdrops damp my brown,
It's just like me a-weeping,
I have no mother now.
My life is so lonely,
My heart is troubled sore,
Her dearest presence, only,
Could make me weep no more.
She has gone from me to heaven,
Deep sorrow shades my brow,
The sacred tie is broken,
I have no mother now.
Sad was the hour of parting,
She said in words so sweet,
My loved one I'm dying
We must in heaven meet.
0 yes, I'll meet you Mother,
On that eternal shore
And there we'll live together,
Where parting is no more.
Come now, ye orphan children,
Who sorrow here below,
And join me in a promise,
That you'll to glory go.
Then when our labor's ended
And time shall be no more,
We'll go and live with mother,
Where parting is no more.

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>I Have No Mother Now&#13;
&#13;
I hear the low winds sweeting&#13;
Through every brush and tree,&#13;
Where my dear mother's sleeping&#13;
Away from home and me.&#13;
&#13;
Chorus.&#13;
Tears from my eyes are flowing,&#13;
And sorrow shades my brow,&#13;
Cold in the grove she's sleeping&#13;
I have no mother now.&#13;
&#13;
I see the pale moon shining&#13;
On mother's white tomb stone,&#13;
The rose bush round it twining,&#13;
It's just like me alone.&#13;
&#13;
Chorus&#13;
It's just like me a-weeping&#13;
Cold dew-drops damp my brow,&#13;
Its' just like me a-weeping,&#13;
I have no mother now.&#13;
&#13;
My life is so lonely,&#13;
My heart is troubled sore,&#13;
Her dearest presence, only,&#13;
Could make me weep no more.&#13;
&#13;
Chorus&#13;
She has gone from me to heaven,&#13;
Deep sorrow shades my brow,&#13;
The sacred tie is broken,&#13;
I have no mother now.&#13;
&#13;
Sad was the hour of parting&#13;
She said in words so sweet,&#13;
My loved one I'm dying&#13;
We must in heaven meet.&#13;
&#13;
Chorus.&#13;
O yes, I'll meet you Mother,&#13;
On that eternal shore&#13;
And there we'll live together,&#13;
Where parting is no more.&#13;
&#13;
Come now, ye orphan children,&#13;
Who sorrow here below,&#13;
And join me in a promise,&#13;
That you'll to glory go.&#13;
&#13;
Chorus&#13;
Then when our labor's ended&#13;
And time shall be no more,&#13;
We'll go and live with mother&#13;
Where parting is no more.</text>
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                    <text>IHA

NO

OTH ;..

o·"

I hear the low winds sweet ing
Throu&lt;:&gt;h every bw:h and tr(_e ,
rn Cl'C 1y de~=tr mothor's sleep ng
A my 1 rom he e and e .
C: Jor·· E.
ro l'J.Y eye r.H' flo : ng,
And Eorro· shnd
~ brow,
Co d in t.te grovt: 3 1e 1 s sl ccpin -; ,
1 have no mother now.

'l a1·t;

t,e pnl
nann
other's v.hitc
The rose bush ro :md
It 1 e ju"'t li e ,(
I se

n

chini

to b ::tone ,
it · iniBg ,
a one.

C.• o r:.1s

It ' c juct lik
e a- leepi ·g
Cold dlV-dro 1c da
brc ,
It's ,just .Like ne a-weeping,
I .lave no mot. er no •

y

~i~e i s so loPt~Y.
'ly heart is tr 'Ju'bled sore,
Her dearest preo nee , only,
Co 1ld
'
t.:: weep no
:lore.
C}tO!'ll~

She h n gone froM 1e t
hc~tven ,
e p sor r ow slt,d.e ny bro m,
The sa0r td tie 1s bro ~ n ,
I !lave no
otter n
Sad VIas t! e hour of
S1e uaid in

)arti n · ,
ords so sw ee t,

lov d one r • ~ dyin~
· e must in heaven eet.
Chorus.
I'll ae t you ~th _r ,
On t1at ct rnal shore
And t here 1e 1 ll liv e togeth~r.
Wh re part_ng · s n
or •

0 ye&amp;,

Co.me now , yc orphan children ,
Bho orrow here b low,
Andjoin me in a yromi··e ,
That you'll to glory go .
Chorus
Th n when our labor's ended
And time s!-1~ 11 be no mor ,
We 'll go and live \ ith mother
ere parting 1 s no rnc.:re .

