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                    <text>THE M.. A ID OF ERIN

f-iy th"Jvgllts delight t~ wanoer,
Upm a d:stant sh1re·
Where l ·wely, fair, and tender,
Is she wh·::M I ar )re .
May l-eaven its bleseings sparing,
On ller best.,w tl1en free,
The l'Jvely me id ')f E:rln,
W'1 eveetly stmg t'J e.
o

nan

f'Jrtune fixen my sta ' i'Jn,
In P.o11e pnpi ti0UE' h·::m r,
The m'Jnarch of a nat~on,
EnnJwed with wealth and power;
That 'l.rea.l.L,h and p'),.,Pr s baring,
My pureless q_lleen sh'Juld be,
The lovely tllC!id af Erin,
Wr ') sweetly sang t0 me.
Al tn'mgh the restless ocean,
May lang between us roar,
Yet while my heart ::J.as D:)tion,
She will 1·mg wi.thin its core;
For artless and endearing,

And miltl and young is the,
The lovely maid of Erin,
Who sweetly sang to me.
When fate gives intimation,
That my last ~'Jur is nigh,
With pla.cid resigootion,
I will lay rne down and die;
~'Jnd hope my bosom cheering,
That I in heaven s!"all see;
The lovely maid of Erin,
Who sweetly sang to me.

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Maid, or Erin&#13;
&#13;
My thoughts delight to wander,&#13;
Upon a distant shore&#13;
Where lovely, fair, and tender,&#13;
Is she whom I adore.&#13;
May heaven its blessings sparing,&#13;
On her bestow them free,&#13;
The lovely maid of Erin,&#13;
Who sweetly sang to me.&#13;
&#13;
Had fortune fixed my station,&#13;
In some propitious hour,&#13;
The monarch of a nation,&#13;
Endowed with wealth and power&#13;
That wealth and power sharing,&#13;
My pureless queen should be,&#13;
The lovely maid of Erin,&#13;
Who sweetly sand to me.&#13;
&#13;
Although the restless ocean,&#13;
May long between us roar,&#13;
Yet while my heart has motion,&#13;
She will long within its core&#13;
For artless and endearing ,&#13;
And mild and young is she,&#13;
The lovely maid of Erin,&#13;
Who sweetly sang to me.&#13;
&#13;
When fate gives intimation,&#13;
That my last hour is nigh,&#13;
With placid resignation,&#13;
I will lay me down and die&#13;
Fond hope my bosom cheering,&#13;
That I in heaven shall see&#13;
The lovely maid of Erin,&#13;
Who sweetly sang to me. </text>
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                    <text>l-1ADAM, I HAVE A VERY FINE CO v
Madam, I have a very fine cow,
She wears a crumply horn,
And you may have her at your command,
To milk her night and morn, morn,
To milk her night and morn.
Sir, I know you've a very nice cow,
She wears a crumply horn,
And younder stands a very fine crib,
But in it there is no corn, corn,
But in it there is no corn.
Madam, I have a very fine horse
He paces like a lion,
And you may have him at your command
The day that you'll be mine, mine,
The day that you'll be mine.
Sir, I know you've a very fine horse
He paces like a lion,
They say his master will get drumk, drunk,
And I'm 'fraid his horse will learn, learn,
I'm 'fraid his horse will learn.
Madam, I have a very fine field,
Sixty acres wide,
And you can have it at your command
The day you'll be my bride, bride,
The day youill be my bride.
Sir, I know your very fine field
Pasture at the foot,
\Vhen I get you I'll turn you out
With other hogs to root, root,
ith other hogs to root.
I know you are a scornful Miss,
And very hard to please,
When you get old
And chilled with cold
I hope and pray you'll freeze, freeze
I hope and pray you'll freeze.
~ndam,

Sir, I know I'm a scornful Miss,
And very hard to please;
When I get old and chilled w'li th cold,
It vvon' t be you that ' 11 keep me warm,
It won't be you that'll keep me warm.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Madam, I Have a Very Nice Cow&#13;
&#13;
Madam, I have a very fine cow,&#13;
She wears  a crumply horn,&#13;
And you may have her at your command,&#13;
To milk her night and morn, morn,&#13;
To milk her night and morn.&#13;
&#13;
Sir, I know you’ve a very nice cow,&#13;
She wears a crumply horn,&#13;
And yonder stands a very fine crib,&#13;
But in it there is no corn, corn.&#13;
But in it there is no corn.&#13;
&#13;
Madam, I have a very fine horse&#13;
He paces like a lion,&#13;
And you may have him at your command&#13;
The day that you’ll be mine, mine,&#13;
The day that you’ll be mine.&#13;
&#13;
Sir, I know you’ve a very fine horse&#13;
He paces like a lion,&#13;
They say his master will get drunk, drunk,&#13;
And I’m  ‘fraid his horse will learn, learn,&#13;
I’m  ‘fraid  his horse will learn.&#13;
&#13;
Madam, I have a very fine field,&#13;
Sixty acres wide,&#13;
And you can have it at your command&#13;
The day you’ll be my bride, bride, &#13;
The day you’ll be my bride.&#13;
&#13;
Sir, I know your very fine field&#13;
Pasture at the foot,&#13;
When I get you I’ll turn you out&#13;
With other hogs to root, root,&#13;
With other hogs to root.&#13;
&#13;
Madam, I know you are a scornful Miss,&#13;
And very hard to please,&#13;
When you get old&#13;
And chilled with cold&#13;
I hope and pray  you’ll freeze, freeze,&#13;
I hope and pray you’ll freeze.&#13;
&#13;
Sir, I know I’m a scornful Miss,&#13;
And very hard to please&#13;
When I get old and chilled with cold,&#13;
It won’t be you that’ll keep me warm, warm,&#13;
It won’t be you that’ll keep me warm.</text>
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                    <text>:~adam,I

Have a -7ery. ,_,ine cow.

lladam,I haTe a very fine cow,
She wears
a crumply horn,
And you ay have her at your eor.mu·nd,
To milk her night and morn,morn,
To mli.ll{ her night aml morn.
Sir,I h"'llow you'Te a very nice cow,
She wears a crumply horn,
b1d yonder stands a Tery rine crib,
But in it there is no corn,~orn.
But in it there is no corn •
.Jadam, I have a Tery fine horse,
Tie paces like a lion,
.Anc1 you may . .1ave him at your cmnnancl
The d ay that you'll be mine,mine,
The day that you'll be mine.
S:,ir, I kno..l y&lt;'u 1 Te a very :fine Lorse,
ne paces like a lion,
They say bis master will get drunk,.E:lPaRk
And I'm 'fraid his horse will learn,learn,
I'm ~:rraid his horse will learn.
:1adam, I have a very :fine field,
Sixty aeres wi•e,
.And you can haTe it at your cour.:1and
'i'he day you' 11 be my b ride, brtide ,
The day you'll be my bride.
Sir,I lcnow
at
When I get
W it ~ other
With other
~asture

your very rine field
the :root,
y 1u I'll turn you out
hogs to root,boot,
hogs to root.

