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                    <text>Fine Salley.
Tl~rJ w~s ~rich Irish L·Qy worth thousends of gold.
Fin s•lley fine Selley indeedw~s het name.
But her riches wcs more thLn the ~uecn did possess.

There w1::s e rich IIerchr.nt worth thousands of gold.
ne~t End so fine.
Bl&lt;t her riches WES so lofty ~ nd her f £shon so fine.
nd on this young muz she sc~ rcely ct st her eye.

H3 corded this d£msel so

0 SElley 0 SElley 0 Salley scii he.
I r sorry to think we c::::not agree.
B t if ~11 your hBtred · would turn to love.
~·
love vnd your love would prove true I ~m sure.
Y •s I am scornful For I hcte you.
To say thut I love you is more than I qen.
s ~ you mcy ·retire in your discorse.
F - r I will never mErry you unless I am forced.
0 Salley 0 Salley 0 Salley said he • .
Dent youn rember when you slighted me?
I c~me here to court you but you slighted me with scorn.
·-a now I reward you with things pcssed ~nd gone.
0 t things passed

~:md

gone love forget ,_ nd forgive.

1 d grcnt me a blessing I longer to live.

I .ever will s alley during ~y life.
Ill dcnce on your gn.ve when your 1 ~ id in the. ea rth.
Six weeks hcve come ~ ~d six weeks· h ~ ve p ~ s s ed.
d~msal v a s teken down sick at the lest.
~All r[:ped up !Ln love 1:nd she kneH not why.
She sent for this young m_n thet she use to denie.

Th~s

Im em the Docter you s ~ nt me here.
I Em the young mEn that you love so je t t.
Yes you r ee the young man the~ CLn kill me or cure.
W
ithout your affections i ~ m gone i vm sure.
F re well my de ~ r pcerents rnd ell my best f r iends.
· due to my SvJvJethe t: rt God make hdr:n a rnr:n.
Ill will freely frrgi ve him although he wont 1~ e.
Tenn thousand times ore thee I see.
She pulled off her gold ring rnd di cmonds to.
S ys t : : ke them and \. e Pre them while d ~ ncing over me.
Yr. . ur culler v1ill fly 1:nd Jiever be seen.
·~: bile dr: ncing over fk lley pve·r ~alley rhe
Queen.
Ers _.lice Cook.

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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                <text>The Rich Lady, Fair Sally, Pretty Sally</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Fine Salley&#13;
&#13;
There was a rich Irish Lady worth thousands of gold.&#13;
Fin salley fine Salley indeed was her name.&#13;
But her riches was more than the Queen did possess.&#13;
&#13;
There was a rich Merchant worth thousands of gold.&#13;
He corded this damsel so neat and so fine.&#13;
But her riches was so lofty and her fashion so fine.&#13;
And on this young man she scarcely cast her eye.&#13;
&#13;
O Salley O Salley O Salley said he.&#13;
Im sorry to think we canot agree.&#13;
But if all your hatred would turn to love.&#13;
My love and your love would prove true I am sure.&#13;
&#13;
Yes I am scornful For I hate you.&#13;
To say that I love you is more than I can.&#13;
So you may retire in your discorse.&#13;
For I will never marry you unless I am forced.&#13;
&#13;
O Salley O Salley O Salley said he.&#13;
Don't youn rember when you slighted me?&#13;
I came here to court you but you slighted me with scorn.&#13;
And now I reward you with things passed   and gone.&#13;
&#13;
Oft things passed and gone love forget and forgive.&#13;
And grant me a blessing I longer to live.&#13;
I never will salley during my life.&#13;
Ill dance on your grave when your laid in the earth.&#13;
&#13;
Six weeks have come and six weeks have passed.&#13;
This damsel was taken down sick at the last.&#13;
All raped up in love and she knew not why.&#13;
She sent for this young man that she used to denie.&#13;
&#13;
Im am the Docter you sent me here.&#13;
I am the young man that you love so dear.&#13;
Yes you are the young man that can kill me or cure.&#13;
Without your effections i am gone i am sure.&#13;
&#13;
Fare well my dear parents and all my best friends.&#13;
Adue to my Swwetheart God make him a man.&#13;
Ill will freely frrgive him although he wont me.&#13;
Tenn thousand times ore thee I see.&#13;
&#13;
She pulled off ehr god ring and diamonds to.&#13;
Says take them and wear them while dancing over me.&#13;
Your culler will fly and never be seen.&#13;
whille dancing over Salley over Salley the Queen.&#13;
&#13;
Mrs Alice Cook. </text>
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                    <text>THE RICH LADY
There was a rich lady from London she came,
vfuose name it was Sally, oh Sally by name.
Her riches was more than a king could possess
Her beauty was more than her riches would fetch.
There was a young man courted her 500 times a year
He often said Sally, oh Sally my dear,
Oh, Sally oh, Sally., Oh Sally, said he,
I am sorry my love and yourn can't agree.
Its I don't despise you, nor no other man,
But as fer to love you, its more than I can_,
Its now and forever just ends our discourse,
I never will marry you unless I am forced.
It's farewell Sally., I am now going home,
No doubt in my mind but your pride will come down,
Before three weeks was over and another going past
She sent for this young man her love had struck her
at last.
He came to her bedside, saying 11 Sally, my dear,
Is the pain that doth hurt you, doth lie in your head't n
"Oh, no, by the right that you have not guessed,
The pain that now hurts me doth lay in my heart."
"Now_, Sally, Oh Sally, Oh Sally," said he,
"Now don't you remember when you slighted me
When you slighted me in lowrney and scorn,
And now I'll reward you for things past and gone.
For things past and gone, love, forget and forgive,
And spare me my life some longer to live,
I never will forgive you while during my breatl}
I'll dance on your grave when you're laid in the clay.
Its on her forefinger there were rings, diamonds there,
Saying take these and wear them when you're dancing on me,
When you ' re dancing on me, when you're dancing on me,
Ten thousand times over my folly I see.