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>I Have No Mother Now&#13;
&#13;
I hear the low winds sweeting&#13;
Through every brush and tree,&#13;
Where my dear mother's sleeping&#13;
Away from home and me.&#13;
&#13;
Chorus.&#13;
Tears from my eyes are flowing,&#13;
And sorrow shades my brow,&#13;
Cold in the grove she's sleeping&#13;
I have no mother now.&#13;
&#13;
I see the pale moon shining&#13;
On mother's white tomb stone,&#13;
The rose bush round it twining,&#13;
It's just like me alone.&#13;
&#13;
Chorus&#13;
It's just like me a-weeping&#13;
Cold dew-drops damp my brow,&#13;
Its' just like me a-weeping,&#13;
I have no mother now.&#13;
&#13;
My life is so lonely,&#13;
My heart is troubled sore,&#13;
Her dearest presence, only,&#13;
Could make me weep no more.&#13;
&#13;
Chorus&#13;
She has gone from me to heaven,&#13;
Deep sorrow shades my brown,&#13;
The sacred tie is broken,&#13;
I have no mother now.&#13;
&#13;
Sad was the hour of parting&#13;
She said in words so sweet,&#13;
My loved one I'm dying&#13;
We must in heaven meet.&#13;
&#13;
Chorus.&#13;
O yes, I'll meet you Mother,&#13;
On that eternal shore&#13;
And there we'll live together,&#13;
Where parting is no more.&#13;
&#13;
Come now, ye orphan children,&#13;
Who sorrow here below,&#13;
And join me in a promise,&#13;
That you'll to glory go.&#13;
&#13;
Chorus&#13;
Then when our labor's ended&#13;
And time shall be no more,&#13;
We'll go and live with mother&#13;
Where parting is no more.</text>
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                    <text>I am a peaceful wor~an
I never will onplain;
But since I wed I'm alnost dead
'Iy husband is insane.
He keeps ne juopinG throu~h a hoop,
He's gone f'rom batl to worse.
He does 'nt. seen to wanrt a wif'e;
Tfhat he needs is a nurse.
When I try :bo have my way,
He 1 11 yell at me ancl say,
"You're ~oing to loose your husband if' you do.
Go right ahead ancl I wont worry;
Have a hot time in a hurry.
' re you start on your way,
I have just t · is word to say
You're going to loose your lmsband, your hus 1and , your msband.
You're ~oing to lose your hus and if' you do.
~nd

I ' could'nt wear a ho le s kirt ~ hen they were all the ;o .
How I suf'f'ered on winJ.y d ys no one shall ever knoY1'.
nd now I ·: ant a harem skirt ; he can 1 t see tben at all
He says, "Uni te'l we will stand,clivided we dll :fall . 11
.;aid he ," You'll tal::e a chance if you wear those harewpu.nts .
You're going to lose your hus,and i~ you do.
Though ynu may think my ways uncouth, I won't stand for' 1c naked trub.
ncl while our c~mrms it may enhance to wear t:wse nify h&lt;.;, rem p ::! nt~
You're going to lose your husb ...md if you do .

I want to sing Grand Opera;I have a li ely voice !
'l'he way I sing" Il' trovatore 11 -cul 1
v our heart ejoice.
To have a job lilm ·~e ll a's 1as ali:ays een my 1;·ish:
Eut every ti1 iC I try to c;_i_nc; l. I~z.v to :o,:: -;c
l-_is : . •
T f'el t -lmrn hearted when he Gried., "Don't sing again,
You're goin~ to lose your husband if you ao.
i have a lovely voice," I cried.
Ile answerecl, " Tie that dog outsici.e, I have a new sovg to rehearse·
De says,"Jon't start the secon~ verse,
or you 1 re go ing to lose your lms 1 and i.f' you do."
r