:Jada:m., I know you are a scornful :.::iss,
And very hare~ to please,
~hen you get old
And chilled with cold
I hope and pray you'll freeze,freeze,
I hope and pray you'll freeze • .
3 ir,I 1."11ow I'm a scornful ':iss,
And very hard to please;
1fhen I get old and chilled with cold,
It won't be you that' 11 keep me u·r rm, warm,
It won't be you that' 11 kee:p ::'e warm.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Madam, I Have a Very Fine Cow.&#13;
&#13;
Madam, I have a very fine cow,&#13;
She wears  a crumply horn,&#13;
And you may have her at your command,&#13;
To milk her night and morn,morn,&#13;
To milk her night and morn.&#13;
&#13;
Sir, I know you’ve a very nice cow,&#13;
She wears a crumply horn,&#13;
And yonder stands a very fine crib,&#13;
But in it there is no corn, corn.&#13;
But in it there is no corn.&#13;
&#13;
Madam, I have a very fine horse,&#13;
He paces like a lion,&#13;
And you may have him at your command&#13;
The day that you’ll be mine, mine,&#13;
The day that you’ll be mine.&#13;
&#13;
Sir, I know you’ve a very fine horse,&#13;
He paces like a lion,&#13;
They say his master will get drunk, drunk&#13;
And I’m  ‘fraid his horse will learn, learn,&#13;
I’m  ‘fraid  his horse will learn.&#13;
&#13;
Madam, I have a very fine field,&#13;
Sixty acres wide,&#13;
And you can have it at your command&#13;
The day you’ll be my bride, bride , &#13;
The day you’ll be my bride.&#13;
&#13;
Sir, I know your very fine field&#13;
Pasture at the foot,&#13;
When I get you I’ll turn you out&#13;
With other hogs to root, root,&#13;
With other hogs to root.&#13;
&#13;
Madam, I know you are a scornful Miss,&#13;
And very hard to please,&#13;
When you get old&#13;
And chilled with cold&#13;
I hope and pray  you’ll freeze, freeze,&#13;
I hope and pray you’ll freeze.&#13;
&#13;
Sir, I know I’m a scornful Miss,&#13;
And very hard to please&#13;
When I get old and chilled with cold,&#13;
It won’t be you that’ll keep me warm, warm,&#13;
It won’t be you that’ll keep me warm.</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>&lt;a title="Watauga County (N.C.)" href="https://www.geonames.org/4497707/watauga-county.html" target="_blank" rel="noreferrer noopener"&gt; Watauga County (N.C.)&lt;/a&gt;</text>
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                <text>Get on Down to Richmond Town, Get Along Down Town, Down to Lynchburg Town, I'se Gwine Down to Town, Git Along Down Town, Going Down to Town, Lebeck Town, Goin' Down to Town</text>
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                <text>Somebody stole my old coon&#13;
dog.&#13;
I wish they’d bring him back&#13;
He run the big nigger&#13;
over the fence&#13;
And the little’un through &#13;
the crack. &#13;
&#13;
Somebody stole my old blue hen&#13;
I wish they’d a let her be&#13;
She laid two eggs on every day&#13;
And Sunday she laid three</text>
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                    <text>~he lonsome ·nove.
@h dont you see thct lonsome dove.
Tb~t flys fro m pine to pine.
Its morning for its own true love.
' nd why not mourn for mine my true love?
·na w
hy not mourn for mine?
Do you remember the dr: y th r· t y ou gr ve me y our he :: rt?
'nd vowed to me th Lt if ever you m~ rrid I should be you r girl.
3 ut now y ou h f' ve broken . . 11 those vowe just mErry who you ple t:s e,
'iihile this pore ::ching he a rt most de t. d.
You e re living Lt your e ~ se my love.
You Ere living £t your e2se.
You slighted me once you slighte d me twice.
You will never slight me 2ny m or ~ .
Though y ou slighted me for enother girl.
nd now you mc::.y t · 1\:8 ner ~ nU. go r.•~· love.
Oh da rling da rling do hush up.
I h 2te to here you cry.
For the best of friends they h 2ve to pa rt.
:' n d so do you und I my love ~nd so do you and l .
Lc ok up look down this 1onsomero2d.
Hong down your he 2d G cry.
nd
Ill fly to the e a st I11 fly to the west.
Ill will fly in the ~~~~ vf tue one ~ lvvebest.

rJ.rs

lice Cook,

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The lonsome Dove.&#13;
&#13;
Oh dont you see that lonsome dove.&#13;
That flys from pine to pine.&#13;
Its morning for its own true love.&#13;
And why not mourn for mine my true love?&#13;
And why not mourn for mine?&#13;
Do you remember the day that you gave me your heart?&#13;
And vowed to me that if ever you marrid I should be your girl.&#13;
But now you have broken all those vows just marry who you please,&#13;
While this pore aching heart most dead.&#13;
You are living at your ease my love.&#13;
You are living at your ease.&#13;
You slighted me once you slighted me twice.&#13;
You will never slight me any more.&#13;
Though you slighted me for another girl.&#13;
and now you may take her and go my love.&#13;
Oh darling darling do hush up.&#13;
I hate to here you cry.&#13;
For the best of friends they have to part.&#13;
And so do you and I my love and so do you and I.&#13;
Look up look down this lonsome road.&#13;
Hang down your head and cry.&#13;
Ill fly to the east Ill fly to the west.&#13;
Ill will fly in the arms of the one I love best.&#13;
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Mrs. Alice Cook. </text>
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                    <text>Farewell,since all is over;
we part never more to see;
=:ay the waters oil li:fe deeply cover
--'ach feeling '\V'hich once was in 111e.
Chorus:
·vain are the vows w e have plighted.
Oh that we never had met !
Love's a f'lower that blooms to be bli 1ghted
Anclthe stars of hope arise but to set.
In crowds I will plunge to forget thee,
And I'll pass mid the festive and gay;
Eut this heart ever ~ives to regret th~e,
As the weary dreams of life fade away.
If' ever you should. give to another
That heart which you said once was mine,
~ Iay your love ever leas a sisters,
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Lovers  Farewell.&#13;
&#13;
Farewell, since all is over&#13;
We part never more to see&#13;
May the waters of life  deeply cover&#13;
Each feeling which once was in me.&#13;
&#13;
Chorus:&#13;
&#13;
Vain are the vows w e  have plighted.&#13;
Oh that we never had met!&#13;
Love's a flower that blooms to be blighted&#13;
And the stars of hope arise but to set.&#13;
In crowds I will plunge to forget thee,&#13;
And I'll pass mid the festive and gay&#13;
But this heart ever lives to regret thee,&#13;
As the weary dreams of life fade away.&#13;
&#13;
If ever you should give to another&#13;
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&#13;
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We part never more to see&#13;
May the waters of life deeply cover&#13;
Each feeling which once was so dear&#13;
&#13;
Chorus.&#13;
&#13;
Vain are the vows we have plighted&#13;
Oh, that we never had met&#13;
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And the star of hope arose but to set&#13;
&#13;
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as the weary dreams of life fade away&#13;
&#13;
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that heart which you said once was mine&#13;
may your love ever be as a sisters&#13;
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&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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It was in this town &amp; not far from this spot.  &#13;
A barber once set up a neat little shop. &#13;
 He was so good natured &amp; his smile was so sweet.  &#13;
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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&#13;
Come, Father, come Mother, Come riddle my soul, tell this riddle to me.  &#13;
Which d' ye think it would be the most to me to marry fair Ellen or the Brown girl, girl or to bring the Brown girl home.     </text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Lord Thomas&#13;
&#13;
(4)&#13;
come father come mother come riddle my soul &amp; tell this riddle to me.  &#13;
Which you think it would be the most to me to marry fair Ellen    </text>
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                    <text>The

:;,r-ourniu .~;

Dove.

One day while in a lonesome grove
Sat 6ter my hea~ a little dove,
For its last nate began to coo
W
hich n ude me think of my n::::.t e ,too •
Ah,little ~ovc,you are not alone ,
'or I, lik e you,~an onle mourn.
F
I,once,like you,did haTe a mate,
nut now like you,I an desolate.
consU1-:1ption seized my love scTere,
.And peeyed on her f'or one long year,
'fill deatl1 came at the break o:f day,
And my poor Uary he did slay.
Her bloo:wi:mg cheeks and. sparkling eye
Like roses they did wilt and d.ie.
The arms that once e:~fl.:&gt;raced. me round
Lie moulderin$ in t he cold ground.
But death,grim tlea.th,did. not stop there.
I had one child. to :~1e no st c.i.e&lt;u ·.
He like a vulture cam3 aga in
And took from me my little Jane.
But bless the Loi!d,his word i s giTen
Dec}.aring l)abes are heirs of' :reaven.
Then ceased my heart to mourn :for Jane
Since my small loss is her great gain.
I have a hope that cheers my be entt,
To think my .love h~s gone to rest.
For while her dyL."'lg tongue could moTe
She praised the Lord f'or His redeeming love.

..

