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                <text>Miscellaneous.&#13;
&#13;
The Farmer is the Man That Feeds Them All.&#13;
&#13;
You may talk of all the nobles of the earth, - Of the&#13;
men who hold the nation in a thrall.  For in this we'll all agree, if you'll&#13;
only look and see.  The farmer is the man that feeds them all.&#13;
Then take him by the hand, all you people of the land stand.&#13;
him whatever trouble may befall.&#13;
For in this we'll all agree, if you'll only look and see, the&#13;
farmer is the man that feeds them all.               </text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>The Farmer is the Man That Feeds Them All.  &#13;
 &#13;
You may talk of all the nobles of the earth,-  &#13;
Of the men who hold the nation in a thrall. &#13;
For in this we'll all agree, &#13;
If you'll only look and see, &#13;
The farmer is the man that feeds them all. &#13;
 &#13;
Chorus. &#13;
 &#13;
Then take him by the hand &#13;
All you people of the land. &#13;
Stand by him whatever trouble may befall. &#13;
For in this we'll all agree, &#13;
If you'll only look and see, &#13;
The farmer is the man that feeds them all. &#13;
 &#13;
Theres the preacher who can preach his sermons long, &#13;
And the ditcher who can drink his coffee strong. &#13;
There's the lady and the snuff &#13;
Who can never get enough,  &#13;
But the farmer is the man that makes the stuff. &#13;
 &#13;
There's the peddler who can pack his loadaround, &#13;
And the drunkard who can drink his liquor down. &#13;
There's the baker and the cook &#13;
For I tell you now to look- &#13;
That the farmer is the man that feeds them all. &#13;
 &#13;
There's the judge who pleads behind the bar &#13;
And the lawyer and the doctor and the Smith- &#13;
There's the merchant and the miller, &#13;
And the beggar, it is true, &#13;
The farmer is the man that feeds them all. &#13;
 &#13;
There's the president who sits upon his chair, &#13;
He draws fifty thousand a year, &#13;
There's the lady and the dude, &#13;
The negro and the fool, &#13;
But the farmer is the man that feeds them all. </text>
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                    <text>FAREWELL

Farewell - farewell to the Araby's daughter!
Thus warbled a Peri beneath thae dark sea;
No pearl ever lay under Oman's green water,
More pure in its shell than thy spirit in thee.
l"'

Oh! fair as the sea-flawa- close to thee growing,
How light was thy heart till love's witchery came;
Like the wind of the South over a summer day blowing,
And hushed all its music and withered its frame!

But long upon Araby's green sunny highlands,
Shall maids a.nd there lovers remember the doom;
Of her who lies sleeping among the Pearl Islands,
With nought but the sea-star to light up her tomb.
And still, when the merry date season is burning,
And calls to the palm-groves the young and the old;
The happiest there from their pastime returning,
At sunset, will weep when thy story is told.
The young village maid, when with flowers she dresses,
Her dark-flowing hair, for some festival day;
Will think of thy fate, till, neglecting her tresses,
She mournfully turns from the mirror away.
Nor shall Iran, beloved of her hero! forget thee,
Though tyrants watch over her tears as they start;
Close, close by the sid.e of that hero she will set thee,
Embalmed in the innermost shrine of her heart.
Farewell--be it ours to embellish thy pillow,
With every thing beauteous that grows in the deep;
Each .flower of the rock, and each gem of the billow,
Shall sweeten thy bed, and illumine thy sleep.
Around thee shall glisten the loveliest amber,
That ever the sorrowing sea-bird has wept;
With many a ehe~l, in whose hollow-wreathed chamber,
The peris of ocean, by moonlight have slept.
d

We will dive where the gardens of coral lie flPa.rkling
And plant all the rosiest stems at thy head;
We will seek when the sands of the Caspian are sparkling,
And gather their gold to shrew over thy bed.
Fa.rewell-farewell - until pity's sweet fountain,
Is lost in the hearts of the fair and the bra.v e;
They will weep for the cieftain who died on that mountain,
They willweep for the maiden who sleeps in this wave.

�</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Farewell&#13;
&#13;
Farewell – farewell to the Araby’s daughter!&#13;
Thus warbled a Peri beneath thae dark sea,&#13;
No pearl ever lay under Oman’s green water,&#13;
More pure in its shell than thy spirit in thee.&#13;
&#13;
Oh!  fair as the sea xflownx flowers close to thee growing,&#13;
How light was thy heart till love’s witchery came,&#13;
Like the wind of the South over a summer day blowing,&#13;
And hushed all its music and withered its frame!&#13;
&#13;
But long upon Araby’s green sunny highlands,&#13;
Shall maids and there lovers remember the doom,&#13;
Of her who lies sleeping among the Pearl Islands,&#13;
With nought but the sea-star to light up her tomb.&#13;
&#13;
And still, when the merry date season is burning,&#13;
And calls to the palm-groves the young and the old,&#13;
The happiest there from their pastime returning,&#13;
At sunset, will weep when thy story is told.&#13;
&#13;
The young village maid, when with flowers she dresses,&#13;
Her dark-flowing hair, for some festival day,&#13;
Will think of thy fate, till, neglecting her tresses,&#13;
She mournfully turns from the mirror away.&#13;
&#13;
Nor shall Iran, beloved of her hero!  forget thee,&#13;
Though tyrants watch over her tears as they start,&#13;
Close, close by the side of that hero she will set thee,&#13;
Embalmed in the innermost shrine of her heart.&#13;
&#13;
Farewell--be it ours to embellish thy pillow,&#13;
With every thing beauteous that grows in the deep,&#13;
Each flower of the rock, and each gem of the billow,&#13;
Shall sweeten thy bed, and illumine thy sleep.&#13;
&#13;
Around thee shall glisten the loveliest amber,&#13;
That ever the sorrowing sea-bird has wept,&#13;
With many a shell, in whose hollow-wreathed chamber,&#13;
The peris of ocean, by moonlight have slept.&#13;
&#13;
We will dive where the gardens of coral lie sparkling&#13;
And plant all the rosiest stems at thy head,&#13;
We will seek when the sands of the Caspian are sparkling,&#13;
And gather their gold to shrew over thy bed.&#13;
&#13;
Farewell-farewell – until pity’s sweet fountain,&#13;
Is lost in the hearts of the fair and the brave,&#13;
They will weep for the cieftain who died on that mountain,&#13;
They will weep for the maiden who sleeps in this wave.</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Lilly, Dear&#13;
&#13;
Oh, Lilly dear, it grieves me,&#13;
The tale I have to tell&#13;
Old master sends me roaming,&#13;
So Lilly, fare you well&#13;
Oh, fare you well, my true love&#13;
Farewell old Tennessee.&#13;
Then let me weep for you love,&#13;
But do not weep for me.&#13;
&#13;
Chorus.&#13;
Farewell, forever to old Tennessee,&#13;
Farewell my Lilly dear, don't weep for me.&#13;
&#13;
I'm going to roam this wide world, &#13;
In lands I've never hoed,&#13;
With nothing but my banjo,&#13;
To cheer me on the road&#13;
For when I'm sad and weary&#13;
I'll make the banjo play&#13;
To 'mind me of my true love&#13;
When I am far away.&#13;
Chorus.&#13;
&#13;
I wake up in the morning&#13;
And walk out on the farm,&#13;
And Lily am a darling&#13;
She takes me by the arm,&#13;
We wander through the clover&#13;
Down by the river side&#13;
I tell her that I love her&#13;
And she must be my bride.&#13;
Chorus&#13;
&#13;
Oh, Lily, dear its mournful,&#13;
To leave you here along,&#13;
You'll smile before I leave you,&#13;
And weep when I am gone,&#13;
The sun can never shine love&#13;
Too bright for you and me,&#13;
As when I worked beside you&#13;
In good old Tennessee.&#13;
Chorus.</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Lily Dear&#13;
&#13;
Oh Lily dear it grieves me&#13;
The tale I have to tell&#13;
Old master sends me roaming&#13;
So Lily fare you well&#13;
Oh fare you well my true love&#13;
Farewell old Tennessee&#13;
Then let me weep for you love&#13;
But do not weep for me&#13;
&#13;
Chorus –&#13;
Farewell forever to old Tennessee&#13;
Farewell my Lily dear don’t weep for me&#13;
&#13;
II&#13;
&#13;
I’me going to roam this wide world&#13;
In lands I’ve never hoed&#13;
With nothing but my Banjo&#13;
To cheer me on the road&#13;
For when I’me sad and weary&#13;
I’ll make the banjo play&#13;
To mind me of my true love&#13;
When I am far away&#13;
&#13;
Chorus –&#13;
&#13;
III&#13;
&#13;
I wake up in the morning&#13;
And walk out on the farm&#13;
And Lily am a darling&#13;
She takes me by the arm&#13;
We wander through the clover&#13;
Down by the river side&#13;
I tell you her that I love her&#13;
And she must be my bride&#13;
&#13;
Chorus – &#13;
&#13;
IV&#13;
&#13;
Oh Lily dear its mournful &#13;
To leave you here alone&#13;
You’ll smile before I leave you&#13;
And weep when I am gone&#13;
The sun can never shine love&#13;
So bright for you and me&#13;
As when I worked beside you&#13;
In good old Tennessee&#13;
&#13;
Chorus&#13;
&#13;
Sue Campbell Jan. 2, 1920&#13;
copied from Mrs. R. E. &#13;
Barnes ballad</text>
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                    <text>~ANCY-cGirring