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>I am a Peaceful Woman&#13;
&#13;
I am a peaceful woman&#13;
And I never will complain,&#13;
But since I wed I’m almost dead&#13;
My husband is insane.&#13;
He keeps me jumping through a hoop,&#13;
He’s gone from bad to worse.&#13;
He does’nt seem to wanrt a wife,&#13;
What he needs is a nurse.&#13;
When I try to have my way,&#13;
He’ll yell at me and say,&#13;
“You’re goint to loose your husband if you do.&#13;
Go right ahead and I wont worry,&#13;
Have a hot time in a hurry.&#13;
‘Ere you start on your way,&#13;
I have just this word to say&#13;
You’re going to loose your husband, your husband, your husband.&#13;
You’re going to loose your husband if you do.&#13;
&#13;
I could’nt wear a hobble skirt when they were all the go.&#13;
How I suffered on windy days no one shall ever know.&#13;
And now I want a harem skirt, he can’t see them at all&#13;
He says, “United we will stand,divided we will fall.”&#13;
Said he, “You’ll  take a chance if you wear those harempants.&#13;
You’re going to lose your husband if you do.&#13;
Though you may think my ways uncouth,I won’t stand for the naked truth&#13;
And while your charms it may enhance to wear those nifty harem pants,&#13;
You’re going to lose  your husband if you do.&#13;
&#13;
I want to sing Grand Opera, I  have a lively voice!&#13;
The way I sing”Ill’ trovatore “ would make your heart rejoice.&#13;
To have a job like Melba’s has always been my wish&#13;
But every time I try to sing I have to dodge a dish.&#13;
I felt down hearted when he cried,”Don’t sing again,&#13;
You’re going to  lose your husband if you do.&#13;
“I have a lovely voice,”  I cried.&#13;
He answered,”Tie that dog outside,I have a new song to rehearse.&#13;
He says,”Don’t start the second verse,&#13;
For you’re goint to lose your husband if you do.”</text>
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                    <text>The Homespun Dress.

Oh,Yes,I an a ~outhern 'irl,
.And lory in t.1e name;
T oast or it with ~reater pri e
Than glittering wealth or fame .
I envy not tl e 1;orthcrn t;;irl
Her robes of 1 eauty rare.
Tho' diamonds decl~ her snowy necl{
And pearls ~edeck her hair.
Chorus.
Hurra ! urrah!
For the sunny outll,so dear!
Three · cheers for t~e homespun dress
The "'outhorn lad.ies wear .
ow rort:1ern goods are ouu of ate;
since Olcl .A.lJe' s bloclmcle,
We outhern girls can be content
.ith ,.oods that's outhorn :made.
lTe seml our sweot:1eurts to the war,
But, ,irls,ne'er you nind--Your soldier loTe wil ~ not forget the girl he left
.Antl

The · outhern land's a lorious lan&amp;l,
And has a glorious cause;
Then che ~ r t•ree cheers for
outhern
J.nd .1.0r tee Southern boys !
We scorn to weur a bit of silk,
~
it of orthern lace,
But make our honespun dresses un,
And wear tL1e:m wit 1 a graee •

ehind.

ri~1ts,

.A.ncl now young ..c
en, a wor topyou,
If you would win teo fair,
Go to the fields \here honor calls
And win your lady there.
~ler.Ietf er that your brightest e smiles
A..re for the true and raTe
.And that our tears are all for t:10se t'1at :fill the soldiers

eaTe.

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Homespun Dress.&#13;
&#13;
Oh, Yes, I am a Southern girl,&#13;
And glory in the name,&#13;
I boast of it with greater pride&#13;
Than glittering wealth or fame.&#13;
I envy not the Northern girl&#13;
Her robes of beauty rare.&#13;
Tho’ diamonds deck her snowy neck&#13;
And pearls bedeck her hair.&#13;
&#13;
Chorus&#13;
Hurrah!  Hurrah!&#13;
For the sunny South, so dear!&#13;
Three  cheers for the homespun dress&#13;
The Southern ladies wear.&#13;
&#13;
Now Northern goods are out of date,&#13;
And since Old Abe’s blockade,&#13;
We Southern girls can be content&#13;
With goods that’s Southern made.&#13;
We send our sweethearts to the war,&#13;
But,girls,ne’er you mind---&#13;
Your soldier love will   not forget the girl he left behind.&#13;
&#13;
The Southern land’s a glorious land,&#13;
And has a glorious cause,&#13;
Then cheer three cheers for  Southern rights,&#13;
And for the Southern boys!&#13;
We scorn to wear a bit of silk,&#13;
A bit of Northern lace,&#13;
But make our homespun dresses up,&#13;
And wear them with a grace.&#13;
&#13;
And now young men, a word tonyou,&#13;
If you would win the fair,&#13;
Go to the fields where honor calls&#13;
And win your lady there.&#13;
Remember that your brightest smiles&#13;
Are for the true and brave&#13;
And that our tears are  all for those that fill the soldier’s  grave.               </text>
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                    <text>THE DYING PREACHER
My brother preacher boldly speaks
And stands on Zion•s walls,
T 1 revive the strong, confirm the weak
And after sinners call.
My brothers, fare you well,
Your fellowship I love.
In time no more I shall see you,
But soon we 1 11 meet above.
My little children near my heart
And nature seems to bind.
It grieves me sorely to depart,
And leave you all behind.
0 Lord, a Father to them be,
ANd keep them from all harm.
That they may love and worship Thee
ANd dwell upon Thy charms.
My loving wife, my bosom f.riend,
The object of my love,
The time•s been sweet I 1 ve spent with you
My sweet and harmless dove.
My loving wife, don•t grieve for me,
Neither lament nor mourn.
For I shall with my Savior be,
\~en you are left alone.
How
And
But
And