Shout on,ye heavenly powers abo~e,
While I this loneso~e desert roam.
?.Iy .faster's work will soon he done
And then I'll join you . in your song •

�</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>Folk songs--United States </text>
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                <text>The Minister's Lamentation, The Lonesome Grove</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Mourning Dove.&#13;
&#13;
One day while in a lonesome grove&#13;
Sat over   my head a little dove,&#13;
For its last mate began to coo&#13;
Which made me think of my mate, too.&#13;
&#13;
Ah, little dove, you are not alone ,&#13;
For I, like you, can onle mourn.&#13;
I, once, like you, did have a mate,&#13;
But now like you, I am desolate.&#13;
&#13;
Consumption seized my love severe,&#13;
And preyed on her for one long year,&#13;
Till death came at the break of day,&#13;
And my poor Mary he did slay.&#13;
&#13;
Her blooming cheeks and sparkling eye&#13;
Like roses  they did wilt and die.&#13;
The arms that once embraced me round&#13;
Lie mouldering in the cold ground.&#13;
&#13;
But death, grim death, did not stop there.&#13;
I had one   child to me most dear.&#13;
He like a vulture came again&#13;
And took from me my little Jane.&#13;
&#13;
But bless the Lord, his word is given&#13;
Declaring babes are heirs of Heaven.&#13;
Then ceased my heart to mourn for Jane&#13;
Since my small loss is her great gain.&#13;
&#13;
I have a hope that cheers my breast,&#13;
To think my love has gone to rest.&#13;
For while her dying tongue could move&#13;
She praised the Lord for His redeeming lobe.&#13;
&#13;
Shout on, ye heavenly powers above,&#13;
While I this lonesome desert roam.&#13;
My Master’s work will soon be done&#13;
And then I’ll join you in your song.   </text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Dying Cowboy&#13;
&#13;
Oh, bury me no on the lone prairie.  &#13;
These words come slow and mournfully from the palid lips of the youth who lay on his dying couch at the close of day.  </text>
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                    <text>19. ~L7
The.

tjtVl!

M

Dyi~g-Cow

tv1

1tv

bov .

Oh , bury me not on the lone urairie .
These words cene slow ancl mournfully
li'ron the pali&amp; lips of' a youth ·who lay
On his dying couch at ti-e iilose of day .
Oh , bury ~e not on the lone prairie
Where tile wmld coyote will howl o'er me,
Where tlle cold wind sweeps and_ the r;rrrsses wave.
~o sun·ew1s rest on t~e prairie grave .
Again he listened to I•is well known worlel,To t:1e wind's soft sigh andt'!e song of llirds .
He thought or his home and his native bowers
\ihere he loved to roam in his childhood hours.
It matters not , I've oft been told
Where the bocly lies when the heart grows cold.
But grant ye , oh grant ye this boon to -~.
Oh bur-- ~'Je n&lt;Jton ti1e lone -lrairie.
But I've ever wished timt when I died
~:y grave might 'Je on the cold hillsi(le.
Let there t-1e "')lace or my last rest re .
Oh bury me not on t 1 1e 1 one prairie .
Let ny death sluml:er be r::10re ny mother's )rayef~
Anc: a sister's tears can ;Je minr;lef... t :!ere;
:1et · ·e lie r,The re :::.w lo&gt;recl ones can weep o'er me
Oh bury me not on the lone prairie .
In my drea::.'lS I saw,- but his voice faile d. t :.ere .
T:1ey r;ave no heed to his clyino~ :wayer;
~n a -u -,rr' e '"" ~ j 1;
, 1:;.;: ~ ~ t'_ree
r:'uey
U!:'ie,1 ';.in t ,re on
G 10:::10 ~n·c~irie.
-.;_ay the lig~::.t win-· h:&lt;:::.te r"'l~r _lm:-c tore~
0 'er li~ w~o sleeps on the prairie crest •
..ay the 'I'exas rose in t Le breezes -:vave
fler him who sleeps in a prairie ;::;rave .
And the ~m-1 1 oys now as t _;.ey roam t·,e plain ,
For t}~ey marl·md the
spot where is bones have 1 :~ill'
Fling a hand f'ull of' rils.es over his graTe
IIith a prayer to Ili:m who his soul shall save .

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>O, Bury Me Not on the Lone Prairie&#13;
&#13;
The Dying Cow boy.&#13;
&#13;
Oh,bury me not on the lone prairie.&#13;
These words came slow and mournfully &#13;
From the pallid lips of a youth who lay&#13;
On his dying couch at the close of day.&#13;
&#13;
Oh, bury me not on the lone prairie&#13;
Where the wild coyote  will howl o’er me, &#13;
Where the cold wind sweeps and the grasses wave.&#13;
No sunbeams rest on the prairie grave.&#13;
&#13;
Again he listened to his well known world,-&#13;
To the wind’s soft sigh and the song of birds.  &#13;
He thought of his home and his native bowers&#13;
Where he loved to roam in his childhood hours.&#13;
&#13;
It matters not, I’ve oft been told&#13;
Where the body lies when the heart grows cold.&#13;
But grant ye, oh gratn ye this boon to me.&#13;
Oh bury me not on the lone prairie.&#13;
&#13;
But I’ve ever wished that when I died &#13;
My grave might be on the cold hillside.&#13;
Let there the place of my last rest be.  &#13;
O, bury me not on the lone prairie.&#13;
&#13;
Let my death slumber be  where my mother’s prayer &#13;
And a sister’s tears can be mingled there&#13;
Let me lie where my loved ones can weep o’er me&#13;
Oh bury me not on the lone prairie.&#13;
&#13;
In my dreams I saw,- but his voice failed there.&#13;
They gave no heed to his dying prayer&#13;
In a narrow grave just six by three &#13;
They  buried him there  on the lone prairie.  &#13;
&#13;
May the light wing butterfly pause to rest &#13;
O’er him who sleeps on the prairie  crest.  &#13;
May the Texas rose in the breezes wave&#13;
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&#13;
And the cow boys now as they roam the plain , &#13;
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                    <text>'JJhe Warning
C me all you fair and tender ladies J
Take warning how you love young m~ ,
They are like a fair bright summer
Morning ~

They soon will dawn and fade away .
They ' ll t 11 to you some lovely story ;
They will declare to you that t hey ~r e t rm a
Str :d t;ht . ay th ·~ Y ' 11 go and court another_,
and that is the love they have for you
I once myself did have a lover .
In ee I thought he was my own •
Strt:~.it way he went aud m9..r r ied another
And left me here alone to mourn
I wish that I was a little parrow~
an had wings so I could fly
Str~it after my true love I would follow
An wh en he spoke I'd be close by
I ' d ~sk him who he Wt:ls fooling •
'fho he w~s trying to ecei ve ,
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With my li.ttle tender wings •
But I ' m no little sparro~
Neither have I wing to fly
I ' ll go back home and weep with sorrow
Until I can pass my troubles by,

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Warning &#13;
&#13;
Come all you fair and tender ladies, &#13;
Take warning how you love young men, &#13;
They are like a fair bright summer &#13;
Morning, &#13;
They soon will dawn and fade away. &#13;
They’ll tell to you some lovely story&#13;
Straight way they’ll go and court another, &#13;
And that is the love they have for you &#13;
 &#13;
I once myself did have a lover. &#13;
Indeed I thought he was my own. &#13;
Strait way he went and married another &#13;
And left me alone to mourn &#13;
I wish that I was a little sparrow, &#13;
And had wings so I could fly &#13;
Strait after my true love I would follow &#13;
And when he spoke I’d be close by &#13;
 &#13;
I’d ask him who he was fooling. &#13;
Who he was trying to deceive. &#13;
And at his window I would flutter &#13;
With my little tender wings. &#13;
But I’m no little sparrow &#13;
Neither have I wings to fly &#13;
I’ll go back home and weep with sorrow &#13;
Until I pass may troubles by, </text>
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                    <text>Sil:rGLE GIRL
Single girl, oh single girl ,
Gain ' where she please , gain' where she ple~se­
£arried girl , oh married girl ,
·,;i th a baby on her knees, w~th a baby on her knee
Single girl , oh single girl ,
She wear a dress of fine, she wear a dress of fin1
M
arried girl., og married girl ,
She ~vear just a ny old kind , she wear just any old
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Single girl, oW single girl ,
She goes to the store and buys , she goes to the
store and buys ,
J:.:e.rried girl, oh mrried girl ,
She rocks ~he cradle and erie&amp; , ahe rocks the
cradle a nd cries .