Bowl

It is when the fancy-stirring bowl,
Makes its world of pleasure,
Glowing visions gild my soul,
And life's an endless treasure,
Then memory decks my wanted heart,
Fresh with gay desires,
With rays divine my senses dart,
And kindling hope inspires.
Then who would be grave when wine can save,
The heaviest soul from sinking,
And magic grapes give angel-shape,
To e-..rery girl we are drinking.
Here sweet benignity and love,
Shed their influence round me,
The gathered ills of life remove,
And leave me as they found me;
For though my head may swim yet t rue,
And still to natures feeling,
While peace and beauty swim there too,
And rock me as I em reeling. ChorusOn youth's soft pillow tender truth,
Her pensive lesson taught me,
When age soon mocked the drae.m of youth,
And Wisdom we.ked and caught me;
A bargain then with love I knocked,
To hold the pleasing gipsy,
When wise to keep my bosom locked,
But turn the key when tipsy. Chorus
When time assue.ged my heated heart,
The grey-beard wise and simple,
Forgot to cool one little part,
Just flushed by Lucy's dimple;
That part's enough of beauty's type,
To warm a.n honest fellow,
And though it touch me not when ripe,
It melts still while I am mellow. Chorus.

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>6 total instances found 	&#13;
&#13;
Fancy-Stirring Bowl&#13;
&#13;
It is when the fancy-stirring bowl,&#13;
Makes its world of pleasure,&#13;
Glowing visions gild my soul,&#13;
And life’s an endless treasure,&#13;
Then memory decks my wanted heart,&#13;
Fresh with gay desires,&#13;
With rays divine my senses dart,&#13;
And kindling hope inspires.&#13;
  Then who would be grave when wine can save,&#13;
  The heaviest soul from sinking,&#13;
  And magic grapes give angel-shape,&#13;
  To every girl we are drinking.&#13;
&#13;
Here sweet benignity and love,&#13;
Shed their influence round me,&#13;
The gathered ills of live remove,&#13;
And leave me as they found me,&#13;
For though my head may swim yet true,&#13;
And still to natures feeling,&#13;
While peace and beauty swim there too,&#13;
And rock me as I am reeling.  Chorus-&#13;
&#13;
On youth’s soft pillow tender truth,&#13;
Her pensive lesson taught me,&#13;
When age soon mocked the dream of youth,&#13;
And Wisdom waked and caught me,&#13;
A bargain then with love I knocked,&#13;
To hold the pleasing gipsy,&#13;
When wise to keep my bosom locked,&#13;
But turn the key when tipsy.  Chorus&#13;
&#13;
When time assuaged my heated heart,&#13;
The grey-beard wise and simple,&#13;
Forgot to cool one little part,&#13;
Just flushed by Lucy’s dimple,&#13;
That part’s enough of beauty’s type,&#13;
To warm an honest fellow,&#13;
And though it touch me not when ripe,&#13;
It melts still while I am mellow.  Chorus.</text>
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                    <text>b~rk of 1 if p \'1::1 s t OS si l1C: d 0 vro '
i'he tro" l.i-1 ed :;;.ea of t i'Tl~,
/hen f i !'st I s;.:n,. your s"Ylil:lnr:; f·ce ,
~ en yo· t t "b · 1'1"' in i t e; ... , r · e ,
·.7hen 1 i.!.'f' ' s dark }1nurF -.. t re turnerl t'l l iff ,
~ sorro~fd hEart Eet ~r~~ .
J, nd ever sin e tl•"t ti'Tie you ' ve · ecn
..t. fa t~d ul fr i Pr•d
to •e .

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Dis ,ells a cloud of st!'if~ ,
nd scr:rl"' :!.ts rays of F-•nsl1inc
'y '"~n·i 1 d p·t!. 01 li_'p ,
I now

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eros;: li1

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n~u·t. ,

' s stor:ay seR ,

nd r::n1ile to tnink Cl 'id ll1'E ' c scene ,
YL ). 1 vE: bEE.n t .. t friend to '!e .
0.1!) .

Tlle t i e ltac c) e tlnt '' e !'1J.st
I r~iv• this riroc; to tr·e ,
I placr it on t hy 1i• ~er de~r .
Tr1· t yrw m·• J th · Y'k of •1e ,

&gt;art ,

•• err ' s '11Y L1"nd hfld '1ere ' ' TJY ~.
I :i ve :.r r,.. bot.1 to t!tee ,
&gt;
nd i • ~ ne tr o &gt;Tt'' ;o 'e back ,
I :to Je y)u ' ll tllink o_· '~" ·

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Faithful Friend&#13;
&#13;
My bark Of life was tossing down,&#13;
The troubled sea of time,&#13;
When first I saw your smiling face,&#13;
When youth was in its prime,&#13;
When life's dark hours were turned to life,&#13;
My sorrowed heart set free,&#13;
And ever since that time you've been&#13;
A faithful friend to me.&#13;
&#13;
Cho.&#13;
It matters not where'er I roam,&#13;
Wherever you may be,&#13;
If ever I have had a friend,&#13;
You've been that friend to me.&#13;
&#13;
One bright look from your blue eyes,&#13;
Dispells a cloud of strife,&#13;
And sends its rays of sunshine down,&#13;
My wearied path of life,&#13;
I now look back upon the past,&#13;
Across life's stormy sea,&#13;
And smile to think amid life's scene,&#13;
You've been that friend to me.&#13;
Cho.&#13;
&#13;
The time has come that we must part,&#13;
I give this ring to thee,&#13;
I place it on thy finger dear,&#13;
That you may think of me,&#13;
Here's my hand and here's my heart,&#13;
I give them both to thee,&#13;
And if I never more come back,&#13;
I hope you'll think of me.&#13;
Cho.</text>
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                    <text>Faithf~l,F r iend .

My Bark·Of life was tossing down.
ThJ troubl~see of time .
\'Vb.en first I saw your smiling f2ce .
When youth wns in its prime .
Then lifes d.:::rk hours were turned to life .
Hy sorrowed heert set free.
I nd. ever since th:::t time youv been •
_ lo ithful friend to me .

~~

I._.