often
often
now I
never

you have looked for me,
seen me come;
must depart from thee
more return.

For I can never come to Thee;
Let not this grieve your heart.
For you will shortly come to me
\·/here we shall never pa:bt.

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Dying Preacher&#13;
&#13;
My brother preacher boldly speaks&#13;
And stands on Zion's walls,&#13;
T'revive the strong,confirm the weak&#13;
And after sinners call.&#13;
&#13;
My brothers,fare you well,&#13;
Your fellowship I love.&#13;
In time no more, I shall see you,&#13;
But soon we'll meet above.&#13;
&#13;
My little children near my heart&#13;
And nature seems to bind.&#13;
It grieves me sorely to depart, &#13;
And leave you all behind.&#13;
&#13;
O Lord,a Father to them be,&#13;
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                <text>The Dying Preacher&#13;
&#13;
My brother preacher bodly speaks&#13;
And stands on Zion’s walls,&#13;
T’revive the strong,confirm the weak&#13;
And after  sinners call.&#13;
&#13;
My brothers,fare you well.&#13;
Your fellowship I love.&#13;
In time no more, I shall see you,&#13;
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&#13;
My little children near my heart&#13;
And nature seems to bind.&#13;
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O Lord,a Father to them be,&#13;
And keep them from all harm.&#13;
That they may love and worship Thee&#13;
And dwell upon the charms.&#13;
&#13;
My loving wife, my bosom friend,&#13;
The object of my love,&#13;
The time’s been sweet I’ve spent with you&#13;
My sweet and harmless dove.&#13;
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My loving wife, don’t grieve for me,&#13;
Neither lament nor mourn.&#13;
For I shall with my Savior be,&#13;
When you are left alone.&#13;
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And often seen me come,&#13;
But now I must depart from thee&#13;
And never more return.&#13;
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                    <text>HE IS QUITE THE THING
When Charley did hie love confess,
In words so swee t he did complain;
Pray ladies how could I do less,
Than love this charming youth again?
For he can dance with graceful ease,
Can t ouch with magic skill the string;
Formed every female heart to please,
The girls all say he is ('uite the thing.
His teeth are white as mount ain snow,
His sparkling eyes as jet are black;
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'Jfuere is no charm which he doth lack.
The merry dance he will join with ease,
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With him I went t o sweet Vaunhall,
And crowds of well-dressed beaux were there;
But none I saw amongs t them all,
With my dear Charley could compare.
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I blushed, but could not answer nay-Because you know he is quite the thing .

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>He Is Quite The Thing&#13;
&#13;
When Charley did his love confess,&#13;
In words so sweet he did complain,&#13;
Pray ladies how could I do less,&#13;
Than love this chariming youth again?&#13;
For he can dance with graceful ease,&#13;
Can touch with magic skill the string&#13;
Formed every female heart to please,&#13;
The girls all say he is quite the thing.&#13;
&#13;
His teeth are white as mountain snow,&#13;
His sparkling eyes as jet are black&#13;
In short, the truth to let you know,&#13;
There is no charm which he doth lack.&#13;
The merry dance he will join with ease,&#13;
Or touch with with magic skill the string,&#13;
Formed every female heart to please--&#13;
I am sure you will say he is quite the thing.&#13;
&#13;
With him I went to sweet Vaunhall,&#13;
And crowds of well-dressed beaux were there,&#13;
But none I saw amongst them all,&#13;
With my dear Charley could compare.&#13;
The ladies do not blame me, pray--&#13;
For when he bought a wedding ring&#13;
I blushed, but could not answer nay--&#13;
Because you know he is quite the thing.</text>
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                    <text>YOUNG DAYS SHAIED