I W
ISH I W
AS .-. LI TLE SWALLO'N

I vli sh I was a little swallow,
I wish that I had wings to fly;
I ' d fly away to some dark hollow ,
And there I ' d pass my troubles by.
But as it is , I am no swallow,
I have no vJings with whi tch to fly .
So I' 11 sit ri ght here in grief and so111row,
And pass my troubles by.

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>I Wish I Was a Little Swallow&#13;
&#13;
I wish I was a little swallow,&#13;
I wish that I had wings to fly,&#13;
I’d fly away to some dark hollow,&#13;
And there I’d pass my troubles by.&#13;
&#13;
But as it is, I am no swallow,&#13;
I have no wings with whitch to fly.&#13;
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                    <text>THE SAILOR BOY

The sea was calm, the sky serene,
And gently blew the eastern gale,
When Anna, sea.ted on a rock,
Watched the Pa.vinia' s lessening sail.
To Heaven she thus her~ prayer addressed:
Thou who canst save or canst destroy!
From each surrounding danger guard,
My much-loved little sailor boy.
When tempests over the ocean howl,
And even sailors shrink with dread,
Be some protecting angel near,
To hover over my William's head:
He was beloved by all the plain;
His father's pride, his mother's joy;
Then safely to their arms restore,
Their much-loved little sailor boy.
May no rude foe his course impede,
Conduct him sa.fely over the waves;
0! may he never be compelled,
To fight for power or mix with slaves;
May smiling pee.ce his steps attend,
Eech rising hour be crowned with joy,
As bleat as that when I again,
Sha.ll meet my much-loved little sailor boy.

�</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Sailor Boy&#13;
&#13;
The sea was calm, the sky serene,&#13;
And gently blew the eastern gale,&#13;
When Anna, seated on a rock,&#13;
Watched the Pavinia’s lessening sail.&#13;
To Heaven she thus here prayer addressed:&#13;
Thou who canst save or canst destroy!&#13;
From each surrounding danger guard,&#13;
My much-loved little sailor boy.&#13;
&#13;
When tempests over the ocean howl,&#13;
And even sailors shrink with dread,&#13;
Be some protecting angel near,&#13;
To hover over my William’s head:&#13;
He was beloved by all the plain,&#13;
His father’s pride, his mother’s joy,&#13;
Then safely to their arms restore,&#13;
Their much-loved little sailor boy.&#13;
&#13;
May no rude foe his course impede,&#13;
Conduct him safely over the waves,&#13;
O!  may he never be compelled,&#13;
To fight for power or mix with slaves,&#13;
May smiling peace his steps attend,&#13;
Each rising hour be crowned with joy,&#13;
As blest as that when I again,&#13;
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In that little rosewood casket that is resting on my stand,&#13;
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                <text>The Little Rosewood casket.&#13;
&#13;
In that little rosewood casket&#13;
That is resting on my stand,&#13;
Is a package of old letters&#13;
Written by my sweetheart’s hand.&#13;
&#13;
Will you go  and get them sister?&#13;
Will you read them o’er to me?&#13;
For oftimes I’ve tried to read them,&#13;
But for tears   I could not see.&#13;
&#13;
Read those precious lines so slowly,&#13;
That I’ll not miss even one,&#13;
For the cherished hand that wrote   them ,&#13;
His last work for me is done.&#13;
&#13;
You have got them now,dear   Sister,&#13;
Come, sit down upon my bed,&#13;
And press gently to your bosom&#13;
This poor throbbing aching  head.&#13;
&#13;
Tell him that I never blamed him,&#13;
Though to me he proved untrue,&#13;
Tell him that I’ll ne’er forget him&#13;
Till I bid this world adiew.&#13;
&#13;
Tell him that I never blamed him,&#13;
Not an unkind word was spoke,,&#13;
Tell,oh,tell him , sister,tell him,&#13;
That  my heart in coldness broke.&#13;
&#13;
When I’m dead and in my coffin,&#13;
And my shroud’s around me bound,&#13;
And my little bed is ready&#13;
In the cold and silent ground.&#13;
&#13;
Place his letters and his locket,&#13;
Place together o’er my heart,&#13;
But the little ring he gave me,&#13;
From my finger never part.&#13;
&#13;
You have finished now,dear sister,&#13;
Will you read them o’er again?&#13;
While I listen  to you read the me,&#13;
I will lose all sense of pain.&#13;
&#13;
While I listen to you read them,&#13;
I will gently fall asleep,&#13;
Fall asleep to wake with Jesus,&#13;
Oh dear sister,do not weep.   </text>
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                    <text>THE LITTLE ROSEWOOD

CAS~3 T

There's a little rosewood casket
Sitting on a marble stand
W
ith a package of love letters
\lri t ten by my true love's hand
Go and bring them to me, brother
Come and sit upon my bed
Lay your head upon my pillow
\Vhile my ching heart grows dead.
Read them gently to me brother, ,
Read them till I fall asleep ,
Asleep to wake with Jesus,
·near brother ~o not weep.
Last Sunday I saw him anodding
With a lady by his side,
And I thot I heard him tell her
I could never be his brdie.
He is vcoming up the pathw~
Brother meet him at the door
Tell him that I will forgive him
If he' 11 court that girl no more
~~en

I'm dead and in my coffin
And my friends are ga. the red round
And my narrow grave is ready
In some lonesome church yard gorund

Take this package of old letters
Strew them all around my heart
But . this little ring he gave me
From my finger never part.
There's a li~tle rosewood casket
Sitting on a marble stand
W
ith a package of old letters
VTri tten by my true love's hand •

.

. ... .,,
'

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Little Rosewood Casket&#13;
&#13;
There’s a little rosewood casket&#13;
Sitting on a marble stand &#13;
With a package of love letters&#13;
Written by my true love’s hand&#13;
&#13;
Go and bring them to me, brother&#13;
Come and sit upon my bed&#13;
Lay your head upon my pillow&#13;
While my ching heart grows dead.&#13;
&#13;
Read them gently to me brother,&#13;
Read them till I fall asleep,&#13;
Asleep to wake with Jesus,&#13;
Dear brother do not weep.&#13;
&#13;
Last Sunday I saw him anodding&#13;
With a lady by his side,&#13;
And I thot I heard him tell her&#13;
I could never be his brdie.&#13;
&#13;
He is coming up the pathway&#13;
Brother meet him at the door&#13;
Tell him that I will forgive him&#13;
If he’ll court that girl no more&#13;
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When I’m dead and in my coffin&#13;
And my friends are gathered round&#13;
And my narrow grave is ready&#13;
In some lonesome church yard gorund&#13;
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Take this package of old letters&#13;
Strew them all around my heart&#13;
But this little ring he gave me&#13;
From my finger never part.&#13;
&#13;
There’s a little rosewood casket&#13;
Sitting on a marble stand&#13;
With a package of old letters&#13;
Written by my true love’s hand.&#13;
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Mary Linda Vardell </text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>Log Cabin.&#13;
&#13;
Yes I am getting old and feeble&#13;
And I cannot work no more&#13;
And my work upon this earth is nearly done&#13;
Old mosses and old missus they are&#13;
 sleeping side by side,&#13;
And my friends have crolsed the ribber&#13;
 one by one.&#13;
&#13;
Chorus&#13;
 Weep darkys weep, weep darkys&#13;
weep.  For those good old times will nebber &#13;
 come again&#13;
And we weep for the happy voices that we&#13;
 fondly used to hear,&#13;
In de little old log cabin in de lane&#13;
&#13;
2nd &#13;
Yet I’de totter to my cabin&#13;
And I’de try to sing a song&#13;
And my good old wife she’d wander by my side&#13;
Our little home was humble, &#13;
But happiness was there&#13;
Twa’s the sweetest spot in all this world&#13;
 so wide&#13;
&#13;
3rd  &#13;
Yes I aint got long to stay hear, &#13;
But what little time I got,&#13;
I’ll try and be contented to remain&#13;
For tho angels they will lead me&#13;
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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tty

o1oa.

;

ae

1

.....
' or

'
e •

,

to r.