Ch '. rus,
It mt?tters not where I 1r1oem •
r:he re ever you mEy be •
If ever I have hvd a friend .
Youve been thnt friend to me .
One bright look from your blue eys.Dispeels a cloud of strife
·n · sends its r2ys of sunshine downe .
My wemried p ~ th of life .
I now look b2ck upon the pst.
' c 1oss lifes stormey sea . ,
nd. smile to think amid ·see e.
Youv been th£tbfriend to me .
Chours ' •
Thetime h~s come thvt we must pert.
I e ive th s ring to the.
I plcce it on thy finger deer.
Th ~ t you mey think of me.
He ::: s my b::nd. nnd hers my her&gt;rt •
I~ive them boeth to the.
: nd if I nev.er more cone back,
I hope ypul think of me .
l.Irs

Alice Cook.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Faithful, Friend.&#13;
 &#13;
My Bark Of life was tossing down.&#13;
The troubled sea of time.&#13;
When first I saw your smiling face.&#13;
When youth was in its prime.&#13;
Then lifes dark hours were turned to life.&#13;
My sorrowed heart set free.&#13;
And ever since that time youv been .&#13;
A faithful friend to me.&#13;
&#13;
Chorus,&#13;
&#13;
It matters not where ere I roam .&#13;
Where ever you may be .&#13;
If ever I have had a friend.&#13;
Youve been that friend to me.&#13;
&#13;
One bright look from your blue eys.Dispeels a cloud of strife&#13;
And sends its rays of sunshine downe.&#13;
My wearied path of life.&#13;
I now look back upon the pst.&#13;
Across lifes stormey sea.&#13;
And smile to think amid lifes scene.&#13;
Youv been thatbfriend to me.&#13;
&#13;
Chours .&#13;
&#13;
The time has come that we must part.&#13;
I give this ring to the.&#13;
I place it on thy finger dear.&#13;
That you may think of me.&#13;
Hers my hand and hers my heart .&#13;
I give them boath to the.&#13;
And if I never more come back,&#13;
I hope youl think of me.&#13;
  Mrs Alice Cook.</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>Alace I Lie My Alon, I'm Like to Die Awld, William and Margaret, Lady Margaret, Lady Margaret and Sweet William, Pretty Polly, Lady Margret, Sweet William and Lady Margaret, Sweet Willie, Sweet William and Lady Marg'ret, Margaret and William, Lady Marget, King William and Lady Margaret, Little Marget, Sweet Willie and Fair Annie, Fair Margaret and Sweet William, Lady Margaret's Ghost</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Sweet William&#13;
&#13;
Sweet William dressed himself, he dressed&#13;
Himself in royal blue,&#13;
His leave he did ask of his own true love&#13;
Lady Margaret to go and see.&#13;
&#13;
Lady margaret in her own parlor door&#13;
Combing back her own sweet hair,&#13;
Until she saw Sweet William and his bride&#13;
Come riding up to the door.&#13;
&#13;
She tossed back her yaller hair,&#13;
She threw down her ivory comb&#13;
And into her own chamber she went&#13;
Never to come out any more.&#13;
&#13;
Lady Margaret died just like today,&#13;
Sweet William died tomorrow,&#13;
Lady Margaret died with sighs and groans&#13;
Sweet William died with sorrow&#13;
&#13;
Lady Margaret was buried in the old church yard,&#13;
Sweet William by her side,&#13;
And out of her grave there sprang a red rose&#13;
And out of his-un a brier.&#13;
&#13;
They growed so high, they growed so tall,&#13;
They could not grow no higher,&#13;
When they met they tied in a true love knot,&#13;
A  red rose round a brier.&#13;
&#13;
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                    <text>THE EXIlE OF ERIN
There came to the beach a poor exile of Erin,
The dew on hie thin robe hung heavy and chill;
For his country he sighed, when at twilight repairing,
To we.nder alone by the wind-beaten hill:
But the days star attracted his eyes sad devotion,
For it rose on his own native Isle of the ocean,
Where once in the glow of his youthful emotion,
He sung the bold athem of Erin Ya Bragh!
O, sad is my fate! said the heart-broken stranger,
The wild deer and wolf to a covert can flee;
But I have no refuge from famine or danger,
A home and a country remain not for me;
Ah! never again in the green sunny bowers,
Where my forefathers lived sha.ll I spend the sweet hours,
Or cover my harp with the wild woven flowers,
And strike to the numbers of Erin Ya Bragh!
O, where is my cottage that stood by the wold wood?
Sisters and sires, did ye weep for its fall?
o, where is the motre r that watched over my childhood,
And where is the bosom friend dearer than all?
Ah! my sad, soul, long abandoned by pleasure,
O, why did it doat on a fast fading treasure,
Tears, like the rain drops, may fall without measure,
But rapture and beauty they cannot recall!
Erin, my country, though sad and forsaken,
In dreams I revisit thy sea-beaten shore!
But a,las! in a. far distant land I awaken,
And sigh for the friends who can meet me no more!
0, hard, cruel fate, with thou never replace me,
In a mansion of peace where no peril can chase me?
Ah! never again shall my brothers embrace me,
They died to defend me, or live to deplore!
But yet, all its fond recollections suppressing,
One dying wish my love bosom shall draw:
Erin, an exile bequeaths there his blessings,
Land of my forefathers, Erin Ya Bragh!
Buried and cold, when my heart stills its motion,
Green be thy fields, sweetest isles of t he ocean,
And they harp-striking bards sing aloud with devotiOn,
0, Erin ma, vornee, Erin Ya Bragh!

�</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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A home and a country remain not for me,&#13;
Ah!  never again in the green sunny bowers,&#13;
Where my forefathers lived shall I spend the sweet hours,&#13;
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&#13;
O, where is my cottage that stood by the wold wood?&#13;
Sisters and sires, did ye weep for its fall?&#13;
O, where is the mother that watched over my childhood,&#13;
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Ah!  my sad, soul, long abandoned by pleasure,&#13;
O, why did it doat on a fast fading treasure,&#13;
Tears, like the rain drops, may fall without measure,&#13;
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Erin, my country, though sad and forsaken,&#13;
In dreams I revisit thy sea-beaten shore!&#13;
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And sigh for the friends who can meet me no more!&#13;
O, hard, cruel fate, with thou never replace me,&#13;
In a mansion of peace where no peril can chase me?&#13;
Ah!  never again shall my brothers embrace me,&#13;
They died to defend me, or live to deplore!&#13;
&#13;
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One dying wish my love bosom shall draw:&#13;
Erin, an exile bequeaths there his blessings,&#13;
Land of my forefathers, Erin Ya Bragh!&#13;
Buried and cold, when my heart stills its motion,&#13;
Green be thy fields, sweetest isles of the ocean,&#13;
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O, Erin ma, vorneen, Erin Ya Bragh!               </text>
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                <text>Sweet Ella's Grave&#13;
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Gentle zephyrs blow ye lightly on the place where sleeps the dead.&#13;
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Where the moonbeams shining brightly hovers round the narrow bed.&#13;
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OTer yo~naer ~ cr~ps,
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Over y onder~~~ps,
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There where love her memory keeps
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Then sweet zephyrs , b low ye highly
O the sacred hallowed spot,
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Oh it ne'er can e forgot.
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&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Sweet William and Ellen, The Bold Soldier, Earl Bran, The Seven Brothers, Lord Douglas, Sweet William, The Seven Sleepers, Rise Ye Up, Lord Loving, Sweet Willie, Lady Margaret, Lord William and Lady Margaret, Fair Ellender, As He Rode Up to the Old Man's Gate, Sir William and Fair Ellendor, The Douglas Tragedy, The Seven King Sons</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                    <text>THE DYING NUN
Let the air blow in upon me,
Let me se the midni,ht ~ky.
Stand back sisterE from around me,
Oh, it is so hard to die.
R~ise t t e pillo
up, Oh, Martha,
Sister 1lartha, you a.re kind,
Come and stand a lone beside e,
're I leave you all behind.

0., my a~her nd my ot er,
Can you not forget th pa~t?
:'i1en you h E eo e stranger telling,
H ·. Y'J o.J.r stray lamb died at :a~ t,
But vf all t1at used to love me,
'"ho Wlll weep !1en l am dead?
o~e but you, dear Si st r !artha,
Keep ther
atcl around IOJ bed.
Oh , Tl.. Heaver.ly etr ·ns cor.1e steal i ng,
Thrau ·h th tJ midnight drear and dim,
And I h ear the •J ime oP-lls pe~ ling,
As I float. aw. y i th hi ,
I •. comin- Dol 1&lt;: c , Do. glns
"'he!'e yJu are T too corn t e ... &lt;.,
Yes .r c 1e r..t 1act ny earest,
D atll gi v s back y our little Clcn··a.
Here is my h nd, now cold nd fro : en,
nee it a~ co soft and nhit -,
And this ring th at drops d n frol!'l it,
Clt~cped my fiPger once eo tight,
Little rin theJ tb.ou } t so worthleE:s ,
That they let .
keep it t
rc ,
'T~a.s but one plain g olden circlet,
.'it. ,. braid of Do.glar heir.
Sicter .furtt a, c...r JuL neRr u e?
You re kin der tl1an the rest,
Be u: e r.ty head a ,d .i t l'l€ lay it
dhile I 1 : ve upon your breast,
I as thinking o1 some nusic ,
Th.~ I heard long. lon• a ; o,
h, ho s eet t
nunc "re ein;in ·,
I n t e Chap l soft and low.
Sister a r tha, Sister Aa rt a,
Has the moon gone do n co soon
And this c 11 seems cold as inter,
Th Jugh I know it is June.
Sisters in their hite bede lyin·,
Drea ning in the so ... t moonlight,
To their drea ~ co es no essa e,
Clara dies alone toni ~t .