Has sorrow thy young days shaded
As clouds over the morning fleet.
Too fast have those young days faded,
That even in sorrow were sweet.
Does time with his cold wing wither
Each fee ling that one was dear.
Come child of misfortune hither,
I will weep with thee tear for tear.
Has love to that soul so tender,
Been like our Lagenion mine,
When sparkles of golden splendor,
All over the surface shine.

1

But if in pursuit we go deeper,
Allured. by the gleam that shone.
Ah, false as the dream of the sleeper,
Like love the alright one is gone.
Has hope like the bird .in the story,
That fluttered from tree to tree,
With the talesman's glittering glory,
Has hope been that bird to thee.
On branch after branch a lightening,
The gem did she still display,
And when nearest and most inviting,
Then woft the fair gem away.

If thus the sweet hours have fleeted,
When sorrow herself looked bright,
If thus the fond hope has cheated
That led thee along so light.
If thus the unkind world wither,
Each feeling that one was dear.
Come child of misfortune come hither,
I will weep with the tea.r for tear.
"This is written by a true friend,
Remember me forever, "
Ella Andrews

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Young Days Shaded&#13;
&#13;
Has sorrow thy young days shaded&#13;
As clouds over the morning fleet.&#13;
Too fast have those young days faded,&#13;
That even in sorrow were sweet.&#13;
&#13;
Does time with his cold wing wither&#13;
Each feeling that one was dear.&#13;
Come child of misfortune hither,&#13;
I will weep with thee tear for tear.&#13;
&#13;
Has love to that soul so tender,&#13;
Been like our Lagenion mine,&#13;
When sparkles of golden splendor,&#13;
All over the surface shine.&#13;
&#13;
But if in pursuit we go deeper,&#13;
Allured by the gleam that shone.&#13;
Ah, false as the dream of the sleeper,&#13;
Like love the alright one is gone.&#13;
&#13;
Has hope like the bird in the story,&#13;
That fluttered from tree to tree,&#13;
With the talesman’s glittering glory,&#13;
Has hope been that bird to thee.&#13;
&#13;
On branch after branch a lightening,&#13;
The gem did she still display,&#13;
And when nearest and most inviting,&#13;
Then woft the fair gem away.&#13;
&#13;
If thus the sweet hours have fleeted,&#13;
When sorrow herself looked bright,&#13;
If thus the fond hope has cheated&#13;
That led thee along so light.&#13;
&#13;
If thus the unkind world wither,&#13;
Each feeling that one was dear.&#13;
Come chilled of misfortune come hither,&#13;
I will weep with the tear for tear.&#13;
"This is written by a true friend,&#13;
Remember me forever,"&#13;
&#13;
Ella Andrews</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>The Handwriting on the Wall (Sanky)&#13;
&#13;
At the feast of Belshazzar &amp; a thousand of His Lords&#13;
While they drank from golden vessels, as the book of truth records&#13;
In the night as they reveled, in the royal palace hall&#13;
They seized with consternation – I was the hand upon the wall&#13;
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Tis the hand of ''  '' ''   ''  (  ''    '' ''  ''  )&#13;
Shall the record be found wanting&#13;
Or shall it be found trusting&#13;
While the hand is writing on the wall&#13;
&#13;
See the brave captive Daniel, as he stood before the throng&#13;
And rebuked the haughty monarch for his mighty deeds of wrong&#13;
As he read out the writing – twas the doom of one &amp; all&#13;
For the kingdom now was finished – said the hand upon the wall&#13;
&#13;
See the faith, zeal &amp; courage that would dare to do the right&#13;
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In his home in Judea, or a captive in the hall&#13;
He understood the writing of his God upon the wall.&#13;
&#13;
So our deeds are recorded – There’s a hand that’s writing now&#13;
Sinner give your heart to Jesus – to His royal mandates bow,&#13;
For the day is approaching – it must come to one &amp; all&#13;
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                    <text>THE NORTH CAROLINA FOLK-LORE SOCIETY
FRANK C . BROWN, SECRETARY- TREASURER

DURHAM . NORTH CAROLINA

•The Hamlet Wreck"
et-

)

•see the women and children going to the train ,
Fare-~ou-well , my husband, if I never see you again ,
The engineer turned his head
When he saw so man¥ were dead;
So many have lost their lives.
I

CHORUS.

a., ,

-ClA1./V

t i ,t sad , :i-Bf1' t it sad?
~cursion left Durham,going to Charlotte, North Carolina ,
Isn't tt sad, isn't it sad?
So many have lost their lives.
~

'-'

...