,

yo u 1 Te,

r

se ,
;

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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                <text>Ballads</text>
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                <text>Love--Songs and music </text>
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                <text>The Little Mohee, The Pretty Mohee, Pretty Maumee, The Little Maumee, The Lassie Mohee, The Lass of Mohay, One Morning in May, Indian Mohee, The Pretty Mohea, The Little Mawhee, Island Mohee</text>
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                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>My Pretty Mohea.&#13;
&#13;
As I went out walking for pleasure one day,&#13;
In sweet recreation to while the time away,&#13;
While I was amusing myself on the grass,&#13;
Oh, who should I spy but a fair Indian lass.&#13;
&#13;
She sat down beside me and, taking my hand,&#13;
Said: You   are a stranger and in a strange land&#13;
But if you will follow, you’re welcome to come&#13;
And dwell in the cottage that I call my home.&#13;
&#13;
The sun was fast setting ,far o’er the soft sea,&#13;
When I wandered alone with my pretty Mohea.&#13;
Together we wandered, together did rove&#13;
Till we came to the hut in the cocoa-nut grove.&#13;
&#13;
Then this kind expression she made unto me,&#13;
If you will consent , Sir, to stay here with me,&#13;
And go no more roving upon the salt sea,&#13;
I’ll teach you the language of the lass of Mohea.&#13;
&#13;
Oh,no,my dear maiden, that never could be,&#13;
For I have a true love in my own country.&#13;
And I’ll not forsake her , for I know she loves me,&#13;
And her heart is as true as the pretty Mohea.&#13;
&#13;
‘Twas early one morning in May, one morning in May,&#13;
That to this fair maiden these words I did say:&#13;
I’m going to leave you, so farewell, my dear,&#13;
My ship’s sails are spreading and home I must steer.&#13;
&#13;
The last time I saw her she stood on the sand,&#13;
And as my boat passed her, she waved me her hand,&#13;
Saying: When you have landed with the girl that you love,&#13;
Think of little Mohea in the cocoa-nut grove.&#13;
&#13;
And then when I landed on my own native shore,&#13;
With friends and relations around me once more,&#13;
I gazed all about me, - not one could I see&#13;
That I could compare with the pretty Mohea.&#13;
&#13;
And the girl that I trusted proved untrue to me,&#13;
So I’ll turn my course backward far o’er the deep sea,&#13;
I’ll turn my course backward, from this land I’ll flee,&#13;
I’ll go spend my days with my pretty Mohea. </text>
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        <name>folk song</name>
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      <tag tagId="2032">
        <name>he Little Mohee</name>
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      <tag tagId="2039">
        <name>Indian Mohee</name>
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      <tag tagId="2042">
        <name>Island Mohee</name>
      </tag>
      <tag tagId="2043">
        <name>Little Mohea</name>
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      <tag tagId="2038">
        <name>One Morning in May</name>
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      <tag tagId="2034">
        <name>Pretty Maumee</name>
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      <tag tagId="2044">
        <name>song and music betrayal</name>
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      <tag tagId="2037">
        <name>The Lass of Mohay</name>
      </tag>
      <tag tagId="2036">
        <name>The Lassie Mohee</name>
      </tag>
      <tag tagId="2035">
        <name>The Little Maumee</name>
      </tag>
      <tag tagId="2041">
        <name>The Little Mawhee</name>
      </tag>
      <tag tagId="2040">
        <name>The Pretty Mohea</name>
      </tag>
      <tag tagId="2033">
        <name>The Pretty Mohee</name>
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                    <text>The Pretty :Iollea.
As I went out walking for pleasure one day,
In sweet recreation to while the ti1"1e alvay,
\fhile I was alriusing myself' on t~ 1 e grass,
Oh, who should I spy but a fair Inclian lass.
She sat down beside :;ne and, taking my 11and,
Gaid:Yop are a stranger and in a strange land;
:!"ut if you will :follow,you're welcome to come
And. dwell iU. the cotta~e that I call my ho1:1e.
~he sun was fast setting ,rar o'er the sof't sea,
W
hen I wan(;lered alone wit my pretty ' 1ohea.
Together we wanclered;together did rove
Till we came to the hut in tl1e cocoa-nut grove.

Then this kind expression she macle unto me;
If you will consent , Sir,to stay here with me,
And go no more roving upon the salt sea,
I' 11 teach you tl1e langua:;e of tbe lass of rohea.

.

Oh,no,my dear maiden,that never could be;
;:'or I have a true love in my own country .
.1\nd I' 11 not forsake l.er , f'or I know she loves me,
And her heart is as true as t :1 e pretty ' Iol1ea.
'Twas early one morning iH-!-iay,one morning in .. ay,
That to this fair maiden these words I did say:
I'm going to leave you; s0 f~rewell,my dear,
= ~y ship's sails are spreading and. ho:'le I must steer.
The last tine I saw her she stood on the sam, ,
\
And as my boat passecl ijer,she waved me her hand,
Saying :When you hav ·~ landed with the girl that yo u loTe,
Thinls:: of' little :',Iohea in t !1e cocoa-nut grove •
.And t ·-~n when I landed on my own native shore,
With :friends and relations around .1e once more,
I gazed. all about me;- not one could I see
That I could compare with the pretty :Johea.
And the girl that I trusted proved untrue to roo;
So I'll turn my course backward far o'er th :; deep s ea,
I'll turn my course baclnvard.;from thi s laml I'll fl8e;
I' 11 go s 1
1end my days with my :lretty ~.~ohea.

--.·

/

(

�</text>
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                  <text>I.G. Greer Folksong Collection</text>
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            <element elementId="41">
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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              <text>Brown, Older Ballads - Mostly British - 110 Randolph, 63 Cox, 116 Combs, 80 Laws, H 8</text>
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              <text>113_LittleMohea_Lyric_01</text>
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                <text>Little Mohea, Lyric Variant 01</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="661410">
                <text>English</text>
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                <text>&lt;a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"&gt; I. G. Greer Folksong Collection &lt;/a&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="968921">
                <text>&lt;a title="In Copyright - Rights-holder(s) Unlocatable or Unidentifiable" href="http://rightsstatements.org/vocab/InC-RUU/1.0//" target="_blank"&gt; In Copyright - Rights-holder(s) Unlocatable or Unidentifiable&lt;/a&gt;</text>
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          <element elementId="37">
            <name>Contributor</name>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="977732">
                <text>Ballads--United States</text>
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              <elementText elementTextId="980181">
                <text> Love--Songs and music </text>
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              <elementText elementTextId="980182">
                <text>Betrayal--Songs and music </text>
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                <text>Acculturation--Songs and music</text>
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            </elementTextContainer>
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          <element elementId="51">
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            <description>The nature or genre of the resource</description>
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                <text>Text</text>
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            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
            <elementTextContainer>
              <elementText elementTextId="981320">
                <text>The Little Mohee, The Pretty Mohee, Pretty Maumee, The Little Maumee, The Lassie Mohee, The Lass of Mohay, One Morning in May, Indian Mohee, The Pretty Mohea, The Little Mawhee, Island Mohee</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="983548">
                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="984440">
                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Pretty Mohea.&#13;
&#13;
As I went out walking for pleasure one day,&#13;
In sweet recreation to while the time away,&#13;
While I was amusing myself on the grass,&#13;
Oh, who should I spy but a fair Indian lass.&#13;
&#13;
She sat down beside me and, taking my hand,&#13;
Said: You   are a stranger and in a strange land&#13;
But if you will follow, you’re welcome to come&#13;
And dwell in the cottage that I call my home.&#13;
&#13;
The sun was fast setting ,far o’er the soft sea,&#13;
When I wandered alone with my pretty Mohea.&#13;
Together we wandered, together did rove&#13;
Till we came to the hut in the cocoa-nut grove.&#13;
&#13;
Then this kind expression she made unto me,&#13;
If you will consent , Sir, to stay here with me,&#13;
And go no more roving upon the salt sea,&#13;
I’ll teach you the language of the lass of Mohea.&#13;
&#13;
Oh,no,my dear maiden, that never could be,&#13;
For I have a true love in my own country.&#13;
And I’ll not forsake her , for I know she loves me,&#13;
And her heart is as true as the pretty Mohea.&#13;
&#13;
‘Twas early one morning in May, one morning in May,&#13;
That to this fair maiden these words I did say:&#13;
I’m going to leave you, so farewell, my dear,&#13;
My ship’s sails are spreading and home I must steer.&#13;
&#13;
The last time I saw her she stood on the sand,&#13;
And as my boat passed her, she waved me her hand,&#13;
Saying: When you have landed with the girl that you love,&#13;
Think of little Mohea in the cocoa-nut grove.&#13;
&#13;
And then when I landed on my own native shore,&#13;
With friends and relations around me once more,&#13;
I gazed all about me, - not one could I see&#13;
That I could compare with the pretty Mohea.&#13;
&#13;
And the girl that I trusted proved untrue to me,&#13;
So I’ll turn my course backward far o’er the deep sea,&#13;
I’ll turn my course backward, from this land I’ll flee,&#13;
I’ll go spend my days with my pretty Mohea.  </text>
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                    <text>LI~TLE