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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>The Dying Nun&#13;
&#13;
Let the air blow in upon me, &#13;
Let me see the midnight sky, &#13;
Stand back sisters from around me, &#13;
Oh, it is so hard to die. &#13;
Raise the pillow up, Oh, Martha, &#13;
Sister Martha, you are kind, &#13;
Come and stand alone beside me, &#13;
E're I leave you all behind. &#13;
 &#13;
Oh, my Father and my Mother, &#13;
Can you not forget the past? &#13;
When you hear some stranger telling, &#13;
How your stray lamb died at last, &#13;
But of all that used to love me, &#13;
Who will weep when I am dead? &#13;
None but you, dear Sister Martha, &#13;
Keep there watch around my bed. &#13;
 &#13;
Oh, The Heavenly strains come stealing, &#13;
Through the midnight drear and dim, &#13;
And I hear the chime bells pealing, &#13;
As I float away with him, &#13;
I am coming Douglas, Douglas &#13;
Where you are I too come there, &#13;
Yes I come at last my dearest, &#13;
Death gives back your little Clara. &#13;
 &#13;
Here is my hand, now cold and frozen, &#13;
Once it was so soft and white, &#13;
And this ring that drops down from it, &#13;
Clasped my finger once so tight, &#13;
Little ring they thought so worthless, &#13;
That they let me keep it there, &#13;
'Twas but one plain golden circlet, &#13;
with a braid of Douglas hair. &#13;
 &#13;
Sister Martha, are you near me? &#13;
You are kinder than the rest. &#13;
Raise my head and let me lay it &#13;
While I live upon your breast, &#13;
I was thinking of some music, &#13;
That I heard long, long ago, &#13;
Oh, how sweet the nuns are singing, &#13;
I n the Chapel soft and low. &#13;
 &#13;
Sister Martha, Sister Martha, &#13;
Has the moon gone down so soon? &#13;
And this cell seems cold as winter, &#13;
Though I know it is June. &#13;
Sisters in their white beds lying, &#13;
Dreaming in the soft moonlight, &#13;
To their dreams comes no message, &#13;
Clara dies alone tonight. </text>
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                    <text>The Jlying Hun.
Let the r ir blow in upon r e.
Let me see the midnight sky.
St2nd beck sisters from eroundme.
Oh it is so h~rd to die.
R['is the pillow up;Oh Urrthn .
Sister I:crth{;,you ~re kind .
Come £ncl stcnd ::?lone beside me .
Ere I lave you oll behind.
A

Oh my .l!c.-ther -·na my J.Iother .
Crn you not forge the p['st?
17hen you here some str:::nger telling.
How your stray 1Dm~1i~1 rt lrst.
But of rll thLt use~o love me.
IJlho will we~ when I '"'ill de[:d?
lion( b"lt you de.-:r Sister L~rth~.
YeeY&gt; there :.t-,::; tch -rounu my be1d.
.

Oh~he HeEvenly Etrcins come ste~ling.
Through the midnight dre~r ~nd 9irn.
' nd I he~r the chim bells neEling.
I flovt EWLY with him.
I~cm com~ing,Douglcs Dongles .
•:,'here you ~re I too
here.
Yes I come ['t lest my de~rest.
DeLth gives beck your littleClcrr.
Here is my hsnd ,now cold :::nd frozen.
Once mt wrs so soft snd white.
·nd thlis ring thf't dror's down fror1it.
Clr-sp
y finger once so tight.
Little ring they thought so worthlesE.
Thrt they let me keep it there.
Twcs but one pl~in golde~ circlet.
~ith E br~de of Dougl~s hEir.
Sister hlrrthEJ re you necr me?
You ~re kinder then the rest,
P.::=ise my he[ -l 8nd let me lr.y it
:~ile I live upon your brest.
I wss thinking of some music .
ThEt I he7d long long vgo.
Oh how weet ·he n~ns ~re singing.
In the
soft end low.
m~t~r*H

Sister MPrthu Sister Martha .
Res the moon gone down so soom,r?
'nd this cell seems ~old es winter.
Though I know ~t is
ne.
Sisters in thei:A.nvhi e beycJs lying.
Dresm ing in the.r soft moonlight.
To th.e..U\.. d re&lt;..ms come no messcge.
Cl~rL dies vlone tonight.
l-.1rs

lice Cook.

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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              <text>Mrs. Alice Cook [Sarah Alice Sherrill], 1867-1937</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Dying Nun.&#13;
&#13;
Let the air blow in upon me.&#13;
Let me see the midnight sky.&#13;
Stand back sisters from around me.&#13;
Oh it is so hard to die.&#13;
Rais the pillow up, Oh Martha.&#13;
Sister Martha, you are kind.&#13;
Come and stand alone beside me.&#13;
Ere I leave you all behind.&#13;
&#13;
Oh my Father  nd my Mother.&#13;
Can you not forge the past?&#13;
When you here some stranger telling.&#13;
How your stary lamb diede at last.&#13;
But of all that used to love me.&#13;
Who will weep when I am dead?&#13;
None but you, dear Sister Martha.&#13;
Keep there watch around my bed.&#13;
 &#13;
&#13;
Oh, The Heavenly strains come stealing.&#13;
Through the midnight drear  and dim.&#13;
And I hear the chime bells pealing.&#13;
As I float away with him.&#13;
&#13;
I am comming, Douglas, Douglas.&#13;
Where you are I too can come there.&#13;
Yes I come at last my dearest.&#13;
Death gives back your little Clara.&#13;
&#13;
Here is my hand, now cold and frozen.&#13;
Once it was so soft and white.&#13;
And this ring that drops down from it.&#13;
Clasped my finger once so tight.&#13;
Little ring they thought so worthless.&#13;
That they let me keep it there.&#13;
Twas but one plain golden circlet.&#13;
With a brade of Douglas hair.&#13;
&#13;
Sister Martha, Are you near me?&#13;
You are kinder than the rest,&#13;
Raise my head and let me lay it,&#13;
While I live upon your brest.&#13;
I was thinking of some music.&#13;
That I heard long, long ago.&#13;
Oh how sweet the nuns are singing.&#13;
In the chapel soft and low.&#13;
*******&#13;
Sister M&#13;
&#13;
Sister Martha, Sister Martha.&#13;
Has the moon gone down so soone?&#13;
And this cell seems cold as winter.&#13;
Though I know it is June.&#13;
Sisters in their white beads lying.&#13;
Dreaming in there soft moonlight. &#13;
To their dreams comes no message.&#13;
Clara dies alone tonight.&#13;
&#13;
Mrs Alice Cook.</text>
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                    <text>THE DUMB WIFE

There was a jovial blade, and he married a country maid,
So safely he conducted her home, home, home.
She was neat in every art, and she pleased him to the heart,
But alas! and alas! She was dumb, dumb, dumb.
She could brow and she could bake, she could cut and she could
make
She could sweep in a house with a broom, broom, broom,
She could card and she could spin, she could do most anything,
But alas! and alas! She was dumb, dumb, dumb.
A doctor, he lived nigh, and to him he did apply,
To cure his living wife of the numb, numb, numb.
He cut the chatting string, and her tongue began to ring,
And it sounded in his ear like a drum, drum, drum.
Her tongue began to walk, and she began to talk
The same as if she never had been dumb, dumb, dumb.
She filled the house with strife, made him weary of his life,
He'd give anything again if she was dumb, dumb, dumb.
To the doctor he did go, with his heart full of woe,
Saying: Doctor, Oh, Doctor, I'm undone, undone, done.
For my wife she's turned to scold, and her tongue she will not
hold
I'd give anything again if she was dumb, dumb, dumb.
It is the easiest part that belongs to my art,
To make a woman talk that is dumb, dumb, dumb.
But it's past the art of man, let him do the best he can
To make a scolding wife hold her tongue, tongue, tongue.