_ Some of us have mothers standing at the train ,
~ Fare-well-well , my daughter , I may never see you again ,
And th e train began to fly
And some di dn't come back alive;
So many have lost their lives.
The fireman said to the engineer,
"We are something late,
We don't want to meet up with the local freight",
The local was on the line
And the7K c ould not get there on time ,
So many have lost their lives .
When the news got to Dumam, some said it was a lie ,
But there was somein the hospital almost ready to die ,
And their poor old mothers , you know ,
They were running from door to door ;
s~ ma ny have lost their lives .
Now colored people I will tell you to your face ,
The train that left Dunham, was loaded with our race ,
And some did not think of dying
When they rode on down the line;
So many have los t the i r lives .
They put the dead in ~ eir coffins and sent them back to town ,
And then they were ~en to the burying ground ,
You could hear the coffin sound
When they let those bodies down;
So many have lost their ~ives . "

~ (By _Fr~nkl in Willi ~s and Wil~iam Firki ~s&gt; ''~

~ ~L o ~;~ ~~~:t ~ ~

j

_ .

.

;:;;:;-:4d::!f::r

~:X~~ J_~ ~11 ~ p~f;::!7v-y-Jr~,._j ~~

~ '"w-~J~

~/it. ~)hy

~~~ ~~~-

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>Negro Songs and Ballads&#13;
&#13;
The North Carolina Folklore Society. &#13;
Frank C. Brown, Secretary-Treasurer&#13;
Durham, North Carolina-&#13;
“The Hamlet Wreck”&#13;
&#13;
1&#13;
“See the women and children going to the train,&#13;
Fare-you-well, my husband, if I never see you again,&#13;
The engineer turned his head&#13;
When he saw so many were dead,&#13;
So many have lost their lives.&#13;
&#13;
Chorus &#13;
&#13;
Isn’t Ains it sad, isn’t ains it sad?&#13;
Ex/cur/si/on left Durham, going to Charlotte, North Carolina,&#13;
Isn’t it sad, isn’t it said?&#13;
So many have lost their lives.&#13;
&#13;
2&#13;
Some of us have mothers a standing at the train,&#13;
Say Fare-well-well, my daughter, I may never see you again,&#13;
And the train began to fly&#13;
And some didn’t come back alive,&#13;
So many have lost their lives.&#13;
&#13;
[illegible] The fireman said to the engineer,&#13;
“We are something late,&#13;
We don’t want to meet up with the local freight,”&#13;
The local was on the line&#13;
And theye could not get there on time ,&#13;
So many have lost their lives.&#13;
&#13;
3 omit these 2 stanzas&#13;
When the news got to Durham, some said it was a lie,&#13;
But there was some in the hospital almost ready to die,&#13;
And their poor old mothers, you know,&#13;
They were running from door to door,&#13;
So many have lost their lives.&#13;
&#13;
Now colored people I will tell you and tell you to your face,&#13;
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&#13;
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The world range unconfined.
ChorusThe virtues of the just and brave,
Exist alone with thee;
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Her birth-right's liberty.
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External be thy name.
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Columbia tow blest art thou,
Free from tyrannic sway;
Defend thy rights thy laws avow,
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A sweet assylum be;
To patriots of every clime
Who sigh for liberty.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>Hail Liberty!&#13;
&#13;
Hail!  liberty, supreme delight,&#13;
Thou idol of the mind,&#13;
Through every clime intend thy flight,&#13;
The world range unconfined.&#13;
________________________________&#13;
&#13;
Chorus-&#13;
The virtues of the just and brave,&#13;
Exist alone with thee.&#13;
Nature never meant to form  a slave,&#13;
Her birth-right’s liberty.&#13;
__________________________________&#13;
&#13;
Thou’ all the tyrants in the world,&#13;
Conspire to crush thy fame,&#13;
Still shall thy banners be unfurled,&#13;
External be thy name.&#13;
__________________________________&#13;
&#13;
Then let the world in one great band,&#13;
Of glorious unity.&#13;
Drive despotism from each land,&#13;
Or die for liberty.&#13;
___________________________________&#13;
&#13;
Columbia how blest art thou,&#13;
Free from tyrannic sway,&#13;
Defend thy rights thy laws avow,&#13;
Drive discord far away.&#13;
____________________________________&#13;
&#13;
And mayest thou to the end of time,&#13;
A sweet assylum be,&#13;
To patriots of every clime&#13;
Who sigh for liberty.</text>
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                    <text>HAll AMERICA
Hail! America, hail! unrivalled in fame,
Thy foes in confusion turn pale at thy name;
On thy rock-ro0ted virtue firmly seated sublime,
Bel'Jw the t hee break harmless the bill'Jws of t ime:
The striped flag shall wave still, and glory insure,
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Hurrah! Hurrah~ Hurrah! for brave America, where freedom i!l ~~m.o;::,
For a high car of crest, blazoned glory are yours.