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>&lt;a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"&gt; I. G. Greer Folksong Collection &lt;/a&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Rich Lady&#13;
  &#13;
There was a rich lady from London she came,&#13;
Whose name it was Sally, oh Sally by name.&#13;
Her riches was more than a king could possess&#13;
Her beauty was more than her riches would fetch.&#13;
&#13;
There was a young man courted her 500 times a year&#13;
He often said Sally, oh Sally my dear,&#13;
Oh, Sally oh, Sally, Oh Sally, said he,&#13;
I am sorry my love and yourn can’t agree.&#13;
&#13;
Its I don’t despise you, nor no other man,&#13;
But as fer to love you, its more than I can,&#13;
Its now and forever just ends our discourse,&#13;
I never will marry you unless I am forced.&#13;
&#13;
It’s farewell Sally, I am now going home,&#13;
No doubt in my mind but your pride will come down,&#13;
Before three weeks was over and another going past&#13;
She sent for this young man her love had struck her at last.&#13;
&#13;
He came to her bedside, saying "Sally, my dear,&#13;
Is the pain that doth hurt you, doth lie in your head?"&#13;
"Oh, no, by the right that you have not guessed,&#13;
The pain that now hurts me doth lay in my heart."&#13;
&#13;
"Now, Sally, Oh Sally, Oh Sally," said he,&#13;
"Now don’t you remember when you slighted me&#13;
When you slighted me in lowrney and scorn,&#13;
And now I’ll reward you for things past and gone.&#13;
&#13;
For things past and gone, love, forget and forgive,&#13;
And spare me my life some longer to live,&#13;
I never will forgive you while during my breath,&#13;
I’ll dance on your grave when you’re laid in the clay.&#13;
&#13;
Its on her forefinger there were rings, diamonds there,&#13;
Saying take these and wear them when you’re dancing on me,&#13;
When you’re dancing on me, when you’re dancing on me,&#13;
Ten thousand times over my folly I see.  </text>
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                    <text>Ther t:, -r1as ~" r .:..ct. lady from Lo ' don she C 'l.1·e ,
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                  <text>I.G. Greer Folksong Collection</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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              <text>Child, 295 Brown, Older Ballads - Mostly British - 90 Randolph, 40 Laws, P 9 Cox, 114 Sharp, 44</text>
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                <text>&lt;a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"&gt; I. G. Greer Folksong Collection &lt;/a&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>&lt;a title="In Copyright - Rights-holder(s) Unlocatable or Unidentifiable" href="http://rightsstatements.org/vocab/InC-RUU/1.0//" target="_blank"&gt; In Copyright - Rights-holder(s) Unlocatable or Unidentifiable&lt;/a&gt;</text>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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                <text>Ballads, English</text>
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                <text>Fine Salley, Fair Sally, Rich Lady</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Rich Lady&#13;
&#13;
There was a rich lady from London she came,&#13;
Whose name it was Sally oh Sally by name,&#13;
Her riches was more than a king could possess&#13;
Her beauty was more than her riches would fetch.&#13;
&#13;
There was a young man courted her 500 times a year&#13;
He often said Sally, oh Sally my dear,&#13;
Oh, Sally oh, Sally, Oh Sally, said he,&#13;
I am sorry my love and yourn can’t agree.&#13;
&#13;
Its I don’t despise you, nor no other man,&#13;
But as for to love you, its more than I can,&#13;
Its now and forever just ends our discourse,&#13;
I never will marry you unless I am forced.&#13;
      &#13;
It’s fare you well Sally, I am now going home,&#13;
No doubt in my mind but your pride will come down,&#13;
Before three weeks was over and another going past&#13;
She sent for this young man her love had struck her at last.&#13;
&#13;
He came to her bedside, saying "Sally my dear,&#13;
Is the pain that doth hurt you, doth lye in your head"&#13;
"Oh, no, by the right that you have not guessed,&#13;
The pain that now hurts me doth lay in my heart".&#13;
&#13;
"Now, Sally, Oh Sally, Oh Sally," said he&#13;
"Now don’t you remember when you slighted me&#13;
When you slighted me in lowrney and scorn&#13;
And now I’ll reward you for things past and gone.&#13;
&#13;
For things past and gone, love, forget and forgive,&#13;
And spare me my life some longer to live,&#13;
I never will forgive you while during my breath,&#13;
I’ll dance on your grave when you’re laid in the clay&#13;
&#13;
Its on her forefinger there were rings, diamonds there&#13;
Saying take these and wear them when you’re dancing on me,&#13;
When you’re dancing on me, when you’re dancing on me&#13;
Ten thousand times over my folly I see.  </text>
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                    <text>The Briseom Farmer.

Once I knew a briscom :rarmer;
He was a credit to any man.
He eourted a preety f'air lady
Who lived mn a f'oreign land.
His parents when t hey :rounD; it out
Grew angry
d id say:
I'll send
r and over t he ocean
And his :face you ~. mo more shall see.
f' o her
searched t he ocean over and over;
Over ancl over he llid search,
3aying: If' Polly is alive and I can :rind her,
I will ma l'e her my lawf'ul b rir e.
l

So early one norning
As he went walking down the street,
Cold drops of' rain f'ell as it happened
And his true love he did meet.
Good morning,good mornin ~ ,f'air lady,
Do you think you could fancy ne?
Oh no,I f ancy t he riscom f'armer
W bas lately gone to the sea.
ho
Ob describ e him,oh describ e him,
Oh clescrib e him unto n e.
Perhaps I've saw just sucll a f' ellow,
As I have just eo:me fro t he sea .
He
He
He
Ob

wa s
was
had
his

witty,he was pretty,
ha mlsome and f'air.
black hair ,and wore it curly
pretty blue e yes so fair.

Oh yes 1 I'Te saw t hat fellow
By the nan e of' W
illiam llale.
I saw him s hot t hrough with a f'orty four
Oh how dead t hat man did f'all.

all.

Oh such screams as t'm t young lady gi¥e.
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nough to prove any endless love,
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Hus h up,hush up,my pretty fair lady,
P erchance I may b e me;
And .to C f) . • ;::.:_nee you of' my story
Here's t he ring t hat you give me.
So t hey joined t heir lily white hands to ge t her;
Of to t h e Church house theyn
d id go,
Saying:this young couple will get m
arriec
Uhether t heir parents are willing or ho.

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Briscom Farmer.&#13;
&#13;
Once I knew a briscom farmer,&#13;
He was a credit to any man.&#13;
He courted a pretty fair lady&#13;
Who lived in a foreign land.&#13;
&#13;
His parents when they found it out&#13;
Grew angry and did say,&#13;
I’ll send him over and over the ocean&#13;
And his face you xwillx no more shall see.&#13;
&#13;
So her searched the ocean over and over,&#13;
Over and over he did search,&#13;
Saying: If Polly is alive and I can find her,&#13;
I will make her my lawful bride.&#13;
&#13;
So early one morning&#13;
As he went walking down the street,&#13;
Cold drops of rain fell as it happened&#13;
And his true love he did meet.&#13;
&#13;
Good morning, good morning, fair lady,&#13;
Do you think you could fancy me?&#13;
Oh no, I fancy the briscom farmer&#13;
Who has lately gone to the sea.&#13;
&#13;
Oh describe him, oh describe him,&#13;
Oh describe him unto me.&#13;
Perhaps I’ve saw just such a fellow,&#13;
As I have just come from the sea.&#13;
&#13;
He was witty, he was pretty,&#13;
He was handsome and fair.&#13;
He had black hair ,and wore it curly&#13;
Oh his pretty blue eyes so fair.&#13;
&#13;
Oh yes, I’ve saw that fellow&#13;
By the name of William Hale.&#13;
I saw him shot through with a forty four ball.&#13;
Oh how dead that man did fall.&#13;
&#13;
Oh such screams as that young lady give.&#13;
Enough to prove any endless love,&#13;
Saying: Since we parted broken hearted,&#13;
It is now what shall I do?&#13;
&#13;
Hush up, hush up, my pretty fair lady,&#13;
Perchance I may be he,&#13;
And to convince you of my story&#13;
Here’s the ring that you give me.&#13;
&#13;
So they joined their lily white hands together,&#13;
Of to the Church house they did go,&#13;
Saying: this young couple will get married&#13;
Whether their parents are willing or no.      </text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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It was in the merry month of May when the fiery buds were swelling young&#13;
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It was in the merry month of May when the fiery buds were swelling young&#13;
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                    <text>BARBARA ALLEN
In Scarlet town where I w.as born,
There lived a fair maid ·dwelling;
Hade every youth say 111·mll a11are. 11
Her name was Barb'ra Allen.
All in the merry month of .Hay,
Hhen green buds they were swelling,
SHeet vlilliam on his deathbed lay'
For love of Barb 1 ra Allen.
He sent his man unto her then,
To the town vlhere she was dwelling;
"You must come to my master dear
If your name be Barb'ra Allen. 11
Then slowly, slowly she came up,
And slowly she c~~e nigh him;
11 0h lovely maid, come pity me,
I'm on my deathbed lying.n
11
If on your deatl1bed you do lie,
What needs the tale you're telling?
I cannot keep you from your death,
FareHell, 11 said Barb'ra Allen.

Hard-hearted creature him to slight,
Hho loved me so sincerely;
Oh that I had been more kind to him,
Hhen he 1-.ras alive and near me.
On Monday morning she took sick,
Her heart was struck with sorrou;
Oh, mot:1er, mother, make my bed,
For I shall die tomorrow.
Farevmll, fare11ell, ye virgins all,
And shun the fault I fell in;
Henceforth take warning by the fall
Of cruel Barb 1 ra Allen.

