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                    <text>It is tbe last rose of summer,
Left blooming a. lone.
All her lovely companions
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No
No
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flower of her kindred,
rose bud ia nigh
reflect back her blushes,
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Go sleep thou with them.
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Lie scentless and dead.
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'Ylhen true hearts lie withered
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This bleak world alone.
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Left blooming alone,
All her lovely companions ,
Are faded and gone.
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flower of ber kindred,
rose bud is nigh,
reflect back herblushes,
give sigh for sigh.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>It is the last rose of summer,&#13;
Left blooming alone.&#13;
All her lovely companions&#13;
Are faded and gone.&#13;
&#13;
No flower of her kindred,&#13;
No rosebud is nigh&#13;
To reflect back her blushes,&#13;
Or give sigh for sigh.&#13;
&#13;
I will not leave thee thou love one&#13;
To pine on the stem&#13;
Since the lovely are sleeping&#13;
Go sleep with them.&#13;
&#13;
Thus kindly I scatter&#13;
Thy leaves over thy bed,&#13;
When thy mates of the garden,&#13;
Lie scentless and dead.&#13;
&#13;
So soon may I follow,&#13;
When friendships decay,&#13;
And from loves shinning circle&#13;
The gems drop away.&#13;
&#13;
When true hearts lie withered&#13;
And fond ones are flown,&#13;
Oh, who would inhabit&#13;
This bleak world alone.&#13;
&#13;
It is the last rose of summer&#13;
Left blooming alone,&#13;
All her lovely companions , &#13;
Are faded and gone.&#13;
&#13;
No flower of her kindred,&#13;
No Rose bud is nigh,&#13;
To reflect back her blushes,&#13;
Or give sigh for sigh. </text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Tragic love song&#13;
&#13;
The Two Soldiers.&#13;
&#13;
It was just before the last fierce charge, &#13;
two soldiers drew their reins, &#13;
with a parting word and a touch of the hand. &#13;
They might never meet again.  &#13;
One had blue eyes and curly hair, &#13;
nineteen but a month ago.  &#13;
There was red on his cheeks and down on his chin, he was only a lad you know. </text>
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                    <text>TOO LATE
So you 1 ve come back to me~
The old~ old love is living yet.
You 1 ve tried through all these weary years~
Have tried~ but vainly~ to forget.
So now you ve ·come to me once more
Since time at last has made you free~
And offer me again the heart
Whose earthly hopes were bound in me.
1

Corne cleser~ let me see you now;
The chestnut locks are touched with snow~
But 1 tis the same~ the dear old face
I loved so fondly long agoThe same as on that summer day
Bent over me and kissed my brow.
Oh~ happy trusting hour of love!
Ah~ well, it is all over now.
no you must not take my hand.
God never gives us back our youth.
The love, the faith you asked for then
Were yours, dear friend~ in perfect truth.
rEre woman 1 s love and woman 1 s ways
\fake doubt and anguish in my breast~
You left me and my heart is dead
No sound can now disturb its rest.
No~

Forgive you? Do not speak the word~
You never meant to do me wrong.
God sent this anguish to my heart
To help to make me brave and strong.
Farevrell~ I think I love you yet
As friends love friends, God bless you~ dear,
And lead you through the coming years
To whe~e the sky is bright and clear.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Too Late&#13;
&#13;
So you’ve come back to me,&#13;
The old, old love is living yet.&#13;
You've tried through all these weary years,&#13;
Have tried, but vainly, to forget.&#13;
So now you’ve come to me once more&#13;
Since time at last has made you free,&#13;
And offer me again the heart&#13;
Whose earthly hopes were bound in me.&#13;
&#13;
Come closer, let me see you now,&#13;
The chestnut locks that are touched with snow,&#13;
But ‘tis the same, the dear old face&#13;
I loved so fondly long ago—&#13;
The same as on that summer day&#13;
Bent over me and kissed my brow.&#13;
Oh, happy trusting hour of love!&#13;
Ah, well, it is all over now.&#13;
&#13;
No, no you must not take my hand.&#13;
God never gives us back our youth.&#13;
The love, the faith you asked for then&#13;
Were yours, dear friend, in perfect truth.&#13;
‘Ere woman’s love and woman’s ways&#13;
Wake doubt and anguish in my breast,&#13;
You left me and my heart is dead&#13;
No sound can disturb its rest.&#13;
&#13;
Forgive you? Do not speak the word,&#13;
You never meant to do me wrong.&#13;
God sent this anguish to my heart&#13;
To help make me brave and strong.&#13;
Farewell, I think I love you yet&#13;
As friends love friends, God bless you, dear,&#13;
And lead you through the coming years&#13;
The where the sky is bright and clear.</text>
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                    <text>DON'T YOU SEE THAT LITTLE BIRD?
Don't you see that little bird,
Hopping from vine to vine?
Lamenting for its own true love
As I do mournllir mine.
Chorus:
The storms are on the ocean,
The sea will cease to roam.
The earth will loose it's motion
If I prove false to thee.
If there's no change in the ocean,
If there's no change in the sea,
If there's no change in you my love
There'll be no change in me.
There is no change in the ocean,
There is no change in the sea,
If there's no change in you, my love,
There'll be no change in me.
I asked your Mama for you, dear.
She said you was too young.
I wish I had never saw you, dear
And I had never been born.
\fho will shoe your little feet,
And who will glove your hands?
And who will kiss your red rosy lips
When I'm in a foreign land?
My Papa will shoe my pretty little feet,
My Mama will glove my hands.
And you may kiss my red rosy lips
When you return again.

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>Must I Go to Mississippi, Annie of Lochryan, The Lass of Lochroyan, Love Gregory, Blue-Eyed Boy, Oh Who Will Shoe My Foot, Careless Love, I'll Hang My Harp, Should I Prove False to Thee, Cold Winter's Night, Lord Gregory, Winter's Night, Little Betty Ann, The Storms are on the Ocean, An Old Love Song, Lass of Rock Royal</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Don't You See That Little Bird&#13;
&#13;
Don't you see that little bird,&#13;
Hopping from vine to vine?&#13;
Lamenting for its own true love&#13;
As I do mourn for mine.&#13;
&#13;
Chorus:&#13;
The storms are on the ocean,&#13;
The sea will cease to roam.&#13;
The earth will loose it's motion&#13;
If I prove false to thee.&#13;
&#13;
If there's no change in the ocean,&#13;
If there's no change in the sea,&#13;
If there's no change in you my love&#13;
There'll be no change in me.&#13;
&#13;
There is no change in the ocean,&#13;
There is no change in the sea,&#13;
If there's no change in you, my love,&#13;
There'll be no change in me.&#13;
&#13;
I asked your Mama for you, dear.&#13;
she said you wase too young.&#13;
I wish I had never saw you, dear&#13;
And I had never been born.&#13;
&#13;
Who will shoe your little feet,&#13;
And who will glove your hands?&#13;
And who will kiss your red rosy lips&#13;
When I'm in a foreign land?&#13;
&#13;
My Papa will shoe my pretty little feet,&#13;
My Mama will glove my hands.&#13;
And you may kiss my red rosy lips&#13;
When you return again. </text>
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                    <text>Don ' t You

ee That Little Bir 1

Don't you see t hat little bird,
oJpin, from Tine to Tine?
Lamenting for its mm true loTe
As I do moubn f or mine .
Chorus.
The storms are on t • e ocean,
T e sea will cease t o roam.
T~ earth will lo eeeit's motion
If I _
rove false to t h ee .
t Lere's no c .ange in the ocean,
I:f t . .1ere' s no c 1an o;e in L 1e s Ja,
L. t here's no c' an ,e i n y ou my love
There'll e no chan_e in me.

I

There is no e ll' n "'e in ·,e o ,e P
1 ~·e
s n o c· en e il t
s ea
_f t e re' r; n
c an ·e i n ·ol' , . ·
L1e1·e' ll . Je n o c an ;c in 1e.

'C

a·_ for yon, ear.
m
•
sai · :·o·1 was e t oo
..1e
I ha neTer saw you, ear
I wish
een orn.
A nd I ha never
· skc .

·ou P

()

L

lf'lo will shoe your little :reet,
And who will gloTe your hancls'r
.Anc who will kiss your re rosy lips
\Then I ' m i:U a :roreign land!
y Papa will shoe my pretty little feet,
y ana will gloTe my hands •
•\n. you nay ldss .ny re:l rosy l i 1s
1 hen :rou return a afn .