�</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>The Dumb Girl, The Bonnie Blade, The Dumb Wife Cured</text>
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                <text>The Dumb Wife&#13;
&#13;
There was a jovial blade, and he married a country maid,&#13;
So safely he conducted her home, home, home.&#13;
She was neat in every art, and she pleased him to the heart,&#13;
But alas!  and alas!  she was dumb, dumb, dumb.&#13;
She could brew, and she could bake, she could cut and she could &#13;
make&#13;
She could sweep in a house with a broom, broom, broom.&#13;
She could card and she could spin, she could do most anything,&#13;
But alas!  and alas!  She was dumb, dumb, dumb.&#13;
&#13;
A doctor, he lived nigh, and to him he did apply,&#13;
To cure his living wife of the numb, numb, numb.&#13;
He cut the chatting string, and her tongue began to ring,&#13;
And it sounded in his ear, like a drum, drum, drum.&#13;
Her tongue began to walk, and she began to talk&#13;
The same as if she never had been dumb, dumb, dumb.&#13;
She filled the house with strife, made him weary of his life,&#13;
He'd give anything again if she was dumb, dumb, dumb.&#13;
&#13;
To the doctor he did go, with his heart full of woe,&#13;
Saying: Doctor, Oh, Doctor, I'm undone, undone, done.&#13;
For my wife, she's turned to scold, and her tongue she will not &#13;
hold&#13;
I'd give anything again, if she was dumb, dumb, dumb.&#13;
It is the easiest part that belongs to my art,&#13;
To make a woman talk that is dumb, dumb, dumb.&#13;
But it's past the art of man, let him do the best he can&#13;
To make a scolding wife hold her tongue, tongue, tongue.               </text>
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                    <text>The nur.i' Wife.
There was a jovial lade,aml he marriec.l a country maid.,
So safely he conductec.l her home,home,bome.
She 'ias neat in every art,and she pleased him t" the 1ea~t,
' ut alas! an "t alas! She was umb ,dur.1b, ium •
'he could Lrew ancl she could alee, she could cut and she coull make
She could sweep in a house with a "broon,broom,broom.
She could carcl anc.l she could spin, she could do most anytJ)ing,
ut alas! untl alas ! uhe was clumb, urub, dum •

A doctpr ,he lived nigh,anc to him he did ap1ly,
To cure lis 1 oving wife oft e numln, nurn , num· •
SayiBg+ ee~ePyek-~eetePy~!B-NH eRey~eHey~eReT.
lie cut the chatting string,anrl her tongue egan to ring,
And it sounded in his ear like a clrum,tlrum,drum.
Her tone;ue egan to walk, ancl s .. e began to talk
The same as if she/~ never had been dumb,dum ,dumb.
She fill eel the house wlhth strife, made him weary of his life,
He'd giTe anything again if' she was um ,dumb,c1umb.

To the doctor he di go,·with his heart full of· woe,
Saying:Doctor,Oh,Doetor,I'm undone,done,done.
For my wife she's turned to seolci,ani her ton~ue she will not holE!
I'd give anything again if she was dumb, clm.111, dum .
It isthe easiest part that belongs to my art,
To make a '\fO an tallc t 1at is dumb, umb,dur1l •
But it's rast tlle art of 1 an,let him do tile l:&gt;est he can
To 11ake a scolf.. ing lfife hold her tongue, tongue, tongue.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>The Dumb Wife.&#13;
&#13;
There was a jovial blade, and he married a country maid,&#13;
So safely he conducted her home, home, home.&#13;
She was neat in every art, and she pleased him to the heart,&#13;
But alas!  and alas!  she was dumb, dumb, dumb.&#13;
She could brew, and she could bake, she could cut and she could make&#13;
She could sweep in a house, with a broom, broom, broom.&#13;
She could card and she could spin, she could do most anything,&#13;
But alas!  and alas!  She was dumb, dumb, dumb.&#13;
&#13;
A doctor, he lived nigh, and to him he did apply,&#13;
To cure his loving wife of the numb, numb, numb.&#13;
Saying: Doctor, oh Doctor, I'm undone, done, done..&#13;
He cut the chatting string, and her tongue began to ring,&#13;
And it sounded in his ear, like a drum, drum, drum.&#13;
Her tongue began to walk, and she began to talk&#13;
The same as if she/'/d never had been dumb, dumb, dumb.&#13;
She filled the house with strife, made him weary of his life,&#13;
He'd give anything again if she was dumb, dumb, dumb.&#13;
&#13;
To the doctor he did go, with his heart full of woe,&#13;
Saying: Doctor, Oh Doctor, I'm undone, done, done.&#13;
For my wife, she's turned to scold, and her tongue she will not hold&#13;
I'd give anything again, if she was dumb, dumb, dumb.&#13;
It is the easiest part that belongs to my art,&#13;
To make a woman talk that is dumb, dumb, dumb.&#13;
But it's past the art of man, let him do the best he can&#13;
To make a scolding wife hold her tongue, tongue, tongue.</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>The Dumb Wife&#13;
&#13;
There was a jovial blade, and he married a country maid,&#13;
So safely he conducted her home, home, home.&#13;
She was neat in every art, and she pleased him to the heart,&#13;
But alas!  and alas!  she was dumb, dumb, dumb.&#13;
She could brew, and she could bake, she could cut, and she could make,&#13;
She could sweep in a house, with a broom, broom, broom,&#13;
She could card, and she could spin, she could do most anything,&#13;
But alas, and alas, she was dumb, dumb, dumb.&#13;
&#13;
2nd A doctor he lived nigh, and to him he did apply,&#13;
To cure his loving wife of the numb, numb, numb.&#13;
He cut the chatting string, and her tongue began to ring,&#13;
And it pounded in his ear, like a drum, drum, drum.&#13;
Her tongue began to walk, and she began to talk&#13;
The same as if she never had been dumb, dumb, dumb.&#13;
She filled the house with strife, made him weary of his life,&#13;
He’d give anything again if she was dumb, dumb, dumb.&#13;
&#13;
3d To the doctor he did go, with his heart full of woe,&#13;
Saying, doctor, oh doctor, I’m undone, done.&#13;
For my wife, she’s turned to scold, and her tongue she will not hold,&#13;
I’d give anything again, if she was dumb, dumb, dumb.&#13;
It is the easier part, that belongs to my art,&#13;
To make a woman talk, that is dumb, dumb, dumb.&#13;
But its past the art of man, let him do the best he can,&#13;
To make a scolding wife hold her tongue, tongue, tongue.</text>
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                    <text>DULL CARES
Why sh-;,uld we at our lots complain,
Or grieve at our distress!
S-;,me think if they c-;,uld riches gain,
They w-;,uld gain true happiness;
Alas! how vain is all their gain!
This life will s-;,an decay.
Then whilst we are here with friends so dear,
Let us rJrive dull cares away.
The anly circumstances in life,
That ever I c'Juld find;
To s'Jften care ar temper strife,
Was a cantented mind;
Having that stare we have much mare,
Than wealth cauld ever convey;
And whilst we are here with friends so dear,
\{e will drive dull cares away.
Why shauld the ric t despise the paar?
Why should the pobr repine?
We all will in a few years more,
In equal friendship join.
We are much to blame, we are all the same,
This life is made af clay;
So whilst we are here with friends sa dear,
Let us drive dull cares away.
Let us make the best we can of life,
Not render it a curse;
But take it, as yau wauld a wife,
For better or for worse.
Life at the best is but a jest.
A dreary wind is day.
So whilst we are here with friends so dear,
We will drive d_ull c.ares away.
Decline af life, old_ age comes on,
And we are young na more;
Let us not repine at what we have done,
Nor grieve that yauth is over;
B11t cheerful be as formerly,
And innocently gay.
And whilst we are here, with friends so dear,
Let us drive dull cares away.