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Barbara Allen&#13;
&#13;
In Scarlet town where I was born,&#13;
There lived a fair maid dwelling,&#13;
Made every youth say "well aware."&#13;
Her name was Barb'ra Allen.&#13;
&#13;
All in the merry month of May,&#13;
When green buds they were swelling,&#13;
Sweet William on his deathbed lay,&#13;
For love of Barb'ra Allen.&#13;
&#13;
He sent his man unto her then, &#13;
To the town where she was dwelling,&#13;
"You must come to my master dear&#13;
If your name be Barb'ra Allen."&#13;
&#13;
Then slowly, slowly she came up, &#13;
And slowly she came nigh him,&#13;
"Oh lovely maid, come pity me,&#13;
I'm on my deathbed lying."&#13;
&#13;
"If on your deathbed you do lie,&#13;
What needs the tale you're telling?&#13;
I cannot keep you from your death,&#13;
Farewell," said Barb'ra Allen.&#13;
&#13;
Hard-hearted creature him to slight,&#13;
Who loved me so sincerely,&#13;
Oh that I had been more kind to him, &#13;
When he was alive and near me.&#13;
&#13;
On Monday morning she took sick,&#13;
Her heart was struck with sorrow,&#13;
Oh, Mother, mother, make my bed,&#13;
For I shall die tomorrow.&#13;
&#13;
Farewell, farewell, ye virgins all, &#13;
And shun the fault I fell in,&#13;
Henceforth take warning by the fall&#13;
Of cruel Barb'ra Allen.   </text>
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                    <text>BLUE -EYED MARY
Come tell me, blue-eyed stranger,
Say whither doe'st thy roam?
Over this wide world a ranger,
Hast thou no friend or home?
They call'd me blue-eyed Mary,
When friends and fortunes smiled,
But oh, how fortunes vary,
I now am sorrows child.
Come here, I '11 buy thy flowers,
And ease thy hapless lot;
Still wet with warming showers,
I'll buy for get-me-not.
Kind sir, then take these posies,
They ere fading like my youth;
But never like these roses,
Shall wither Mary's truth.
Look up thou poor forsaken,
I'll give thee house and home;
And if I am not mistaken,
Thou will never wish to roam.
Born thus to weep my fortune,
Though poor I'll virtuous prove;
I early learnt this caution,
That pity is not love.
No, no sweet blue-eyed stranger,
I'll give thee hand and hee.rt;
Be not a friendless ranger,
We never more will part.
Once more I am happy Mary,
Once more has fortuned smiled;
Who never from virtue vary;
May yet be fortunes child.

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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&#13;
Come tell me, blue-eyed stranger,&#13;
Say whither doe’st thy roam?&#13;
Over this wide world a ranger,&#13;
Hast thou no friend or home?&#13;
&#13;
They call’d me blue-eyed Mary,&#13;
When friends and fortunes smiled,&#13;
But oh, how fortunes vary,&#13;
I now am sorrows child.&#13;
&#13;
Come here, I’ll buy thy flowers,&#13;
And east thy hapless lot,&#13;
Still wet with warming showers,&#13;
I’ll buy for get-me-not.&#13;
&#13;
Kind sir, then take these posies,&#13;
They are fading like my youth,&#13;
But never like these roses,&#13;
Shall wither Mary’s truth.&#13;
&#13;
Look up thou poor forsaken,&#13;
I’ll give thee house and home,&#13;
And if I am not mistaken,&#13;
Thou will never wish to roam.&#13;
&#13;
Born thus to weep my fortune,&#13;
Though poor I’ll virtuous prove,&#13;
I early learnt this caution,&#13;
That pity is not love.&#13;
&#13;
No, no sweet blue-eyed stranger,&#13;
I’ll not give thee hand and heart,&#13;
Be not a friendless ranger,&#13;
We never more will part.&#13;
&#13;
Once more I am happy Mary,&#13;
Once more has fortuned smiled,&#13;
Who never from virtue vary,&#13;
May yet be fortunes child.</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>The Blind Girl&#13;
&#13;
They tell me Father, that tonight you wed another&#13;
bride. That you will clasp her in your arms where&#13;
my dear mother died.      </text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Blind Girl&#13;
&#13;
They tell me Father, that tonight you wed another&#13;
bride. That you will clasp her in your arms where&#13;
my dear mother died. </text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                    <text>The Blind Cijild's Prayer.
They tell me,J:at her,t!lat tonight
You wed another 1Jrille
That you will clasp in your arms
E10re my d e ar mot i1er died.
That she will lay :10r graceful head
Upon your manly b reast,
W
here she who now lies low in death
In life! last hours did rest.
They say her name is f:iary,tooTlle name my ..~ot h er bore.
But Father,is s he kind and. true
Like the one you l oved before?
And is her step so sof t ancl light,
;:er voice so meek ancl mild?
And Father,do you think she will love
Your linl and helpless chll~?
Please ~Fat h er,do not b id me come
To meet your lovely bride;
For I could not meet her in t he room
.vhere my dear ~: ot h er died.
ner
Her
And
And

picture's hanging on t he wall.
books are lyin g near;
t here's t he harp !1e r f ingers · touc hed
her vacant chair)
·

The chair where by her side I Imel t
To say my evening p rayer.
P~ease, ~ athe r, d o not bid me cone,
F or I could not meet her t here.
But when I've cried myself to sleep,
As now I o~ten do,
Then s oftly t o my c h ar:~b e r creep,
· Iy new 1Iama a nd y ou.
Then b id her gently press a kiss
Unon My throbbing rmr,
Just us my own d ear :rotller would.
W
hy,Papa,you're wee p ing now.
How let me ln1eel d o\Vn b y y our side
And to my Saviir pray
That God's ri g!1t Imnd I!lay guide you
Through life's long weary way.

1:~ aclc

The prayer was r.mr-:mred, t !1en a gain
11
I ' 1::1 growing tired n, s he saicl.
He gently raisec.l her in his arms
Andlaid her on t 1"e bed.
Then as he turned t ~ leave t ~ e room ,
One joyful cry was given.
He turned and caught t he sweetest smile;
For his bliml chilcl was in I:ea'ren.
They laid. her by her 1rother' s side
And raised a marble fair,
And o:ri it engravetl t he s e simple '.r ords:
There'll be no lind ones t • ere.

•

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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They tell me, Father, that tonight&#13;
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&#13;
That she will lean her graceful head&#13;
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&#13;
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Like the one you loved before?&#13;
&#13;
And is her step so soft and light,&#13;
Her voice so meek and mild?&#13;
And Father, do you think she will love&#13;
Your blind and helpless child?&#13;
&#13;
Please, Father, do not bid me come&#13;
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Where my dear Mother died.&#13;
&#13;
Her picture’s hanging on the wall.&#13;
Her books are lying near,&#13;
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And her vacant chair.&#13;
&#13;
The chair where by her side I knelt&#13;
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Please, Father, do not bid me come,&#13;
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&#13;
But when I’ve cried myself to sleep,&#13;
As I now often do,&#13;
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My new Mama and you.&#13;
&#13;
Then bid her gently press a kiss&#13;
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Why, Papa, you’re weeping now.&#13;
&#13;
Now let me kneel down by your side&#13;
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Through life’s long weary way.&#13;
&#13;
The prayer was murmured, then again&#13;
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He gently raised her in his arms&#13;
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&#13;
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&#13;
They laid her by her Mother’s side&#13;
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There’ll be no blind ones there.    </text>
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''~c--:r.Jrrow mf'!~• '!'m g_;nat
t&gt;C ; .-0 &lt;i

•

e q_

~o-morro ( morn,
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~ h plots

"'S t
'1

t

. ..