�</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>Must I Go to Mississippi, Annie of Lochryan, The Lass of Lochroyan, Love Gregory, Blue-Eyed Boy, Oh Who Will Shoe My Foot, Careless Love, I'll Hang My Harp, Should I Prove False to Thee, Cold Winter's Night, Lord Gregory, Winter's Night, Little Betty Ann, The Storms are on the Ocean, An Old Love Song, Lass of Rock Royal</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Don't You See That Little Bird?&#13;
&#13;
Don't you see that little bird,&#13;
Hopping from vine to vine?&#13;
Lamenting for its own true love&#13;
As I do mourn for mine.&#13;
&#13;
Chorus.&#13;
The storms are on the ocean,&#13;
The sea will cease to roam.&#13;
The earth will loseeit's motion&#13;
If I prove false to thee.&#13;
&#13;
If there's no change in the ocean,&#13;
If there's no change in the sea,&#13;
If there's no change in you my love&#13;
There'll be no change in me.&#13;
&#13;
There is no change in the ocean..&#13;
There is no change in the sea&#13;
If there's no change in you, my love,&#13;
There'll be no change in me.&#13;
&#13;
I asked your Mama for you, dear.&#13;
she said you wase too young.&#13;
I wish I had never saw you, dear&#13;
A nd I had never been born.&#13;
&#13;
Who will shoe your little feet,&#13;
And who will glove your hands?&#13;
And who will kiss your red rosy lips&#13;
When I'm in a foreign land?&#13;
&#13;
My Papa will shoe my pretty little feet,&#13;
My Mama will glove my hands.&#13;
And you may kiss my red rosy lips&#13;
When you return again.</text>
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                    <text>The Lamlslicle.
!n the nontJ· or July' i 1 ',] c rc &lt;..r ci.·t ccn ,
~~ p.,t, t l '
::_c;~ ,_ lt "&gt;P 1 t mt was eTer seen,
A.s it ado its \'ay :fro m L1e ocean -..;r ide,
Struck :rit full force on t l e mountain si e.

r
_:

At the Jead of Jaek

ranch

there were chil ron fiTe,

.A father and mother and all alive;
As tl ey . stood in t~1e door and the rain came dorm,
They saw hmv quiel.::: it

coTerc~l

t'1e ground.

tl.e pleading voiee or ~ erry was .1ear :
t h e pines let's go torrether,"he said,
But the words or the oy had just een s"'"lolce · ljl
'hen the wind.ows or eaTen were thro vn wi&lt;le open.

~\nd

~o

The down our cane wit'1 a terrifi
roar;
It struclc t 1e .1ouse; they 'ere thrown to the floor;
The new orn 1 abe in the ratlle at rest
T 1e mother snatched up aml nressed to her 1 reast.
As the house went down they struck a tree~
They were all thrown out
~--Pt the three;
.A.s t 10 house went down aml the :wrscs , too,
The nei,hlors said there's rork to o.
Julius an' atson in t Hiir lmste
Turnctl t heir steps toward t1c ilson place;
They mc.l to tak e to I ig1 1er ground;
17hen they reached. tile place no llouse was found.

ho

mvn in the
se w' ich -illiam built
Lonas anl Lillie and. tl1e hil ren knelt.
Sai~ Julius to Lonas and Lillie too
"Are your chil rcn all safe ?I see onl·· t1ro."
"Oh no L..,aid he, I fear t'1ey are drowned;
They haTe not been seen since tlle lwuse ''ent
But down in t .. e ott om y the .Jt .clair pond
The bo!ies of Levis an~ J ennie were founi.

s the neir;hbors can' an i wal!md around
T:1eir teardrops fell ast on t 10 ground;
Eut poor little Perry has not been found·Ie sleeps so:1ewherc ~ eneath t 10 ground.
1.

ith a ed. o mud an l ·
·11ow of lay
He may not c found till the last .,reat day
'fhen t:10 angels cor1e wit· trumpet sound
To awal&lt;:e t 1e dead t 1a t
rc uncler t h e ~r'?und .
As he a1.akcs in t'1e r.w rning ~ ml up·mr flies
101 cet his loved ones
eyond t 1c skies.
Ob, :rod in J' ercy , ax in T 1y g teat love,
,.,re:mre t l em · 11 t o eet "' ee above.
That wben their trials and trou les arc past
'f lley ·· y all find a ho K~ :i.n r,. eaTen at last,
Throug1 eternity to sin~ is p raise
•or dyin~ love and saTin~ race.

own."

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Landslide, Lyric Variant 02</text>
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                <text>The Cloudburst</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Landslide.&#13;
&#13;
In the month of July, in the year sixteen,&#13;
The worst tropical storm that was ever seen,&#13;
As it made its way fro m the ocean wide,&#13;
Struck with full force on the mountain side.&#13;
&#13;
At the head of Jack branch there were children five,&#13;
A father and mother and all alive&#13;
As they stood in the door and the rain came down,&#13;
They saw how quick it covered the ground.&#13;
&#13;
And the pleading voice of Perry was heard:&#13;
To the pines let's go together, "he said,&#13;
But the words of the boy had just been spoken,&#13;
When the windows of Heaven were thrown wide open.&#13;
&#13;
The downpour came with a terrific roar&#13;
It struck the house, they were thrown to the floor&#13;
The new born babe in the cradle at rest&#13;
The mother snatched up and pressed to her breast.&#13;
&#13;
As the house went down they struck a tree&#13;
They were all thrown out except the three&#13;
As the house went down and the horses, too,&#13;
The neighbors said there's work to do.&#13;
&#13;
Julius and Watson in their haste&#13;
Turned their steps toward the Wilson place&#13;
They had to take to higher groun&#13;
When they reached the place no house was found.&#13;
&#13;
Down in the house which William built&#13;
Lonas and Lillie and the children knelt.&#13;
Said Julius to Lonas and Lillie too&#13;
"Are your children all safe? I see only two."&#13;
&#13;
"Oh no! said he, I fear they are drowned&#13;
They have not been seen since the house went down."&#13;
But down in the bottom by the St. Clair pond&#13;
The bodies of Lewis and Jennie were found.&#13;
&#13;
As the neighbors came and walked around&#13;
Their teardrops fell fast on the ground&#13;
But poor little Perry has not been found-&#13;
He sleeps somewhere beneath the ground.&#13;
&#13;
With a bed of mud and a pillow of clay&#13;
He may not be found till the last great day&#13;
When the angels come with trumpet sound&#13;
To awake the dead that are under the ground.&#13;
&#13;
As he awakes in the morning and upward flies&#13;
To meet his loved ones beyond the skies.&#13;
Oh, God in mercy, and in Thy gteat love,&#13;
Prepare them all to meet Thee above.&#13;
&#13;
That when their trials and troubles are past&#13;
They may all find a home in Heaven at last,&#13;
Through eternity to sing His praise&#13;
For dying love and saving grace. </text>
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                    <text>The Landslide.
In the monyh July, in the year sixteen,
As the neighbors came and
The worst tro:pi.}al storm that ever was seen, walked around,
As it made its way from the ocean wid
Their teardrops fell fast
Struck with f'ull force on the mountain sideo on the ground,
But poor little Perry has
not been found,
At the head of Jack branch there were child
He sleeps somewhere beneath
ren :Cive,
the ground.
A father ancl :. mother and all alive;
As they stood in the door ancl the rain caDe
lith a bed of' mud and a ~1 clown,
low of' clay .
They saw how tuick it coverecl the ~ound o
Re may not be found till
the last great day,
And the plead.ng voice of' Perry was heard:
flhen the angels coDe with
To the Bines ~et' s go together~ he said,
trULipet souncl,
But the wor, s of' the boy had just been spoken, o awaJ;:e the dead that are
Yhen the windn•s of' Heaven were thrmm wide
tmller the . groundo
open.
The downpour 'aLJ.e with terri:fic roar ,
It struck the house, they were thrmm to the
floor,
The new ~rn babe in the crad!e at rest,
Tbe moth~ snatched up and .pr essed to her
breast.

As he awalces in the morning and upward flies,
TO meet his loved ones beyond. the skies,
Oh, God in mercy and in tby
great loveo
Prepare them all to meet
thee above.

!\.!l the }Ouse went down they struck a tree,
- .c- :· W8"!.."'.:- ~ ,;:..::_l · ~l-u:;·u·-;;1 vu. t,
except the three,
the house went d1"\ID and the horses too ,

;t

That when their trials and
troubles are past,
They may find a home in
eRVen at last .
Julius and 'lilson in their haste,
Turned. their stem tm1ards the Wilson place, Through eternity to sing
his praise,
They had to take-to higher ground,
·when they react.1ei the place no house was found . For dying love and saving graceo
Down in the house which Willia.Ll built,
Lonas and Lill~e and the children knelt,
Said Julius to Lonas and Lillie too,
"Are your ctill lren all safe . I see only two''.
..ne neighbors said 'There is work to do 11 o

II

Oh no," aiel m, fl I fear t &gt;ey are drowned"
They have not leen seen since the house went
down".
But d mm in tht bottom by the st . Clair pond,
The bodies of' lewis and Jennie were found.