�</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>&lt;a title="In Copyright - Rights-holder(s) Unlocatable or Unidentifiable" href="http://rightsstatements.org/vocab/InC-RUU/1.0//" target="_blank"&gt; In Copyright - Rights-holder(s) Unlocatable or Unidentifiable&lt;/a&gt;</text>
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                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>Dull Cares&#13;
&#13;
Why should we at our lots complain,&#13;
Or grieve at our distress!&#13;
Some think if they could riches gain,&#13;
They would gain true happiness,&#13;
Alas! How vain is all their gain!&#13;
This life will soon decay.&#13;
Then whilst we are here with friends so dear,&#13;
Let us drive dull cares away.&#13;
&#13;
The only circumstances in life,&#13;
That ever I could find,&#13;
To soften care or temper strife,&#13;
Was a contented mind&#13;
Having that store we have much more,&#13;
Than wealth could ever convey&#13;
And whilst we are here with friends so dear,&#13;
We will drive dull cares away.&#13;
&#13;
Why should the rich despise the poor?&#13;
Why should the poor repine?&#13;
We all will in a few years more,&#13;
In equal friendship join.&#13;
We are much to blame, we are all the same,&#13;
This life is made of clay&#13;
So whilst we are here with friends so dear,&#13;
Let us drive dull cares away.&#13;
&#13;
Let us make the best we can of life,&#13;
Not render it a curse&#13;
But take it, as you would a wife,&#13;
For better or for worse.&#13;
Life at the best is but a jest.&#13;
A dreary wind is day.&#13;
So whilst we are here with friends so dear,&#13;
We will drive dull cares away.&#13;
&#13;
Decline of life, old age comes on,&#13;
And we are young no more,&#13;
Let us now repine at what we have done, &#13;
Nor grieve that youth is over,&#13;
But cheerful be as formerly,&#13;
And innocently gay.&#13;
And whilst we are here, with friends so dear,&#13;
Let us drive dull cares away.</text>
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                    <text>THE DRUNKARD
I saw a man at early dawn
Sitting round a grocery door.
His eyes were sunk his lips
were parched,
As I viewed him o'er and o'er.
A little boy stood by his side
And unto him did say:
Dear Father, Mother's sick at home
And sister cries for bread.
He turned around, went in at the door
And, staggering up to the bar,
He faltered unto the landlord:
Just give me one drink more.
The host obeyed at this command
And again filled up the bowl.
He drank while wife and children starved
And ruined his own soul.
A year had elapsed; I passed that way.
A crovvd had gathered round.
I paused to ask the reason why.
One replied: The drunkard is no more.
I saw a hearse move slowly along;
No wife nor children were there
They had gone before the murderer,
And left this world of care.
Come all you jolly dram drinkers,
By this a warning take;
And quit the overflowing bowl
Before it is too late.

�</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Drunkard's Doom, Lyric Variant 02</text>
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                <text>The Drunkard&#13;
&#13;
I saw a man at early dawn &#13;
Sitting round a grocery door&#13;
His eyes were sunk, his lips&#13;
Were parched,&#13;
As I viewed him o'er and o'er.&#13;
A little boy stood by his side&#13;
And unto him did say:&#13;
Dear Father, Mother's sick at home&#13;
And sister cries for bread.&#13;
&#13;
He turned around, went in at the door&#13;
And staggering up to the bar,&#13;
He faltered unto the landlord:&#13;
Just give me one drink more.&#13;
The host obeyed at this command &#13;
And again filled up the bowl.&#13;
He drank while wife and children starved &#13;
And ruined his own soul.&#13;
&#13;
A year had elapsed, I passed that way.&#13;
A crowd had gathered round.&#13;
I paused to ask the reason why.&#13;
One replied: the drunkard is no more.&#13;
I saw a hearse move slowly along,&#13;
No wife nor children were there&#13;
They had gone before the murderer,&#13;
And left this world of care.&#13;
&#13;
Come all you jolly dram drinkers,&#13;
By this a warning take,&#13;
And quit the overflowing bowl&#13;
Before it is too late.  </text>
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                    <text>The DrunKard

I

-

I saw a man at early dawn
Sitting round a grocery door
His eyes were sunA 1 his lips
'ere parche
A
I viewed him o ' er anti o ' er .
A litLle ~oy atood by hi
si e
And unto hi~ di
aJ :
Dear father , Mothtlr ' s siC1\ ~ t home
JUH.l. si t r cries for urea
He turned around , went in ~t the door
JU1d st111.ggerir:g up to the bar
He fal terftt un 1-o the landlord sai
Just give rre one drink more.
The host obeyed at this com'nan
1..1.J ¥-gair. filled up the bov.l ;
He drb.nk while wife and children starved
And ruined his own soul
A yefj.r had el~psedj I passed. that wo.y .
had gathered round
I paused ·~ ask thtl reason why
Or.e replieJ! 1 the drunk&amp;rd is no more
I sC::tW a 1 e; se move slowl:'f ~lons .
No wife ror children were there ·
They llad gone before tl.e mur er Eir
p_
nd. left this world of care .
A crow

Corr,e all you jolly dram d:r·ira.e1·s
By Lhis &amp;. warning ta..r.e
A.IH.i quit the ove1· flov~il•g buwl
Bef ore it is tuo l~te

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>The Drunkard&#13;
&#13;
I saw a man at early dawn &#13;
Sitting round a grocery door&#13;
His eyes were sunk, his lips&#13;
  Were parched&#13;
As I viewed him o'er and o'er.&#13;
A little boy stood by his side&#13;
And unto him did say:&#13;
Dear father, Mother's sick at home&#13;
And sister cries for bread&#13;
&#13;
He turned around, went in at the door&#13;
And staggering up to the bar&#13;
He faltering unto the landlord said:&#13;
Just give me one drink more.&#13;
The host obeyed at this command &#13;
And again filled up the bowl&#13;
He drank while wife and children starved &#13;
And ruined his own soul&#13;
&#13;
A year had elasped, I passed that way.&#13;
A crowd had gathered round.&#13;
I paused to ask the reason why&#13;
One replied, the drunkard is no more&#13;
I saw a hearse move slowly along.&#13;
No wife nor children were there,&#13;
They had gone before the murderer&#13;
And left this world of care.&#13;
&#13;
Come all you jolly dram drinkers&#13;
by this a warning take &#13;
And quit the over flowing bowl&#13;
Before it is too late               </text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Dream of the Miners Child&#13;
&#13;
(1) A miner was leaving his home far his work&#13;
When he heard his little child scream he went to&#13;
the side of the little girld bed oh daddy I've&#13;
had such a dream&#13;
&#13;
 cho&#13;
&#13;
Oh daddy dont work in the mines today&#13;
for dreams have so often come true oh &#13;
dady my daddy dont go away I never could &#13;
live with outyou.&#13;
&#13;
(2) I dreamed that the mines were all steaming&#13;
with fire the men all fought for their lives&#13;
just then the steam changed and the mouth&#13;
of the mines were covered with sweet hearts &#13;
and wines.&#13;
&#13;
  cho&#13;
&#13;
(3) Her daddy then smiling and spope[?] in her&#13;
face was turning away from her side but&#13;
throwing her small arms around daddys neck &#13;
gave him a kiss and then cried.&#13;
&#13;
(4) Go down to the village and tell your&#13;
dear friends as sure as the bright &#13;
stars do shine theres something going&#13;
to happen today oh daddy don't go &#13;
to the mines&#13;
&#13;
 cho&#13;
&#13;
Mr Greer- dont guess you can read this I&#13;
had to write it in a hurry - Ruth Grogan.</text>
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                    <text>A DREAM OF HOME
I sat alone at the midnight hour
And watched the starlit sky.
And dreamed I heard my mother say:
"I wish my boy was nigh.
I know not where he is tonight
He crossed the troubled main.
But this I know if life holds out
He'll wander back again.
Chorus:
He's coming home, oh, joyful thought,
My boy no more will roam.
A letter here says, Mother dear,
I'm coming, coming home.
He's gone tho' now far, far away,
Perhaps in deserts wild.
Oh, God, to Thee I pray tonight
To keep my distant child.
No father there to guide him now
No brother with his cheer,
No mother there to soothe his brow,
No sister with her tear.
I fancy n0\'1 I see his face,
As fair as when a child,
And he's a full grown man today,
And true and brave, but wild.
A letter here says "Mother, dear,
No longer I will roam,
So now I stand and watch the gate,
I know he's coming home.
Alas dear friends, 'tis but a dream.
My mother's here no more.
She left this world of sin and pain
For C...tn an's happy shore.
Lord, send some messenger of love,
To guide my wayward feet,
That I may meet my mother there
Who is waiting at the gate.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>A Dream of Home &#13;
 &#13;
I sat alone at the midnight hour &#13;
And watched the starlit sky. &#13;
And dreamed I heard my mother say: &#13;
"I wish my boy was nigh. &#13;
I know not where he is tonight &#13;
He crossed the troubled main. &#13;
But this I know if life holds out, &#13;
He'll wander back again. &#13;
 &#13;
Chorus: &#13;
 &#13;
He's coming home, oh, joyful thought, &#13;
My boy no more will roam. &#13;
A letter here says, Mother dear, &#13;
I'm coming, coming home. &#13;
 &#13;
He's gone tho' now far, far away, &#13;
Perhaps in deserts wild. &#13;
Oh, God, to Thee I pray tonight &#13;
To keep my distant child. &#13;
No father there to guide him now  &#13;
No brother with his cheer, &#13;
No Mother there to soothe his brow, &#13;
No sister with her tear. &#13;
 &#13;
I fancy now I see his face, &#13;
As fair as when a child, &#13;
And He's a full grown man today, &#13;
And true and brave, but wild. &#13;
A letter here says 'Mother, dear, &#13;
No longer I will roam, &#13;
So now I stand and watch the gate, &#13;
I know he's coming home. &#13;
 &#13;
Alas dear friends 'tis but a dream. &#13;
My Mother's here no more. &#13;
She left this world of sin and pain &#13;
For Canaan's happy shore. &#13;
Lord, send some messenger of love, &#13;
To guide my wayward feet, &#13;
That I may meet my mother there &#13;
Who is waiting at the gate. </text>
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                    <text>-'. Drean of n or-1e.
I sat alone at the midnight hour
And whtched the starlit sky.
A.nd drea:r.1ed I heard my mother say:
"I \fish my boy was nigh.
I lmow not where he is to nig~1t
He crosses the troubled aain.
But t &gt;is I know,if life hol;js out,
He 'll wander aok again.