rlmco, •

c-

.Jrtcen,

i n ~;c mn

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Lriry

J,. rovor

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nf1

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itn .c

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h er
Yo:· cunnot ~~c erN' tr ~- .. l• 1
r.oo hin o:f ti .... pro

9

Grimes , tl:o rover,

n{ ~ t'n :~; · o

cro .s •h

e m

bri~

fiol·e

1ov )r;

rl •
•

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•

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1loy . ''

.,

rl;

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                <text>Billy Grimes, the Drover &#13;
&#13;
 “To-morrow morn I'm sweet sixteen, and Billy Grimes, the rover, &#13;
Has popped the question to me Ma, and wants to be my lover,&#13;
To-morrow morn, he says, Mamma, he's coming bright and early, &#13;
To take a pleasant trip with me across the fields of Barley”. &#13;
&#13;
“You must not go, my daughter, dear, it is no use a-talking, &#13;
You cannot go across the field with Billy Grimes a walking. &#13;
To think of his presumption now, the dirty, ugly drover! &#13;
I wonder where your pride has gone to think of such a lover.” &#13;
 &#13;
 “Old Grimes is dead, you know, Mamma, and Billy is so lonely, &#13;
Besides, they say, too, Grimes has said, that Billy is the only. &#13;
So he'll be heir to all he's left, and that they say is nearly &#13;
A good ten thousand dollars worth, and about six hundred yearly." &#13;
 &#13;
“I did not hear, my daughter dear, your last remarks quite clearly.&#13;
But Billy is a clever lad, and no doubt loves you dearly.    &#13;
Be ready then tomorrow morn and be up bright and early, &#13;
To take a pleasant walk with him across the fields of Barley.” </text>
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                    <text>Billy Grimes,the DroTer.

" To- orrow
Has

orn,I'

sweet sixteen,and. Billy Grimes,t le roTer,

po ped tbe question to me

To- orrow

a,an

corniu~

orn,he says, ' acma,he's

. To take a pleasant trip with

~e

wants to

~e

my loTer;

•ri ht and early,

aaross the f'ields of Barley".

"You ust not r;o,rny aue;hter,flear;it is no use a-tal:Jcin!:,
You cannot go across the fiel wit Billy Grimes a walkin~;.
To think or his

resumption now,the ciirty

a.roTer.

u~ly

I woncler lfkere your pri &lt;l e has rone to think o:r such a roTer."
" 01

Grines is d.eaet,you h10w,- atlLla,an"" Billy is ·

on ely,

Besides ,they say too,Grimes has saij_,t hat Billy is the only.
So he'll
~

"I

e heir to all he's left,

anti that t ey say is near y

,ood tent ousand d.ollars worth,and a•out six ' undred yearly.

clia not bear ,my claurhter dear, your last re!!larks quite clearly;

But Billy is a eleTer lad,and no
Be rea dy then

to~orrow

morn ancl

ou t loTes
e up

you

a~arly.Be

right antl early,

To take a pleasant walls:!: with him aeross t he fieleis or Barley."
.!ml when we're carrie(l,G.ear

amma, We

oth shall look so

nea~'\

I'll wear a thousand clollar shawl, 'Twil make me loolc so swee)\, ..
This eomr:wn rrook is
And silk will soon

gettin~

old.,

e fashion;

I'll turn his pockets inside out,and meet wit

a sh...t,r;ues

Not quite so fast,my pretty miss,don't try to win the droTer.
~ho's tea~eled

this whole

~ountry throu~h

in search of' a true loTer.

Y oney ne'er shall 'bu- your shawl,Ne'er build your castles•higher.
Please madam , talce your

au:;hter

o n e , I cl.icl it

ut to try _P.r.

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Billy Grimes, the Drover.&#13;
&#13;
“To-morrow morn, I’m sweet sixteen, and Billy Grimes, the rover,&#13;
Has popped the question to me Ma, and wants to be my lover,&#13;
To-morrow morn, he says, Mamma, he’s coming bright and early,&#13;
To take a pleasant trip with me across the fields of Barley”.&#13;
&#13;
“You must not go, my daughter, dear, it is no use a-talking,&#13;
You cannot go across the field with Billy Grimes a walking.&#13;
To think of his presumption now, the dirty ugly drover.&#13;
I wonder where your pride has gone to think of such a rover.”&#13;
&#13;
“Old Grimes is dead, you know, Mamma, and Billy is so lonely,&#13;
Besides, they say too, Grimes has said, that Billy is the only.&#13;
So he’ll be heir to all he’s left, and that they say is nearly&#13;
A good ten thousand dollars worth, and about six hundred yearly.&#13;
&#13;
“I did not hear, my daughter dear, your last remarks quite clearly,&#13;
But Billy is a clever lad, and no doubt loves you dearly.  Be &#13;
Be ready then tomorrow morn and be up bright and early,&#13;
To take a pleasant walk with him across the fields of Barley.”&#13;
&#13;
And when we’re married, dear Mamma, We both shall look so neatly&#13;
I’ll wear a thousand dollar shawl, ‘Twil make me look so sweetly-&#13;
This common frock is getting old,&#13;
And silk will soon be fashion,&#13;
I’ll turn his pockets inside out, and meet with a shout, guess him-&#13;
&#13;
Not quite so fast, my pretty miss, don’t try to win the drover.&#13;
Who’s traveled this whole country through in search of a true lover.&#13;
My money ne’er shall buy your shawl, Ne’er build your castles higher.&#13;
Please madam, take your daughter home, I did it but to try her.</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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&#13;
Oh where have you been, Billy Boy, Billy Boy?  Oh, where have you been charming&#13;
Billy?  I have been to seek a wife, She's the joy of my life.  She's a &#13;
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0 where have you been, Billy boy, Billy boy?
0 where have you been, charming Billy?
I have been to seek a wife; she's the joy of my life,
She's a young thing and cannot leave: her mother.
Did she ask you to come in, Billy boy, Billy boy~
Did she ask you to come in, charming Billy?
She asked me to come in,
With a dimple in her chin,
She's a young thing and cannot leave her Mother.
Did she give you for to eat, Billy boy, Billy boy,
Did she ask you for to eat, charming Billy?
She asked me for to eat;
She had plenty of bread and meat,
She's a young thing and cannot leave her mother.
Can she bake a cherry pie, Billy boy, Billy boy,
Can she bake a cherry pie, charming Billy?
She can bake a cherry pie,
Quick as a cat can wink its eye,
She's a young thing and cannot leave her mother.
How tall is she, Billy boy, Billy boy,
How tall is she, charming Billy?
She's as tall as any pine,
Slim as a pumpkin vine,
She's a young thing and cannot leave her mother.
How old is she, Billy boy, Billy boy,
How old is she, charming Billy?
She's twice six, twice seven,
Twenty and eleven,
She's a young thing and cannot leave her mother.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>Billy Boy.&#13;
&#13;
O where have you been, Billy boy, Billy boy?&#13;
O where have you been, charming Billy?&#13;
I have been to seek a wife, she's the joy of my life.&#13;
She's a young thing and cannot leave her mother.&#13;
&#13;
Did she ask you to come in, Billy boy, Billy boy,&#13;
Did she ask you to come in, charming Billy?&#13;
She asked me to come in,&#13;
With a dimple in her chin.&#13;
She's a young thing and cannot leave her Mother.&#13;
&#13;
Did she give you for to eat, Billy boy, Billy boy,&#13;
Did she ask you for to eat, charming Billy?&#13;
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She had plenty of bread and meat,&#13;
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&#13;
Can she bake a cherry pie, Billy boy, Billy boy,&#13;
Can she bake a cherry pie, charming Billy?&#13;
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Quick as a cat can wink its eye.&#13;
She's a young thing and cannot leave her mother.&#13;
&#13;
How tall is she, Billy boy, Billy Boy,&#13;
How tall is she, charming Billy?&#13;
She's as tall as any pine,&#13;
Slim as a pumpkin vine.&#13;
She's a young thing and cannot leave her mother.&#13;
&#13;
How old is she, Billy boy, Billy boy,&#13;
How old is she, charming Billy?&#13;
She's twice six, twice seven,&#13;
Twenty and eleven,&#13;
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I h ave bee n to seel.: a wilf'e; she's t h e joy of my lif'e.
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l'iit h a dimple in her chin.
She's a young thing ancl cannot leave h er ilamrty.
Di£1 s h e give you f' or to eat, Billy boy, Eilly buy?
Ditl she as k you f'or to eat, c h::.r minp.; Dilly?
£:he asl&lt;::e.l me f'or to eat;
She had plcnyy of 1Jread antl meat ,
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Can she b a k e a c h erry pie, Billy boy, Billy boy?
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She can bake a cherry pie,
Quick as a cat can wink its eye.
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n ow tall is she,Billy boy,Billy Boy?
How tall is she, charr:.Iin g Billy?
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3 lim a s a pumpkin vine.
She's a young thing and cannoj leave h er ::amm.y.
How old is s h e ,:Lilly boy , Dilly 1Joy?
Row old is s h e ,charning Rilly?
She's twice six,twice seven,
Twenty and eleven,
She's a young t hing and. c annot lea~e h er