I

./.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Landslide.&#13;
&#13;
In the month July, in the year sixteen, &#13;
The worst tropical storm fell that ever was seen,&#13;
As it made its way from the ocean wide,&#13;
Struck with full force on the mountain side.&#13;
&#13;
At the head of Jack branch there were children five,&#13;
A father and a mother and all alive&#13;
As they stood in the door and the rain came&#13;
down,&#13;
They saw how quick it covered the ground.&#13;
&#13;
And the pleading voice of Perry was heard:&#13;
To the Pines let’s go together”, he said,&#13;
But the words of the boy had just been spoken,&#13;
When windows of Heaven were thrown wide&#13;
open.&#13;
&#13;
The downpour came with terrific roar,&#13;
It struck the house, they were thrown to the &#13;
floor,&#13;
The new born babe in the cradle at rest,&#13;
The mother snatched up and pressed to her&#13;
breast.&#13;
&#13;
As the house went down they struck a tree,&#13;
They were all thrown out, except the three,&#13;
As the house went down and the  horses too,&#13;
The neighbors said “There is work to do”.&#13;
&#13;
Julius and Wilson in their haste,&#13;
Turned their steps towards the Wilson place,&#13;
They had to take to higher ground,&#13;
When they reached the place no house was found.&#13;
&#13;
Down in the house which William built,&#13;
Lonas and Lilllie and the children knelt,&#13;
Said Julius to Lonas and Lillie too,&#13;
“Are your children all safe.  I see only two”.&#13;
&#13;
“Oh no,” said he, “ I fear they are drowned”&#13;
They have not been seen since the house went &#13;
down”.&#13;
But down in the bottom by the St. Clair pond,&#13;
The bodies of Lewis and Jennie were found.&#13;
&#13;
As the neighbors came and&#13;
walked around,&#13;
Their teardrops fell fast &#13;
on the ground,&#13;
But poor little Perry has &#13;
not been found,&#13;
He sleeps somewhere beneath&#13;
the ground.&#13;
&#13;
With a bed of mud and a pillow of clay&#13;
He may not be found till&#13;
the last great day,&#13;
When the angels come with &#13;
trumpet sound,&#13;
To awake the dead that are &#13;
under the ground.&#13;
&#13;
As he awakes in the morning and upward flies,&#13;
To meet his loved ones beyond the skies,&#13;
Oh, God in mercy and in thy&#13;
great love.&#13;
Prepare them all to meet&#13;
thee above.&#13;
&#13;
That when their trials and &#13;
troubles are past,&#13;
They may find a home in&#13;
Heaven at last.&#13;
Through eternity to sing&#13;
his praise,&#13;
For dying love and saving grace. &#13;
&#13;
By A. M. Bumgarner&#13;
Charlotte, N. C. </text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>False Lamkin Bolakins, Beaulampkins, Squire Relantman, False Lambkin, Lampkin, Boab King, Lammikin, Long Lankin, Bo Lamkin, Bold Adkins, Bo Lankin</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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        <name>Lampkin</name>
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                    <text>LA. FAYETTE

Should auld acquaintance be forget,
And never brought to m:nd?
The friends that's true remembered not,
And deys of auld lang syne?
F-:Jr auld la.ng eyne, my dear,
We never can f-:Jrget,
When dangers pressed a.nd foes drew near,
Our friends was La Fayette.
When first -:Jur fathers bravely drew,
Against tyrants and their laws,
On wings of generous zeal he flew,
To aid the holy cause. ChorusHe
He
He
To

stemmed the broad Atla.nt:l.c wave,
v-:Jwed they sh:mld be free,
led the bre.vee t. -:Jf the brave,
death -:Jr victory. Chorus-

Let Brandywine his gl-:Jry tell,
And t-bnm-:Juth loud acclaim;
Let Y-:Jrk in triumph proudly swell

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Watson, Henry C. (Henry Clay), 1831-1869</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>LaFayette&#13;
&#13;
Should auld acquaintance be forget,&#13;
And never brought to mind?&#13;
The friends that’s true rememberd not,&#13;
And days of auld lang syne?&#13;
For auld lang syne, my dear,&#13;
We never can forget,&#13;
When dangers pressed and foes drew near,&#13;
Our friends was La Fayette.&#13;
&#13;
When first our fathers bravely drew,&#13;
Against tyrants and their laws,&#13;
On wings of generous zeal he flew,&#13;
To aid the holy cause.  Chorus-&#13;
&#13;
He stemmed the broad Atlantic wave,&#13;
He vowed they should be free,&#13;
He led the bravest of the brave,&#13;
To death or victory.  Chorus-&#13;
&#13;
Let Brandywine his glory tell,&#13;
And Monmouth loud acclaim,&#13;
Let York in triumph proudly swell</text>
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                    <text>KATY WELlS

You ask what makes this darkey weep,
Why him like others am not gay.
What makes the tears roll down his cheek,
From early dawn to the close of day.
The story darkys, you shall bear,
For fresh it in my memory dwell,
It will cause you all to shed a tear,
Over the grave of my poor Katy Wells, ChorusWhen the wild birds were singing sweetly in the morning,
When the myrtle and the ivy were in bloom,
When the sun over the hill tops was dawning
It wa.s there I laid her in the tomb.
I never shall forget that day,
When we together roamed the dell,
I kissed her cheek and named the day,
That I should marry !aty Wells.
When death came in that cabin door,
And stole from me my joy and pride,
And when I found she wa.s no more,
I laid my banjo down and cried, ChorusOftimes I wish that I were dead,
And laid beside her in the tomb,
The sorrow that bowed down my head,
Is as dark to me as the midnight gloom.
The springtime has no charm
The flowers are blooming in
Her from I never more shall
Is the form of my poor Katy

for me,
the dell,
see,
Wells, Chorus-

(Song ballad written by Miss Linza Joyner for Miss Ella Andrews)

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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                <text>&lt;a title= "Robersonville (N.C.)" href=" https://www.geonames.org/4488314/robersonville.html" target="_blank" rel="noreferrer noopener"&gt; Robersonville (N.C.)&lt;/a&gt;</text>
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                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Katy Wells&#13;
You ask what makes this darkey weep,&#13;
Why him like others am not gay.&#13;
What makes the tears roll down his cheek,&#13;
From early dawn till close of day.&#13;
The story darkys, you shall hear,&#13;
For fresh it in my memory dwell,&#13;
It will cause you all to shed a tear,&#13;
Over the grave of my poor Katy Wells, Chorus-&#13;
&#13;
When the wild birds were singing sweetly in the morning,&#13;
when the myrtle and the ivy were in bloom,&#13;
When the sun over the hill tops was dawning&#13;
It was there I laid her in the tomb.&#13;
&#13;
I never shall forget that day,&#13;
When we together roamed the dell,&#13;
I kissed her cheek and named the day,&#13;
That I should marry Katy Wells.&#13;
&#13;
When death came in that cabin door,&#13;
And stole from me my joy and pride,&#13;
And when I found she was no more,&#13;
I laid my banjo down and cried, Chorus-&#13;
&#13;
Oftimes I wish that I were dead,&#13;
And laid beside her in the tomb,&#13;
The sorrow that bowed down my head,&#13;
Is as dark to me as the midnight gloom.&#13;
&#13;
The springtime has no charm for me,&#13;
The flowers are blooming in the dell,&#13;
Her from I never more shall see,&#13;
Is the form of my poor Katy Wells, Chorus-&#13;
&#13;
(Song ballad written by Miss Linza Joyner for Miss Ella Andrews)</text>
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                    <text>THE K K
IC ING MULE
Once there was a man; his name was Simon Slick.
He had a mule with dreamy eyes, and hm• that mule could kick.
He'd shut one eye and switch his tail and greet you with a smile;
He'd gently raise you from the grofuld and kick you half a mile.
Chorus.
~llioa, mule, I tell you,
Whoa, mule, I say.
Keep your seat, Miss Liza Jane,
And hold on to the sleigh.

I hitched that mule one morning to take my girl a ride,
He kicked both hind feet over the shafts, and kicked her in the side;
He kicked the feathers from a goose; he broke the elephant's back;
He stopped the Texas railway train, and kicked it off the track.
Oh hear them sleighbells ringing, the snow is falling fast;
So with a mule \vi th room for two, just watch us going past.
And don't get scared at nothing, what you hear or what you see,
And, Liza, I'll stay with this mule, and you must stay vlith me.
Just see them snowflakes flying. Lookout. Let them sail.
Watch them ears of his'n and see him wag his tail.
Going to the preacher's, Liza; you keep cool,
Hain't got time to kiss you now; I 1m busy with this mule.
Little bee came flying around, came flying around the well,
This little mule gave him one good kick, his head began to swell.
Took him down to the blacksmith's shop, and hitched him all alone,
He kicked both hindfeet till he died, and oh, how he did groan.