Ref'rain:
He's coming bone,Oh,joy:fnl thought,
:Iy boy no more will roam.
A. letter hcr 'c&gt; says, -:other dear,
I'n coming,coming home .
He's

gone tho' now far , far away,
Perhaps in de s erts wil~.
011, God, to Thee I pray tonight
':'o keep my distant child •
•·o Father there to guit1e hihl now
1·o brother with his cheer
.·o 'lother there to soothe hi.s brow,
:;o ·sister with her te&lt;~ r.
fancy now I see his face,
As fair as wten a child,
And Tie's a full grown 1:1an to day,
Ancl true and rave, l'&gt;ut wiltl.
A letter nere says ' ~other,dear,
No longer I will roam,'
3o nmr I stand and watch the gate,
I know he's coming home .
I

Alas

de~ :friends 'tis but a dream •
. Iy 'fother' s here no more.
She left this world of' sin and pain
_ or Canaan's happy shore.
Lord,send some messenger of loTe
To guiie my wa~vard feet,
That I may meet my ':other there
7ho is waiting at the gate .

•

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>A Dream of Home&#13;
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I sat alone at the midnight hour&#13;
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He's coming home, Oh, joyful thought,&#13;
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I'm coming, coming home.&#13;
&#13;
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No brother with his cheer&#13;
No Mother there to soothe his brow,&#13;
No sister with her tear.&#13;
&#13;
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As fair as when a child,&#13;
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&#13;
Alas dear friends 'tis but a dream.&#13;
My Mother's here no more.&#13;
She left this world of sin and pain&#13;
For Canaan's happy shore.&#13;
Lord, send some messenger of love&#13;
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                    <text>Don's Our Tailor
A Tailor I once was as blithe as ever need be,
Until love's alarms has a devil sure made me;
I that once was so lusty, and called Will the rover,
And now a poor skeleton; Oh, I am done over. Over, over etc.
How many a day have I stood with great pleasure,
And cut out my cloth to my customer's measure;
With a. full yard of cabbage, I then lived in clover,
But now I am a skeleton, by Cupid done over, Over, over, etc.
When first I beheld her in silks dressed so gaily,
I fell into fits and they troubled me daily;
Oh! how cruel must she be, the sight could not cure her,
I fear that these fits will soon do me over. Over, over, etc
The next time I saw her pass by my shop window,
My goose, being hot, burnt a sliver to a cinder;
The girls do so jeer me, that I can go no where,
Was ever a poor tailor so fairly done over?
Over, over, etc.
The last time I saw her was with a bold sailor,
She pointed and said: there's a done over tailor;
Goodbye Mr. Stitchlouse, I am going to Dover,
The stroke was so great it has quite done me over.
So now she has left me and is gone with a sailor,
She has left me alone, a poor done over tailor!
I never more will cabbage, nor be Will the rover,
God send I was dead; for I am fairly done over.
Over, over, etc.

Over, over, etc.

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                <text>Don’s Our Tailor&#13;
&#13;
A Tailor I once was as blithe as ever need be,&#13;
Until love’s alarms has a devil sure made me,&#13;
I that once was so lusty, and called Will the rover,&#13;
And now a poor skeleton, Oh, I am done over.  Over, over etc.&#13;
How many a day have I stood with great pleasure,&#13;
And cut out my cloth to my customer’s measure,&#13;
With a full yard of cabbage, I then lived in clover,&#13;
But now I am a skeleton, by Cupid done over,Over, over, etc.&#13;
&#13;
When first I beheld her in silks dressed so gaily,&#13;
I fell into fits and they troubled me daily&#13;
Oh!  how cruel must she be, the sight could not cure her,&#13;
I fear that these fits will soon do me over.  Over, over, etc&#13;
&#13;
The next time I saw her pass by my shop window,&#13;
My goose, being hot, burnt a sliver to a cinder&#13;
The girls do so jeer me, that I can go no where,&#13;
Was ever a poor tailor so fairly done over?&#13;
  Over, over, etc.&#13;
&#13;
The last time I saw her was with a bold sailor,&#13;
She pointed and said, there’s a done over tailor&#13;
Goodbye Mr. Stitchlouse, I am going to Dover,&#13;
The stroke was so great it has quite done me over.  Over, over, etc.&#13;
&#13;
So now she has left me and is gone with a sailor,&#13;
She has left me alone, a poor done over tailor!&#13;
I never more will cabbage, nor be Will the rover,&#13;
God send I was dead, for I am fairly done over.&#13;
Over, over, etc. </text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                    <text>.7
THE RICH

1AN AI: D LAZARUS -

There was a , an in ancient times,
The criptures doth inform us ,
nose pomp and grandeur and ~hose cri~es
~ere great and very numerous.
This rich an fared sumptously each iay
And ~·as dressed in purple fine linen,
He ate and drank, but scorned to pray ,
And spent nis day in singing.
A poor man lay at the rich man's gate,
To hlp himself unable ,
And there ho lay to humbly ·ait
.B,or the crumbs from his rich tabl e.
But net one crumb woul thi. happy cure(epicure)
~v r aye pretend to send him,
The dogs took pity and licked his sores,
~re ready to be£riend him.
This poor man i ... d at the rich man's eate ,
re ar.lgel bands attended ;
traightv•ay to Abraham's bosom flovm ,
/here all his sorro\'S ended .
This rich nan died and was buried too ,
But 0, his dreadful station;
lith Abraham and Lazarus both in viev
n~ 1 nded in dannation.
\'lh