Let Spain boast the tlt'~asures that grow in her mines,
Let Ga.llia rejoice in her olives and vines;
In bright-sparkling jewels let India prevail,
With her odors, Arabia. perfume every gale
It is Americaalone that can boast of the soil,
Where the fair fruits of virtue and liberty smile.
Hur 1-ah for Brave America, where freedom secures,
For the blessings of virtures and plenty are yours.
Our bosoms in rapture beat high at thy name,
Thy health is our transport-our triumph, th¢'y fame;
~'ke our sires, with our swords we will support thy renown.
What they bought with their blood we will defend with our own,
Smile, ye guardians of freedom--your brave sons in implore,
That America may flourish till time be no more.
Hurrah! for brave America, where freedom secures,
For the blessings of peace and large commerce are yours.
The muses to thee a. glad tribute shall pay,
We flourish with freedom, with freedom decay;
Our hearts faintly murmur, or silently stand,
Should the sword of oppression again wave our our land.
Can the eagle soar high can she dart like the wind,
When her files are oppr e ssed and her pinions confined?
H11rrah, far brave America, where freedom secures,
For a Bawdoin a Lincoln and Adams are yours.
With s-.reetness and beauty th¢'y daughters arise,
With r::&gt;se -blooming cheeks and love-languishing eyes ;
Haste ye graces, cries Jenus, to America. repair,
Fit comforts for heroes the first of the fair;
For to whom should the blessings of freedom descend,
But to some of those sires who dared freedom defend?
Hurrah, for brave America, where freedom secures,
For a Hancock, a Franklin, and Washington, are yours.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>Hail America&#13;
&#13;
Hail!  America, hail!  unriviled in fame,&#13;
Thy foes in confusion turn pale at thy name.&#13;
On thy rock-rooted virtue firmly seated sublime,&#13;
Below the thee break harmless the billows of time.&#13;
The striped flag shall wave still, and glory insure,&#13;
And freedom find ever a guardian in you.&#13;
Hurrah!  Hurrah!  Hurrah!  for brave America, where freedom seems secures,&#13;
For a high car of crest, blazoned glory are yours.&#13;
&#13;
Let Spain boast the treasures that grow in her mines,&#13;
Let Gallia rejoice in her olives and vines.&#13;
In bright-sparkling jewels let India prevail,&#13;
With her odors, Arabia perfume every gale&#13;
It is America alone that can boast of the soil,&#13;
Where the fair fruits of virtue and liberty smile.&#13;
Hurrah for Brave America, where freedom secures,&#13;
For the blessings of virtues and plenty are yours.&#13;
&#13;
Our bosoms in rapture beat high at thy name,&#13;
Thy health is our transport-our triumph, they fame.&#13;
Like our sires, with our swords we will support thy renown.&#13;
What they bought with their blood we will defend with our own,&#13;
Smile, ye guardians of freedom—your brave sons  in implore,&#13;
That America may flourish till time be no more.&#13;
Hurrah!  for brave America, where freedom secures,&#13;
For the blessings of peace and large commerce are yours.&#13;
&#13;
The muses to thee a glad tribute shall pay,&#13;
We flourish with freedom, with freedom decay.&#13;
Our hearts faintly murmur, or silently stand,&#13;
Should the sword of oppression again wave our our land.&#13;
Can the eagle soar high can she dart like the wind,&#13;
When her files are oppressed and her pinions confined?&#13;
Hurrah, for brave America, where freedom secures,&#13;
For a Bowdoin a Lincoln and Adams are yours.&#13;
&#13;
With sweetness and beauty they daughters arise,&#13;
With rose-blooming cheeks and love-languishing eyes,&#13;
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Fit comforts for heroes the first of the fair.&#13;
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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13th Century Ballad&#13;
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Black Jack Davy comes ridin' through the woods, Singing so loud and merri-ly that the green hills all around him rang and he charmed the heart of a lady and he charmed the heart of a lady.  </text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>Notated music</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="968158">
                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="969040">
                <text>&lt;a title="In Copyright - Rights-holder(s) Unlocatable or Unidentifiable" href="http://rightsstatements.org/vocab/InC-RUU/1.0//" target="_blank"&gt; In Copyright - Rights-holder(s) Unlocatable or Unidentifiable&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="969922">
                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="977851">
                <text>Ballads, English</text>
              </elementText>
              <elementText elementTextId="980577">
                <text>Ballads, Irish</text>
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              <elementText elementTextId="980578">