:.~amy.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Billy Boy.&#13;
&#13;
O where have you been, Billy boy, Billy boy?&#13;
O where have you been, charming Billy?&#13;
I have been to seek a wife, she's the joy of my life.&#13;
She's a young thing and cannot leave her Mother.&#13;
&#13;
Did she ask you to come in, Billy boy, Billy boy?&#13;
Did she ask you to come in, charming Billy?&#13;
She asked me to come in&#13;
With a dimple on her chin.&#13;
She's a young thing and cannot leave her Mammy.&#13;
&#13;
Did she give you for to eat, Billy boy, Billy boy?&#13;
Did she ask you for to eat, charming Billy?&#13;
She asked me for to eat,&#13;
She had plenty of bread and meat,&#13;
She's a young thing and cannot leave her Mammy.&#13;
&#13;
Can she bake a cherry pie, Billy boy, Billy boy?&#13;
Can she bake a cherry pie, charming Billy?&#13;
She can bake a cherry pie,&#13;
Quick as a cat can wink its eye.&#13;
She's a young thing and cannot leave her Mammy.&#13;
&#13;
How tall is she, Billy boy, Billy Boy?&#13;
How tall is she, charming Billy?&#13;
She's as tall as any pine,&#13;
Slim as a pumpkin vine.&#13;
She's a young thing and cannot leave her Mammy.&#13;
&#13;
How old is she, Billy boy, Billy boy?&#13;
How old is she, charming Billy?&#13;
She's twice six, twice seven,&#13;
Twenty and eleven,&#13;
She's a young thing and cannot leave her Mammy.</text>
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.d .

J

.,...,

:Sot

0

1._,

d-

-.J.-t.

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r-

-r I

....

-

. . - .... -v-

I

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I'

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>“The Big Bob”.&#13;
&#13;
Oh!  some folks jump up and down all night,&#13;
At a d-a-n-c-e.&#13;
While others go to church to show their, &#13;
brand new h-a-t.&#13;
They smear their face with a great big dab,&#13;
Of p-a-i-n-t.&#13;
And then they laugh at us because we’re s-a-v-e-d.&#13;
&#13;
Chorus:&#13;
G-l-o-r-y I’m s-a-v-e-d I’m h-a-p-p-y to know I’m&#13;
f-r-ee, G-l-o-r-y- the chain of this I am I’m &#13;
h-a-p-p-y- to know that I am Christ within.&#13;
&#13;
These girls who live in our town so n-i-c-e,&#13;
They bob their hair in the finest style&#13;
with a s-h-a-v-e.  And on each finger place&#13;
a r-i-n-g, all there goes in the Bible knows &#13;
We’re s-a-v-e-d.&#13;
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                    <text>Ben the

C~achman

Ben was a hackney Coachman an,
Who for the future had not a care,
How he'd swear, and how he'd drive
Number two hundred and twenty-five!
Ben, do you see, was ~ne ~f this kind,
for the future did not mind,
One day he kept his h~rses smarting,
And never once th~ught of fines ~r martin.

Wh~

Next a. gunman did appr~ch,
All dressed in black, and called 1 his coach,
And, as I heard old Benny tell,
His breath breathed forth a sulphurous smell.
The devil jumped into the coach alive,
Pray now, sir, where shall I drive?
Old Beelzebub wanting to cut as well,
Why, Ben, says he, drive down to hell.
He held a bag in his left claw,
To show that he was of the law;
And alth~ugh he was mighty civil,
Ben very well knew he was the devil.
But
Why
Old
For

stop, says he, waht is
twenty pounds t~ drive
Lucifer paid it with a
he th~ught as how he'd

your fare?
you there.
grin,
hook Ben in.

Then off the horses went full mell,
Nor stopped till they got t~ the gates of hell;
Ben would n~t go first in the gulph of sin,
s~ he turned his horses, and backed the devil in.
Now Ben jumped up for t~ return '
Com back c~me back -- your coach I will burn,
My coach and horses ma.y go to pot,
For they are insured, but I am not.
Then off the horses went quite fast,
Nor stopped till they got to their home at last,
N~~ Ren's g~wn rich, he never swears,
And for tne devil he never cares.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Ben the Coachman&#13;
&#13;
Ben was a hackney Coachman an,&#13;
Who for the future had not a care,&#13;
How he'd swear, and how he'd drive&#13;
Number two hundred and twenty-five!&#13;
&#13;
Ben, do you see, was one of this kind,&#13;
Who for the future did not mind,&#13;
One day he kept his horses smarting,&#13;
And never once thought of fines or martin.&#13;
&#13;
Next a gunman did approach,&#13;
All dressed in black, and called his coach,&#13;
And, as I heard old Benny tell,&#13;
His breath breathed forth a sulphurous smell.&#13;
&#13;
The devil jumped into the coach alive,&#13;
Pray now, sir, where shall I drive?&#13;
Old Beelzebub wanting to cut as well,&#13;
Why, Ben, says he, drive down to hell.&#13;
&#13;
He held a bag in his left claw,&#13;
To show that he was of the law,&#13;
And although he was mighty civil,&#13;
Ben very well knew he was the devil.&#13;
&#13;
But stop, says he, what [sic] is your fare?&#13;
Why twenty pounds to drive you there.&#13;
Old Lucifer paid it with a grin,&#13;
For he thought as how he'd hook Ben in.&#13;
&#13;
Then off the horses went full mell,&#13;
Nor stopped till they got to the gates of hell,&#13;
Ben would not go first in the gulph of sin,&#13;
So he turned his horses, and backed the devil in.&#13;
&#13;
Now Ben jumped up for to return&#13;
Com back come back - your coach I will burn,&#13;
My coach and my horses may go to pot,&#13;
For they are insured, but I am not.&#13;
&#13;
Then off the horses went quite fast,&#13;
Nor stopped till they got to their home at last,&#13;
Now Ben's grown rich, he never swears,&#13;
And for the devil he never cares.</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Battleship Maine&#13;
12/8&#13;
&#13;
Once I had a sweetheart, noble, brave, and true.&#13;
fearless as the sunrise, gentle as the dew&#13;
We had loved and waited, he had named the day.&#13;
We had pledged to wed each other in the month of May.  We had pledged to wed each other&#13;
in the month of May. Out on the high seas he sailed&#13;
under the Red, white &amp; Blue. Faithful to country &amp; home    </text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Battleship Maine.&#13;
Change to 12/8 time&#13;
6/4 or 12/8&#13;
&#13;
Once I had a sweetheart, noble, brave and true,&#13;
fearless as the sunrise, gentle as the dew. We had loved and&#13;
waited, he had named the day. We had pledged to wed each other&#13;
in the month of May. We had pledged to wed each other&#13;
&#13;
Cho.&#13;
in the month of May. Out on the high seas he sailed&#13;
under the red, white and blue. Faithful to country and home&#13;
faithful to captain and crew  </text>
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                    <text>The

Battleship . ~aine.