BUNCH OF ROSES

Darling I have come to tell you,
Though this message breaks my heart;
For before the dawning, darling,
We'll be many miles apart.
Take this little bunch of roses
That you gave me long ago.
I have kissed them many times, darling,
Never to kiss them any more.
Down among the faded roses,
I have but the withered stem.
I have parted from my darling
Never to see his face again.
Go and leave me if you wish to.
Never let me cross you mind.
In your heart you love another
\iho will treat you good and kind.
Darling, don't you know who loves you?
Don't you know whose heart is true?
Don't you know who's sad without you?
Goodbye, darling, I must go.
One more word and all is over,
Though my eyes are filled with tears.
You have caused me lots of trouble;
You have almost broke my heart.
One more word and all is over,
Though my eyes are filled with tears.
Meet me darling, up in Heaven,
There to spend ten thousand years.
Don't you hear a sea bird mrying
On a dark and lonely sea'?
Oh! My darling, while you're thinking,
Won't you sometimes think of me?
I would
I would
I would
Just to

pawn my watch and locket,
pawn my golden chain.
spend my last old dollar
see his face again.

Don't the sea look rough and rugged?
Don't the sea look wide and deep?
Don't my darling look the sweetest
When he's in my arms asleep?

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>Little Bunch of Roses&#13;
&#13;
Darling I have come to tell you,&#13;
Though this message breaks my heart&#13;
For before the dawning, darling,&#13;
We’ll be many miles apart.&#13;
&#13;
Take this little bunch of roses&#13;
That you gave me long ago.&#13;
I have kissed them many times, darling,&#13;
Never to kiss them any more.&#13;
&#13;
Down among the faded roses,&#13;
I have but the withered stem.&#13;
I have parted from my darling&#13;
Never to see his face again.&#13;
&#13;
Go and leave me if you wish to.&#13;
Never let me cross you mind.&#13;
In your heart you love another&#13;
Who will treat you good and kind.&#13;
&#13;
Darling, don’t you know who loves you?&#13;
Don’t you know whose heart is true?&#13;
Don’t you know who’s sad without you?&#13;
Goodbye, darling, I must go.&#13;
&#13;
One more word and all is over,&#13;
Though my eyes are filled with tears.&#13;
You have caused me lots of trouble&#13;
You have almost broke my heart.&#13;
&#13;
One more word and all is over,&#13;
Though my eyes are filled with tears.&#13;
Meet me darling, up in Heaven,&#13;
There to spend ten thousand years.&#13;
&#13;
Don’t you hear a sea bird acrying&#13;
On a dark and lonely sea?&#13;
Oh!  My darling, while you’re thinking,&#13;
Won’t you sometimes think of me?&#13;
&#13;
I would pawn my watch and locket,&#13;
I would pawn my golden chain.&#13;
I would spend my last old dollar&#13;
Just to see his face again.&#13;
&#13;
Don’t the sea look rough and rugged?&#13;
Don’t the sea look wide and deep?&#13;
Don’t my darling look the sweetest&#13;
When he’s in my arms asleep?</text>
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                    <text>Little Bunch of loses.
Darling I have ome to tell you,
Though this message
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or efore the da\fning,d.arlin~,
·:e' 11 e m3:_ny miles a art.
_1

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Tlla t yo ! gave r1e lomg
a o.
I have kissed t'1em many times ,darling ,
.·ever to kiss t ll e!TI any norc.
Down a .10ng t~Je a(lec.l roses,
I have ut the withered stem.
I have partecl froM my darling
Jever to see J1is face a~ain.
Go and leave 1e if you wish to.
ever let me ross your mind.
In your ~1eart you love another
!ho will treat you goocl ancl kind.
Darling,(lon' t you know who loves you?
Don't you know whose heart is true?
on't you .:now '\fho's sai fit h out you?
Goolbye,darling,I · ust o.
0ne more word an all is over,
'I.'houg.1 my eyes are fillell '"it tears.
You llave aused me lots of trou le;
You have almost roJ:e my lleart.
One more word and all is over,
Thou 1 my eyes &lt; re fille~l with tears.
·reet me darlins;, un in Heaven,
There to speml ten thousan t years.
Don't you hetr a sea lir crying
On a darl::: and lonely sea?
Oll!
ry arling, while you're thin l itin g ,
lou't you sometimes tJd , k of me?
I woul(l
I would
I \fOultl
Just to

pawn my watch ancl locl::et,
paun my golden chain.
spend my last olcl «.ollar
see his face a ga in.

Don't t e sea look rourrh and rui;ge ?
Don't t' 1e sea D:oolc ri· c and deep?
Don't my darling look the s ·ectest
.ihen he's in my arms asleepT

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>Little Bunch of Roses&#13;
&#13;
Darling I have come to tell you,&#13;
Though this message breaks my heart&#13;
For before the dawning, darling,&#13;
We’ll be many miles apart.&#13;
&#13;
Take this little bunch of roses&#13;
That you gave me long ago.&#13;
I have kissed them many times, darling,&#13;
Never to kiss them any more.&#13;
&#13;
Down among the faded roses,&#13;
I have but the withered stem.&#13;
I have parted from my darling&#13;
Never to see his face again.&#13;
&#13;
Go and leave me if you wish to.&#13;
Never let me cross you mind.&#13;
In your heart you love another&#13;
Who will treat you good and kind.&#13;
&#13;
Darling, don’t you know who loves you?&#13;
Don’t you know whose heart is true?&#13;
Don’t you know who’s sad without you?&#13;
Goodbye, darling, I must go.&#13;
&#13;
One more word and all is over,&#13;
Though my eyes are filled with tears.&#13;
You have caused me lots of trouble&#13;
You have almost broke my heart.&#13;
&#13;
One more word and all is over,&#13;
Though my eyes are filled with tears.&#13;
Meet me darling, up in Heaven,&#13;
There to spend ten thousand years.&#13;
&#13;
Don’t you hear a sea bird crying&#13;
On a dark and lonely sea?&#13;
Oh!   My darling, while you’re thinking,&#13;
Won’t you sometimes think of me?&#13;
&#13;
I would pawn my watch and locket,&#13;
I would pawn my golden chain.&#13;
I would spend my last old dollar&#13;
Just to see his face again.&#13;
&#13;
Don’t the sea look rough and rugged?&#13;
Don’t the sea look wide and deep?&#13;
Don’t my darling look the sweetest&#13;
When he’s in my arms asleep?   </text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                    <text>Little Black ~ustache.
Dnce I courted a charmin, eau;
I loved him ear as lire.
I allus knowed the tii.Ie \VOUld co:ne
When I coulcl be his wire.
His pockets , they ~:as lined wit.1 gold
And llm&lt;r he cut a dash
With a diamontl rin,;,gold watch antl chain
And a darling black moustache.
He allus cone on counclay nights
And staye till nearly t .1ree.
ile said ~c never loTel a girl
In the way t ha t 'e loved me.
He sahl 't~."as so , ancl so you Im ow
T~at hchad lots or cash.
And t hen he' cl press upon my lips -t bat d.arling blac·:
'l'ha t dc:r ling blacl~ :oustavhe.
Along t'Iere ca!~e an old , old aid
She was worth 1er weight in gold .
She ha(l I'aJ~e hair, she wore raise teet· ,
She was rorty rive years old.
'o cooly he d eserted me
T
ust for t'1at old maid's cash.
And t hen he'd _ress upon her lips
That darling lack moustache.
Andnowthey liTe across the ' ay
In that great ansion old.
She married him f'or his lao.k moustache,
e marrie 1 her for gold.
Co:;1e all young o~dds, tal'"e my advice
And never e so ras h
As to fall in love with every chap
i ho wears a black moustache.
Bh.Brasn