                <text>Adultery--Songs and music</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="983667">
                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="984559">
                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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        <name>Bill Harman</name>
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      <tag tagId="2302">
        <name>Black Eyed Davy</name>
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      <tag tagId="2328">
        <name>Black Jack Davey</name>
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      <tag tagId="2324">
        <name>Black Jack Davie</name>
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      <tag tagId="2297">
        <name>Black Jack Davy</name>
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      <tag tagId="2303">
        <name>Black Jack Gypsy</name>
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      <tag tagId="2323">
        <name>David Black Jack David</name>
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      <tag tagId="2310">
        <name>Gipsies of Agee Oh!</name>
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      <tag tagId="2307">
        <name>Gipsies-O</name>
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      <tag tagId="2320">
        <name>Gipsy Daisy</name>
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        <name>Gipsy Davy</name>
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      <tag tagId="2318">
        <name>Gipsy Draly</name>
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        <name>Gyps of David</name>
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      <tag tagId="2319">
        <name>Gypsum Davy</name>
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      <tag tagId="2300">
        <name>Gypsy Davy</name>
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      <tag tagId="2293">
        <name>Gypsy Laddie</name>
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      <tag tagId="2325">
        <name>Harrison Brady</name>
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      <tag tagId="2327">
        <name>How Old are You My Pretty Little Miss?</name>
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      <tag tagId="2299">
        <name>I'm Seventeen Come Sunday</name>
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      <tag tagId="2332">
        <name>Irish ballad</name>
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      <tag tagId="2301">
        <name>It was Late in the Night When Johnny Came Home</name>
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      <tag tagId="2295">
        <name>Johnny Faa</name>
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      <tag tagId="2294">
        <name>Lady Cassilles Lilt</name>
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      <tag tagId="2315">
        <name>O The Three Gypsies</name>
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      <tag tagId="2312">
        <name>Oh! The Gipsy Laddie Oh!</name>
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      <tag tagId="2309">
        <name>The Dark-Clothed Gypsy</name>
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      <tag tagId="2316">
        <name>The Dark-Eyed Gypsy O!</name>
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      <tag tagId="2313">
        <name>The Draggletail Gipsies</name>
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      <tag tagId="2326">
        <name>The Egyptian Davy O</name>
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      <tag tagId="2308">
        <name>The Gipsy Laddie</name>
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      <tag tagId="2330">
        <name>The Gypsy Daisy</name>
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      <tag tagId="2298">
        <name>The Gypsy Davie</name>
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      <tag tagId="2317">
        <name>The Gypsy Lady</name>
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      <tag tagId="2305">
        <name>The Gypsy Lover</name>
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      <tag tagId="2329">
        <name>The Heartless Lady</name>
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      <tag tagId="2304">
        <name>The Lady's Disgrace</name>
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      <tag tagId="2314">
        <name>The Raggle Taggle Gypsies</name>
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      <tag tagId="2311">
        <name>The Ragtail Gipsies</name>
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      <tag tagId="2296">
        <name>The Three Gypsy Laddies</name>
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      <tag tagId="2306">
        <name>The Wraggle Taggle Gipsies</name>
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