Once I haa a sweetheart,J;;J.Ql3-1-e, ,bPe:ve
:-T oble , b rave and true,
Fearless as t he sunrise,
Gentle as t ~ e dew.
we had loved and waited;
!~ e had na1:1ed t he clay
Ve had pledged to wed each ot ~ er
In t he nonth of l!ay •
W had pledged to wed each other
e
In the month of' :.:ay.
out on t ~ e high seas he sailed
Under the re(.l , white and "blue
.Faith.ful to countJ•y and home,
:::-'aithf'ul to captain and crew •
.Anchored at •ravana,
On t ~_: e Cu~) an shore,
Conscious of' no danger,
Dreaming love d ays o'er,
Peacef'ully he,1 slumb ered
I n his hammock ed,
W
hile t he stars, in &lt;
:lowing eayty,
Benediction sai~.
W
hile t h e stars in g lowing beauty,
~ ened iction said.
Then came t lle (leath d ealing cra sh,
1:recldng t :•e vessel in trr c.in.
Down Y
:ent ~'lY sweet i:Jeart to d eath,
Down went t he b attleship raine.
Euriee1 near ilavana ,
On a f'oreign shore
Y:here the bells of' eTening
Slowly toll his knell.
There he'll sleep forever
In an unlmown grave,
nut the land for ·which he clied
W
ill always call hiJ;I bra;t"e.
But the land for which 1e aied
T"." ill always call him brave.
Rouse ye,m~' co ntry2_meu,ronse!
Let not his c:eath be in vain!
Strike down t :1e cowar,l ly f'iend
Tllat wrec i{ecl t~1e battleship ·~aine.

~d

true,

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Battleship Maine.&#13;
&#13;
Once I had a sweetheart, noble ,brave and true,&#13;
Noble ,brave and true,&#13;
Fearless as the sunrise,&#13;
Gentle as the dew.&#13;
We had loved and waited,&#13;
He had named the day&#13;
We had pledged to wed each other&#13;
In the month of May .&#13;
We had pledged to wed each other &#13;
In the month of May.&#13;
Out on the high seas he sailed&#13;
Under the red ,white and blue&#13;
Faithful to country and home,&#13;
Faithful to  captain and crew.&#13;
&#13;
Anchored at Havana,&#13;
On the Cuban shore,&#13;
Conscious of no danger,&#13;
Dreaming love days o’er,&#13;
Peacefully hen  slumbered&#13;
In his hammock bed,&#13;
While the stars, in glowing beauty,&#13;
Benediction said.&#13;
Then came the death dealing crash,&#13;
Wrecking his vessel in twain.&#13;
Down went my sweet heart to death,&#13;
Down went the battleship Maine.&#13;
&#13;
Buried near Havana,&#13;
On a foreign  shore&#13;
Where the bells of evening&#13;
Slowly toll his knell.&#13;
There he’ll sleep forever&#13;
In an unknown grave,&#13;
But the land for which he died&#13;
Will always call him brave.&#13;
But the land for which he died&#13;
Will always call him brave.&#13;
Rouse ye, my country=men, rouse!&#13;
Let not his death be in vain!&#13;
Strike down the cowardly fiend&#13;
That wrecked the battleship Maine.</text>
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                    <text>Called THE BANKS OF THE SCHUYLKILL
On the banks of the Schuylkill so pleasant and ga.y,
There blessed with my true love I spent the short day;
~fuere the sun shed his rays through the mulberry tree,
And the stream fomed a mirror for my true love and me.
On that spot of clover we eat ourselves down,
Not envying the greatest of monarchs that's crown'd;
My name in the sand with his finger he drew,
And he swore aby the stream he would ever prove true.
To which I beheld the gay pride of my fair,
I gazed on his face while he played with my hair;
He need not have told me his love with a sigh,
For the Schuylkill secures my deer fellow to me.
Oft times has he told me fine stories of love,
He would sing me a song my affections to move;
My lips were oft solicited my hands gently pressed,
On the banks of the Schuylkill where I was blessed.
When ever we leave this enchanting retreat,
With b 1ushes she says when next shall we !Teet;
Next Sunday he says, if the weather proves clear,
On the banks of the Schuylkill I'll meet you my dear.
Now all these inno cent pleasures are over,
The murmuring river can please me no more;
Since the banks of the Schuylkill has lost all its charm,
And the soldiers have torn my dear boy from my arms.
But should ever I clasp him again to my heart,
No more shall my true love and I ever part,
No more shall the wars take my true love a way;
And the banks of the Schuylkill shall ever be gay.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>The Banks of The Schuykill&#13;
&#13;
On the banks of the Schuylkill so pleasant and gay,&#13;
There blessed with my true love I spent the short day,&#13;
Where the sun shed his rays through the mulberry tree,&#13;
And the stream formed a mirror for my true love and me.&#13;
&#13;
On that spot of clover we sat ourselves down, &#13;
Not envying the greatest of monarchs that's crown'd,&#13;
My name in the sand with his finger he drew,&#13;
And he swore aby the stream he would ever prove true.&#13;
&#13;
To which I beheld the gay pride of my fair,&#13;
I gazed on his face while he played with my hair,&#13;
He need not have told me his love with a sigh,&#13;
For the Schuylkill secures my dear fellow to me. &#13;
&#13;
Oft times has he told me fine stories of love, &#13;
He would sing me a song my affections to move,&#13;
My lips were oft solicited my hands gently pressed,&#13;
On the banks of the Schuylkill where I was blessed.&#13;
&#13;
When ever we leave this enchanting retreat,&#13;
With blushes she says when next shall we meet,&#13;
Next Sunday he says, if the weather proves clear,&#13;
On the banks of the Schuylkill I'll meet you my dear.&#13;
&#13;
Now all these innocent pleasures are over, &#13;
The murmuring river can please me no more,&#13;
Since the banks of the Schuylkill has lost all its charm, &#13;
And the soldiers have torn my dear boy from my arms.&#13;
&#13;
But should ever I clasp him again to my heart,&#13;
No more shall my true love and I ever part,&#13;
No more shall the wars take my true love a way,&#13;
And the banks of the Schuylkill shall ever be gay. </text>
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                    <text>TEE BANKS OF TEE DEE
It was summer so softly the breezes were blowing,
And sweetly the nightingale sung from each tree;
At the foot of the rock where the river was flowing,
I sat myself down on the banks of the Dee.
Flow on lovely Dee flow on thou
Thy banks purest heams shall be
It wa,s there I first gained the
Of James -- the glory and pride
But now he is gone
To quell the proud
And yet there's no
To wander again on

sweet river,
dear to me ever;
affection and favor,
of the Dee.

from me and left me a mourning,
Spaniards so valiant is he;
hope of his speedy returning,
the- banks of the Dee.

He's gone hapless youth over the loud roaring billows
The sweetest and kindest of all the brave fellows;
And has left me to mnrn amongst the green willows,
The loneliest maid on the banks of the Dee.
But time and my prayers may perhaps yet restore him,
Blest peace may restore the dear shepherd to me;
Anri when he comes home with such care I '11 watch over him,
He never shall quit the sweet banks of the Dee.
The Dee then shall flow all its beauties displaying,
The lambs on its banks shall again be seen playing;
Whilst I with my Jamy am carelessly straying,
And tasting again all the sweets of the Dee.