That little black moustache,
mhat little black moustacJe,
l.~.nd now you knor· I had a eau
:ith a darling lac~ mou stache.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Little Black Moustache.&#13;
&#13;
Once I courted a charming beau,&#13;
I loved him dear as life.&#13;
I allus knowed the time would come&#13;
when I could be his wife.&#13;
His pockets, they was lined with gold&#13;
And how he cut a dash&#13;
With a diamond ring, gold watch and chain&#13;
And a darling black moustache.&#13;
&#13;
He allus come on Sunday nights&#13;
and stayed till nearly three.&#13;
He said he never loved a girl&#13;
In the way that he loved me.&#13;
He said 'twas so, and so you know&#13;
That he had lots of cash.&#13;
And then he'd press upon my lips-that darling black &#13;
That darling black moustache.&#13;
&#13;
Along there came an old, old maid&#13;
She was worth her weight in gold.&#13;
She had fake hair, she wore false teeth,&#13;
She was forty-five years old.&#13;
So coolly he deserted me&#13;
Just for that old maid's cash.&#13;
And then he'd press upon her lips&#13;
That darling black moustache.&#13;
&#13;
And now they live across the way&#13;
In that great mansion old.&#13;
She married him for his black moustache,&#13;
He married her for gold.&#13;
Come all young maids, take my advice,&#13;
And never be so rash&#13;
As to fall in love with every chap&#13;
Who wears a black moustache.&#13;
&#13;
Refrain:&#13;
That little black moustache,&#13;
That little black moustache,&#13;
And now you know I had a beau &#13;
with a darling black moustache. </text>
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                    <text>Little Black Moustache
Once I courted e oharming beau;
I loved him dear as life.
I a~:tus knowed the ~ime would come
Vfu n l~c6u!WA~e h!s w1!e.
His pockets they was lined with gold,
And how he cut a dash
With a diamond ring, p-old watch and ct.ain,
And a darlinp black moustache.
Refrain:
That little black moustache,
That little black moust~che,
And now you know I had a beau
With a darling black moustache.
He allus come on Sunday nights
And stayed till nearly three.
He said he never loved a girl
In the way that he lo~ed me.
He said 'twas so, and so you know
That he had lots of oash.
And then he'd press upon my lips
That darling black moustache.
Along there came an old, old m~id,
She was worth her weipht in gold.
She had fake hair, she wore false teeth,
She was forty-five years old.
So coolly he deserted me
Just for that old maidrs cash.
And then he d press upon her lips
That d~rling black moustache.
And now they live across the way
In that great mansion, old.
She married him for his black moustache,
He married her for gold.
Come all young maids, take my advice,
And never be so rash,
As to fall in love with every chap
"fuo we~rs a black moustache.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Little Black Moustache &#13;
&#13;
Once I courted a charming beau,&#13;
I loved him dear as life. &#13;
I allus knowed the time would come &#13;
allus knowed the time &#13;
when I could be his wife. &#13;
His pockets they was lined with gold, &#13;
And how he cut a dash &#13;
With a diamond ring, gold watch and chain, &#13;
And a darling black moustache. &#13;
 &#13;
Refrain: &#13;
That little black moustache, &#13;
That little black moustache, &#13;
And now you know I had a beau  &#13;
with a darling black moustache. &#13;
 &#13;
He allus come on Sunday nights &#13;
and stayed till nearly three. &#13;
He said he never loved a girl &#13;
In the way that he loved me. &#13;
He said 'twas so, and so you know &#13;
That he had lots of cash. &#13;
And then he'd press upon my lips  &#13;
That darling black moustache. &#13;
 &#13;
Along there came an old, old maid, &#13;
She was worth her weight in gold. &#13;
She had fake hair, she wore false teeth, &#13;
She was forty-five years old. &#13;
So coolly he deserted me &#13;
Just for that old maid's cash. &#13;
And then he'd press upon her lips &#13;
That darling black moustache. &#13;
 &#13;
And now they live across the way &#13;
In that great mansion old. &#13;
She married him for his black moustache, &#13;
He married her for gold. &#13;
Come all young maids, take my advice, &#13;
And never be so rash, &#13;
As to fall in love with every chap &#13;
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>The Murdering Miller, The Oxford Girl, The Lexington Girl, The Knoxville Girl, The Wexford Girl, The Wittam Miller, The Berkshire Tragedy, Come All of You Who's Been in Love and Sympathize with Me, Last Saturday Night, Two Weeks Ago, Poor Nell, The Noel Girl, The Expert Girl, The Rexford Girl, The Cruel Miller, The Tragedy, The Lexington Miller, Johnny McDowell</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>The Murdering Miller, The Oxford Girl, The Lexington Girl, The Knoxville Girl, The Wexford Girl, The Wittam Miller, The Berkshire Tragedy, Come All of You Who's Been in Love and Sympathize with Me, Last Saturday Night, Two Weeks Ago, Poor Nell, The Noel Girl, The Expert Girl, The Rexford Girl, The Cruel Miller, The Tragedy, The Lexington Miller, Johnny McDowell</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                    <text>•
'1'HB BLOODY UILLBR, &lt;ll THB JIURDBRING lliLIJIR

One month ago since Chr i st
That moat unhappy day, .
The devil, he purauaded nie
To take her lite aw :y.

a last

I et her at her sister'• house
•Twas eight- o'clock that night,
But little that creature know
I owed h r any spite.
I asked her it ah 'd walk with
In the fields a little way,
That we might both so well agree
And appoint the wedding d y.
As we went down a lonesome
place
To the fields a little way,
I drew a stick out of the h dge
And struck her in the faoe.

•own

As she came
to her bended knees
"Oh, murderer, she did cry,
Por He ven'a sake don't mur *r ~
~or 1 am not tit to die.•
'...

And then to wae h r sins away
I took her by the hair,
A.&amp;d drug her to a river near
And lett her body there.
Then to y aill, ~ mill I ran,
The miller w amazed,
..
He slowly fixed hie eyes on me
And slowly he clid g
Oh,
ater, ... ter,
eter, dear,
You look aa pale aa death;
HaTe you been running all this night
That put you out or breath?
What means the blood upon your banda
Likewise upon your clothes?
I answered hi~i.mediately
B7 bleeding at the nose.

�</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Bloody Miller, or The Murdering Miller&#13;
&#13;
One month ago since Christmas last &#13;
The most unhappy day, &#13;
The devil, he persuaded me &#13;
To take her life away. &#13;
 &#13;
I met her at her sister's house &#13;
'Twas eight o' clock that night, &#13;
But little did that creature know  &#13;
I owed her any spite. &#13;
 &#13;
I asked her if she'd walk with me &#13;
In the fields a little way, &#13;
That we might both so well agree &#13;
And appoint the wedding day. &#13;
 &#13;
As we went down a lonesome place &#13;
To the fields a little way, &#13;
I drew a stick out of the hedge &#13;
And struck her in the face. &#13;
&#13;
 As she came down to bended knees &#13;
“Oh, murderer, she did cry,  &#13;
For Heaven's sake don't murder me &#13;
For I am not fit to die.” &#13;
 &#13;
And then to wash her sins away &#13;
I took her by the hair,  &#13;
And drug her to a river near &#13;
And left her body there. &#13;
 &#13;
Then to my mill, my mill I ran, &#13;
The miller was amazed, &#13;
He slowly fixed his eyes on me &#13;
And slowly he did gaze. &#13;
 &#13;
Oh, master, master, master, dear, &#13;
You look as pale as death, &#13;
Have you been running all this night  &#13;
That put you out of breath? &#13;
 &#13;
What means the blood upon your hands,  &#13;
Likewise upon your clothes? &#13;
I answered him immediately &#13;
By bleeding at the nose. </text>
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                    <text>THE BLOODY !.filLER , OR THE