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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              <text>Brown, Blackface Minstrel, Negro Songs -- 513</text>
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                <text>Kicking Mule</text>
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                <text>Liza Jane, Who a, Mule</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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                <text>Minstrel music </text>
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                <text>Nonsense songs </text>
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                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Kicking Mule&#13;
&#13;
Once there was a man, his name was Simon Slick.&#13;
He had a mule with dreamy eyes, and how that mule could kick.&#13;
He’d shut one eye and switch his tail and greet you with a smile.&#13;
He’d gently raise you from the ground and kick you half a mile.&#13;
&#13;
Chorus&#13;
Whoa, mule, I tell you,&#13;
Whoa, mule, I say.&#13;
Keep your seat, Miss Liza Jane,&#13;
And hold on to the sleigh.&#13;
&#13;
I hitched that mule one morning to take my girl a ride,&#13;
He kicked both hind feet over the shafts, and kicked her in the side.&#13;
He kicked the feathers from a goose, he broke the elephant’s back.&#13;
He stopped the Texas railway train, and kicked it off the track.&#13;
&#13;
O hear them sleighbells ringing, the snow is falling fast.&#13;
So with a mule with room for two, just watch us going past.&#13;
And don’t get scared at nothing, what you hear or what you see,&#13;
And, Liza, I’ll stay with this mule, and you must stay with me.&#13;
&#13;
Just see them snowflakes flying.  Lookout.  Let them sail.&#13;
Watch them ears of his’n and see him wag his tail.&#13;
Going to the preacher’s, Liza, you keep cool,&#13;
Hain’t got time to kiss you now, I’m busy with this mule.&#13;
&#13;
Little bee came flying around, came flying around the well,&#13;
This little mule gave him one good kick, his head began to swell.&#13;
Took him down to the blacksmith’s shop, and hitched him all alone,&#13;
He kicked both hindfeet till he died, and oh, how he did groan.</text>
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                    <text>KATHERINE COOY

As walking forth to view the ~lain,
U~on a morning early;
While V~y's sweet scent did cheer my brain,
From flowers which grew so rarely,
I chanced to meet a ~retty maid,
She shined though i t we.s foggy;
I asked be::- name; sweet sir, she said,
My name is Ka.therine Oggy.
I stood a while and did admire,
To see a nym~h so stately;
So brisk an air there did a.~~eer,
In a. country maid s·.:&gt; nee.tly,
Such na.tural sweetness she dis~layed,
Like lilies in a boe~;
Dia.na 's self was never arrayed,
Like this same Y..a.therine Oggy.
Thou flower of females, Beautys queen,
Who sees thee sure must ~rize thee,
Though th-:m art d_rest in robes but meen,
Yet trese cann::&gt;t disquise thee;
Thy handsome air, and graceful look,
Far excels a. clownish rogy;
Thou art amatch for L::&gt;:r~, or duke,
My charming Katherine Oggy.
0! were I but some she~herd swain,
To feed my flock beside thee;
At bugling time to leave the ~lain,
In milking to a~ide thee;
I would think myself a ha~~ier man,
With Kate, my club, a.nd doggy;
Than he that hugs his thousands ten,
Had I but Ka.therine Oggy.

Then I would des~ise the im~rial throne,
And statemen's dangerous stations;
I would be no king I would wear no crown,
I would smile at c::&gt;nquering nations;
Might I caress, a.nn still ~ossess,
This lass of whom I am voggy;
For they are 't::&gt;ys, and still looks less,
Compared with Katherine Oggy.
But I fear the gods ha.ve not decreed,
For me so fine a creature;
Whose beauty rare makes her exceed,
All other works in nature;
Clouds of despair surround my love,
That are both dark and foggy;
Pity my case, ye powers above,
Else I die for Katherine Oggy.

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Katherine Oggy&#13;
&#13;
As walking forth to view the plain,&#13;
Upon a morning early,&#13;
While May’s sweet scent did cheer my brain,&#13;
From flowers which grew so rarely,&#13;
I chanced to meet a pretty maid,&#13;
She shined though it was foggy,&#13;
I asked her name, sweet sir, she said,&#13;
My name is Katherine Oggy.&#13;
&#13;
I stood a while and did admire,&#13;
To see a nymph so stately,&#13;
So brisk an air there did appear,&#13;
In a country maid so neatly,&#13;
Such natural sweetness she displayed,&#13;
Like lillies in a boggy,&#13;
Diana’s self was never arrayed,&#13;
Like this same Katherine Oggy.&#13;
&#13;
Thou flower of females, Beautys queen,&#13;
Who sees thee sure must prize thee,&#13;
Though thou art drest in robes but mean,&#13;
Yet these cannot disguise thee,&#13;
Thy handsome air, and graceful look,&#13;
Far excels a clownish rogy,&#13;
Thou art a match for Lord, or duke,&#13;
My charming Katherine Oggy.&#13;
&#13;
O!  were I but some shepherd swain,&#13;
To feed my flock beside thee,&#13;
At bugling time to leave the plain,&#13;
In milking to abide thee,&#13;
I would think myself a happier man,&#13;
With Kate, my club, and doggy,&#13;
Than he that hugs his thousands ten,&#13;
Had I but Katherine Oggy.&#13;
&#13;
Then I would despise the imperial throne,&#13;
And statesmen’s dangerous stations,&#13;
I would be no king I would wear no crown,&#13;
I would smile at conquering nations,&#13;
Might I caress, and still possess, &#13;
This lass of whom I am voggy,&#13;
For they are toys, and still looks less,&#13;
Compared with Katherine Oggy.&#13;
&#13;
But I fear the gods have not decreed,&#13;
For me so fine a creature,&#13;
Whose beauty rare makes her exceed,&#13;
All other works in nature,&#13;
Clouds of despair surround my love,&#13;
That are both dark and foggy,&#13;
Pity my case, ye powers above,&#13;
Else I die for Katherine Oggy.    </text>
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                    <text>JUST

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>Just Plain Folks&#13;
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To a mansion in the city come a couple old and grey&#13;
To see their son who’d left them long ago.&#13;
He has prospered and grown wealthy&#13;
Since a youth he’dawent away&#13;
And now his life was one of pomp and show&#13;
But coldly did he greet them&#13;
For his friends were by his side&#13;
Who’d often heard him boost of home so grand&#13;
Then the old man sadly looked at him&#13;
And said with modest pride&#13;
While he gently took his dear wife by the hand.&#13;
&#13;
CHORUS&#13;
We’re just plain folks your mother and me&#13;
Just plain folks like our own folks used to be&#13;
As our presents seem to grieve you&#13;
We will go away and leave you&#13;
For we’re sadly out of place here&#13;
For we’re just plain folks&#13;
&#13;
Taint so long ago that you were just a simple country lad&#13;
And did the work a country lad should do&#13;
In those days you never looked with shame on mother and old dad&#13;
In fact my boy we both were proud of you&#13;
But something seems too’ve changed you&#13;
Your wealth has brought strange pride&#13;
But riches sometimes takes its wings they say&#13;
Then you’ll always find a hearty welcome at your parents side&#13;
They’ll greet you in the same old way.    </text>
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Just Give Him One More as He Goes.&#13;
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>I'll Give You One More as You Go, Sic Him, Towse</text>
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                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                    <text>THE GAMBLING MAN
I am a rovin' gambler
I've gambled all around
Wherever I meet with a gambling man
I'd lie my money down.
I've gambled down in Washington,
I 1 ve gambled out in Spain.
I'm going down in Georgia,
To gamble my last game.
I had not been in ~vashington
Many more weeks than three
Till I fell in love with a pretty Miss
And she fell in love with me.
She
She
She
I 'm

took me in her parlor;
cooled me with her fan;
whispered low in her Ivlother ' s ear
in love with a gambling man.

Mother, Oh dear Mother,
You know I love you well
But the love I have for the gambling man
No human tongue can tell.
Daughter, 0 dear daughter,
How could you treat me so?
To leave your dear old Mother
And with a gambler go.
Mother, 0 Mother,
Forgive me if you can.
If you ever see me coming again,
I'll be with the gambling man.