�</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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              <text>1775</text>
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                <text>Tait, John, 1748-1817</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Banks of The Dee&#13;
&#13;
It was summer so softly the breezes were blowing,&#13;
And sweetly the nightingale sung from each tree,&#13;
At the foot of the rock where the river was flowing, &#13;
I sat myself down on the banks of the Dee.&#13;
&#13;
Flow on lovely Dee flow on thou sweet river,&#13;
Thy banks purest heams shall be dear to me ever, &#13;
It was there I first gained the affection and favor,&#13;
Of James -- the glory and pride of the Dee.&#13;
&#13;
But now he is gone from me and left me a mourning, &#13;
To quell the proud Spaniards so valiant is he,&#13;
And yet there's no hope of his speedy returning,&#13;
To wander again on the banks of the Dee.&#13;
&#13;
He's gone hapless youth over the loud roaring billows&#13;
The sweetest and kindest of all the brave fellows,&#13;
And had left me to morn amongst the green willows,&#13;
The loneliest maid on the banks of the Dee.&#13;
&#13;
But time and my prayers may perhaps yet restore him,&#13;
Blest peace may restore the dear shepherd to me,&#13;
And when he comes home with such care I'll watch over him,&#13;
He never shall quit the sweet banks of the Dee.&#13;
&#13;
The Dee then shall flow all its beauties displaying, &#13;
The lambs on its banks shall again be seen playing,&#13;
Whilst I with my Jamy am carelessly straying, &#13;
And tasting again all the sweets of the Dee.</text>
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                    <text>THE BANKS OF CHAMPLAIN

•It

was autumn, a,na round me the leaves were descending,
And lonely the woodpecker pecked on the tree,
Whilst thousands their freedom and rights were defending,
The din of their arms sounded dismal to me;
For Sandy; my love, was engaged in the action,
Without him I valued the world not a fraction;
His death would have ended my life in distraction,
As lonely I strayed on the banks of Cham:plain.
Then turning to listen to the cannon's loud thunder,
My elbow I leaned on a rock near the shore;
The sounds nearly :parted my heart-strings asunder,
I thought I should see my dear she:pherd no more.
But soon an ex:press all my sorrow sus:pended,
My thanks to the FAther of mercies ascended,
1-1y she:pherd was sa.fe, and my country defended,
By freedom's brave sons on the banks of Cham:plain.

I wi:ped from my eyes the big tear that had started,
And haBtened the news to my :parents t o bear,
Who sighed for the loss of relations de:pa.rted,
And wept at the tidings that banished their care.
The cannons now ceased, the drums still were beating,
The foes of our country far nor th were retreating,
The neighboring damsels each other were gree t ing,
.With songs of delight on the banks of Cham:plain.
Our s auadron triumphant, our army victorious,
With laurels unfaded, our s:partans returned;
MY eyes never dwelt on a scene half so glorious,
My heart wit h such rapture before never burned.
But Sandy :ny darling that moment a.:ppearing,
His :presence to every countena.nce cheering,
Was rendered to me more doubly endearing,
By feats he :performee on t he banks of Cham:plain.
But should smiling :peace, with her blessings and treasures,
Soon visit the :plains of Columbia again,
What pen can describe the in~pturing :plea.sures,
That I shall experience through life with my swain?
For then no wild savage will come to alarm us,
Nor worse British foes send their minions to harm us,
But nature and art will continue to charm us,
While ha.p:py we live on the banks of Cham:plain.

�</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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&#13;
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&#13;
Our squadron triumphant, our army victorious,&#13;
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&#13;
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>In the Baggage Coach Ahead&#13;
&#13;
On a dark &amp; stormy night, as the train rattled on, all the&#13;
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who sat with a bowed down head.  &#13;
&#13;
The innocent one began crying just then as&#13;
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&#13;
O, where is its mother go take it to her a&#13;
lady then softly said.  I wish that I could was the young man's reply but she's dead in the coach ahead&#13;
&#13;
Put it out said another &#13;
paid for our berths and cant rest, but never a word said the man with the child as he&#13;
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husband sat in tears thinking of the happiness of&#13;
&#13;
Baggage Coach Ahead (continued)&#13;
&#13;
just a few short years while baby's face brings&#13;
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                    <text>lD the

sa a

oon.eh Aheu.

On a d~~k and sto~ ni~1t,
AS t:b0 train rattled on,
All the , assen~ora llwi gone to e
!"x~ept one young :rm.n witb a 'babe in his arms

bO sat ~itb o. owea. fi.ftB heat!..
tbe i.nnQeent one · gan or-ying just tbea
" A:.9 U ttl roor
art cult. ' bl!eak.
'" " !_!~e that obild stop ita· noise , an a.tliWJ man said,
"'· ~ it" s l.tA~p:lng us a.ll alral:e.
Put it out.sai4 anotbe~ , aon't keep it ia be~e .
we haYc pa:l. for eur et-ths and. U'ant rest .
neve~ n word/sai tbe m
an wit h tbo
At: l!C ton41eti it close to is l~t!UJt.
Where is its Yoth~r! Go take it to

But

ehi14 1

ncr,

A lru!y t ~ .an softly ant •
I wish th- t I ooulct. was tho youns mm • s
,
But she's i~.end 1n the
OllOrt.ISt·

Aa tbe trnin

t~eply,

oaek &lt;?hea« .
•

~

~

onward,

A bus,an sat in tears,
.
hinld.ng oethe happiness or just n telt s ort years, '
Wbile aby's tao&amp; brin a pioturos
Qf' c. cilerisbed bope t.bat ' s ea4,
.ut a :r•s cries o.an• t ualten ber
In

tlH~

a~p~

ooawh a .. end.

ef'Y e-rre f':t 184 t. i tb tear
As the ato~y be tol~
.
Ot' a wif'e who was f'ai.tbf'ul nd true;
And how he ad sa~e4 up the~r earniBC5 fop years
Just to uilU. tllena a iO!M 'l!or t .,.,.

Thon !ieavon b&amp;l ' s&amp;nt tt1em a. svoot l1tt1e ltaba
TlJGir yotUag happy lives to less.

Ib teava be

4own wlen he mentione4 her hams
tbem t e relit •
Bve117 ~or~ arose to ssis~ with the oh~l 1 Ther· rfere .tothera ana. wives ~ th~ t~ain.
Am1 seo11 was the little one l ·e Gpiug in peaoe
W:lth no thoa bt o sorcrow o::o paht.
-Bext morning at the st tton ~e told ~11 gooi~ye .
~roke

AJ1d in sort"*ow he

tolu

Bot bless you, he so.ttly said.
A1lCt oueb b
a story to tell 1n their botnes
6t the baggage eoaeb ahea4 .