MURD~~RING

MILLER

One month ago since Christmas last
That most unhappy day ,
The devil , he p ~rsuaded me
To take her life away .
I met her at her sister's house
'Tv.as eight o'clock that night ,
But little that creature knew
I owed her any spite.
I asked her if she'd walk with me
In the fields a little way ,
That we might both so well agree
And appoint the wedding day .
As we went down a lonesome place
To the fields a little way ,
I drew a stick out of the hedge
And struck her in the face.
As she came down to her bended knee~
"Oh, :nurderer, she did cry ,
For Heaven's sake don't murder me
For I a~ not fit to die."
And then to wash her sins away
I took her by the hair ,
And drug her to a river near
Ani left her body there.
Then to my mill, my mill I ran ,
The miller was amazed ,
He slo\vly fixed his eyes on me
And slowly he did gaze.
illh , master, master, master, dear ,
You look as paJe as death;
Have you been running all this night
That put you out of breath ?
What means the blood upon your hands
Likewise upon your clothes ?
I answered him i ~ediately
By· bleeding at the nose.
;

I snatched the candle from his hand
And to my bed I run,
I lay there trembling all that night
For the murder I had done.
I lay there trembling all that night ,
I could not take my rest;
I could but feel the fla:nes of hell
Roll o'er my guilty breast.
The morning davne~~.the sheriff came,
He tooK me to my Ju11,
And bound.medtheretfor 9i'x long months
~d tnen 1n
ea~n
o ~21 •

�</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Bloody Miller, or The Murdering Miller&#13;
&#13;
One month ago since Christmas last&#13;
The most unhappy day,&#13;
The devil, he persuaded me&#13;
To take her life away.&#13;
&#13;
I met her at her sister’s house&#13;
‘Twas eight o’ clock that night,&#13;
But little that creature knew &#13;
I owed her any spite.&#13;
&#13;
I asked her if she’d walk with me&#13;
In the fields a little way,&#13;
That we might both so well agree&#13;
And appoint the wedding day.&#13;
&#13;
As we went down a lonesome place&#13;
To the fields a little way,&#13;
I drew a stick out of the hedge&#13;
And struck her in the face.&#13;
&#13;
As she came down to bended knees&#13;
“Oh, murderer she did cry, &#13;
For Heaven’s sake don’t murder me&#13;
For I am not fit to die.”&#13;
 &#13;
And then to wash her sins away&#13;
I took her by the hair, &#13;
And drug her to a river near&#13;
And left her body there.&#13;
&#13;
Then to my mill, my mill I ran,&#13;
The miller was amazed,&#13;
He slowly fixed his eyes on me&#13;
And slowly he did gaze.&#13;
&#13;
Oh, master, master, master, dear,&#13;
You look as pale as death  &#13;
Have you been running all this night &#13;
That put you out of breath?&#13;
&#13;
What means the blood upon your hands &#13;
Likewise upon your clothes?&#13;
I answered him immediately&#13;
By bleeding at the nose.&#13;
&#13;
I snatched snatched the candle from his hand &#13;
And to my bed I run,&#13;
I lay there trembling all that night &#13;
For the murder I had done.&#13;
&#13;
I lay there trembling all that night,&#13;
I could not take my rest,&#13;
I could but feel the flames of hell &#13;
Roll o’er my guilty breast.&#13;
&#13;
The morning dawned, the sheriff came,&#13;
He took me to my jail,&#13;
And bound me there for six long months &#13;
And then in death to wail.  </text>
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                    <text>Let · ~e

Sl e e p in Your Barn To ni ght

~ ister .

Let me sleep in your barn to-night ~istcr,
'Tis so eol« lying out on the ground.
A.nd the cold. -~outh wind is a 'blowing,
And I have no plaee to lay clown.
You must know that I use no tolacco;
Neither carry no ~atches nor pipe.
I will do you no harm,-not a bit,sir.
Let me sleep in your barn just to-ni~ht.
You may ask me how long I'Te been traveling,
Or been living this ldnd of a life.
If yai'll listen,I'll tell you a story,
Thou:;h it cuts through my : eart like a Imife.
It was three years ago last ~ummer;
I sha~l never forget that sad iay,
7 hen a stranger cace from a city,
So tall , so hamlsome and gay.
He looked well ressed and spo:bty,
He looked like a man who hail wealth,
An~ he said he aad come to this CountrJ
Just t o stay here awhile for his health.
a
And ny wife said she'd loTe me with erRest
For somet~1 ing to add to our hoare1;
A
So she beggea me until I consented
'fo det the stranger stop aml board.
One evenin ~ as I
I was whistling
::S:xpeating a ldnd
From my wife and
~'

cane from my workshop,
and singi·1g for joy,
hearty welcome
a kiss from my boy.

And nothing I found but a letter
1'! hich some - one hafi plaeecl there for me.
And the ooment my eyes fell upon it,
I at onee picked it up just to see.
And the lford.s that were '\Yritten upon it
Seem to burn till my brow run me wild;
For t hey say that t:1e stranger ancl };ellie
Have run off and taken my ehil«.
Oh, there's
'Which I'Te
.And I pray
A life t lm t

surely a God U}) in heaven
always l"~ een taught to believe
that He'll give to my boy
he ought to receive.

Let me sleep in your lJarn to-night , :.rister
'Tis so cold lying out on t J e ground
And the snow is :fulling around me
And _ heve no place to lay down.
!

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Letters--Songs and music</text>
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            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="978748">
                <text>Text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
            <elementTextContainer>
              <elementText elementTextId="981335">
                <text>Let Me Sleep in Your Barn Mister, Let Me Sleep in Your Barn</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="983567">
                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="984459">
                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="7">
        <name>Scripto</name>
        <description/>
        <elementContainer>
          <element elementId="161">
            <name>Transcription</name>
            <description>A written representation of a document.</description>
            <elementTextContainer>
              <elementText elementTextId="661837">
                <text>Let Me Sleep in Your Barn To night Mister.&#13;
&#13;
Let me sleep in your barn to-night Mister,&#13;
‘Tis so cold lying out on the ground.&#13;
And the cold -South wind is a blowing, &#13;
And I have no place to lay down.&#13;
&#13;
You must know that I use no tobacco, &#13;
Neither carry  no matches nor pipe. &#13;
I will do you no harm, -not a bit, sir &#13;
Let me sleep in  your barn just to-night.&#13;
&#13;
You may ask me how long I’ve been traveling, &#13;
Or been living this kind of a life.&#13;
If you’ll listen, I’ll tell you a story, &#13;
Though it cuts through my heart like a knife.&#13;
&#13;
It was three years ago last Summer,&#13;
I shall never  forget that sad day,&#13;
When a stranger came from a city, &#13;
So tall ,so handsome and gay.&#13;
&#13;
He looked well dressed and sporty,&#13;
He looked like a man who had wealth,&#13;
And he said he had come to this Country &#13;
Just to stay here a while for his health.&#13;
&#13;
And my wife said she’d love me with earnest &#13;
For something to add to our hoard, &#13;
So she begged me until I consented&#13;
To let the stranger stop and board.&#13;
&#13;
One evening as I came from my workshop, &#13;
I was whistling  and singing for joy, &#13;
Expecting a kind hearty welcome &#13;
From my wife and a kiss from my boy.&#13;
&#13;
And nothing I found but a letter&#13;
Which some one had placed there for me. &#13;
And the moment my eyes fell upon it, &#13;
I at once picked it up just to see.&#13;
&#13;
And the words that were written upon it &#13;
Seem to burn till my brow run me wild, &#13;
For they say that the stranger and Nellie&#13;
Have run off and taken my child.&#13;
&#13;
Oh, theres surely a God up in heaven &#13;
Which I’ve always been taught to believe &#13;
And I pray that He’ll give to my boy &#13;
A life that he ought to receive.&#13;
&#13;
Let me sleep in your barn to-night ,Mister &#13;
‘Tis so cold lying out on the ground &#13;
And the snow is falling around me&#13;
And I have no place to lay down.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="1276">
        <name>English ballad</name>
      </tag>
      <tag tagId="1165">
        <name>folk song</name>
      </tag>
      <tag tagId="2075">
        <name>Let Me Sleep in Your Barn</name>
      </tag>
      <tag tagId="2074">
        <name>Let Me Sleep in Your Barn Mister</name>
      </tag>
      <tag tagId="2073">
        <name>Let Me Sleep in Your Barn Tonight Mister</name>
      </tag>
      <tag tagId="2051">
        <name>songs and music</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