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>The Roving Journeyman, Broom Field Town, The Rovin' Gambler, The Guerilla Man, Gamblin' Man, Gamboling Man, Guerilla Boy, The Roving Gambler, The Roving Pedlar</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Gambling Man&#13;
&#13;
I am a rovin' gambler&#13;
I’ve gambled all around&#13;
Wherever I meet with a gambling man&#13;
I'd lie my money down.&#13;
&#13;
I've gambled down in Washington,&#13;
I've gambled out in Spain. &#13;
I'm going down in Georgia, &#13;
To gamble my last game.&#13;
&#13;
I had not been in Washington &#13;
Many more weeks than three&#13;
Till I fell in love with a pretty Miss&#13;
And she fell in love with me.&#13;
&#13;
She took me in her parlor.&#13;
She cooled me with her fan.&#13;
She whispered low in her Mother’s ear&#13;
I'm in love with a gambling man.&#13;
&#13;
Mother, O dear Mother, &#13;
You know I love you well&#13;
But the love I have for the gambling man&#13;
No human tongue can tell.&#13;
&#13;
Daughter, O dear daughter,&#13;
How could you treat me so?&#13;
To leave your dear old Mother&#13;
And with a gambler go.&#13;
&#13;
Mother, O Mother,&#13;
Forgive me if you can.&#13;
If you ever see me coming again,&#13;
I’ll be with the gambling man.</text>
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                    <text>JOHNNY DOWL
Last Saturday evening way late in the night,
As me and my true love wasabout to take flight,
My waiting maid a standing by so plainly you may see,
She run unto my mammy and told upon me.
My Mother she led me into my room,
There no one could see me nor no one could come,
She bundled up my clothing and she bid me to be gone
So slowly and still did I slip them on.

Five hundred pounds my Father did provide,
Besides horse and pilions to ride by my side,
And six noble horsemen to ride by my side,
In order to make m young Samuel Moore's bride.
~le rode and we rode till we came to the town,
We rode to Mister Gordens and there we did get down,
We rode to Mister Gordens and there we did light down,
So sore sick and weary my body I found.

As soon as the priest he did enter the door,
My ear rings they bursted and fell to the floor,
My sixty five stay laces in pieces they flew,
I thought my poor heart was a breaking in two.
Behind my own
My Mother she
She led me to
So sick, sore

brother they carried me home,
led me its into my room,
my bed side and there I did lay down
and weary my poor body vvas.

Oh Mother, oh mother, its bar up the door,
Until the break of day, don't let in Samuel Moore
For before this time tomorrow its death shall end all strife,
He never shall enjoy me nor call me his wife.
Oh daughter, oh daughter, shall we send for Johnny Dowl,
Oh mother, oh mother, its scarcely worth while,
For there is more grief at my heart than my tongue can tell,
And the last words she spoke was ''Dear Johnny, fare you well.

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>Johnny Dowl &#13;
&#13;
 Last Saturday evening way late in the night, &#13;
As me and my true love was about to take flight, &#13;
My waiting maid a standing by so plainly you may say see, &#13;
She run unto my mammy and told upon me. &#13;
 &#13;
My mother she led me into my room, &#13;
There no one could see me nor no one could come, &#13;
She bundled up my clothing and she bid me to be gone &#13;
So slowly and still did I slip them on. &#13;
 &#13;
Five hundred pounds my Father did provide, &#13;
Besides horse and pilions to ride by my side, &#13;
And six noble horsemen to ride by my side, &#13;
In order to make mxyxe young Samuel Moore's bride. &#13;
&#13;
We rode and we rode till we came to the town, &#13;
We rode to Mister Gordens and there we did get down, &#13;
We rode to Mister Gordens and there we did light down, &#13;
So sore sick and weary my body I found. &#13;
 &#13;
As soon as the priest he did enter the door, &#13;
My ear rings they bursted and fell to the floor, &#13;
My sixty five stay laces in pieces they flew, &#13;
I thought my poor heart was a breaking in two. &#13;
 &#13;
Behind my own brother they carried me home, &#13;
My Mother she led me its into my room, &#13;
She led me to my bed side and there I did lay down &#13;
So sick, sore and weary my poor body was. &#13;
&#13;
Oh Mother, oh mother, its bar up the door, &#13;
Until the break of day, don't let in Samuel Moore &#13;
For before this time tomorrow its death shall end all strife, &#13;
He never shall enjoy me nor call me his wife. &#13;
 &#13;
Oh daughter, oh daughter, shall we send for Johnny Dowl, &#13;
Oh mother, oh mother, it's scarcely worth while, &#13;
For there is more grief at my heart than my tongue can tell, &#13;
And the last words she spoke was “Dear Johnny, fare you well. </text>
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                    <text>Las t Saturday evenin' way late in t: e nigl·t ,
.As .1e and lY t rue l o ve was ab_;L.. t to tal:£ 11~_-:.t ,
:y wai-cin, ·12id a standil~ t ~ y ~~o _)lc:"'nlJ yo~1 mCtJ see ,
tJhe run uuto m.y ma.r-:r:ny and ·.:old u )On ne .
. ~y

.Io ti1~:;r

s .. EJ led 1e into r11y roo 1,
'.:'l1er no one c ou.ld sec "'!e noT no one ~•;-J.:.-1 coy1c ,
::)Le bundled up 1Y ~ l ot:~ im: rtnd 2. e -)id te 't
'be ::&gt;ne ,
So slo\;ly ar:.d stil.r ('?) dj.d .L s:::..ilJ t. u·l Jn •

.i&lt;'i·.c hundrc.d .Jounds ny ..~•'1-.t:.c::r did · ·o vidc , .
Besides horse -mci pilions to ride by m.y -ide ,
nd sit nDul' horsc11rn to rirl.e by :y ~.: c ,
I n or der t o make ue younr:-; Sa w.el 1.o o re ' L bri

H . •

We rode Rnd . c rode till we c ::...... t.. to :. .• L ~o. n ,
'e roc.:.e to ~istcr Gardens &lt;. n: t. 're ;,e did ·ct dJ\.tr: ,
• e rode ·~o 'cis-ccr Gorden::. nn
0. ,e.c·c '..'c ri L8. : :_ i
Lio so::·c si ,;~~ trJ. '.JCct y ·1Y bocs I f~:r.lnd .

~)It

d ;·

Y)

• s soon :'l.s t:.c priest Lc di~~ e:-~ t"'r '~ . E doH ,
"y ear rin~s ~. 1 e.· ·burccr::d ·r .1.c:1 t.:: t. t
lJor ,
.y f L . tJ • i\, S\:;'-=tY l8ces :n p~e.::c::: ·c. ey flc., ,
I tt1v·..). ~ :

Bt=nind 1Y o\!n brot. .•er ;:,, e.f .Ja r l'i ~_,c.,_ .c .!~&lt;'!J.~_, ,
ry ~:otLcr s .• c. lt.d ~c: :i-t-e i t.J lrly roo•1 ,
::i!le led .e t::J !Y 'bEd Eide an
v:_t;J.'•- I &lt;.E . . . l cY de n
:::io sic_:, sore anJ weary •:v poor liOecJ i7as .

On

~~ot., !' ,
oJ. ;.:l::JtJ:_cr , ite bar u _ t .• t.- 6. cr ,
Unt.;l tl'.c break of ct-..~ , dm ' t h t in 'a·u e _ .oorc
..._
. ..
..:!'or ·be-LOY'"' t_l.is t
c :;o;"lcr: o·, itL death :::: ll c J , l l s ... rlie ,
he never sLal l en, oy w nor cal l 1G his 1 i.:. · •

0 ~ . dau. ..::~ te:::" , oh dau;:~ter , s ... all .. (. ~.''!CC1 .cOl' .::-o; D11J JaMt.,.,l..-,..,..}. lOt_,L:::- , ol1 not:.E.r , its scar~ely J JI't~ .. • h.L',e ,
.!!'or t.1.c:::-"' L. ·1u:::·e grie.1. e.. t my }.eart tl:an 11y ton ~J.e -::~.'1 t&lt;:.l ,
.\)
And t!,~ last i':o:;:ds s.Lc r.yOKe vm;:.. 11 _j er-.. r Jo,,nny , fare y,) \.ell .

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Johnny Dowl&#13;
&#13;
Last Saturday evening way late in the night,&#13;
As we and my true love was about to take flight,&#13;
My waiting maid a standing by so plainly you may say see,&#13;
She run unto my mammy and told upon me.&#13;
&#13;
My mother she led me into my room,&#13;
There no one could see me nor no one could come,&#13;
She bundled up my clothing and she bid me to be gone,&#13;
So slowly and stily (?) did I slip them on.&#13;
&#13;
Five hundred pounds my Father did provide,&#13;
Besides horse and pilions to ride by my side,&#13;
And sit noble horsemen to ride by my side,&#13;
In order to make me young Samuel Moore’s bride.&#13;
&#13;
We rode and we rode till we came to the town,&#13;
We rode to Mister Gordens and there we did get down,&#13;
We rode to Mister Gordens and there we did light down,&#13;
So sore sick and weary my body I found.&#13;
&#13;
As soon as the priest he did enter the door,&#13;
My ear rings they bursted and fell to the floor,&#13;
My sixty five stay laces in pieces they flew,&#13;
I thought my poor heart was a breaking into.&#13;
&#13;
Behind my own brother they carried me home,&#13;
My Mother she led me its into my room,&#13;
She led me to my bed side and there I did lay down&#13;
So sick, sore and weary my poor body was.&#13;
&#13;
Oh Mother, oh mother, its bar up the door,&#13;
Until the break of day, don’t let in Samuel Moore&#13;
For before this time tomorrow its death shall end all strife,&#13;
He never shall enjoy me nor call me his wife.&#13;
&#13;
Oh daughter, oh daughter, shall we sned for Johnny Dowl&#13;
Oh mother, oh mother, it’s scarcely worth while,&#13;
For there is more grief at my heart than my tongue can tell,&#13;
And the last words she spoke was “Dear Johnny, fare you well.”</text>
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As I walked out one morning early all for to take the sweet morning air, &#13;
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                    <text>John Reilly
As I walked out one morning early
All for to take the sweet Morning air,
'Twas there I spied a young Irish lady
Who seemed to me like diamonds fair.
I stepped up to her and kindly asked her
If she would be a young sailor's ·wife •.
"Oh no,w said she, " I will not marry,
I prefer to live a single life".
Oh,
You
For
And

what's the reason that you won't marry ?
differ from all female kind,
you are young, both fair and handsome,
sure to get married your mind's inclined.