'

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>In the Baggage Coach Ahead.&#13;
&#13;
On a dark  and stormy night,&#13;
As the train rattled on,&#13;
All the passengers had gone to bed&#13;
Except one young man with a babe in his arms&#13;
Who sat with a bowed down head.&#13;
The innocent one began crying just then&#13;
As if it’s  poor heart would break.&#13;
Make that child stop its noise,an angry man said,&#13;
For it’s keeping us all awake.&#13;
Put it out,said another,don’t keep it in here.&#13;
We have paid for our berths and want rest.&#13;
But never a word,said the man with the child,&#13;
As he fondled it close to his breast.&#13;
Where is its Mother?  Go take it to her,&#13;
A lady then softly said.&#13;
I wish that I could,was the young man’s reply,&#13;
But she’s dead in the coach ahead.&#13;
&#13;
    Chorus:&#13;
&#13;
  As the train xrolledx rattled onward,&#13;
  A husband sat in tears,&#13;
  Thinking of the happiness of just a few short ears.&#13;
  While baby’s face brings pictures&#13;
  Of a cherished hope that’s dead,&#13;
  But baby’s cries can’t waken her&#13;
  In the baggage coach ahead.&#13;
&#13;
Every eye filled with tears&#13;
As the story he told&#13;
Of a wife who was faithful and true,&#13;
And how he had saved up their earnings for ears&#13;
just to build them a home for two.&#13;
Then  Heaven had sent them a sweet little babe&#13;
Their young happy lives to bless.&#13;
In tears he broke down when he mentioned her name&#13;
And in sorrow he told them the rest.&#13;
Every woman arose to assist with the child, -&#13;
There were Mothers and wives on the train.&#13;
And soon was the little one sleeping in peace&#13;
With no thou ht of sorrow or pain.&#13;
Next morning at the station he told all goodbye.&#13;
Bod bless you,he softly said.&#13;
And each had a story to tell in their homes&#13;
Of the baggage coach ahead.</text>
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                    <text>In the Baggage Coach Ahead.

en a dark

ancl stormy night,
As the train rattled on,
All the passengers ha&lt;i gone to bed
=~ xcept one young 1:1an with a ha1;,e in his aros
Vho sat with a bowed down h eaa.
The innocent one began crying just then
As if it~ poor he art would break .
l!ake t ha t child stop its noise,an angry man said,
For it's k:3 eping us all awake.
Put it out,said another,don't keep it in here.
We :1ave paid :for our berths and want rest.
But never a wor(l./said the :~1an 1vith the chilGl,
As he f'oncllecl it elose to his breast.
Where is its ~ ot her? Go take it to her ,
A lady t i:en so:ftly said.
I wish that I could,was t h e young man's reply,
But she's d eacl in t he aoach ahead .
Chorus:
As the train rolled onwarcl,
A husband sat in tears,
Thinking ofthe happiness of just a few short years.
While baby's face brings p ictures
Of a cheris hed hope t hat's dead,
But b aby's cries can't waken her
In t i1e baggage eoa~h a '· ead .
Every e ye filled with tears
As the story he toltl
Of a wife who was faith:ful and true;
And how he had saved. up their earnings for years
Just to lmild them a home :for two.
Then =:eaven hael sent t i1em a sweet little b abe
The ir young happy lives to bless.
In tears lle broke clown when he mentionecl ller h ame
And in sorrow he tohl them t he rest.
i:Tery womun arose to assist witl; t he chilcil,Tllere were ;.lot hers ancl wives mj the train.
And soon w~s t h e little one sleeping in peace
W
ith no thou ht of sorrow or pain.
Next morning at the station he told all goodbye .
Bo~ bless you , he softly saia.
And each had a story to tell in the ir bomes
Of the l;agga g e coach ahead.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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Who sat with a bowed down head.&#13;
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As if it’s  poor heart would break.&#13;
Make that child stop its noise,an angry man said,&#13;
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Put it out,said another,don’t keep it in here.&#13;
We have paid for our berths and want rest.&#13;
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As he fondled it close to his breast.&#13;
Where is its Mother?  Go take it to her,&#13;
A lady then softly said.&#13;
I wish that I could,was the young man’s reply,&#13;
But she’s dead in the coach ahead.&#13;
&#13;
Chorus:&#13;
&#13;
As the train rolled onward,&#13;
A husband sat in tears,&#13;
Thinking of the happiness of just a few short years.&#13;
While baby’s face brings pictures&#13;
Of a cherished hope that’s dead,&#13;
But baby’s cries can’t waken her&#13;
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&#13;
Every eye filled with tears&#13;
As the story he told&#13;
Of a wife who was faithful and true,&#13;
And how he had saved up their earnings for years&#13;
Just to build them a home for two.&#13;
Then  Heaven had sent them a sweet little babe&#13;
Their young happy lives to bless.&#13;
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And in sorrow he told them the rest.&#13;
Every woman arose to assist with the child, -&#13;
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With no thou ht of sorrow or pain.&#13;
Next morning at the station he told all goodbye.&#13;
Bod bless you,he softly said.&#13;
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Of the baggage coach ahead.</text>
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                    <text>WE IEFI' BEHIND US

As slcrw our ship her foamy track,
Against the wind was cleaving;
Her trembling pennant still looked back,
To that dear isle it was leaving.
So took we part from all we love,
From all the links that bind us;
So turn our hearts wherever we rove,
To those we left behind us!
When, round the bowl, of vanished yee.rs,
We talk with joyous seeming;
And smiles that might as well be tears,
So faint, so sad their beaming.
While memory brings us back again,
Each early tie that twined us;
Oh; sweets the cup that circles then,
To those we have left behind us!
And when in other climes we meet,
Some isle or vale enchanting;
Where alllooks flowery wild and sweet,
And nought but lO'f e is waning.
We think low great had been our bliss,
If Hee.ven had but assigned us;
To live and die in scenes like this;
With some we have left behind us!
As travellers oft look back at evening,
When eastward darkly going;
To gaze upon that light they leave,
Still fa.int behind them glowing.
So when the close of pleasure's day,
To gloom hath near consigned us;
We turn to catch -one fading ray,
Of joy that left behind us.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>We Left Behind Us&#13;
&#13;
As slow our ship her foamy track,&#13;
Against the wind was cleaving,&#13;
Her trembling pennant still looked back,&#13;
To that dear isle it was leaving.&#13;
So took we part from all we love,&#13;
From all the links that bind us,&#13;
So turn our hearts wherever we rove,&#13;
To those we left behind us!&#13;
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We talk with joyous seeming,&#13;
And smiles that might as well be tears,&#13;
So faint, so sad their beaming.&#13;
While memory brings us back again,&#13;
Each early tie that twined us,&#13;
Oh! sweets the cup that circles then,&#13;
To those we left behind us!&#13;
&#13;
And when in other climes we meet,&#13;
Some isle or vale enchanting,&#13;
When all looks flowery wild and sweet,&#13;
And nought but love is wanting.&#13;
We think how great had been our bliss,&#13;
if Heaven had but assigned us,&#13;
To live and die in scenes like this,&#13;
With some we have left behind us!&#13;
&#13;
As travelers oft look back at evening,&#13;
When eastward darkly going,&#13;
To gaze upon that light they leave,&#13;
Still faint behind them glowing.&#13;
So when the close of pleasure’s day,&#13;
To gloom hath near consigned us,&#13;
We turn to catch –one fading ray,&#13;
Of joy that left behind us.  </text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>I.G. Greer Folksong Collection</text>
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              <name>Description</name>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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      <name>Greer Document</name>
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          <name>Associated Date</name>
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              <text>1931-01-30</text>
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          <name>Scholarly Classification</name>
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              <text>Brown, Satirical Songs - 331</text>
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              <text>113_ArkansasTraveler_II_Sheet_02_copy_02</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Arkansas Traveler (II), Sheet Music 02, Copy 02</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>&lt;a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"&gt; I. G. Greer Folksong Collection &lt;/a&gt;</text>
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                <text>PDF</text>
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                <text>Notated music</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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            <name>Rights</name>
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                <text>&lt;a title="In Copyright - Rights-holder(s) Unlocatable or Unidentifiable" href="http://rightsstatements.org/vocab/InC-RUU/1.0//" target="_blank"&gt; In Copyright - Rights-holder(s) Unlocatable or Unidentifiable&lt;/a&gt;</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Greer, I. G. (Isaac Garfield), 1881-1967</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Folk songs--United States </text>
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                <text>Arkansas--Songs and music </text>
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                <text>Poverty--Songs and music</text>
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            <name>Publisher</name>
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                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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        <name>Arkansas</name>
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        <name>Arkansas Traveler</name>
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        <name>folk songs</name>
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        <name>sheet music</name>
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        <name>songs and music</name>
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