He cried: 0 father Abraham,
Send Lazarus lith cold water ,
or I'm tormented in these fla~es
liLh these torme~ting tortures.
Says Abraham: Son, re .1ember v·ell,
You once did God inh rit ,
But nov. at last your doom' in hell
Becuase you ould not cherish.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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                <text>The Rich Man and Lazarus&#13;
&#13;
There was a man in ancient times,&#13;
The Scriptures doth inform us,&#13;
Whose pomp and grandeur and whose crimes&#13;
Were great and very numerous.&#13;
This rich man fared sumptuously each day,&#13;
And was dressed in purple fine linen,&#13;
He ate and drank, but scorned to pray,&#13;
And spent his day in singing.&#13;
&#13;
A poor man lay at the rich man’s gate,&#13;
To help himself unable,&#13;
And there he lay to humbly wait&#13;
For the crumbs from his rich table.&#13;
But not one crumb would this happy cure (epicure)&#13;
Ever aye pretend to send him,&#13;
The dogs took pity and licked his sores,&#13;
More ready to befriend him.&#13;
&#13;
This poor man died at the rich man’s gate,&#13;
Where angel bands attended,&#13;
Straightway to Abraham’s bosom flown,&#13;
Where all his sorrows ended.&#13;
This rich man died and was buried too,&#13;
But O his dreadful station,&#13;
With Abraham and Lazarus both in view&#13;
He landed in damnation.&#13;
&#13;
He cried: O Father Abraham,&#13;
Send Lazarus with cold water,&#13;
For I’m tormented in these flames&#13;
With these tormenting tortures.&#13;
Says Abraham: Son, remember well,&#13;
You once did God inherit,&#13;
But now at last your doom’s in hell&#13;
Because you would not cherish.</text>
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                    <text>The Rich Man and Lasarus
Therewas a man in ancient times,
The scriptures doth inform us.
Whose pomp and grandeur and whose crimes
W
ere great and very numerous.
This rich man fared sumptuoully each day.
And was dressed in purple fine linen;
He ate and drank, but scorned to pray,
And spent his day in sinning.
A poor man lay at the rich man's gate,
To help himself unable,
And there he lay to humbly wait
For the crumbs from his rich table.
But not one crumb would this happy cure (epicure)
Ever aye pretend to send him,
The dogs took pity and licked his sores,
More ready to befriend him.
This poor man died at the rich man's gate,
Where angel bands attended.
Straightway to Abraham's bosom flew.n,
Where all his sorrows ended.
This rich man died and was buried, too,
But 0 his dreadful station,
With Abraham and La zarus both in view
He landed in damnation.
He cried, " 0 Father Abraham,
Send Laaarus with cold water,
For I 1 m tormented in these flam8s
ith these inhuman tortures.
Says Abraham: " Son, remember well,
You once did God inherit,
But now at last your doom's in hell
Because you would not cherish.

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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>&lt;a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"&gt; AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings &lt;/a&gt; </text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                <text>For Owen Mills&#13;
&#13;
Death of The Infidels Daughter&#13;
(Tune-After the battle mother)&#13;
&#13;
Father I am surely dying, fainter and fainter grows my breathe&#13;
And the sharp pains Oh my father, can they be the sting of death,&#13;
I am going Oh my father, with the lost ones to dwell,&#13;
Oh my father why did you tell me, that there was no burning hell.&#13;
&#13;
Father I have trusted in you, I believed as you believed,&#13;
I have never never doubted, but I've been so deceived, &#13;
This creed here that we have followed, may be alright to live by&#13;
But I really can't believe it, now that I have come to die.&#13;
&#13;
CHORUS&#13;
Farewell father you'll remember, while my soul is in the flame&#13;
But tho you'll not forget me father, for you know you've been to blame. &#13;
&#13;
&#13;
Oh, my father don't believe it, Oh I see the firey flame,&#13;
Father when I am in torment, don't forget you've been to blame,&#13;
Just remember what I've told you, Oh I know that it is hell,&#13;
I can hear the lost ones wailing, and I am going there to dwell,&#13;
&#13;
In the years to come remember, that through you my soul was damned&#13;
It will be brought up against you, at the judgement as you stand,&#13;
Now goodbye for I am dying, going with the lost to dwell,&#13;
May this prove to you a warning, God forgive you now farewell.&#13;
&#13;
(How about this for a tear jerker?)</text>
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                  <text>&lt;p&gt;The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.&lt;/p&gt;&#13;
&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Jane Seymour, Queen, consort of Henry VIII, King of England, 1509?-1537--Songs and music </text>
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                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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                    <text>THE

~10

LETTERS

Miss Adair, since I left the city,
I find that I've changed my mind.
Oh! Please do not think me fickle
Or think me the least unkind.
I find that we're both mistaken,
I know you would never suit me,
And now my heart is another's,
And with me I hope you'll agree.
Please send me the ring that I gave you,
Also my picture so fair.
And please be so kind as to free me
From a flip and a flirt, Miss Adair.
Please send me the locket I gave you
Also my letters and books.
Henceforth, Miss Adair, we are strangers,
Respectfully yours, Charles Brooks.
Dear Charley, I feceived your letter,
The la s t one you sent to me.
I have read it all over and over,
And with you of course I'll agree.
I hope that you will be happy
With the beautiful heiress, Miss Gray.
I have heard all about it dear Charley,
And thought it would end this way.
Oh! Here is your ring, dear Charley,
Don't give it to her, I pray,
Unless you tell her it was mine once;
I've had it a year today.
Only a year, dear Charley
'Twas a bright happy year for us both.
You swore that you'd never forget me,
But you've been untrue to your oath.
Oh, here is your picture, dear Charley,
'Tis almost faded away.
'Tis because I have kissed it so often,
And that you can tell Miss Gray.
Oh, here are your letters, dear Charley,
I burned mine all when they came,
And I hope without reading them over,
You'll commit them all to the flame.
You have my heart's best wishes
For your happiness through life,
May your path be decked with roses
With an heiress for your wife.
And now goodbye, dear Charley,
My letter is nearing it's end.
But remember, dear Charley, remember
I'm forever and ever your friend.

�</text>
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&lt;p&gt;Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.&lt;/p&gt;&#13;
&lt;p&gt;Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.&lt;/p&gt;</text>
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                <text>Charlie Brooks,</text>
              </elementText>
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          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="983768">
                <text>W. L. Eury Appalachian Collection, Appalachian State University</text>
              </elementText>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="984660">
                <text>This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</text>
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      <elementSet elementSetId="7">
        <name>Scripto</name>
        <description/>
        <elementContainer>
          <element elementId="161">
            <name>Transcription</name>
            <description>A written representation of a document.</description>
            <elementTextContainer>
              <elementText elementTextId="666761">
                <text>The Two Letters&#13;
&#13;
Miss Adair, since I left the city,&#13;
I find that I’ve changed my mind.&#13;
Oh! Please do not think me fickle&#13;
Or think me the least unkind.&#13;
I find that we’re both mistaken,&#13;
I know you would never suit me,&#13;
And now my heart is another’s,&#13;
And with me I hope you’ll agree.&#13;
&#13;
Please send me the ring that I gave you,&#13;
Also my picture so fair.&#13;
And please be so kind as to free me&#13;
From a flip and a flirt, Miss Adair.&#13;
Please send me the locket I gave you&#13;
Also my letters and books.&#13;
Henceforth Miss Adair, we are strangers,&#13;
Respectfully yours, Charles Brooks.&#13;
&#13;
Dear Charley, I received your letter,&#13;
The last one you sent to me.&#13;
I have read it all over and over,&#13;
And with you of course I’ll agree.&#13;
I hope that you will be happy&#13;
With the beautiful heiress, Miss Gray.&#13;
I have heard all about it dear Charley,&#13;
And thought it would end this way.&#13;
&#13;
Oh! Here is your ring, dear Charley,&#13;
Don’t give it to her, I pray,&#13;
Unless you tell her it was mine once,&#13;
I’ve had it a year today.&#13;
Only a year, dear Charley&#13;
‘Twas a bright happy year for us both.&#13;
You swore that you’d never forget me,&#13;
But you’ve been untrue to your oath.&#13;
&#13;
Oh, here is your picture, dear Charley,&#13;
‘Tis almost faded away.&#13;
‘Tis because I have kissed it so often,&#13;
And that you can tell Miss Gray.&#13;
Oh, here are your letters, dear Charley,&#13;
I burned mine all when they came,&#13;
And I hope without reading them over, &#13;
You’ll commit them all to the flame.&#13;
&#13;
You have my heart’s best wishes&#13;
For your happiness through life,&#13;
May your path be decked with roses&#13;
With an heiress for your wife.&#13;
And now goodbye, dear Charley,&#13;
My letter is nearing it’s end.&#13;
But remember dear Charley, remember&#13;
I’m forever and ever your friend. </text>
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      <tag tagId="2533">
        <name>Charley Brooks</name>
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      <tag tagId="2532">
        <name>Charlie Brooks</name>
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      <tag tagId="2531">
        <name>Dear Nell</name>
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      <tag tagId="2535">
        <name>Dear Nellie</name>
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      <tag tagId="2534">
        <name>Leaving the City</name>
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      <tag tagId="2537">
        <name>Nellie Dare</name>
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      <tag tagId="2536">
        <name>Nellie Dare and Charlie Brooks</name>
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      <tag tagId="1308">
        <name>songs and music letters</name>
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      <tag tagId="1543">
        <name>songs and music love</name>
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      <tag tagId="2538">
        <name>The Two Letters</name>
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