"I could have been married to one John Reilly,
I could have been married three years ago,
But he has left me and crossed the ocean,
And he was the cause of my overthrow".
"Do
And
And
And

leave John Reilly and do disdain him,
go with me to some foreign shore,
we'll sail over to California,
bid adie• to Reilly ever more.~

"I will not
I will not
My heart's
Although I

go with you to California,
go with you to some foreign shore,
with Reilly, and ne•e~ can leave him,
see him never more."

And when he found that her love was loyal,
He gave her kisses, both one • two, and three,
Saying, rli'm the man you call John Reilly,
And I have come for to marry thee ! "

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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And bid adieu to Reilly ever more.”&#13;
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>John Reilly&#13;
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As I walked out one morning early,&#13;
That I might meet the bracing air.&#13;
'Twas there I spied a young Irish lady,&#13;
Who seemed to me like diamonds fair.&#13;
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I stepped up to her and kindly asked her&#13;
If she would be a young sailor's bride.&#13;
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I'd rather lead a single life.&#13;
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Oh whats the reason&#13;
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I could h&#13;
&#13;
Oh no, kind sir, if I may tell you,&#13;
I could have been married full three years ago&#13;
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And he was the cause of my overthrow.&#13;
&#13;
And when he found that her love was loyal, &#13;
Kisses he gave her, both one, two, and three.&#13;
I am the man thatthey call John Reilly&#13;
And I was the cause of your overthrow.&#13;
&#13;
Come , let us marry, and no longer tarry,&#13;
I've laid up riches in great store.&#13;
We'll sail the ocean, and meet promotion,&#13;
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                    <text>John Reilly.
As I walked out one morning early,
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If' she would b e
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I could haye lleen married full t hree years ago
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>John Reilly.&#13;
&#13;
&#13;
As I walked out one morning early,&#13;
That I might meet the bracing air.&#13;
'Twas there I spied a young Irish lady,&#13;
Who seemed to me like diamonds fair.&#13;
&#13;
I stepped up to her and kindly asked her&#13;
If she would be a sailor's bride.&#13;
Oh, no , said she , I' , too young to marryxedx&#13;
I'd rather lead a single life.&#13;
&#13;
Oh no, kind sir, if I may tell you,&#13;
I could have been married full three years ago&#13;
Unto a man that they call John Reilly,&#13;
And he was the cause of my overthrow.&#13;
&#13;
And when he found that her love was loyal, &#13;
Kisses he gave her, both one, two, and three.&#13;
I am the man that they call John Reilly&#13;
And I was the cause of your overthrow.&#13;
&#13;
Come , let us marry, and no longer tarry,&#13;
I've laid up riches in great store.&#13;
We'll sail the ocean, and meet promotion,&#13;
For I do vow I'll leave you no more.</text>
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                    <text>IUNE FOUND HAMMER

Nine pound hammer, nine pound hammer
Little too heavy, lit ·" le too heavy
.Swinging from my side, swinging from my side,
Aswingi ng from ~ side-----Roll along Buddy, Roll along

~uddy ,

t! Don't you go so slow, don't you go so slow

V Babe , how can

I roll, Babe how can I roll
When the wheels won't go----

Going long the mountain, going long the mountain
For to see my darling, for to see my darling
And I ain't· a coming back, and I ain't aconing
back
And I ain't acommng back---Take this hammer, take this hammer
To the Captaih, to the Captain
Oh tell him r:m gohe, oh tell him Ism gone,
Oh tell him I ,... m gone----Take this hammer, take this hammer
And dip it in gold, Babe; and dip it in gold , Bab·
And dip it in gold ----This old hammer, this old hammer
Killed .John Henry, killed .John Haary,
Ain't agoin to killi me, ain't again to kill me
Ain't again to kill me- --Roll on

Bu ddy-------ect.

�</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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                <text>Hammers--Songs and music </text>
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                <text>Ballads--United States </text>
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                <text>The Yew Pine Mountains, I Been a Miner, Johnie Henry, Take This Hammer, Captain, I'm Drivin', Asheville Junction, Swannoa Tunnel</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Nine Pound Hammer&#13;
&#13;
Nine pound hammer, nine pound hammer&#13;
Little too heavy, little too heavy&#13;
Swinging from my side, swinging from my side,&#13;
Aswinging from my side------&#13;
&#13;
Roll along Buddy, Roll along Buddy,&#13;
Don’t you go so slow , don’t you go so slow&#13;
Babe, how can I roll, Babe how can I roll&#13;
When the wheels won’t go----&#13;
&#13;
Going long the mountain, going long the mountain&#13;
For to see my darling, for to see my darling&#13;
And I ain’t acoming back, and I ain’t a coning&#13;
back&#13;
And I ain’t acoming back----&#13;
&#13;
Take this hammer, take this hammer&#13;
To the Captain, to the Captain&#13;
Oh tell him I’m gone, oh tell him I8m gone,&#13;
Oh tell him I’m gone-----&#13;
&#13;
Take this hammer, take this hammer&#13;
And dip it in gold, Babe, and dip it in gold, Bab&#13;
And dip it in gold-----&#13;
&#13;
This old hammer, this old hammer&#13;
Killed John Henry, killed John Henry,&#13;
Ain’t agoin to kille me, ain’t agoin to kill me&#13;
Ain’t agoin to kill me----&#13;
&#13;
Roll on Buddy-------ect.   </text>
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                    <text>JOCKEY TO THE FAIR
It was on the morn of sweet May day,
When nature painted all things gay,
Taught birds to sing and lambs to play,
And gild. the meadows ra.n;
Young Jockey early in the &amp;awn;
His Sunday coat the youth put on,
For Jenny had vowed away to run,
With Jockey to the fair.
For Jenny had etc.
The cheerful parish bells ha.d rung,
With eager steps he trudged along;
With flowery garlands round him hung,
Which shepherds used to wear:
He tapped the window--haste my dearJenny impatient cried who is there?
It is I my love, and no one near,
Step gently down, you have naught to fear,
With Jockey t ·.) the fair, etc.
My dad and mamma is fast a.sleep,
My brother~ is up and with the sheep,
And will you still your promise keep;
Which I have heard you swear?
And will you ever constant prove?
I will by all the powers-~8ev of love,
And never deceive my charming dove:
Dispel these doubts, and haste, my love,
With Jockey to the fair, etc.
Behold the ring! the shepherd cried,
Will Jenny be my charming bride?
let Cupid be our happy guide,
And Hymen meet us there.
Then Jockey did his vowel renew,
He would be constant, would be true:
His word was pledged away she ~w,
Over cOwslip lift with balmy dew,
With Jockey to the fa.ir, etc.
In rapture meet the jovial throng,
Their gay companions blithe and young:
Each join the dance, each join the song,
And hail the happy da.y:
Returned, there is none so fond a.s they,
They blessed the kind propitious day,
The smiling morn of blooming May,
When lovely Jenny ran a.wa.y,
With Jockey to the fair, etc.

�</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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                <text>With Jockey to the Fair, 'Twas on the Morn</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Jockey To the Fair&#13;
It was on the morn of sweet May day,&#13;
When nature painted all things gay,&#13;
Taught birds to sing and lambs to play,&#13;
And gild the meadows ran.&#13;
Young Jockey early in the dawn,&#13;
His Sunday coat the youth put on,&#13;
For Jenny had vowed away to run,&#13;
With Jockey to the fair.&#13;
For Jenny had etc.&#13;
&#13;
The cheerful parish bells had rung,&#13;
With eager steps he trudged along,&#13;
With flowery garlands round him hung,&#13;
Which shepherds used to wear:&#13;
He tapped the window--haste my dear-&#13;
Jenny impatient cried who is there?&#13;
It is I my love, and no one near,&#13;
Step gently down, you have naught to fear,&#13;
With Jockey to the fair, etc.&#13;
&#13;
My dad and mamma is fast asleep, &#13;
My brothers is up and with the sheep,&#13;
And will you still your promise keep,&#13;
Which I have heard you swear?&#13;
And will you ever constant prove?&#13;
I will by all the powers-abov of love,&#13;
And never deceive my charming dove:&#13;
Dispel these doubts, and haste, my love,&#13;
With Jockey to the fair, etc.&#13;
&#13;
Behold the ring!  the shepherd cried,&#13;
Will Jenny be my charming bride?&#13;
Let Cupid be our happy guide,&#13;
And Hymen meet us there.&#13;
Then Jockey did his vowel renew,&#13;
He would be constant, would be true:&#13;
His word was pledged away she flew,&#13;
Over cowslip lift with balmy dew,&#13;
With Jockey to the fair, etc.&#13;
&#13;
In rapture meet the jovial throng,&#13;
Their gay companions blithe and young:&#13;
Each join the dance, each join the song,&#13;
And hail the happy day:&#13;
Returned, there is none so fond as they,&#13;
They blessed the kind propitious day,&#13;
The smiling morn of blooming May,&#13;
When lovely Jenny ran away,&#13;
With Jockey to the fair, etc.   </text>
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                    <text>JERRY GO -NIMBLE
Sir Jerry Go-Nimble was lame of a leg,
Hey diddle, ho diddle dee,
And my lady Go-Nimble had barely on peg;
F::&gt;r a. very old lady was rue.
Sir Jerry, when married, was Just twenty-two;
My lady f0urscore, when Sir Jerry, came to woo:
As ugly a Poles, but a.s rich as Jew.
How we used to laugh at the old creature when she used to sing,
Hey diddle, ho diddle, hey diddle dee,
Sing hey diddle, ho diddle dee.
A~

the wedding, my lady was asked for a song,
Hey diddle, ho diddle rlee:
Oh! says she, t::&gt; co~ply I will not hesitate long,
But I own I am n0t r.ui te in the key,
Then she gave a queer look, twixt a nuint and a grin,
And screwed up her sm.-'ff-colored lips to begin,
Like two bellows-handles she moved nose and chin,
When she sung, what's life without passion, sweet passion of love.'
Sing hey diddle, ho diddle, key diddle dee,
Sing hey diddly, ho diddle dee.
This pair of true lovers they loved upon love,
Hey diddle, ho diddle dee;
And then honey:n::&gt;on lasted a week and above,
And then it was all mustard for she.
Sir Jerry was fond of his cards, dice and hits,
And my la.dy fell into historical fits,
And for c rue 1 ty drank herself out of her wits,
She wandered about, singing, her was false and I am und_
one!
Hey did le, ho diddle, hey diddle dee,
Hey diddle, ho di0~le dee.
At last by thie sad hydraf::&gt;gy she died,
Hey diddle, ho diddle dee;
And her grirn ghost it came by Jerrys bedside,
Saying, li~t! for I am come for thee!
Sir Jerry he hid himself under the clothes,
But the ghost very soon pulled him out by the t::&gt;es,
Threw him out of the window, anrl cried, there he goes!
And there he went sure enough, singing,
Hey didf.le, ho diddle, hey diddle see,
Hey diddle, ho diddle dee.

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Honey and Mustard</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Jerry Go-Nimble&#13;
&#13;
Sir Jerry Go-Nimble was lame of a leg,&#13;
Hey diddle, ho diddle dee,&#13;
And my Lady Go-Nimble had barely on peg.&#13;
For a very old lady was she.&#13;
Sir Jerry, when married, was just twenty-two.&#13;
My lady fourscore, when Sir Jerry, came to woo:&#13;
As ugly a Poles, but as rich as Jew.&#13;
How we used to laugh at the old creature when she used to sing,&#13;
Hey diddle, ho diddle, hey diddle dee,&#13;
Sing hey diddle, ho diddle dee.&#13;
&#13;
At the wedding, my lady was asked for a song,&#13;
Hey diddle, ho diddle dee,&#13;
Oh!  says she, to comply I will not hesitate long,&#13;
But I own I am not quite in the key,&#13;
Then she gave a queer look, twixt a quint and a grin,&#13;
And screwed up her snuff-colored lips to begin,&#13;
Like two bellows-handles she moved nose and chin,&#13;
When she sung, what’s life without passion, sweet passion of love!&#13;
Sing hey diddle, ho diddle, key diddle dee,&#13;
Sing hey diddly, ho diddle dee.&#13;
&#13;
This pair of true lovers they loved upon love,&#13;
Hey diddle, ho diddle dee,&#13;
And then honeymoon lasted a week and above,&#13;
And then it was all mustard for she.&#13;
Sir Jerry was fond of his cards, dice and hits,&#13;
And my lady fell into historical fits,&#13;
And for cruelty drank herself out of her wits,&#13;
She wandered about, singing, her was false and I am undone!&#13;
Hey diddle, ho diddle, hey diddle dee,&#13;
Hey diddle, ho diddle dee.&#13;
&#13;
At last by this sad hydrafogy she died,&#13;
Hey diddle, ho diddle dee.&#13;
And her grim ghost it came by Jerrys bedside,&#13;
Saying, list!  for I am come for thee!&#13;
Sir Jerry he hid himself under the clothes,&#13;
But the ghost very soon pulled him out by the toes,&#13;
Threw him out of the window, and cried, there he goes!&#13;
And there he went sure enough, singing,&#13;
Hey diddle, ho diddle, hey diddle dee,&#13;
Hey diddle, ho diddle dee.</text>
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                    <text>-;

I

•

Poor J P. c k ha s , l; one a . sa i l i ::&lt;; i 1 it} ' t r o u. b l e in hi c ·o. ; n d ,
A leav"inh C'}\ hl:his country his da.rlinr· .:irl behind ,
TL.ere wc._.,.s a wealt;!_y mtorcJ~~-:.nt in .LO nlor he did dv.·E.ll ,
And he 1 ad ~"n only dP..u_;llter -:Le tru.t.t~ "to yoH 1 ' ll tell.

This lady snc waE: .Joi.~n:, ed oy _;c.nt.s n· hi _:l1 de~·re ,
She lo'. t.d none but Jack ~J c ~ailor Viho :)lou~- £ t . e rabin£; se::1
I f tlc.:..s be t:r._.c ny daugh te r of hat I 'v e :.utrc, 0:1.' t;!~c:e ,
T:.1en ~c:. c:-c l1e slla ll be banis~.Led and :/'-)V. c onfi lle_l sl1all be .
Oh , Pa , yoJ. 1W·.y ha-,c ,.r1y body , my l:teart you
There is none but J·ac.r:, t.·tc s;::{ilor , can
She went into the t av ern to dres s in ,.1en ' s
And unto t:1e ship s]1L E t'lrt Pd to : );•vcy

can ' t co;-,:;:'~ne ,
',&lt;in t,_.:_s}:eart of nine ,
arnty ,
h · rr eL~ awaJ .

Be.to ..rc you co .J.e on boc:.rd si1.· , j"OL.l~ rm.!!c' I ' d like to 'mol' ,
b,JC smi::_, ., , ichin :
r c )'J.!1tcn;.vL;c tJucJ CRll 1C .J2.ck . :ov·roe ,
Your \mist. it is tcro~lender, Y ~· ur fir:;ers t :. Ley e..re S1Y12.ll ,
Your chet:. ~\: S too red 2.nd ::·.l::...;~ t.o lace tlw canr on b~·tll.

11Y :!:.'ir:-ers t. ~ey r~1·e S'l'.ll ,
But it nev'-r jl'l:·:ec _'le tr e·:J.bl(; to SCL t.en t:n1 sn·r"- fall ,
~'he d.:u.n began to beat, t he fife be._- an to play ,
Unto tl:.e field 01.' battlE: t.!.CJ : ll diJ T:J.ar::l ~,.-N,~

Hy vvaist is very slende r,

The Yvc.rs all "being ended, c! l to o:: a circle rot.n:i
A 1on ; t.}!e d ead Cllld \;ou:1d eGl: her de.r lir..&lt; boy s_" _·o· '11 ,
She took him in her Br .:s and -:arrie_. hi•1 to to ,, ,
An d sent tor :::.o:•don docto rs to l1eal .Lis blood; Vlcmnd.

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Jack the Sailor, Poor Jack is Gone a-Sailing, Jacky, the Sailor Boy, War Song, The Brisk Young Plow Boy, Men's Clothes I Will Put On, The Banks of the Nile, The Sailor's Sweetheart, Lily Oh, Jackie Fraisure, The Merchant's Daughter, Jackie Frazier, Poor Jack's Gone to War, Jack Went A-Sailing</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Soldier Lass&#13;
&#13;
Poor Jack has gone a sailing with trouble in his mind,&#13;
A leaving in this country his darling girl behind,&#13;
There was a wealthy merchant in London he did dwell,&#13;
And he had an only daughter the truth to you I’ll tell.&#13;
&#13;
This lady she was courted by gents of high degree,&#13;
She loved none but Jack the sailor who ploughs the raging sea&#13;
If this be true my daughter of what I’ve heard of thee,&#13;
Then Jack he shall be banished and you confined shall be.&#13;
&#13;
Oh, Pa, you may have my body, my heart you can’t confine,&#13;
There is none but Jack, the sailor, can win thisheart of mine,&#13;
She went into the tavern to dress in men’s array,&#13;
And unto the ship she started to convey herself away.&#13;
&#13;
Before you come on board sir, your name I’d like to know,&#13;
She smiled within her countenance they call me Jack Monroe,&#13;
Your waist it is tooslender, your fingers they are small,&#13;
Your cheeks too red and rosy to face the cannon ball.&#13;
&#13;
My waist is very slender, my fingers they are small,&#13;
But it never makes me tremble to see ten thousand fall,&#13;
The drum began to beat, the fife began to play,&#13;
Unto the field of battle they all did march away.&#13;
&#13;
The wars all being ended, she took a circle round&#13;
Among the dead and wounded her darling boy she found,&#13;
She took him in her arms and carried him to town,&#13;
And sent for London doctors to heal his bloody wound.   </text>
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                    <text>Jaclr ancil.

aye.

Jack and aye,swe ·thearts were · they,
.!nd they were engaged. to be wed.
any the promise the y hacl made,
Many the loTe worcl lad said..
But as loTers o,they quarreled one day;
She bade him not o e any more.
She brought him his hat;he started alTay,
But lingered to say at t.1e oor:
Chorus
Tie up thoRe ~ . b roken cor~s ,
And let us be lovers again;
or you know t at I loTe you darling.
To part from you
·ivcs me pain.
Remember the vows of long ago,
That f'aith:ful,we would not f'orget •
... o let us f'orr;et,and nake up ,n.y pet .. alcc up and be loTers again.

Years rolled by and neither were wed,
Still all of' his pleadings we ·e Tain.
ut one rip;ht ~ay poor Jack l'!as round dead.
'Twas all or her bridals disdain;
Two lives have been vmeeked~he love~ but too late-she goes to his ~raTe every da••
She can't tell you why,but seems 'tis her fate,
The win4 seems to whisper and say:
Cho.

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Jack and Maye.&#13;
&#13;
Jack and Maye, swe thearts were they,&#13;
And they were engaged to be wed.&#13;
Many the promise they had made,&#13;
Many the love word had said.&#13;
But as lovers do, they quarreled one day.&#13;
She bade him not come any more.&#13;
She brought him his hat, he started away,&#13;
But lingered to say at the door:&#13;
&#13;
Chorus&#13;
&#13;
Tie up those old broken cords,&#13;
And let us be lovers again.&#13;
For you know that I love you darling.&#13;
To part from you gives me pain.&#13;
Remember the vows of long ago,&#13;
That faithful, we would not forget.&#13;
So let us forget, and make up, my pet-&#13;
Make up and be lovers again.&#13;
&#13;
Years rolled by and neither were wed,&#13;
Still all of his pleadings were vain.&#13;
But one bright day poor Jack was found dead.&#13;
'Twas all of her bridals disdain,&#13;
Two lives have been wrecked-&#13;
She loved but too late-she goes to his grave every day.&#13;
She can't tell you why, but seems 'tis her fate,&#13;
The wind seems to whisper and say:&#13;
&#13;
Cho.</text>
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&#13;
Jack and Joe&#13;
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&#13;
Chorus&#13;
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Give my love to Nellie Jack, and kiss her once for me The fairest girl in all the world I&#13;
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'
Jack and Joe

Three years ago, when Jack and Joe
Set sail across the foam,
They each one vowed a fortune to make
Before returning home.
In just one year Jack gained his wealth
And started home that day,
And when the pals shook hands to part
Poor Joe could only say:
Chorus
"Give my love to Nellie, Jack,
And kiss her once for me.
The fairest girl in &amp;11 the world
I' know you'll say 'tis she.
Treat her kindly, Jack. old Pal;
Tell her that I am well."
His parting words were, ''Don't forget
?o give my love to Nell."
Two years had passed when Joe at last
Gained wealth enou~h for life;
And sailed for home across the foam
To make sweet Nell his wife.
But soon he learned that Jack and Nell
One year ago had wed.
And deeply he regretted then
That he had ever said:
Chorus.
One day they met upon the street.
Said Joe," You selfish whelp,
The very next girl I learn to love,
I'll kiss her for myself.
Yet every thing in love is fair,
And since you've gone and wed,
I'll not be angry with you Jack."
And once again he said:
Choruso

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              <text>Mrs. John M. Picot</text>
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        <element elementId="175">
          <name>Scholarly Classification</name>
          <description/>
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            <elementText elementTextId="663355">
              <text>Brown, Native American Ballads - 274 Randolph, 813</text>
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        <element elementId="129">
          <name>File name</name>
          <description/>
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              <text>113_JackAndJoe_Lyric_03_ocr</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Jack and Joe, Lyric Variant 03</text>
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            <name>Language</name>
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                <text>English</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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              <elementText elementTextId="966643">
                <text>&lt;a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"&gt; I. G. Greer Folksong Collection &lt;/a&gt;</text>
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            <name>Source</name>
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            <elementTextContainer>
              <elementText elementTextId="968108">
                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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          <element elementId="47">
            <name>Rights</name>
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              <elementText elementTextId="968990">
                <text>&lt;a title="In Copyright - Rights-holder(s) Unlocatable or Unidentifiable" href="http://rightsstatements.org/vocab/InC-RUU/1.0//" target="_blank"&gt; In Copyright - Rights-holder(s) Unlocatable or Unidentifiable&lt;/a&gt;</text>
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          <element elementId="37">
            <name>Contributor</name>
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              <elementText elementTextId="969872">
                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Ballads</text>
              </elementText>
              <elementText elementTextId="980418">
                <text>Betrayal--Songs and music </text>
              </elementText>
              <elementText elementTextId="980419">
                <text>Regret--Songs and music </text>
              </elementText>
              <elementText elementTextId="980420">
                <text>Love--Songs and music</text>
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            <name>Spatial Coverage</name>
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              <elementText elementTextId="980417">
                <text>&lt;a title="Halifax County (N.C.)" href=" https://www.geonames.org/4469619/halifax-county.html" target="_blank" rel="noreferrer noopener"&gt; Halifax County (N.C.)&lt;/a&gt;</text>
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          <element elementId="86">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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              <elementText elementTextId="981374">
                <text>Give My Love to Nell, O Jack, Jack and Nell, Two Little Lads</text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="983617">
                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="984509">
                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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        <name>Scripto</name>
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          <element elementId="161">
            <name>Transcription</name>
            <description>A written representation of a document.</description>
            <elementTextContainer>
              <elementText elementTextId="663350">
                <text>Jack and Joe&#13;
&#13;
Three years ago, when Jack and Joe&#13;
Set sail across the foam,&#13;
They each one vowed a fortune to make&#13;
Before returning home.&#13;
In just one year Jack gained his wealth&#13;
And started home that day,&#13;
And when the pals shook hands to part&#13;
Poor Joe could only say:&#13;
&#13;
    Chorus&#13;
  “Give my love to Nellie, Jack,&#13;
  And kiss her once for me.&#13;
  The fairest girl in all the world&#13;
  I’ know you’ll say ‘tis she.&#13;
  Treat her kindly, Jack, old Pal,&#13;
  Tell her that I am well.”&#13;
  His parting words were, “Don’t forget&#13;
  To give my love to Nell.”&#13;
&#13;
Two years had passed when Joe at last&#13;
Gained wealth enough for life,&#13;
And sailed for home across the foam&#13;
To make sweet Nell his wife.&#13;
But soon he learned that Jack and Nell&#13;
One year ago had wed.&#13;
And deeply he regretted then &#13;
That he had ever said:&#13;
    Chorus.&#13;
&#13;
One day they met upon the street.&#13;
Said Joe, “You selfish whelp,&#13;
The very next girl I learn to love,&#13;
I’ll kiss her for myself.&#13;
Yet every thing in love is fair,&#13;
And since you’ve gone and wed,&#13;
I’ll not be angry with you Jack.”&#13;
And once again he said:&#13;
    Chorus.&#13;
&#13;
&#13;
Mrs John M. Picot&#13;
  Littleton, N.C.</text>
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        <name>O Jack</name>
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      <tag tagId="2218">
        <name>Two Little Lads</name>
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